_ _ _ _ | |__ _ _(_) | __| | _ _ ___ _ _ _ __ _____ ___ __ | '_ \| | | | | |/ _` | | | | |/ _ \| | | | '__| / _ \ \ /\ / / '_ \ | |_) | |_| | | | (_| | | |_| | (_) | |_| | | | (_) \ V V /| | | | |_.__/ \__,_|_|_|\__,_| \__, |\___/ \__,_|_| \___/ \_/\_/ |_| |_| |___/ __ _ _ _ _ _ / _(_) ___| | __| | _ __ ___ ___ ___ _ __ __| (_)_ __ __ _ | |_| |/ _ \ |/ _` | | '__/ _ \/ __/ _ \| '__/ _` | | '_ \ / _` | | _| | __/ | (_| | | | | __/ (_| (_) | | | (_| | | | | | (_| | |_| |_|\___|_|\__,_| |_| \___|\___\___/|_| \__,_|_|_| |_|\__, | |___/ _ ___----__/\ /\ /\ /\ __| | ___ _ __ ___ ___ /\ \ / \/ / \________ / _` |/ _ \| '_ ` _ \ / _ \ / \ __________ | (_| | (_) | | | | | | __/ /____\ _____/ _/ | \_____ \__,_|\___/|_| |_| |_|\___| || ___/ _/ \ \____ __/ / _/ | | \___ _/ --__ / \ \_ \__ /\ _/ _ | | - \ __- \ / \ /\ / / _/ --__ | __- \ \ / \ / \ -____ / | ___--- /______\ /____\ /\ ---___|_____ ____|_____----- || || / \ ---------- / \ /\ | /______\ | / \ \|/ || | \|/ /\ / \ \|/ / \ /______\ / \ || /______\ || Fieldrecording is a fun meditative passtime. One can find great fulfillment in recording, for example some drizzle in a spring meadow and listening back to that while falling asleep a few months later in your appartment. You record an enviroment that you can always recall at any place...change your bedroom in that meadow at any time, travelling in time and space at your convienience. Its quite easy to start field recording, the ocassional amateur hobbyist doesn't have to invest into professional microphones and recording equipment. Decent advanced omni-directional recorders are available at cheap prices these days one can even use a phone or old portable cassette recorder, depending on how low you set the bar of quality (as some sort of punk style lo-fi esthetic field recording) One of the problems recording in outside enviroments are the elements of nature. Rain and wind make annyoing ticks and loud rumbles when they hit the microphone yet they are definitely sounds you want to capture. There are wind socks and furry windjammers (foxtails) that help against the rumbling from the wind but for rain drops the best solution is some kind of shelter which is sometimes difficult to find when you are out in the open nature. What you need: -------------- - Some kind of material to make the body/framework for the dome: Bamboo skewers or shapeable metal wire, which you can connect with pieces of putty or tape. - something to put over the structure that will absorb the rain and wind: absorbent cloths, vilt - a material that will protect enough but will let enough of the sound through. How to proceed: --------------- With the skewers or metal wire make a domed skeleton framework and just span the cloth over it like this: . | . . | . ____----____ . | . _-- | --_ . | . _-- . . . . | . . . --_ ____________---____________ _- | -_ . --- . / . . . . . | . . . . . \ . | . / | \ . | . | . . . . . . . | . . . . . . . | . | . . | . side view top view now place the recorder underneath the dome and it should be protected against rain hitting the microphone. \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ / . . . . . . |/ ___------___ \ | |/ . | . _-- _| --_ \| |/ | | \| \|/ / /:|\ \ |/ \| \| \|/ | . | . / |-|| \ | |/ | | _____|_____|________|______|. . . . |_|| . . . .|___|___|____|____|____ experiment to see if its nesseray to keep the wind sock on the recorder when its in the dome, or what the difference in the recorded sound is, you don't want it to be too muffled. Here is an example recording [http://www.pacificmicro.org/00%20-%20FieldrecordingsZorgvlietPark27Mei2018.mp3], recorded in the spring at a meadow at the Zorgvliet park in The Hague/Scheveningen with a ZOOM H4 recorder.