Thick-Sprinkled Bunting
Thick-sprinkled bunting! flag of stars!
Long yet your road, fateful flag—long yet your road, and lined with
bloody death,
For the prize I see at issue at last is the world,
All its ships and shores I see interwoven with your threads greedy banner;
Dream'd again the flags of kings, highest borne to flaunt unrival'd?
O hasten flag of man—O with sure and steady step, passing highest
flags of kings,
Walk supreme to the heavens mighty symbol—run up above them all,
Flag of stars! thick-sprinkled bunting!
What Best I See in Thee
[To U. S. G. return'd from his World's Tour]
What best I see in thee,
Is not that where thou mov'st down history's great highways,
Ever undimm'd by time shoots warlike victory's dazzle,
Or that thou sat'st where Washington sat, ruling the land in peace,
Or thou the man whom feudal Europe feted, venerable Asia swarm'd upon,
Who walk'd with kings with even pace the round world's promenade;
But that in foreign lands, in all thy walks with kings,
Those prairie sovereigns of the West, Kansas, Missouri, Illinois,
Ohio's, Indiana's millions, comrades, farmers, soldiers, all to the front,
Invisibly with thee walking with kings with even pace the round
world's promenade,
Were all so justified.
Spirit That Form'd This Scene
[Written in Platte Canyon, Colorado]
Spirit that form'd this scene,
These tumbled rock-piles grim and red,
These reckless heaven-ambitious peaks,
These gorges, turbulent-clear streams, this naked freshness,
These formless wild arrays, for reasons of their own,
I know thee, savage spirit—we have communed together,
Mine too such wild arrays, for reasons of their own;
Wast charged against my chants they had forgotten art?
To fuse within themselves its rules precise and delicatesse?
The lyrist's measur'd beat, the wrought-out temple's grace—column
and polish'd arch forgot?
But thou that revelest here—spirit that form'd this scene,
They have remember'd thee.
As I Walk These Broad Majestic Days
As I walk these broad majestic days of peace,
(For the war, the struggle of blood finish'd, wherein, O terrific Ideal,
Against vast odds erewhile having gloriously won,
Now thou stridest on, yet perhaps in time toward denser wars,
Perhaps to engage in time in still more dreadful contests, dangers,
Longer campaigns and crises, labors beyond all others,)
Around me I hear that eclat of the world, politics, produce,
The announcements of recognized things, science,
The approved growth of cities and the spread of inventions.
I see the ships, (they will last a few years,)
The vast factories with their foremen and workmen,
And hear the indorsement of all, and do not object to it.
But I too announce solid things,
Science, ships, politics, cities, factories, are not nothing,
Like a grand procession to music of distant bugles pouring,
triumphantly moving, and grander heaving in sight,
They stand for realities—all is as it should be.
Then my realities;
What else is so real as mine?
Libertad and the divine average, freedom to every slave on the face
of the earth,
The rapt promises and lumine of seers, the spiritual world, these
centuries-lasting songs,
And our visions, the visions of poets, the most solid announcements
of any.
A Clear Midnight
This is thy hour O Soul, thy free flight into the wordless,
Away from books, away from art, the day erased, the lesson done,
Thee fully forth emerging, silent, gazing, pondering the themes thou
lovest best,
Night, sleep, death and the stars.
BOOK XXXIII. SONGS OF PARTING
As the Time Draws Nigh
As the time draws nigh glooming a cloud,
A dread beyond of I know not what darkens me.
I shall go forth,
I shall traverse the States awhile, but I cannot tell whither or how long,
Perhaps soon some day or night while I am singing my voice will
suddenly cease.
O book, O chants! must all then amount to but this?
Must we barely arrive at this beginning of us? —and yet it is
enough, O soul;
O soul, we have positively appear'd—that is enough.
Years of the Modern
Years of the modern! years of the unperform'd!
Your horizon rises, I see it parting away for more august dramas,
I see not America only, not only Liberty's nation but other nations
preparing,
I see tremendous entrances and exits, new combinations, the solidarity
of races,
I see that force advancing with irresistible power on the world's stage,
(Have the old forces, the old wars, played their parts? are the acts
suitable to them closed?)
I see Freedom, completely arm'd and victorious and very haughty,
with Law on one side and Peace on the other,
A stupendous trio all issuing forth against the idea of caste;
What historic denouements are these we so rapidly approach?
I see men marching and countermarching by swift millions,
I see the frontiers and boundaries of the old aristocracies broken,
I see the landmarks of European kings removed,
I see this day the People beginning their landmarks, (all others give way;)
Never were such sharp questions ask'd as this day,
Never was average man, his soul, more energetic, more like a God,
Lo, how he urges and urges, leaving the masses no rest!
His daring foot is on land and sea everywhere, he colonizes the
Pacific, the archipelagoes,
With the steamship, the electric telegraph, the newspaper, the
wholesale engines of war,
With these and the world-spreading factories he interlinks all
geography, all lands;
What whispers are these O lands, running ahead of you, passing under
the seas?
Are all nations communing? is there going to be but one heart to the globe?
Is humanity forming en-masse? for lo, tyrants tremble, crowns grow dim,
The earth, restive, confronts a new era, perhaps a general divine war,
No one knows what will happen next, such portents fill the days and nights;
Years prophetical! the space ahead as I walk, as I vainly try to
pierce it, is full of phantoms,
Unborn deeds, things soon to be, project their shapes around me,
This incredible rush and heat, this strange ecstatic fever of dreams
O years!
Your dreams O years, how they penetrate through me! (I know not
whether I sleep or wake;)
The perform'd America and Europe grow dim, retiring in shadow behind me,
The unperform'd, more gigantic than ever, advance, advance upon me.
Ashes of Soldiers
Ashes of soldiers South or North,
As I muse retrospective murmuring a chant in thought,
The war resumes, again to my sense your shapes,
And again the advance of the armies.
Noiseless as mists and vapors,
From their graves in the trenches ascending,
From cemeteries all through Virginia and Tennessee,
From every point of the compass out of the countless graves,
In wafted clouds, in myriads large, or squads of twos or threes or
single ones they come,
And silently gather round me.
Now sound no note O trumpeters,
Not at the head of my cavalry parading on spirited horses,
With sabres drawn and glistening, and carbines by their thighs, (ah
my brave horsemen!
My handsome tan-faced horsemen! what life, what joy and pride,
With all the perils were yours.)
Nor you drummers, neither at reveille at dawn,
Nor the long roll alarming the camp, nor even the muffled beat for burial,
Nothing from you this time O drummers bearing my warlike drums.
But aside from these and the marts of wealth and the crowded promenade,
Admitting around me comrades close unseen by the rest and voiceless,
The slain elate and alive again, the dust and debris alive,
I chant this chant of my silent soul in the name of all dead soldiers.
Faces so pale with wondrous eyes, very dear, gather closer yet,
Draw close, but speak not.
Phantoms of countless lost,
Invisible to the rest henceforth become my companions,
Follow me ever—desert me not while I live.
Sweet are the blooming cheeks of the living—sweet are the musical
voices sounding,
But sweet, ah sweet, are the dead with their silent eyes.
Dearest comrades, all is over and long gone,
But love is not over—and what love, O comrades!
Perfume from battle-fields rising, up from the foetor arising.
Perfume therefore my chant, O love, immortal love,
Give me to bathe the memories of all dead soldiers,
Shroud them, embalm them, cover them all over with tender pride.
Perfume all—make all wholesome,
Make these ashes to nourish and blossom,
O love, solve all, fructify all with the last chemistry.
Give me exhaustless, make me a fountain,
That I exhale love from me wherever I go like a moist perennial dew,
For the ashes of all dead soldiers South or North.
Thoughts
1
Of these years I sing,
How they pass and have pass'd through convuls'd pains, as through
parturitions,
How America illustrates birth, muscular youth, the promise, the sure
fulfilment, the absolute success, despite of people—illustrates
evil as well as good,
The vehement struggle so fierce for unity in one's-self,
How many hold despairingly yet to the models departed, caste, myths,
obedience, compulsion, and to infidelity,
How few see the arrived models, the athletes, the Western States, or
see freedom or spirituality, or hold any faith in results,
(But I see the athletes, and I see the results of the war glorious
and inevitable, and they again leading to other results.)
How the great cities appear—how the Democratic masses, turbulent,
willful, as I love them,
How the whirl, the contest, the wrestle of evil with good, the
sounding and resounding, keep on and on,
How society waits unform'd, and is for a while between things ended
and things begun,
How America is the continent of glories, and of the triumph of
freedom and of the Democracies, and of the fruits of society, and
of all that is begun,
And how the States are complete in themselves—and how all triumphs
and glories are complete in themselves, to lead onward,
And how these of mine and of the States will in their turn be
convuls'd, and serve other parturitions and transitions,
And how all people, sights, combinations, the democratic masses too,
serve—and how every fact, and war itself, with all its horrors,
serves,
And how now or at any time each serves the exquisite transition of death.
2
Of seeds dropping into the ground, of births,
Of the steady concentration of America, inland, upward, to
impregnable and swarming places,
Of what Indiana, Kentucky, Arkansas, and the rest, are to be,
Of what a few years will show there in Nebraska, Colorado, Nevada,
and the rest,
(Or afar, mounting the Northern Pacific to Sitka or Aliaska,)
Of what the feuillage of America is the preparation for—and of what
all sights, North, South, East and West, are,
Of this Union welded in blood, of the solemn price paid, of the
unnamed lost ever present in my mind;
Of the temporary use of materials for identity's sake,
Of the present, passing, departing—of the growth of completer men
than any yet,
Of all sloping down there where the fresh free giver the mother, the
Mississippi flows,
Of mighty inland cities yet unsurvey'd and unsuspected,
Of the new and good names, of the modern developments, of
inalienable homesteads,
Of a free and original life there, of simple diet and clean and
sweet blood,
Of litheness, majestic faces, clear eyes, and perfect physique there,
Of immense spiritual results future years far West, each side of the
Anahuacs,
Of these songs, well understood there, (being made for that area,)
Of the native scorn of grossness and gain there,
(O it lurks in me night and day—what is gain after all to savageness
and freedom?)
Song at Sunset
Splendor of ended day floating and filling me,
Hour prophetic, hour resuming the past,
Inflating my throat, you divine average,
You earth and life till the last ray gleams I sing.
Open mouth of my soul uttering gladness,
Eyes of my soul seeing perfection,
Natural life of me faithfully praising things,
Corroborating forever the triumph of things.
Illustrious every one!
Illustrious what we name space, sphere of unnumber'd spirits,
Illustrious the mystery of motion in all beings, even the tiniest insect,
Illustrious the attribute of speech, the senses, the body,
Illustrious the passing light—illustrious the pale reflection on
the new moon in the western sky,
Illustrious whatever I see or hear or touch, to the last.
Good in all,
In the satisfaction and aplomb of animals,
In the annual return of the seasons,
In the hilarity of youth,
In the strength and flush of manhood,
In the grandeur and exquisiteness of old age,
In the superb vistas of death.
Wonderful to depart!
Wonderful to be here!
The heart, to jet the all-alike and innocent blood!
To breathe the air, how delicious!
To speak—to walk—to seize something by the hand!
To prepare for sleep, for bed, to look on my rose-color'd flesh!
To be conscious of my body, so satisfied, so large!
To be this incredible God I am!
To have gone forth among other Gods, these men and women I love.
Wonderful how I celebrate you and myself
How my thoughts play subtly at the spectacles around!
How the clouds pass silently overhead!
How the earth darts on and on! and how the sun, moon, stars, dart on and on!
How the water sports and sings! (surely it is alive!)
How the trees rise and stand up, with strong trunks, with branches
and leaves!
(Surely there is something more in each of the trees, some living soul.)
O amazement of things—even the least particle!
O spirituality of things!
O strain musical flowing through ages and continents, now reaching
me and America!
I take your strong chords, intersperse them, and cheerfully pass
them forward.
I too carol the sun, usher'd or at noon, or as now, setting,
I too throb to the brain and beauty of the earth and of all the
growths of the earth,
I too have felt the resistless call of myself.
As I steam'd down the Mississippi,
As I wander'd over the prairies,
As I have lived, as I have look'd through my windows my eyes,
As I went forth in the morning, as I beheld the light breaking in the east,
As I bathed on the beach of the Eastern Sea, and again on the beach
of the Western Sea,
As I roam'd the streets of inland Chicago, whatever streets I have roam'd,
Or cities or silent woods, or even amid the sights of war,
Wherever I have been I have charged myself with contentment and triumph.
I sing to the last the equalities modern or old,
I sing the endless finales of things,
I say Nature continues, glory continues,
I praise with electric voice,
For I do not see one imperfection in the universe,
And I do not see one cause or result lamentable at last in the universe.
O setting sun! though the time has come,
I still warble under you, if none else does, unmitigated adoration.
As at Thy Portals Also Death
As at thy portals also death,
Entering thy sovereign, dim, illimitable grounds,
To memories of my mother, to the divine blending, maternity,
To her, buried and gone, yet buried not, gone not from me,
(I see again the calm benignant face fresh and beautiful still,
I sit by the form in the coffin,
I kiss and kiss convulsively again the sweet old lips, the cheeks,
the closed eyes in the coffin;)
To her, the ideal woman, practical, spiritual, of all of earth,
life, love, to me the best,
I grave a monumental line, before I go, amid these songs,
And set a tombstone here.
My Legacy
The business man the acquirer vast,
After assiduous years surveying results, preparing for departure,
Devises houses and lands to his children, bequeaths stocks, goods,
funds for a school or hospital,
Leaves money to certain companions to buy tokens, souvenirs of gems
and gold.
But I, my life surveying, closing,
With nothing to show to devise from its idle years,
Nor houses nor lands, nor tokens of gems or gold for my friends,
Yet certain remembrances of the war for you, and after you,
And little souvenirs of camps and soldiers, with my love,
I bind together and bequeath in this bundle of songs.
Pensive on Her Dead Gazing
Pensive on her dead gazing I heard the Mother of All,
Desperate on the torn bodies, on the forms covering the battlefields gazing,
(As the last gun ceased, but the scent of the powder-smoke linger'd,)
As she call'd to her earth with mournful voice while she stalk'd,
Absorb them well O my earth, she cried, I charge you lose not my
sons, lose not an atom,
And you streams absorb them well, taking their dear blood,
And you local spots, and you airs that swim above lightly impalpable,
And all you essences of soil and growth, and you my rivers' depths,
And you mountain sides, and the woods where my dear children's
blood trickling redden'd,
And you trees down in your roots to bequeath to all future trees,
My dead absorb or South or North—my young men's bodies absorb,
and their precious precious blood,
Which holding in trust for me faithfully back again give me many a
year hence,
In unseen essence and odor of surface and grass, centuries hence,
In blowing airs from the fields back again give me my darlings, give
my immortal heroes,
Exhale me them centuries hence, breathe me their breath, let not an
atom be lost,
O years and graves! O air and soil! O my dead, an aroma sweet!
Exhale them perennial sweet death, years, centuries hence.
Camps of Green
Nor alone those camps of white, old comrades of the wars,
When as order'd forward, after a long march,
Footsore and weary, soon as the light lessens we halt for the night,
Some of us so fatigued carrying the gun and knapsack, dropping
asleep in our tracks,
Others pitching the little tents, and the fires lit up begin to sparkle,
Outposts of pickets posted surrounding alert through the dark,
And a word provided for countersign, careful for safety,
Till to the call of the drummers at daybreak loudly beating the drums,
We rise up refresh'd, the night and sleep pass'd over, and resume our
journey,
Or proceed to battle.
Lo, the camps of the tents of green,
Which the days of peace keep filling, and the days of war keep filling,
With a mystic army, (is it too order'd forward? is it too only
halting awhile,
Till night and sleep pass over?)
Now in those camps of green, in their tents dotting the world,
In the parents, children, husbands, wives, in them, in the old and young,
Sleeping under the sunlight, sleeping under the moonlight, content
and silent there at last,
Behold the mighty bivouac-field and waiting-camp of all,
Of the corps and generals all, and the President over the corps and
generals all,
And of each of us O soldiers, and of each and all in the ranks we fought,
(There without hatred we all, all meet.)
For presently O soldiers, we too camp in our place in the
bivouac-camps of green,
But we need not provide for outposts, nor word for the countersign,
Nor drummer to beat the morning drum.
The Sobbing of the Bells [Midnight, Sept. 19-20, 1881]
The sobbing of the bells, the sudden death-news everywhere,
The slumberers rouse, the rapport of the People,
(Full well they know that message in the darkness,
Full well return, respond within their breasts, their brains, the
sad reverberations,)
The passionate toll and clang—city to city, joining, sounding, passing,
Those heart-beats of a Nation in the night.
As They Draw to a Close
As they draw to a close,
Of what underlies the precedent songs—of my aims in them,
Of the seed I have sought to plant in them,
Of joy, sweet joy, through many a year, in them,
(For them, for them have I lived, in them my work is done,)
Of many an aspiration fond, of many a dream and plan;
Through Space and Time fused in a chant, and the flowing eternal identity,
To Nature encompassing these, encompassing God—to the joyous,
electric all,
To the sense of Death, and accepting exulting in Death in its turn
the same as life,
The entrance of man to sing;
To compact you, ye parted, diverse lives,
To put rapport the mountains and rocks and streams,
And the winds of the north, and the forests of oak and pine,
With you O soul.
Joy, Shipmate, Joy!
Joy, shipmate, Joy!
(Pleas'd to my soul at death I cry,)
Our life is closed, our life begins,
The long, long anchorage we leave,
The ship is clear at last, she leaps!
She swiftly courses from the shore,
Joy, shipmate, joy.
The Untold Want
The untold want by life and land ne'er granted,
Now voyager sail thou forth to seek and find.
Portals
What are those of the known but to ascend and enter the Unknown?
And what are those of life but for Death?
These Carols
These carols sung to cheer my passage through the world I see,
For completion I dedicate to the Invisible World.
Now Finale to the Shore
Now finale to the shore,
Now land and life finale and farewell,
Now Voyager depart, (much, much for thee is yet in store,)
Often enough hast thou adventur'd o'er the seas,
Cautiously cruising, studying the charts,
Duly again to port and hawser's tie returning;
But now obey thy cherish'd secret wish,
Embrace thy friends, leave all in order,
To port and hawser's tie no more returning,
Depart upon thy endless cruise old Sailor.
So Long!
To conclude, I announce what comes after me.
I remember I said before my leaves sprang at all,
I would raise my voice jocund and strong with reference to consummations.
When America does what was promis'd,
When through these States walk a hundred millions of superb persons,
When the rest part away for superb persons and contribute to them,
When breeds of the most perfect mothers denote America,
Then to me and mine our due fruition.
I have press'd through in my own right,
I have sung the body and the soul, war and peace have I sung, and
the songs of life and death,
And the songs of birth, and shown that there are many births.
I have offer'd my style to every one, I have journey'd with confident step;
While my pleasure is yet at the full I whisper So long!
And take the young woman's hand and the young man's hand for the last time.
I announce natural persons to arise,
I announce justice triumphant,
I announce uncompromising liberty and equality,
I announce the justification of candor and the justification of pride.
I announce that the identity of these States is a single identity only,
I announce the Union more and more compact, indissoluble,
I announce splendors and majesties to make all the previous politics
of the earth insignificant.
I announce adhesiveness, I say it shall be limitless, unloosen'd,
I say you shall yet find the friend you were looking for.
I announce a man or woman coming, perhaps you are the one, (So long!)
I announce the great individual, fluid as Nature, chaste,
affectionate, compassionate, fully arm'd.
I announce a life that shall be copious, vehement, spiritual, bold,
I announce an end that shall lightly and joyfully meet its translation.
I announce myriads of youths, beautiful, gigantic, sweet-blooded,
I announce a race of splendid and savage old men.
O thicker and faster—(So long!)
O crowding too close upon me,
I foresee too much, it means more than I thought,
It appears to me I am dying.
Hasten throat and sound your last,
Salute me—salute the days once more. Peal the old cry once more.
Screaming electric, the atmosphere using,
At random glancing, each as I notice absorbing,
Swiftly on, but a little while alighting,
Curious envelop'd messages delivering,
Sparkles hot, seed ethereal down in the dirt dropping,
Myself unknowing, my commission obeying, to question it never daring,
To ages and ages yet the growth of the seed leaving,
To troops out of the war arising, they the tasks I have set
promulging,
To women certain whispers of myself bequeathing, their affection
me more clearly explaining,
To young men my problems offering—no dallier I—I the muscle of
their brains trying,
So I pass, a little time vocal, visible, contrary,
Afterward a melodious echo, passionately bent for, (death making
me really undying,)
The best of me then when no longer visible, for toward that I have
been incessantly preparing.
What is there more, that I lag and pause and crouch extended with
unshut mouth?
Is there a single final farewell?
My songs cease, I abandon them,
From behind the screen where I hid I advance personally solely to you.
Camerado, this is no book,
Who touches this touches a man,
(Is it night? are we here together alone?)
It is I you hold and who holds you,
I spring from the pages into your arms—decease calls me forth.
O how your fingers drowse me,
Your breath falls around me like dew, your pulse lulls the tympans
of my ears,
I feel immerged from head to foot,
Delicious, enough.
Enough O deed impromptu and secret,
Enough O gliding present—enough O summ'd-up past.
Dear friend whoever you are take this kiss,
I give it especially to you, do not forget me,
I feel like one who has done work for the day to retire awhile,
I receive now again of my many translations, from my avataras
ascending, while others doubtless await me,
An unknown sphere more real than I dream'd, more direct, darts
awakening rays about me, So long!
Remember my words, I may again return,
I love you, I depart from materials,
I am as one disembodied, triumphant, dead.
BOOK XXXIV. SANDS AT SEVENTY
Mannahatta
My city's fit and noble name resumed,
Choice aboriginal name, with marvellous beauty, meaning,
A rocky founded island—shores where ever gayly dash the coming,
going, hurrying sea waves.
Paumanok
Sea-beauty! stretch'd and basking!
One side thy inland ocean laving, broad, with copious commerce,
steamers, sails,
And one the Atlantic's wind caressing, fierce or gentle—mighty hulls
dark-gliding in the distance.
Isle of sweet brooks of drinking-water—healthy air and soil!
Isle of the salty shore and breeze and brine!
From Montauk Point
I stand as on some mighty eagle's beak,
Eastward the sea absorbing, viewing, (nothing but sea and sky,)
The tossing waves, the foam, the ships in the distance,
The wild unrest, the snowy, curling caps—that inbound urge and urge
of waves,
Seeking the shores forever.
To Those Who've Fail'd
To those who've fail'd, in aspiration vast,
To unnam'd soldiers fallen in front on the lead,
To calm, devoted engineers—to over-ardent travelers—to pilots on
their ships,
To many a lofty song and picture without recognition—I'd rear
laurel-cover'd monument,
High, high above the rest—To all cut off before their time,
Possess'd by some strange spirit of fire,
Quench'd by an early death.
A Carol Closing Sixty-Nine
A carol closing sixty-nine—a resume—a repetition,
My lines in joy and hope continuing on the same,
Of ye, O God, Life, Nature, Freedom, Poetry;
Of you, my Land—your rivers, prairies, States—you, mottled Flag I love,
Your aggregate retain'd entire—Of north, south, east and west, your
items all;
Of me myself—the jocund heart yet beating in my breast,
The body wreck'd, old, poor and paralyzed—the strange inertia
falling pall-like round me,
The burning fires down in my sluggish blood not yet extinct,
The undiminish'd faith—the groups of loving friends.
The Bravest Soldiers
Brave, brave were the soldiers (high named to-day) who lived through
the fight;
But the bravest press'd to the front and fell, unnamed, unknown.
A Font of Type
This latent mine—these unlaunch'd voices—passionate powers,
Wrath, argument, or praise, or comic leer, or prayer devout,
(Not nonpareil, brevier, bourgeois, long primer merely,)
These ocean waves arousable to fury and to death,
Or sooth'd to ease and sheeny sun and sleep,
Within the pallid slivers slumbering.
As I Sit Writing Here
As I sit writing here, sick and grown old,
Not my least burden is that dulness of the years, querilities,
Ungracious glooms, aches, lethargy, constipation, whimpering ennui,
May filter in my dally songs.
My Canary Bird
Did we count great, O soul, to penetrate the themes of mighty books,
Absorbing deep and full from thoughts, plays, speculations?
But now from thee to me, caged bird, to feel thy joyous warble,
Filling the air, the lonesome room, the long forenoon,
Is it not just as great, O soul?
Queries to My Seventieth Year
Approaching, nearing, curious,
Thou dim, uncertain spectre—bringest thou life or death?
Strength, weakness, blindness, more paralysis and heavier?
Or placid skies and sun? Wilt stir the waters yet?
Or haply cut me short for good? Or leave me here as now,
Dull, parrot-like and old, with crack'd voice harping, screeching?
The Wallabout Martyrs
Greater than memory of Achilles or Ulysses,
More, more by far to thee than tomb of Alexander,
Those cart loads of old charnel ashes, scales and splints of mouldy bones,
Once living men—once resolute courage, aspiration, strength,
The stepping stones to thee to-day and here, America.
The First Dandelion
Simple and fresh and fair from winter's close emerging,
As if no artifice of fashion, business, politics, had ever been,
Forth from its sunny nook of shelter'd grass—innocent, golden, calm
as the dawn,
The spring's first dandelion shows its trustful face.
America
Centre of equal daughters, equal sons,
All, all alike endear'd, grown, ungrown, young or old,
Strong, ample, fair, enduring, capable, rich,
Perennial with the Earth, with Freedom, Law and Love,
A grand, sane, towering, seated Mother,
Chair'd in the adamant of Time.
Memories
How sweet the silent backward tracings!
The wanderings as in dreams—the meditation of old times resumed
—their loves, joys, persons, voyages.
To-Day and Thee
The appointed winners in a long-stretch'd game;
The course of Time and nations—Egypt, India, Greece and Rome;
The past entire, with all its heroes, histories, arts, experiments,
Its store of songs, inventions, voyages, teachers, books,
Garner'd for now and thee—To think of it!
The heirdom all converged in thee!
After the Dazzle of Day
After the dazzle of day is gone,
Only the dark, dark night shows to my eyes the stars;
After the clangor of organ majestic, or chorus, or perfect band,
Silent, athwart my soul, moves the symphony true.
Abraham Lincoln, Born Feb. 12, 1809
To-day, from each and all, a breath of prayer—a pulse of thought,
To memory of Him—to birth of Him.
Out of May's Shows Selected
Apple orchards, the trees all cover'd with blossoms;
Wheat fields carpeted far and near in vital emerald green;
The eternal, exhaustless freshness of each early morning;
The yellow, golden, transparent haze of the warm afternoon sun;
The aspiring lilac bushes with profuse purple or white flowers.
Halcyon Days
Not from successful love alone,
Nor wealth, nor honor'd middle age, nor victories of politics or war;
But as life wanes, and all the turbulent passions calm,
As gorgeous, vapory, silent hues cover the evening sky,
As softness, fulness, rest, suffuse the frame, like freshier, balmier air,
As the days take on a mellower light, and the apple at last hangs
really finish'd and indolent-ripe on the tree,
Then for the teeming quietest, happiest days of all!
The brooding and blissful halcyon days!
FANCIES AT NAVESINK
[I] The Pilot in the Mist
Steaming the northern rapids—(an old St. Lawrence reminiscence,
A sudden memory-flash comes back, I know not why,
Here waiting for the sunrise, gazing from this hill;)
Again 'tis just at morning—a heavy haze contends with daybreak,
Again the trembling, laboring vessel veers me—I press through
foam-dash'd rocks that almost touch me,
Again I mark where aft the small thin Indian helmsman
Looms in the mist, with brow elate and governing hand.
[II] Had I the Choice
Had I the choice to tally greatest bards,
To limn their portraits, stately, beautiful, and emulate at will,
Homer with all his wars and warriors—Hector, Achilles, Ajax,
Or Shakspere's woe-entangled Hamlet, Lear, Othello—Tennyson's fair ladies,
Metre or wit the best, or choice conceit to wield in perfect rhyme,
delight of singers;
These, these, O sea, all these I'd gladly barter,
Would you the undulation of one wave, its trick to me transfer,
Or breathe one breath of yours upon my verse,
And leave its odor there.
[III] You Tides with Ceaseless Swell
You tides with ceaseless swell! you power that does this work!
You unseen force, centripetal, centrifugal, through space's spread,
Rapport of sun, moon, earth, and all the constellations,
What are the messages by you from distant stars to us? what Sirius'?
what Capella's?
What central heart—and you the pulse—vivifies all? what boundless
aggregate of all?
What subtle indirection and significance in you? what clue to all in
you? what fluid, vast identity,
Holding the universe with all its parts as one—as sailing in a ship?
[IV] Last of Ebb, and Daylight Waning
Last of ebb, and daylight waning,
Scented sea-cool landward making, smells of sedge and salt incoming,
With many a half-caught voice sent up from the eddies,
Many a muffled confession—many a sob and whisper'd word,
As of speakers far or hid.
How they sweep down and out! how they mutter!
Poets unnamed—artists greatest of any, with cherish'd lost designs,
Love's unresponse—a chorus of age's complaints—hope's last words,
Some suicide's despairing cry, Away to the boundless waste, and
never again return.
On to oblivion then!
On, on, and do your part, ye burying, ebbing tide!
On for your time, ye furious debouche!
[V] And Yet Not You Alone
And yet not you alone, twilight and burying ebb,
Nor you, ye lost designs alone—nor failures, aspirations;
I know, divine deceitful ones, your glamour's seeming;
Duly by you, from you, the tide and light again—duly the hinges turning,
Duly the needed discord-parts offsetting, blending,
Weaving from you, from Sleep, Night, Death itself,
The rhythmus of Birth eternal.