Gigs/Practice --------------------------------------- Outlaw Effects Palomino: 4x500mA isolated power supply. Not enough to power the Tonex, but everything else. There are only 4 outs, but I have never had noise issues with daisy-chaining. It could happen on stage but since I won't be bringing the long pedal chains to shows anymore I'm not worried about this. One output is switchable between 9/12/18 volts, which of course reduces the current. The total current flowing through all outs of the unit is 2000mA. Enough for Gamechanger & Pigtronix. TC-Electronic Tuner: it tunes. Digitech Drop: Downtune in half-steps. Extremely good tracking. Way better than the Morpheus. E-Standard can go down to A-Standard; drop-D can go down to drop-G. Loses some tone the lower you go *Neural DSP has this feature, though it sounds slightly different but is just as good IK Multimedia Tonex: modern amp & cab sim developed using machine learning. Much more realistic than pretty much anything that came before. Competes well with Neural DSP who spearheaded using ML for impulse responses. With this, I can plug directly into a mixer. Thus it entirely precludes lugging around an amp for shows. Set up is faster & easier, space is saved, and it still sounds great to the audience. In the image, you'll see dog & cat fur. The guy who's basement we practice in has cats & dogs. I've never owned any pets. --------------------------------------- Play around at home - mostly analog --------------------------------------- Electroharmonix SwitchBlade: I use it as an input switch; that's why it's upside-down. Switch between two guitars or guitar & bass Electroharmonix MicroPOG: Octave down + Octave up + dry signal. I mainly use octave down with a little dry signal blended in Dusky Mandorla: "Classic Treble Boost". Gives that extra bite for leads or even meaner rhythms. Great in combo with the Drop to make up the lost tone. Cleans up the 'mud' in low tunings. Electroharmonix Sentinel: Noise Gate. I forego the send/receive loop because it adds noticeable latency. Works well straight- through Boss OD-2 Turbo Overdrive: Fantastic, strong overdrive in Turbo mode. Retains articulation of notes. Turbo off is good for nice saturation and boosting fuzz/distortion down the line Boss BF-2 Flanger: I love flangers. Rarely hear them in other people's recordings. Most guitarists love the phaser but the flanger is more diverse, more dynamic. very underrated Boss CH-2 Chorus: just a chorus Dunlop Crybaby: good wah-pedal. Every wah is noticeably different. This is just the one I went with. I like that the switch is under the pedal rather than beside it, as with the Morley Keeley Compressor Pro: Fantastic compressor. All the necessary knobs Gamechanger Audio PLASMA: cool concept of a pedal. Induces a signal via plasma discharge. It's a wild distortion. Gotta be careful with the voltage (gain) -- it reaches white noise/static territory Gamechanger Audio LIGHT: moar cool, but reverb. I haven't played around with this yet. Lots of controls, almost too much variety of 'verb Gamechanger Audio BIGSBY: an actual Bigsby (now Fender) whammy bar attached to a digital pitch-shifting pedal. It has the same spring as one in a guitar. I prefer this to the static 'rocker pedal' of the Digitech Whammy. It feels more natural with the recoil. TC-Electronic Mimiq: doubles the signal with slight variations on pitch, timing, and tone (I think). It can create 1, 2, or 3 "doubles" but I only use 1 to avoid that chorus effect. Creates a great stereo effect both live and recording. *Neural DSP has a 'doubler' feature that does this. If I ever get a Cortex or decide to use my laptop live, I'll still have this effect TC-Electronic Quintessence: add harmonies. Again, great in stereo; splits the dry signal from the harmony between two amps or L/R on a stereo channel strip TC-Electronic Flashback: I specifically bought this for the Ping-Pong mode. For some reason this mode was removed in v2. So I paid less to get more by buying v1 Saturnworks Stereo Looper: simultaneously switch on/off two effects loops. I use it to trigger two different fuzz pedals (one for left, one for right) Dusky Hypatia: good-range fuzz. retains articulation. not overly fuzzy, i.e. not static FuzzHugger Doom Bloom: fuzz. a lot of knobs. Supposedly good for low tunings ADA GC-6 Speaker Simulator: decent-sounding speaker sim when going direct to a mixer. Sounds much crappier than Guitar Rig 4 so I don't record with it Digitech JamMan Stereo: stereo looper last updated 07 February 2026