_ _ _ _ __ | |_| |__ ___ ___ _ __(_) __ _(_)_ __ ___ ___ / _| | __| '_ \ / _ \ / _ \| '__| |/ _` | | '_ \/ __| / _ \| |_ | |_| | | | __/ | (_) | | | | (_| | | | | \__ \ | (_) | _| \__|_| |_|\___| \___/|_| |_|\__, |_|_| |_|___/ \___/|_| |___/ _ _ _ _ _ __ _ ___(_) __| | | |__ __ _| | | O O / _` |/ __| |/ _` | | '_ \ / _` | | | | (_| | (__| | (_| | | | | | (_| | | | -_ _- \__,_|\___|_|\__,_| |_| |_|\__,_|_|_| --- U o o o o ______ o o _-----_ / \ __/\/\/\___ o _// O O \ / O O \ \ __ __ / ____/ \\ \___/ /o | | / o \/ o \ ____/ \ \____--' \ \____/ / / ^^ \ / _/ \___ \______/ / /\ \\____ / _________ \ ______// __/--\___\\\ \_____/ \ \ //// \ \ / / \ /\ \/\ \___ \_\ _____/ / _ _______\ \ \ ____/__\___ \\ / / / / / \ ______ /_ / ______/__///______________/\\ \ / \/ / | / | // / /____\ \||o| | o o o o o o o o o |// /___ __ ___\ | \ o o o o o \_______// \ / | \_\_\_\ --_______/ \/ | | | | | / | | || || || || || || || 3 0 3 | |__________________________________| By Permillia Shuttleworth ACIDHALL - a combination of digital dub/dancehall, mostly from the 'golden era' 1985 - 1990, with acid basslines. As far as I know, the origins of ACIDHALL can be traced to ACID RAIN RECORDS a label from New York, who released a bunch of dancehall related 7"s in the late 90s till mid 2000's. The label started with some mediocre releases using the "1999 riddimm" - a simple dancehall rhythm based around the stabby chords of prince's 1999 - The 'prince hommage' is also visible on the label's logo which uses the Purple Rain font. In the year 2000 they released the first record with the ACID HALL RIDDIM - an incredible sludgy Roland TB303 acidline with a simple rough TR606 beat. It was raw, uncompromised, trippy and above all irresistible - sounding like it wouldn't be out of place on an underground sewage Beverly Hills 808303 or Acid Planet release. Curiously the producer of this slab of raw acid was Salaam Redi - a well established grammy award winning producer who produced multi platinum selling albums for the likes of NAS, The Fugees and would go on to record Amy Winehouse's Back to Black album. With its raw smudgey grooves it quickly became a staple in certain zones of the Dutch West Coast/The Hague electro-nix scene. Mixed with slower electro & italo, "cosmic", memphis rap & underground hiphop music. As there basically was only 1 acidhall riddim, the pressure was on for expansion and creation of the Acidhall genre: Around 2016 the first tracks slowly creeped into the scene - mostly edits/remixes of golden era digital dancehall/dub tracks layered with acid basslines. Often the beat is fattened up too with slow electro rhythms preferably from the Roland TR606, 707 but also the 808 and some use the Boss DR55. Other synths, strings and fx sounds are added too, whatever works...there are no rules! The sound is mostly RAW and LO-FI, smudgy and intense. Making acidhall is easy - everyone can do it! You just need a computer with software - a 303 emulator like ABL, Phosycon or that ancient sweet luscious REBIRTH - and a DAW. Cut up the riddims, play some reggae chords and layer it with some acidlines - like mayonnaise on a bun! Here you can download (120.9 Megabytezzz) a compilation BEST OF ACID HALL music with 9 acid hall versions of the following songs: https://www.mediafire.com/file/2ai6rkvhghy6vt8/BeSt_oF_AcIdHaLL_cOmPiLaTiOn.zip/file BOOM BACK - ROAD BLOCK CRIME STOPPER - DRUGS ADDICTION TONTO IRIE - WORLDS BEST LOVER HORACE ANDY - CURFEW FRANKIE WILMOT - PAULA & SANDRA EVERTON CHAMBERS - Hold Your Corner HORACE FERGUSON - SENSI ADDIC THE TWIN ROOTS - Know Love WHITE MICE - Don't Waste Your Life On The Freebase Pipe