LXXII.
ON
THE DEATH OF ROBERT DUNDAS, ESQ.,
OF ARNISTON,
LATE LORD PRESIDENT OF THE COURT OF SESSION.
[At the request of Advocate Hay, Burns composed this Poem, in the hope that it might interest the powerful family of Dundas in his fortunes. I found it inserted in the handwriting of the poet, in an interleaved copy of his Poems, which he presented to Dr. Geddes, accompanied by the following surly note:--"The foregoing Poem has some tolerable lines in it, but the incurable wound of my pride will not suffer me to correct, or even peruse it. I sent a copy of it with my best prose letter to the son of the great man, the theme of the piece, by the hands of one of the noblest men in God's world, Alexander Wood, surgeon: when, behold! his solicitorship took no more notice of my Poem, or of me, than I had been a strolling fiddler who had made free with his lady's name, for a silly new reel. Did the fellow imagine that I looked for any dirty gratuity?" This Robert Dundas was the elder brother of that Lord Melville to whose hands, soon after these lines were written, all the government patronage in Scotland was confided, and who, when the name of Burns was mentioned, pushed the wine to Pitt, and said nothing. The poem was first printed by me, in 1834.]
Lone on the bleaky hills the straying flocks
Shun the fierce storms among the sheltering rocks;
Down from the rivulets, red with dashing rains,
The gathering floods burst o'er the distant plains;
Beneath the blasts the leafless forests groan;
The hollow caves return a sullen moan.
Ye hills, ye plains, ye forests and ye caves,
Ye howling winds, and wintry swelling waves!
Unheard, unseen, by human ear or eye,
Sad to your sympathetic scenes I fly;
Where to the whistling blast and waters' roar
Pale Scotia's recent wound I may deplore.
O heavy loss, thy country ill could bear!
A loss these evil days can ne'er repair!
Justice, the high vicegerent of her God,
Her doubtful balance ey'd, and sway'd her rod;
Hearing the tidings of the fatal blow
She sunk, abandon'd to the wildest woe.
Wrongs, injuries, from many a darksome den,
Now gay in hope explore the paths of men:
See from this cavern grim Oppression rise,
And throw on poverty his cruel eyes;
Keen on the helpless victim see him fly,
And stifle, dark, the feebly-bursting cry:
Mark ruffian Violence, distain'd with crimes,
Rousing elate in these degenerate times;
View unsuspecting Innocence a prey,
As guileful Fraud points out the erring way:
While subtile Litigation's pliant tongue
The life-blood equal sucks of Right and Wrong:
Hark, injur'd Want recounts th' unlisten'd tale,
And much-wrong'd Mis'ry pours th' unpitied wail!
Ye dark waste hills, and brown unsightly plains,
To you I sing my grief-inspired strains:
Ye tempests, rage! ye turbid torrents, roll!
Ye suit the joyless tenor of my soul.
Life's social haunts and pleasures I resign,
Be nameless wilds and lonely wanderings mine,
To mourn the woes my country must endure,
That wound degenerate ages cannot cure.
LXXIII.
ON READING IN A NEWSPAPER
THE DEATH OF JOHN M'LEOD, ESQ.
BROTHER TO A YOUNG LADY, A PARTICULAR FRIEND
OF THE AUTHOR'S.
[John M'Leod was of the ancient family of Raza, and brother to that Isabella M'Leod, for whom Burns, in his correspondence, expressed great regard. The little Poem, when first printed, consisted of six verses: I found a seventh in M'Murdo Manuscripts, the fifth in this edition, along with an intimation in prose, that the M'Leod family had endured many unmerited misfortunes. I observe that Sir Harris Nicolas has rejected this new verse, because, he says, it repeats the same sentiment as the one which precedes it. I think differently, and have retained it.]
Sad thy tale, thou idle page,
And rueful thy alarms:
Death tears the brother of her love
From Isabella's arms.
Sweetly deck'd with pearly dew
The morning rose may blow;
But cold successive noontide blasts
May lay its beauties low.
Fair on Isabella's morn
The sun propitious smil'd;
But, long ere noon, succeeding clouds
Succeeding hopes beguil'd.
Fate oft tears the bosom chords
That nature finest strung:
So Isabella's heart was form'd,
And so that heart was wrung.
Were it in the poet's power,
Strong as he shares the grief
That pierces Isabella's heart,
To give that heart relief!
Dread Omnipotence, alone,
Can heal the wound He gave;
Can point the brimful grief-worn eyes
To scenes beyond the grave.
Virtue's blossoms there shall blow,
And fear no withering blast;
There Isabella's spotless worth
Shall happy be at last.
LXXIV.
TO MISS LOGAN,
WITH BEATTIE'S POEMS FOR A NEW YEAR'S GIFT.
JAN. 1, 1787.
[Burns was fond of writing compliments in books, and giving them in presents among his fair friends. Miss Logan, of Park house, was sister to Major Logan, of Camlarg, and the "sentimental sister Susie," of the Epistle to her brother. Both these names were early dropped out of the poet's correspondence.]
Again the silent wheels of time
Their annual round have driv'n,
And you, tho' scarce in maiden prime,
Are so much nearer Heav'n.
No gifts have I from Indian coasts
The infant year to hail:
I send you more than India boasts
In Edwin's simple tale.
Our sex with guile and faithless love
Is charg'd, perhaps, too true;
But may, dear maid, each lover prove
An Edwin still to you!
LXXV.
THE AMERICAN WAR.
A FRAGMENT.
[Dr. Blair said that the politics of Burns smelt of the smithy, which, interpreted, means, that they were unstatesman-like, and worthy of a country ale-house, and an audience of peasants. The Poem gives us a striking picture of the humorous and familiar way in which the hinds and husbandmen of Scotland handle national topics: the smithy is a favourite resort, during the winter evenings, of rustic politicians; and national affairs and parish scandal are alike discussed. Burns was in those days, and some time after, a vehement Tory: his admiration of "Chatham's Boy," called down on him the dusty indignation of the republican Ritson.]
I.
When Guildford good our pilot stood,
And did our hellim thraw, man,
Ae night, at tea, began a plea,
Within America, man:
Then up they gat the maskin-pat,
And in the sea did jaw, man;
An' did nae less in full Congress,
Than quite refuse our law, man.
II.
Then thro' the lakes Montgomery takes,
I wat he was na slaw, man;
Down Lowrie's burn he took a turn,
And Carleton did ca', man;
But yet, what-reck, he, at Quebec,
Montgomery-like did fa', man,
Wi' sword in hand, before his band,
Amang his en'mies a', man.
III.
Poor Tammy Gage, within a cage,
Was kept at Boston ha', man;
Till Willie Howe took o'er the knowe
For Philadelphia, man;
Wi' sword an' gun he thought a sin
Guid Christian blood to draw, man:
But at New York, wi' knife an' fork,
Sir-loin he hacked sma', man.
IV.
Burgoyne gaed up, like spur an' whip,
Till Fraser brave did fa', man,
Then lost his way, ae misty day,
In Saratoga shaw, man.
Cornwallis fought as lang's he dought,
An' did the buckskins claw, man;
But Clinton's glaive frae rust to save,
He hung it to the wa', man.
V.
Then Montague, an' Guilford, too,
Began to fear a fa', man;
And Sackville dour, wha stood the stoure,
The German Chief to thraw, man;
For Paddy Burke, like ony Turk,
Nae mercy had at a', man;
An' Charlie Fox threw by the box,
An' lows'd his tinkler jaw, man.
VI.
Then Rockingham took up the game,
Till death did on him ca', man;
When Shelburne meek held up his cheek,
Conform to gospel law, man;
Saint Stephen's boys, wi' jarring noise,
They did his measures thraw, man,
For North an' Fox united stocks,
An' bore him to the wa', man.
VII.
Then clubs an' hearts were Charlie's cartes,
He swept the stakes awa', man,
Till the diamond's ace, of Indian race,
Led him a sair _faux pas_, man;
The Saxon lads, wi' loud placads,
On Chatham's boy did ca', man;
An' Scotland drew her pipe, an' blew,
"Up, Willie, waur them a', man!"
VIII.
Behind the throne then Grenville's gone,
A secret word or twa, man;
While slee Dundas arous'd the class,
Be-north the Roman wa', man:
An' Chatham's wraith, in heavenly graith,
(Inspired Bardies saw, man)
Wi' kindling eyes cry'd "Willie, rise!
Would I hae fear'd them a', man?"
IX.
But, word an' blow, North, Fox, and Co.,
Gowff'd Willie like a ba', man,
Till Suthron raise, and coost their claise
Behind him in a raw, man;
An' Caledon threw by the drone,
An' did her whittle draw, man;
An' swoor fu' rude, thro' dirt an' blood
To make it guid in law, man.
LXXVI.
THE DEAN OF FACULTY.
A NEW BALLAD.
[The Hal and Bob of these satiric lines were Henry Erskine, and Robert Dundas: and their contention was, as the verses intimate, for the place of Dean of the Faculty of Advocates: Erskine was successful. It is supposed that in characterizing Dundas, the poet remembered "the incurable wound which his pride had got" in the affair of the elegiac verses on the death of the elder Dundas. The poem first appeared in the Reliques of Burns.]
I.
Dire was the hate at old Harlaw,
That Scot to Scot did carry;
And dire the discord Langside saw,
For beauteous, hapless Mary:
But Scot with Scot ne'er met so hot,
Or were more in fury seen, Sir,
Than 'twixt Hal and Bob for the famous job--
Who should be Faculty's Dean, Sir.--
II.
This Hal for genius, wit, and lore,
Among the first was number'd;
But pious Bob, 'mid learning's store,
Commandment tenth remember'd.--
Yet simple Bob the victory got,
And won his heart's desire;
Which shows that heaven can boil the pot,
Though the devil p--s in the fire.--
III.
Squire Hal besides had in this case
Pretensions rather brassy,
For talents to deserve a place
Are qualifications saucy;
So, their worships of the Faculty,
Quite sick of merit's rudeness,
Chose one who should owe it all, d'ye see,
To their gratis grace and goodness.--
IV.
As once on Pisgah purg'd was the sight
Of a son of Circumcision,
So may be, on this Pisgah height,
Bob's purblind, mental vision:
Nay, Bobby's mouth may be open'd yet
Till for eloquence you hail him,
And swear he has the angel met
That met the Ass of Balaam.
LXXVII.
TO A LADY,
WITH A PRESENT OF A PAIR OF DRINKING-GLASSES.
[To Mrs. M'Lehose, of Edinburgh, the poet presented the
drinking-glasses alluded to in the verses: they are, it seems, still preserved, and the lady on occasions of high festival, indulges, it is said, favourite visiters with a draught from them of "The blood of Shiraz' scorched vine."]
Fair Empress of the Poet's soul,
And Queen of Poetesses;
Clarinda, take this little boon,
This humble pair of glasses.
And fill them high with generous juice,
As generous as your mind;
And pledge me in the generous toast--
"The whole of human kind!"
"To those who love us!"--second fill;
But not to those whom we love;
Lest we love those who love not us!--
A third--"to thee and me, love!"
LXXVIII.
TO CLARINDA.
[This is the lady of the drinking-glasses; the Mrs. Mac of many a toast among the poet's acquaintances. She was, in those days, young and beautiful, and we fear a little giddy, since she indulged in that sentimental and platonic flirtation with the poet, contained in the well-known letters to Clarinda. The letters, after the poet's death, appeared in print without her permission: she obtained an injunction against the publication, which still remains in force, but her anger seems to have been less a matter of taste than of whim, for the injunction has been allowed to slumber in the case of some editors, though it has been enforced against others.]
Clarinda, mistress of my soul,
The measur'd time is run!
The wretch beneath the dreary pole
So marks his latest sun.
To what dark cave of frozen night
Shall poor Sylvander hie;
Depriv'd of thee, his life and light,
The sun of all his joy.
We part--but, by these precious drops
That fill thy lovely eyes!
No other light shall guide my steps
Till thy bright beams arise.
She, the fair sun of all her sex,
Has blest my glorious day;
And shall a glimmering planet fix
My worship to its ray?
LXXIX.
VERSES
WRITTEN UNDER THE PORTRAIT OF FERGUSSON, THE POET, IN A COPY OF THAT AUTHOR'S WORKS PRESENTED TO A YOUNG LADY.
[Who the young lady was to whom the poet presented the portrait and Poems of the ill-fated Fergusson, we have not been told. The verses are dated Edinburgh, March 19th, 1787.]
Curse on ungrateful man, that can be pleas'd,
And yet can starve the author of the pleasure!
O thou my elder brother in misfortune,
By far my elder brother in the muses,
With tears I pity thy unhappy fate!
Why is the bard unpitied by the world,
Yet has so keen a relish of its pleasures?
LXXX.
PROLOGUE
SPOKEN BY MR. WOODS ON HIS BENEFIT NIGHT,
MONDAY, 16 April, 1787.
[The Woods for whom this Prologue was written, was in those days a popular actor in Edinburgh. He had other claims on Burns: he had been the friend as well as comrade of poor Fergusson, and possessed some poetical talent. He died in Edinburgh, December 14th, 1802.]
When by a generous Public's kind acclaim,
That dearest meed is granted--honest fame;
When _here_ your favour is the actor's lot,
Nor even the _man_ in _private life_ forgot;
What breast so dead to heavenly virtue's glow,
But heaves impassion'd with the grateful throe?
Poor is the task to please a barbarous throng,
It needs no Siddons' powers in Southerne's song;
But here an ancient nation fam'd afar,
For genius, learning high, as great in war--
Hail, CALEDONIA, name for ever dear!
Before whose sons I'm honoured to appear!
Where every science--every nobler art--
That can inform the mind, or mend the heart,
Is known; as grateful nations oft have found
Far as the rude barbarian marks the bound.
Philosophy, no idle pedant dream,
Here holds her search by heaven-taught Reason's beam;
Here History paints, with elegance and force,
The tide of Empires' fluctuating course;
Here Douglas forms wild Shakspeare into plan,
And Harley[68] rouses all the god in man.
When well-form'd taste and sparkling wit unite,
With manly lore, or female beauty bright,
(Beauty, where faultless symmetry and grace,
Can only charm as in the second place,)
Witness my heart, how oft with panting fear,
As on this night, I've met these judges here!
But still the hope Experience taught to live,
Equal to judge--you're candid to forgive.
Nor hundred-headed Riot here we meet,
With decency and law beneath his feet:
Nor Insolence assumes fair Freedom's name;
Like CALEDONIANS, you applaud or blame.
O Thou dread Power! whose Empire-giving hand
Has oft been stretch'd to shield the honour'd land!
Strong may she glow with all her ancient fire:
May every son be worthy of his sire;
Firm may she rise with generous disdain
At Tyranny's, or direr Pleasure's chain;
Still self-dependent in her native shore,
Bold may she brave grim Danger's loudest roar,
Till Fate the curtain drop on worlds to be no more.
FOOTNOTES:
[Footnote 68: The Man of Feeling, by Mackenzie.]
LXXXI.
SKETCH.
[This Sketch is a portion of a long Poem which Burns proposed to call "The Poet's Progress." He communicated the little he had done, for he was a courter of opinions, to Dugald Stewart. "The Fragment forms," said he, "the postulata, the axioms, the definition of a character, which, if it appear at all, shall be placed in a variety of lights. This particular part I send you, merely as a sample of my hand at portrait-sketching." It is probable that the professor's response was not favourable for we hear no more of the Poem.]
A little, upright, pert, tart, tripping wight,
And still his precious self his dear delight;
Who loves his own smart shadow in the streets
Better than e'er the fairest she he meets:
A man of fashion, too, he made his tour,
Learn'd vive la bagatelle, et vive l'amour:
So travell'd monkeys their grimace improve,
Polish their grin, nay, sigh for ladies' love.
Much specious lore, but little understood;
Veneering oft outshines the solid wood:
His solid sense--by inches you must tell.
But mete his cunning by the old Scots ell;
His meddling vanity, a busy fiend,
Still making work his selfish craft must mend.
LXXXII.
TO MRS. SCOTT,
OF WAUCHOPE.
[The lady to whom this epistle is addressed was a painter and a poetess: her pencil sketches are said to have been beautiful; and she had a ready skill in rhyme, as the verses addressed to Burns fully testify. Taste and poetry belonged to her family; she was the niece of Mrs. Cockburn, authoress of a beautiful variation of The Flowers of the Forest.]
I mind it weel in early date,
When I was beardless, young and blate,
An' first could thresh the barn;
Or hand a yokin at the pleugh;
An' tho' forfoughten sair enough,
Yet unco proud to learn:
When first amang the yellow corn
A man I reckon'd was,
An' wi' the lave ilk merry morn
Could rank my rig and lass,
Still shearing, and clearing,
The tither stooked raw,
Wi' claivers, an' haivers,
Wearing the day awa.
E'en then, a wish, I mind its pow'r,
A wish that to my latest hour
Shall strongly heave my breast,
That I for poor auld Scotland's sake
Some usefu' plan or beuk could make,
Or sing a sang at least.
The rough burr-thistle, spreading wide
Amang the bearded bear,
I turn'd the weeder-clips aside,
An' spar'd the symbol dear:
No nation, no station,
My envy e'er could raise,
A Scot still, but blot still,
I knew nae higher praise.
But still the elements o' sang
In formless jumble, right an' wrang,
Wild floated in my brain;
'Till on that har'st I said before,
My partner in the merry core,
She rous'd the forming strain:
I see her yet, the sonsie quean,
That lighted up her jingle,
Her witching smile, her pauky een
That gart my heart-strings tingle:
I fired, inspired,
At every kindling keek,
But bashing and dashing
I feared aye to speak.
Health to the sex, ilk guid chiel says,
Wi' merry dance in winter days,
An' we to share in common:
The gust o' joy, the balm of woe,
The saul o' life, the heaven below,
Is rapture-giving woman.
Ye surly sumphs, who hate the name,
Be mindfu' o' your mither:
She, honest woman, may think shame
That ye're connected with her.
Ye're wae men, ye're nae men
That slight the lovely dears;
To shame ye, disclaim ye,
Ilk honest birkie swears.
For you, no bred to barn and byre,
Wha sweetly tune the Scottish lyre,
Thanks to you for your line:
The marled plaid ye kindly spare,
By me should gratefully be ware;
'Twad please me to the nine.
I'd be mair vauntie o' my hap,
Douce hingin' owre my curple
Than ony ermine ever lap,
Or proud imperial purple.
Fareweel then, lang heel then,
An' plenty be your fa';
May losses and crosses
Ne'er at your hallan ca'.
LXXXIII.
EPISTLE TO WILLIAM CREECH.
[A storm of rain detained Burns one day, during his border tour, at Selkirk, and he employed his time in writing this characteristic epistle to Creech, his bookseller. Creech was a person of education and taste; he was not only the most popular publisher in the north, but he was intimate with almost all the distinguished men who, in those days, adorned Scottish literature. But though a joyous man, a lover of sociality, and the keeper of a good table, he was close and parsimonious, and loved to hold money to the last moment that the law allowed.]
_Selkirk_, 13 _May_, 1787.
Auld chukie Reekie's[69] sair distrest,
Down droops her ance weel-burnisht crest,
Nae joy her bonnie buskit nest
Can yield ava,
Her darling bird that she lo'es best,
Willie's awa!
O Willie was a witty wight,
And had o' things an unco slight;
Auld Reekie ay he keepit tight,
An' trig an' braw:
But now they'll busk her like a fright,
Willie's awa!
The stiffest o' them a' he bow'd;
The bauldest o' them a' he cow'd;
They durst nae mair than he allow'd,
That was a law;
We've lost a birkie weel worth gowd,
Willie's awa!
Now gawkies, tawpies, gowks, and fools,
Frae colleges and boarding-schools,
May sprout like simmer puddock stools
In glen or shaw;
He wha could brush them down to mools,
Willie's awa!
The brethren o' the Commerce-Chaumer[70]
May mourn their loss wi' doofu' clamour;
He was a dictionar and grammar
Amang them a';
I fear they'll now mak mony a stammer,
Willie's awa!
Nae mair we see his levee door
Philosophers and poets pour,[71]
And toothy critics by the score
In bloody raw!
The adjutant o' a' the core,
Willie's awa!
Now worthy Gregory's Latin face,
Tytler's and Greenfield's modest grace;
Mackenzie, Stewart, sic a brace
As Rome n'er saw;
They a' maun meet some ither place,
Willie's awa!
Poor Burns--e'en Scotch drink canna quicken,
He cheeps like some bewilder'd chicken,
Scar'd frae its minnie and the cleckin
By hoodie-craw;
Grief's gien his heart an unco kickin',
Willie's awa!
Now ev'ry sour-mou'd girnin' blellum,
And Calvin's fock are fit to fell him;
And self-conceited critic skellum
His quill may draw;
He wha could brawlie ward their bellum,
Willie's awa!
Up wimpling stately Tweed I've sped,
And Eden scenes on crystal Jed,
And Ettrick banks now roaring red,
While tempests blaw;
But every joy and pleasure's fled,
Willie's awa!
May I be slander's common speech;
A text for infamy to preach;
And lastly, streekit out to bleach
In winter snaw;
When I forget thee! Willie Creech,
Tho' far awa!
May never wicked fortune touzle him!
May never wicked man bamboozle him!
Until a pow as auld's Methusalem
He canty claw!
Then to the blessed New Jerusalem,
Fleet wing awa!
FOOTNOTES:
[Footnote 69: Edinburgh.]
[Footnote 70: The Chamber of Commerce in Edinburgh, of which Creech was Secretary.]
[Footnote 71: Many literary gentlemen were accustomed to meet at Mr. Creech's house at breakfast.]
LXXXIV.
THE
HUMBLE PETITION OF BRUAR WATER
TO THE
NOBLE DUKE OF ATHOLE.
[The Falls of Bruar in Athole are exceedingly beautiful and picturesque; and their effect, when Burns visited them, was much impaired by want of shrubs and trees. This was in 1787: the poet, accompanied by his future biographer, Professor Walker, went, when close on twilight, to this romantic scene: "he threw himself," said the Professor, "on a heathy seat, and gave himself up to a tender, abstracted, and voluptuous enthusiasm of imagination. In a few days I received a letter from Inverness, for the poet had gone on his way, with the Petition enclosed." His Grace of Athole obeyed the injunction: the picturesque points are now crowned with thriving woods, and the beauty of the Falls is much increased.]
I.
My Lord, I know your noble ear
Woe ne'er assails in vain;
Embolden'd thus, I beg you'll hear
Your humble slave complain,
How saucy Phoebus' scorching beams
In flaming summer-pride,
Dry-withering, waste my foamy streams,
And drink my crystal tide.
II.
The lightly-jumpin' glowrin' trouts,
That thro' my waters play,
If, in their random, wanton spouts,
They near the margin stray;
If, hapless chance! they linger lang,
I'm scorching up so shallow,
They're left the whitening stanes amang,
In gasping death to wallow.
III.
Last day I grat wi' spite and teen,
As Poet Burns came by,
That to a bard I should be seen
Wi' half my channel dry:
A panegyric rhyme, I ween,
Even as I was he shor'd me;
But had I in my glory been,
He, kneeling, wad ador'd me.
IV.
Here, foaming down the shelvy rocks,
In twisting strength I rin;
There, high my boiling torrent smokes,
Wild-roaring o'er a linn:
Enjoying large each spring and well,
As Nature gave them me,
I am, altho' I say't mysel',
Worth gaun a mile to see.
V.
Would then my noble master please
To grant my highest wishes,
He'll shade my banks wi' tow'ring trees,
And bonnie spreading bushes.
Delighted doubly then, my Lord,
You'll wander on my banks,
And listen mony a grateful bird
Return you tuneful thanks.
VI.
The sober laverock, warbling wild,
Shall to the skies aspire;
The gowdspink, music's gayest child,
Shall sweetly join the choir:
The blackbird strong, the lintwhite clear,
The mavis mild and mellow;
The robin pensive autumn cheer,
In all her locks of yellow.
VII.
This, too, a covert shall insure
To shield them from the storm;
And coward maukin sleep secure,
Low in her grassy form:
Here shall the shepherd make his seat,
To weave his crown of flow'rs;
Or find a shelt'ring safe retreat
From prone-descending show'rs.
VIII.
And here, by sweet, endearing stealth,
Shall meet the loving pair,
Despising worlds with all their wealth
As empty idle care.
The flow'rs shall vie in all their charms
The hour of heav'n to grace,
And birks extend their fragrant arms
To screen the dear embrace.
IX.
Here haply too, at vernal dawn,
Some musing bard may stray,
And eye the smoking, dewy lawn,
And misty mountain gray;
Or, by the reaper's nightly beam,
Mild-chequering thro' the trees,
Rave to my darkly-dashing stream,
Hoarse-swelling on the breeze.
X.
Let lofty firs, and ashes cool,
My lowly banks o'erspread,
And view, deep-bending in the pool,
Their shadows' wat'ry bed!
Let fragrant birks in woodbines drest
My craggy cliffs adorn;
And, for the little songster's nest,
The close embow'ring thorn.
XI.
So may old Scotia's darling hope,
Your little angel band,
Spring, like their fathers, up to prop
Their honour'd native land!
So may thro' Albion's farthest ken,
To social-flowing glasses,
The grace be--"Athole's honest men,
And Athole's bonnie lasses?"
LXXXV.
ON SCARING SOME WATER-FOWL
IN LOCH-TURIT.
[When Burns wrote these touching lines, he was staying with Sir William Murray, of Ochtertyre, during one of his Highland tours. Loch-Turit is a wild lake among the recesses of the hills, and was welcome from its loneliness to the heart of the poet.]
Why, ye tenants of the lake,
For me your wat'ry haunt forsake?
Tell me, fellow-creatures, why
At my presence thus you fly?
Why disturb your social joys,
Parent, filial, kindred ties?--
Common friend to you and me,
Nature's gifts to all are free:
Peaceful keep your dimpling wave,
Busy feed, or wanton lave:
Or, beneath the sheltering rock,
Bide the surging billow's shock.
Conscious, blushing for our race,
Soon, too soon, your fears I trace.
Man, your proud usurping foe,
Would be lord of all below:
Plumes himself in Freedom's pride,
Tyrant stern to all beside.
The eagle, from the cliffy brow,
Marking you his prey below,
In his breast no pity dwells,
Strong necessity compels:
But man, to whom alone is giv'n
A ray direct from pitying heav'n,
Glories in his heart humane--
And creatures for his pleasure slain.
In these savage, liquid plains,
Only known to wand'ring swains,
Where the mossy riv'let strays,
Far from human haunts and ways;
All on Nature you depend,
And life's poor season peaceful spend.
Or, if man's superior might
Dare invade your native right,
On the lofty ether borne,
Man with all his pow'rs you scorn;
Swiftly seek, on clanging wings,
Other lakes and other springs;
And the foe you cannot brave,
Scorn at least to be his slave.
LXXXVI.
WRITTEN WITH A PENCIL,
OVER THE CHIMNEY-PIECE, IN THE PARLOUR OF THE
INN AT KENMORE, TAYMOUTH.
[The castle of Taymouth is the residence of the Earl of Breadalbane: it is a magnificent structure, contains many fine paintings: has some splendid old trees and romantic scenery.]
Admiring Nature in her wildest grace,
These northern scenes with weary feet I trace;
O'er many a winding dale and painful steep,
Th' abodes of covey'd grouse and timid sheep,
My savage journey, curious I pursue,
'Till fam'd Breadalbane opens to my view.--
The meeting cliffs each deep-sunk glen divides,
The woods, wild scatter'd, clothe their ample sides;
Th' outstretching lake, embosom'd 'mong the hills,
The eye with wonder and amazement fills;
The Tay, meand'ring sweet in infant pride,
The palace, rising on its verdant side;
The lawns, wood-fring'd in Nature's native taste;
The hillocks, dropt in Nature's careless haste;
The arches, striding o'er the new-born stream;
The village, glittering in the noontide beam--
Poetic ardours in my bosom swell,
Lone wand'ring by the hermit's mossy cell:
The sweeping theatre of hanging woods;
Th' incessant roar of headlong tumbling floods--
Here Poesy might wake her heav'n-taught lyre,
And look through Nature with creative fire;
Here, to the wrongs of fate half reconcil'd,
Misfortune's lighten'd steps might wander wild;
And Disappointment, in these lonely bounds,
Find balm to soothe her bitter--rankling wounds:
Here heart-struck Grief might heav'nward stretch her scan, And injur'd Worth forget and pardon man.
LXXXVII.
WRITTEN WITH A PENCIL,
STANDING BY THE FALL OF FYERS,
NEAR LOCH-NESS
[This is one of the many fine scenes, in the Celtic Parnassus of Ossian: but when Burns saw it, the Highland passion of the stream was abated, for there had been no rain for some time to swell and send it pouring down its precipices in a way worthy of the scene. The descent of the water is about two hundred feet. There is another fall further up the stream, very wild and savage, on which the Fyers makes three prodigious leaps into a deep gulf where nothing can be seen for the whirling foam and agitated mist.]
Among the heathy hills and ragged woods
The roaring Fyers pours his mossy floods;
Till full he dashes on the rocky mounds,
Where, thro' a shapeless breach, his stream resounds,
As high in air the bursting torrents flow,
As deep-recoiling surges foam below,
Prone down the rock the whitening sheet descends,
And viewless Echo's ear, astonish'd, rends.
Dim seen, through rising mists and ceaseless show'rs,
The hoary cavern, wide surrounding, low'rs.
Still thro' the gap the struggling river toils,
And still below, the horrid cauldron boils--
LXXXVIII.
POETICAL ADDRESS
TO MR. W. TYTLER,
WITH THE PRESENT OF THE BARD'S PICTURE.
[When these verses were written there was much stately Jacobitism about Edinburgh, and it is likely that Tytler, who laboured to dispel the cloud of calumny which hung over the memory of Queen Mary, had a bearing that way. Taste and talent have now descended in the Tytlers through three generations: an uncommon event in families. The present edition of the Poem has been completed from the original in the poet's handwriting.]
Revered defender of beauteous Stuart,
Of Stuart, a name once respected,
A name, which to love, was once mark of a true heart,
But now 'tis despis'd and neglected.
Tho' something like moisture conglobes in my eye,
Let no one misdeem me disloyal;
A poor friendless wand'rer may well claim a sigh,
Still more, if that wand'rer were royal.
My fathers that name have rever'd on a throne,
My fathers have fallen to right it;
Those fathers would spurn their degenerate son,
That name should he scoffingly slight it.
Still in prayers for King George I most heartily join,
The Queen and the rest of the gentry,
Be they wise, be they foolish, is nothing of mine;
Their title's avow'd by my country.
But why of that epocha make such a fuss,
That gave us th' Electoral stem?
If bringing them over was lucky for us,
I'm sure 'twas as lucky for them.
But loyalty truce! we're on dangerous ground,
Who knows how the fashions may alter?
The doctrine, to-day, that is loyalty sound,
To-morrow may bring us a halter.
I send you a trifle, the head of a bard,
A trifle scarce worthy your care;
But accept it, good Sir, as a mark of regard,
Sincere as a saint's dying prayer.
Now life's chilly evening dim shades on your eye,
And ushers the long dreary night;
But you, like the star that athwart gilds the sky,
Your course to the latest is bright.
LXXXIX.
WRITTEN IN
FRIARS-CARSE HERMITAGE,
ON THE BANKS OF NITH.
JUNE. 1788.
[FIRST COPY.]
[The interleaved volume presented by Burns to Dr. Geddes, has enabled me to present the reader with the rough draught of this truly beautiful Poem, the first-fruits perhaps of his intercourse with the muses of Nithside.]
Thou whom chance may hither lead,
Be thou clad in russet weed,
Be thou deck'd in silken stole,
Grave these maxims on thy soul.
Life is but a day at most,
Sprung from night, in darkness lost;
Day, how rapid in its flight--
Day, how few must see the night;
Hope not sunshine every hour,
Fear not clouds will always lower.
Happiness is but a name,
Make content and ease thy aim.
Ambition is a meteor gleam;
Fame, a restless idle dream:
Pleasures, insects on the wing
Round Peace, the tenderest flower of Spring;
Those that sip the dew alone,
Make the butterflies thy own;
Those that would the bloom devour,
Crush the locusts--save the flower.
For the future be prepar'd,
Guard wherever thou canst guard;
But, thy utmost duly done,
Welcome what thou canst not shun.
Follies past, give thou to air,
Make their consequence thy care:
Keep the name of man in mind,
And dishonour not thy kind.
Reverence with lowly heart
Him whose wondrous work thou art;
Keep His goodness still in view,
Thy trust--and thy example, too.
Stranger, go! Heaven be thy guide!
Quod the Beadsman on Nithside.
XC.
WRITTEN IN
FRIARS-CARSE HERMITAGE,
ON NITHSIDE.
DECEMBER, 1788.
[Of this Poem Burns thought so well that he gave away many copies in his own handwriting: I have seen three. When corrected to his mind, and the manuscripts showed many changes and corrections, he published it in the new edition of his Poems as it stands in this second copy. The little Hermitage where these lines were written, stood in a lonely plantation belonging to the estate of Friars-Carse, and close to the march-dyke of Ellisland; a small door in the fence, of which the poet had the key, admitted him at pleasure, and there he found seclusion such as he liked, with flowers and shrubs all around him. The first twelve lines of the Poem were engraved neatly on one of the window-panes, by the diamond pencil of the Bard. On Riddel's death, the Hermitage was allowed to go quietly to decay: I remember in 1803 turning two outlyer stots out of the interior.]
Thou whom chance may hither lead,
Be thou clad in russet weed,
Be thou deck'd in silken stole,
Grave these counsels on thy soul.
Life is but a day at most,
Sprung from night, in darkness lost;
Hope not sunshine ev'ry hour.
Fear not clouds will always lour.
As Youth and Love with sprightly dance
Beneath thy morning star advance,
Pleasure with her siren air
May delude the thoughtless pair:
Let Prudence bless enjoyment's cup,
Then raptur'd sip, and sip it up.
As thy day grows warm and high,
Life's meridian flaming nigh,
Dost thou spurn the humble vale?
Life's proud summits would'st thou scale?
Check thy climbing step, elate,
Evils lurk in felon wait:
Dangers, eagle-pinion'd, bold,
Soar around each cliffy hold,
While cheerful peace, with linnet song,
Chants the lowly dells among.
As the shades of ev'ning close,
Beck'ning thee to long repose;
As life itself becomes disease,
Seek the chimney-nook of ease.
There ruminate, with sober thought,
On all thou'st seen, and heard, and wrought;
And teach the sportive younkers round,
Saws of experience, sage and sound.
Say, man's true genuine estimate,
The grand criterion of his fate,
Is not--Art thou high or low?
Did thy fortune ebb or flow?
Wast thou cottager or king?
Peer or peasant?--no such thing!
Did many talents gild thy span?
Or frugal nature grudge thee one?
Tell them, and press it on their mind,
As thou thyself must shortly find,
The smile or frown of awful Heav'n,
To virtue or to vice is giv'n.
Say, to be just, and kind, and wise,
There solid self-enjoyment lies;
That foolish, selfish, faithless ways
Lead to the wretched, vile, and base.
Thus, resign'd and quiet, creep
To the bed of lasting sleep;
Sleep, whence thou shalt ne'er awake,
Night, where dawn shall never break,
Till future life, future no more,
To light and joy the good restore,
To light and joy unknown before.
Stranger, go! Hea'vn be thy guide!
Quod the beadsman of Nithside.
XCI.
TO CAPTAIN RIDDEL,
OF GLENRIDDEL.
EXTEMPORE LINES ON RETURNING A NEWSPAPER.
[Captain Riddel, the Laird of Friars-Carse, was Burns's neighbour, at Ellisland: he was a kind, hospitable man, and a good antiquary. The "News and Review" which he sent to the poet contained, I have heard, some sharp strictures on his works: Burns, with his usual strong sense, set the proper value upon all contemporary criticism; genius, he knew, had nothing to fear from the folly or the malice of all such nameless "chippers and hewers." He demanded trial by his peers, and where were such to be found?]
_Ellisland, Monday Evening._
Your news and review, Sir, I've read through and through, Sir, With little admiring or blaming;
The papers are barren of home-news or foreign,
No murders or rapes worth the naming.
Our friends, the reviewers, those chippers and hewers,
Are judges of mortar and stone, Sir,
But of _meet_ or _unmeet_ in a _fabric complete_,
I'll boldly pronounce they are none, Sir.
My goose-quill too rude is to tell all your goodness
Bestow'd on your servant, the Poet;
Would to God I had one like a beam of the sun,
And then all the world, Sir, should know it!
XCII.
A MOTHER'S LAMENT
FOR THE DEATH OF HER SON.
["The Mother's Lament," says the poet, in a copy of the verses now before me, "was composed partly with a view to Mrs. Fergusson of Craigdarroch, and partly to the worthy patroness of my early unknown muse, Mrs. Stewart, of Afton."]
Fate gave the word, the arrow sped,
And pierc'd my darling's heart;
And with him all the joys are fled
Life can to me impart.
By cruel hands the sapling drops,
In dust dishonour'd laid:
So fell the pride of all my hopes,
My age's future shade.
The mother-linnet in the brake
Bewails her ravish'd young;
So I, for my lost darling's sake,
Lament the live day long.
Death, oft I've fear'd thy fatal blow,
Now, fond I bare my breast,
O, do thou kindly lay me low
With him I love, at rest!
XCIII.
FIRST EPISTLE
TO ROBERT GRAHAM, ESQ.
OF FINTRAY.
[In his manuscript copy of this Epistle the poet says "accompanying a request." What the request was the letter which enclosed it relates. Graham was one of the leading men of the Excise in Scotland, and had promised Burns a situation as exciseman: for this the poet had qualified himself; and as he began to dread that farming would be unprofitable, he wrote to remind his patron of his promise, and requested to be appointed to a division in his own neighbourhood. He was appointed in due time: his division was extensive, and included ten parishes.]
When Nature her great master-piece designed,
And fram'd her last, best work, the human mind,
Her eye intent on all the mazy plan,
She form'd of various parts the various man.
Then first she calls the useful many forth;
Plain plodding industry, and sober worth:
Thence peasants, farmers, native sons of earth,
And merchandise' whole genus take their birth:
Each prudent cit a warm existence finds,
And all mechanics' many-apron'd kinds.
Some other rarer sorts are wanted yet,
The lead and buoy are needful to the net;
The _caput mortuum_ of gross desires
Makes a material for mere knights and squires;
The martial phosphorus is taught to flow,
She kneads the lumpish philosophic dough,
Then marks th' unyielding mass with grave designs,
Law, physic, politics, and deep divines:
Last, she sublimes th' Aurora of the poles,
The flashing elements of female souls.
The order'd system fair before her stood,
Nature, well pleas'd, pronounc'd it very good;
But ere she gave creating labour o'er,
Half-jest, she tried one curious labour more.
Some spumy, fiery, _ignis fatuus_ matter,
Such as the slightest breath of air might scatter;
With arch alacrity and conscious glee
(Nature may have her whim as well as we,
Her Hogarth-art perhaps she meant to show it)
She forms the thing, and christens it--a Poet.
Creature, tho' oft the prey of care and sorrow,
When blest to-day, unmindful of to-morrow.
A being form'd t'amuse his graver friends,
Admir'd and prais'd--and there the homage ends:
A mortal quite unfit for fortune's strife,
Yet oft the sport of all the ills of life;
Prone to enjoy each pleasure riches give,
Yet haply wanting wherewithal to live;
Longing to wipe each tear, to heal each groan,
Yet frequent all unheeded in his own.
But honest Nature is not quite a Turk,
She laugh'd at first, then felt for her poor work.
Pitying the propless climber of mankind,
She cast about a standard tree to find;
And, to support his helpless woodbine state,
Attach'd him to the generous truly great,
A title, and the only one I claim,
To lay strong hold for help on bounteous Graham.
Pity the tuneful muses' hapless train,
Weak, timid landsmen on life's stormy main!
Their hearts no selfish stern absorbent stuff,
That never gives--tho' humbly takes enough;
The little fate allows, they share as soon,
Unlike sage proverb'd wisdom's hard-wrung boon.
The world were blest did bliss on them depend,
Ah, that "the friendly e'er should want a friend!"
Let prudence number o'er each sturdy son
Who life and wisdom at one race begun,
Who feel by reason and who give by rule,
(Instinct's a brute, and sentiment a fool!)
Who make poor _will do_ wait upon _I should_--
We own they're prudent, but who feels they're good?
Ye wise ones, hence! ye hurt the social eye!
God's image rudely etch'd on base alloy!
But come ye who the godlike pleasure know,
Heaven's attribute distinguished--to bestow!
Whose arms of love would grasp the human race:
Come thou who giv'st with all a courtier's grace;
Friend of my life, true patron of my rhymes!
Prop of my dearest hopes for future times.
Why shrinks my soul half blushing, half afraid,
Backward, abash'd to ask thy friendly aid?
I know my need, I know thy giving hand,
I crave thy friendship at thy kind command;
But there are such who court the tuneful nine--
Heavens! should the branded character be mine!
Whose verse in manhood's pride sublimely flows,
Yet vilest reptiles in their begging prose.
Mark, how their lofty independent spirit
Soars on the spurning wing of injur'd merit!
Seek not the proofs in private life to find;
Pity the best of words should be but wind!
So to heaven's gates the lark's shrill song ascends,
But grovelling on the earth the carol ends.
In all the clam'rous cry of starving want,
They dun benevolence with shameless front;
Oblige them, patronize their tinsel lays,
They persecute you all your future days!
Ere my poor soul such deep damnation stain,
My horny fist assume the plough again;
The pie-bald jacket let me patch once more;
On eighteen-pence a week I've liv'd before.
Tho', thanks to Heaven, I dare even that last shift!
I trust, meantime, my boon is in thy gift:
That, plac'd by thee upon the wish'd-for height,
Where, man and nature fairer in her sight,
My muse may imp her wing for some sublimer flight.
XCIV.
ON THE DEATH OF
SIR JAMES HUNTER BLAIR.
[I found these lines written with a pencil in one of Burns's memorandum-books: he said he had just composed them, and pencilled them down lest they should escape from his memory. They differed in nothing from the printed copy of the first Liverpool edition. That they are by Burns there cannot be a doubt, though they were, I know not for what reason, excluded from several editions of the Posthumous Works of the poet.]
The lamp of day, with ill-presaging glare,
Dim, cloudy, sunk beneath the western wave;
Th' inconstant blast howl'd thro' the darkening air,
And hollow whistled in the rocky cave.
Lone as I wander'd by each cliff and dell,
Once the lov'd haunts of Scotia's royal train;[72]
Or mus'd where limpid streams once hallow'd well,[73]
Or mould'ring ruins mark the sacred fane.[74]
Th' increasing blast roared round the beetling rocks,
The clouds, swift-wing'd, flew o'er the starry sky,
The groaning trees untimely shed their locks,
And shooting meteors caught the startled eye.
The paly moon rose in the livid east,
And 'mong the cliffs disclos'd a stately form,
In weeds of woe that frantic beat her breast,
And mix'd her wailings with the raving storm.
Wild to my heart the filial pulses glow,
'Twas Caledonia's trophied shield I view'd:
Her form majestic droop'd in pensive woe,
The lightning of her eye in tears imbued.
Revers'd that spear, redoubtable in war,
Reclined that banner, erst in fields unfurl'd,
That like a deathful meteor gleam'd afar,
And brav'd the mighty monarchs of the world.--
"My patriot son fills an untimely grave!"
With accents wild and lifted arms--she cried;
"Low lies the hand that oft was stretch'd to save,
Low lies the heart that swell'd with honest pride.
"A weeping country joins a widow's tear,
The helpless poor mix with the orphan's cry;
The drooping arts surround their patron's bier,
And grateful science heaves the heart-felt sigh!
"I saw my sons resume their ancient fire;
I saw fair freedom's blossoms richly blow:
But ah! how hope is born but to expire!
Relentless fate has laid their guardian low.
"My patriot falls, but shall he lie unsung,
While empty greatness saves a worthless name!
No; every muse shall join her tuneful tongue,
And future ages hear his growing fame.
"And I will join a mother's tender cares,
Thro' future times to make his virtues last;
That distant years may boast of other Blairs!"--
She said, and vanish'd with the sweeping blast.
FOOTNOTES:
[Footnote 72: The King's Park, at Holyrood-house.]
[Footnote 73: St. Anthony's Well.]
[Footnote 74: St. Anthony's Chapel.]
XCV.
EPISTLE TO HUGH PARKER.
[This little lively, biting epistle was addressed to one of the poet's Kilmarnock companions. Hugh Parker was the brother of William Parker, one of the subscribers to the Edinburgh edition of Burns's Poems: he has been dead many years: the Epistle was recovered, luckily, from his papers, and printed for the first time in 1834.]
In this strange land, this uncouth clime,
A land unknown to prose or rhyme;
Where words ne'er crost the muse's heckles,
Nor limpet in poetic shackles:
A land that prose did never view it,
Except when drunk he stacher't thro' it,
Here, ambush'd by the chimla cheek,
Hid in an atmosphere of reek,
I hear a wheel thrum i' the neuk,
I hear it--for in vain I leuk.--
The red peat gleams, a fiery kernel,
Enhusked by a fog infernal:
Here, for my wonted rhyming raptures,
I sit and count my sins by chapters;
For life and spunk like ither Christians,
I'm dwindled down to mere existence,
Wi' nae converse but Gallowa' bodies,
Wi' nae kend face but Jenny Geddes.[75]
Jenny, my Pegasean pride!
Dowie she saunters down Nithside,
And ay a westlin leuk she throws,
While tears hap o'er her auld brown nose!
Was it for this, wi' canny care,
Thou bure the bard through many a shire?
At howes or hillocks never stumbled,
And late or early never grumbled?--
O had I power like inclination,
I'd heeze thee up a constellation,
To canter with the Sagitarre,
Or loup the ecliptic like a bar;
Or turn the pole like any arrow;
Or, when auld Phoebus bids good-morrow,
Down the zodiac urge the race,
And cast dirt on his godship's face;
For I could lay my bread and kail
He'd ne'er cast saut upo' thy tail.--
Wi' a' this care and a' this grief,
And sma,' sma' prospect of relief,
And nought but peat reek i' my head,
How can I write what ye can read?--
Tarbolton, twenty-fourth o' June,
Ye'll find me in a better tune;
But till we meet and weet our whistle,
Tak this excuse for nae epistle.
ROBERT BURNS.
FOOTNOTES:
[Footnote 75: His mare.]
XCVI.
LINES
INTENDED TO BE WRITTEN UNDER
A NOBLE EARL'S PICTURE.
[Burns placed the portraits of Dr. Blacklock and the Earl of Glencairn, over his parlour chimney-piece at Ellisland: beneath the head of the latter he wrote some verses, which he sent to the Earl, and requested leave to make public. This seems to have been refused; and, as the verses were lost for years, it was believed they were destroyed: a rough copy, however, is preserved, and is now in the safe keeping of the Earl's name-son, Major James Glencairn Burns. James Cunningham, Earl of Glencairn, died 20th January, 1791, aged 42 years; he was succeeded by his only and childless brother, with whom this ancient race was closed.]
Whose is that noble dauntless brow?
And whose that eye of fire?
And whose that generous princely mien,
E'en rooted foes admire?
Stranger! to justly show that brow,
And mark that eye of fire,
Would take _His_ hand, whose vernal tints
His other works inspire.
Bright as a cloudless summer sun,
With stately port he moves;
His guardian seraph eyes with awe
The noble ward he loves--
Among th' illustrious Scottish sons
That chief thou may'st discern;
Mark Scotia's fond returning eye--
It dwells upon Glencairn.
XCVII.
ELEGY
ON THE YEAR 1788
A SKETCH.
[This Poem was first printed by Stewart, in 1801. The poet loved to indulge in such sarcastic sallies: it is full of character, and reflects a distinct image of those yeasty times.]
For Lords or Kings I dinna mourn,
E'en let them die--for that they're born,
But oh! prodigious to reflec'!
A Towmont, Sirs, is gane to wreck!
O Eighty-eight, in thy sma' space
What dire events ha'e taken place!
Of what enjoyments thou hast reft us!
In what a pickle thou hast left us!
The Spanish empire's tint a-head,
An' my auld toothless Bawtie's dead;
The tulzie's sair 'tween Pitt and Fox,
And our guid wife's wee birdie cocks;
The tane is game, a bluidie devil,
But to the hen-birds unco civil:
The tither's something dour o' treadin',
But better stuff ne'er claw'd a midden--
Ye ministers, come mount the pu'pit,
An' cry till ye be hearse an' roupet,
For Eighty-eight he wish'd you weel,
An' gied you a' baith gear an' meal;
E'en mony a plack, and mony a peck,
Ye ken yoursels, for little feck!
Ye bonnie lasses, dight your e'en,
For some o' you ha'e tint a frien';
In Eighty-eight, ye ken, was ta'en,
What ye'll ne'er ha'e to gie again.
Observe the very nowt an' sheep,
How dowf and dowie now they creep;
Nay, even the yirth itsel' does cry,
For Embro' wells are grutten dry.
O Eighty-nine, thou's but a bairn,
An' no owre auld, I hope, to learn!
Thou beardless boy, I pray tak' care,
Thou now has got thy daddy's chair,
Nae hand-cuff'd, mizl'd, hap-shackl'd Regent,
But, like himsel' a full free agent.
Be sure ye follow out the plan
Nae waur than he did, honest man!
As muckle better as ye can.
_January 1_, 1789.
[Illustration: "THE TOOTHACHE."]
XCVIII.
ADDRESS TO THE TOOTHACHE.
["I had intended," says Burns to Creech, 30th May, 1789, "to have troubled you with a long letter, but at present the delightful sensation of an omnipotent toothache so engrosses all my inner man, as to put it out of my power even to write nonsense." The poetic Address to the Toothache seems to belong to this period.]
My curse upon thy venom'd stang,
That shoots my tortur'd gums alang;
And thro' my lugs gies mony a twang,
Wi' gnawing vengeance;
Tearing my nerves wi' bitter pang,
Like racking engines!
When fevers burn, or ague freezes,
Rheumatics gnaw, or cholic squeezes;
Our neighbours' sympathy may ease us,
Wi' pitying moan;
But thee--thou hell o' a' diseases,
Ay mocks our groan!
Adown my beard the slavers trickle!
I kick the wee stools o'er the mickle,
As round the fire the giglets keckle,
To see me loup;
While, raving mad, I wish a heckle
Were in their doup.
O' a' the num'rous human dools,
Ill har'sts, daft bargains, cutty-stools,
Or worthy friends rak'd i' the mools,
Sad sight to see!
The tricks o' knaves, or fash o' fools,
Thou bears't the gree.
Where'er that place be priests ca' hell,
Whence a' the tones o' mis'ry yell,
And ranked plagues their numbers tell,
In dreadfu' raw,
Thou, Toothache, surely bear'st the bell
Amang them a'!
O thou grim mischief-making chiel,
That gars the notes of discord squeel,
'Till daft mankind aft dance a reel
In gore a shoe-thick!--
Gie' a' the faes o' Scotland's weal
A towmond's Toothache.
XCIX.
ODE
SACRED TO THE MEMORY OF
MRS. OSWALD,
OF AUCHENCRUIVE.
[The origin of this harsh effusion shows under what feelings Burns sometimes wrote. He was, he says, on his way to Ayrshire, one stormy day in January, and had made himself comfortable, in spite of the snow-drift, over a smoking bowl, at an inn at the Sanquhar, when in wheeled the whole funeral pageantry of Mrs. Oswald. He was obliged to mount his horse and ride for quarters to New Cumnock, where, over a good fire, he penned, in his very ungallant indignation, the Ode to the lady's memory. He lived to think better of the name.]
Dweller in yon dungeon dark,
Hangman of creation, mark!
Who in widow-weeds appears,
Laden with unhonoured years,
Noosing with care a bursting purse,
Baited with many a deadly curse?
STROPHE.
View the wither'd beldam's face--
Can thy keen inspection trace
Aught of Humanity's sweet melting grace?
Note that eye, 'tis rheum o'erflows,
Pity's flood there never rose.
See these hands, ne'er stretch'd to save,
Hands that took--but never gave.
Keeper of Mammon's iron chest,
Lo, there she goes, unpitied and unblest
She goes, but not to realms of everlasting rest!
ANTISTROPHE.
Plunderer of armies, lift thine eyes,
(Awhile forbear, ye tort'ring fiends;)
Seest thou whose step, unwilling hither bends?
No fallen angel, hurl'd from upper skies;
'Tis thy trusty quondam mate,
Doom'd to share thy fiery fate,
She, tardy, hell-ward plies.
EPODE.
And are they of no more avail,
Ten thousand glitt'ring pounds a-year?
In other worlds can Mammon fail,
Omnipotent as he is here?
O, bitter mock'ry of the pompous bier,
While down the wretched vital part is driv'n!
The cave-lodg'd beggar, with a conscience clear,
Expires in rags, unknown, and goes to Heav'n.
C.
FRAGMENT INSCRIBED
TO THE RIGHT HON. C.J. FOX.
[It was late in life before Burns began to think very highly of Fox: he had hitherto spoken of him rather as a rattler of dice, and a frequenter of soft company, than as a statesman. As his hopes from the Tories vanished, he began to think of the Whigs: the first did nothing, and the latter held out hopes; and as hope, he said was the cordial of the human heart, he continued to hope on.]
How wisdom and folly meet, mix, and unite;
How virtue and vice blend their black and their white;
How genius, th' illustrious father of fiction,
Confounds rule and law, reconciles contradiction--
I sing: if these mortals, the critics, should bustle,
I care not, not I--let the critics go whistle!
But now for a patron, whose name and whose glory
At once may illustrate and honour my story.
Thou first of our orators, first of our wits;
Yet whose parts and acquirements seem mere lucky hits;
With knowledge so vast, and with judgment so strong,
No man with the half of 'em e'er went far wrong;
With passions so potent, and fancies so bright,
No man with the half of 'em e'er went quite right;--
A sorry, poor misbegot son of the muses,
For using thy name offers fifty excuses.
Good L--d, what is man? for as simple he looks,
Do but try to develope his hooks and his crooks;
With his depths and his shallows, his good and his evil, All in all he's a problem must puzzle the devil.
On his one ruling passion Sir Pope hugely labours,
That, like th' old Hebrew walking-switch, eats up its neighbours; Mankind are his show-box--a friend, would you know him? Pull the string, ruling passion the picture will show him. What pity, in rearing so beauteous a system,
One trifling particular, truth, should have miss'd him; For spite of his fine theoretic positions,
Mankind is a science defies definitions.
Some sort all our qualities each to its tribe,
And think human nature they truly describe;
Have you found this, or t'other? there's more in the wind, As by one drunken fellow his comrades you'll find.
But such is the flaw, or the depth of the plan,
In the make of that wonderful creature, call'd man,
No two virtues, whatever relation they claim,
Nor even two different shades of the same,
Though like as was ever twin brother to brother,
Possessing the one shall imply you've the other.
But truce with abstraction, and truce with a muse,
Whose rhymes you'll perhaps, Sir, ne'er deign to peruse: Will you leave your justings, your jars, and your quarrels, Contending with Billy for proud-nodding laurels.
My much-honour'd Patron, believe your poor poet,
Your courage much more than your prudence you show it;
In vain with Squire Billy, for laurels you struggle,
He'll have them by fair trade, if not, he will smuggle; Not cabinets even of kings would conceal 'em,
He'd up the back-stairs, and by G--he would steal 'em.
Then feats like Squire Billy's you ne'er can achieve 'em; It is not, outdo him, the task is, out-thieve him.
CI.
ON SEEING
A WOUNDED HARE
LIMP BY ME,
WHICH A FELLOW HAD JUST SHOT.
[This Poem is founded on fact. A young man of the name of Thomson told me--quite unconscious of the existence of the Poem--that while Burns lived at Ellisland--he shot at and hurt a hare, which in the twilight was feeding on his father's wheat-bread. The poet, on observing the hare come bleeding past him, "was in great wrath," said Thomson, "and cursed me, and said little hindered him from throwing me into the Nith; and he was able enough to do it, though I was both young and strong." The boor of Nithside did not use the hare worse than the critical Dr. Gregory, of Edinburgh, used the Poem: when Burns read his remarks he said, "Gregory is a good man, but he crucifies me!"]
Inhuman man! curse on thy barb'rous art,
And blasted be thy murder-aiming eye;
May never pity soothe thee with a sigh,
Nor ever pleasure glad thy cruel heart.
Go live, poor wanderer of the wood and field!
The bitter little that of life remains:
No more the thickening brakes and verdant plains
To thee shall home, or food, or pastime yield.
Seek, mangled wretch, some place of wonted rest,
No more of rest, but now thy dying bed!
The sheltering rushes whistling o'er thy head,
The cold earth with thy bloody bosom prest.
Oft as by winding Nith, I, musing, wait
The sober eve, or hail the cheerful dawn;
I'll miss thee sporting o'er the dewy lawn,
And curse the ruffian's aim, and mourn thy hapless fate.
CII.
TO DR. BLACKLOCK,
IN ANSWER TO A LETTER.
[This blind scholar, though an indifferent Poet, was an excellent and generous man: he was foremost of the Edinburgh literati to admire the Poems of Burns, promote their fame, and advise that the author, instead of shipping himself for Jamaica, should come to Edinburgh and publish a new edition. The poet reverenced the name of Thomas Blacklock to the last hour of his life.--Henry Mackenzie, the Earl of Glencairn, and the Blind Bard, were his three favourites.]
_Ellisland, 21st Oct._ 1789.
Wow, but your letter made me vauntie!
And are ye hale, and weel, and cantie?
I kenn'd it still your wee bit jauntie
Wad bring ye to:
Lord send you ay as weel's I want ye,
And then ye'll do.
The ill-thief blaw the heron south!
And never drink be near his drouth!
He tauld mysel' by word o' mouth,
He'd tak my letter:
I lippen'd to the chief in trouth,
And bade nae better.
But aiblins honest Master Heron,
Had at the time some dainty fair one,
To ware his theologic care on,
And holy study;
And tir'd o' sauls to waste his lear on
E'en tried the body.
But what dy'e think, my trusty fier,
I'm turn'd a gauger--Peace be here!
Parnassian queans, I fear, I fear,
Ye'll now disdain me!
And then my fifty pounds a year
Will little gain me.
Ye glaiket, gleesome, dainty damies,
Wha, by Castalia's wimplin' streamies,
Lowp, sing, and lave your pretty limbies,
Ye ken, ye ken,
That strang necessity supreme is
'Mang sons o' men.
I hae a wife and twa wee laddies,
They maun hae brose and brats o' duddies;
Ye ken yoursels my heart right proud is--
I need na vaunt,
But I'll sned besoms--thraw saugh woodies,
Before they want.
Lord help me thro' this warld o' care!
I'm weary sick o't late and air!
Not but I hae a richer share
Than mony ithers:
But why should ae man better fare,
And a' men brithers?
Come, firm Resolve, take then the van,
Thou stalk o' carl-hemp in man!
And let us mind, faint-heart ne'er wan
A lady fair:
Wha does the utmost that he can,
Will whyles do mair.
But to conclude my silly rhyme,
(I'm scant o' verse, and scant o' time,)
To make a happy fire-side clime
To weans and wife,
That's the true pathos and sublime
Of human life.
My compliments to sister Beckie;
And eke the same to honest Lucky,
I wat she is a dainty chuckie,
As e'er tread clay!
And gratefully, my guid auld cockie,
I'm yours for ay,
ROBERT BURNS.
CIII.
DELIA.
AN ODE.
[These verses were first printed in the Star newspaper, in May, 1789. It is said that one day a friend read to the poet some verses from the Star, composed on the pattern of Pope's song, by a Person of Quality. "These lines are beyond you," he added: "the muse of Kyle cannot match the muse of London." Burns mused a moment, then recited "Delia, an Ode."]
Fair the face of orient day,
Fair the tints of op'ning rose,
But fairer still my Delia dawns,
More lovely far her beauty blows.
Sweet the lark's wild-warbled lay,
Sweet the tinkling rill to hear;
But, Delia, more delightful still
Steal thine accents on mine ear.
The flow'r-enamoured busy bee
The rosy banquet loves to sip;
Sweet the streamlet's limpid lapse
To the sun-brown'd Arab's lip;--
But, Delia, on thy balmy lips
Let me, no vagrant insect, rove!
O, let me steal one liquid kiss!
For, oh! my soul is parch'd with love.
CIV.
TO JOHN M'MURDO, ESQ.
[John M'Murdo, Esq., one of the chamberlains of the Duke of Queensberry, lived at Drumlanrig: he was a high-minded, warm-hearted man, and much the friend of the poet. These lines accompanied a present of books: others were added soon afterwards on a pane of glass in Drumlanrig castle.
"Blest be M'Murdo to his latest day!
No envious cloud o'ercast his evening ray;
No wrinkle furrowed by the hand of care,
Nor ever sorrow add one silver hair!
O may no son the father's honour stain,
Nor ever daughter give the mother pain."
How fully the poet's wishes were fulfilled need not be told to any one acquainted with the family.]
O, could I give thee India's wealth,
As I this trifle send!
Because thy joy in both would be
To share them with a friend.
But golden sands did never grace
The Heliconian stream;
Then take what gold could never buy--
An honest Bard's esteem.
CV.
PROLOGUE,
SPOKEN AT THE THEATRE, DUMFRIES,
1 JAN. 1790.
[This prologue was written in December, 1789, for Mr. Sutherland, who recited it with applause in the little theatre of Dumfries, on new-year's night. Sir Harris Nicolas, however, has given to Ellisland the benefit of a theatre! and to Burns the whole barony of Dalswinton for a farm!]
No song nor dance I bring from yon great city
That queens it o'er our taste--the more's the pity:
Tho', by-the-by, abroad why will you roam?
Good sense and taste are natives here at home:
But not for panegyric I appear,
I come to wish you all a good new year!
Old Father Time deputes me here before ye,
Not for to preach, but tell his simple story:
The sage grave ancient cough'd, and bade me say,
"You're one year older this important day."
If wiser too--he hinted some suggestion,
But 'twould be rude, you know, to ask the question;
And with a would-be roguish leer and wink,
He bade me on you press this one word--"think!"
Ye sprightly youths, quite flushed with hope and spirit, Who think to storm the world by dint of merit,
To you the dotard has a deal to say,
In his sly, dry, sententious, proverb way;
He bids you mind, amid your thoughtless rattle,
That the first blow is ever half the battle:
That tho' some by the skirt may try to snatch him,
Yet by the forelock is the hold to catch him;
That whether doing, suffering, or forbearing,
You may do miracles by persevering.
Last, tho' not least in love, ye youthful fair,
Angelic forms, high Heaven's peculiar care!
To yon old Bald-pate smooths his wrinkled brow,
And humbly begs you'll mind the important NOW!
To crown your happiness he asks your leave,
And offers bliss to give and to receive.
For our sincere, tho' haply weak endeavours,
With grateful pride we own your many favours,
And howsoe'er our tongues may ill reveal it,
Believe our glowing bosoms truly feel it.
CVI.
SCOTS PROLOGUE,
FOR MR. SUTHERLAND'S BENEFIT NIGHT,
DUMFRIES.
[Burns did not shine in prologues: he produced some vigorous lines, but they did not come in harmony from his tongue, like the songs in which he recorded the loveliness of the dames of Caledonia. Sutherland was manager of the theatre, and a writer of rhymes.--Burns said his players were a very decent set: he had seen them an evening or two.]
What needs this din about the town o' Lon'on,
How this new play an' that new sang is comin'?
Why is outlandish stuff sae meikle courted?
Does nonsense mend like whiskey, when imported?
Is there nae poet, burning keen for fame,
Will try to gie us songs and plays at hame?
For comedy abroad he need nae toil,
A fool and knave are plants of every soil;
Nor need he hunt as far as Rome and Greece
To gather matter for a serious piece;
There's themes enough in Caledonian story,
Would show the tragic muse in a' her glory.
Is there no daring bard will rise, and tell
How glorious Wallace stood, how hapless fell?
Where are the muses fled that could produce
A drama worthy o' the name o' Bruce;
How here, even here, he first unsheath'd the sword,
'Gainst mighty England and her guilty lord,
And after mony a bloody, deathless doing,
Wrench'd his dear country from the jaws of ruin?
O for a Shakspeare or an Otway scene,
To draw the lovely, hapless Scottish Queen!
Vain all th' omnipotence of female charms
'Gainst headlong, ruthless, mad Rebellion's arms.
She fell, but fell with spirit truly Roman,
To glut the vengeance of a rival woman;
A woman--tho' the phrase may seem uncivil--
As able and as cruel as the Devil!
One Douglas lives in Home's immortal page,
But Douglases were heroes every age:
And tho' your fathers, prodigal of life,
A Douglas follow'd to the martial strife,
Perhaps if bowls row right, and right succeeds,
Ye yet may follow where a Douglas leads!
As ye hae generous done, if a' the land
Would take the muses' servants by the hand;
Not only hear, but patronize, befriend them,
And where ye justly can commend, commend them;
And aiblins when they winna stand the test,
Wink hard, and say the folks hae done their best!
Would a' the land do this, then I'll be caution
Ye'll soon hae poets o' the Scottish nation,
Will gar fame blaw until her trumpet crack,
And warsle time, on' lay him on his back!
For us and for our stage should ony spier,
"Whose aught thae chiels maks a' this bustle here!"
My best leg foremost, I'll set up my brow,
We have the honour to belong to you!
We're your ain bairns, e'en guide us as ye like,
But like good withers, shore before ye strike.--
And gratefu' still I hope ye'll ever find us,
For a' the patronage and meikle kindness
We've got frae a' professions, sets, and ranks:
God help us! we're but poor--ye'se get but thanks.
CVII.
SKETCH.
NEW YEAR'S DAY.
TO MRS. DUNLOP.
[This is a picture of the Dunlop family: it was printed from a hasty sketch, which the poet called extempore. The major whom it mentions, was General Andrew Dunlop, who died in 1804: Rachel Dunlop was afterwards married to Robert Glasgow, Esq. Another of the Dunlops served with distinction in India, where he rose to the rank of General. They were a gallant race, and all distinguished.]
This day, Time winds th' exhausted chain,
To run the twelvemonth's length again:
I see the old, bald-pated follow,
With ardent eyes, complexion sallow,
Adjust the unimpair'd machine,
To wheel the equal, dull routine.
The absent lover, minor heir,
In vain assail him with their prayer;
Deaf as my friend, he sees them press,
Nor makes the hour one moment less.
Will you (the Major's with the hounds,
The happy tenants share his rounds;
Coila's fair Rachel's care to-day,
And blooming Keith's engaged with Gray)
From housewife cares a minute borrow--
That grandchild's cap will do to-morrow--
And join with me a moralizing,
This day's propitious to be wise in.
First, what did yesternight deliver?
"Another year is gone for ever."
And what is this day's strong suggestion?
"The passing moment's all we rest on!"
Rest on--for what? what do we here?
Or why regard the passing year?
Will time, amus'd with proverb'd lore,
Add to our date one minute more?
A few days more--a few years must--
Repose us in the silent dust.
Then is it wise to damp our bliss?
Yes--all such reasonings are amiss!
The voice of nature loudly cries,
And many a message from the skies,
That something in us never dies:
That on this frail, uncertain state,
Hang matters of eternal weight:
That future life in worlds unknown
Must take its hue from this alone;
Whether as heavenly glory bright,
Or dark as misery's woeful night.--
Since then, my honour'd, first of friends,
On this poor being all depends,
Let us th' important _now_ employ,
And live as those who never die.--
Tho' you, with days and honours crown'd,
Witness that filial circle round,
(A sight, life's sorrows to repulse,
A sight, pale envy to convulse,)
Others now claim your chief regard;
Yourself, you wait your bright reward.
CVIII.
TO A GENTLEMAN
WHO HAD SENT HIM A NEWSPAPER, AND OFFERED TO
CONTINUE IT FREE OF EXPENSE.
[These sarcastic lines contain a too true picture of the times in which they were written. Though great changes have taken place in court and camp, yet Austria, Russia, and Prussia keep the tack of Poland: nobody says a word of Denmark: emasculated Italy is still singing; opera girls are still dancing; but Chatham Will, glaikit Charlie, Daddie Burke, Royal George, and Geordie Wales, have all passed to their account.]
Kind Sir, I've read your paper through,
And, faith, to me 'twas really new!
How guess'd ye, Sir, what maist I wanted?
This mony a day I've grain'd and gaunted,
To ken what French mischief was brewin';
Or what the drumlie Dutch were doin';
That vile doup-skelper, Emperor Joseph,
If Venus yet had got his nose off;
Or how the collieshangie works
Atween the Russians and the Turks:
Or if the Swede, before he halt,
Would play anither Charles the Twalt:
If Denmark, any body spak o't;
Or Poland, wha had now the tack o't;
How cut-throat Prussian blades were hingin';
How libbet Italy was singin';
If Spaniard, Portuguese, or Swiss
Were sayin' or takin' aught amiss:
Or how our merry lads at hame,
In Britain's court kept up the game:
How royal George, the Lord leuk o'er him!
Was managing St. Stephen's quorum;
If sleekit Chatham Will was livin';
Or glaikit Charlie got his nieve in:
How daddie Burke the plea was cookin',
If Warren Hastings' neck was yeukin;
How cesses, stents, and fees were rax'd,
Or if bare a--s yet were tax'd;
The news o' princes, dukes, and earls,
Pimps, sharpers, bawds, and opera girls;
If that daft buckie, Geordie Wales,
Was threshin' still at hizzies' tails;
Or if he was grown oughtlins douser,
And no a perfect kintra cooser.--
A' this and mair I never heard of;
And but for you I might despair'd of.
So, gratefu', back your news I send you,
And pray, a' guid things may attend you!
_Ellisland, Monday morning_, 1790.
CIX.
THE KIRK'S ALARM;[76]
A SATIRE.
[FIRST VERSION.]
[The history of this Poem is curious. M'Gill, one of the ministers of Ayr, long suspected of entertaining heterodox opinions concerning original sin and the Trinity, published "A Practical Essay on the Death of Jesus Christ," which, in the opinion of the more rigid portion of his brethren, inclined both to Arianism and Socinianism. This essay was denounced as heretical, by a minister of the name Peebles, in a sermon preached November 5th, 1788, and all the west country was in a flame. The subject was brought before the Synod, and was warmly debated till M'Gill expressed his regret for the disquiet he had occasioned, explained away or apologized for the challenged passages in his Essay, and declared his adherence to the Standard doctrines of his mother church. Burns was prevailed upon to bring his satire to the aid of M'Gill, but he appears to have done so with reluctance.]
Orthodox, orthodox,
Wha believe in John Knox,
Let me sound an alarm to your conscience:
There's a heretic blast
Has been blawn in the wast,
That what is no sense must be nonsense.
Dr. Mac,[77] Dr. Mac,
You should stretch on a rack,
To strike evil doers wi' terror;
To join faith and sense
Upon ony pretence,
Is heretic, damnable error.
Town of Ayr, town of Ayr,
It was mad, I declare,
To meddle wi' mischief a-brewing;
Provost John[78] is still deaf
To the church's relief,
And orator Bob[79] is its ruin.
D'rymple mild,[80] D'rymple mild,
Thro' your heart's like a child,
And your life like the new driven snaw,
Yet that winna save ye,
Auld Satan must hav ye,
For preaching that three's ane an' twa.
Rumble John,[81] Rumble John,
Mount the steps wi' a groan,
Cry the book is wi' heresy cramm'd;
Then lug out your ladle,
Deal brimstone like adle,
And roar every note of the danm'd.
Simper James,[82] Simper James,
Leave the fair Killie dames,
There's a holier chase in your view;
I'll lay on your head
That the pack ye'll soon lead.
For puppies like you there's but few.
Singet Sawney,[83] Singet Sawney,
Are ye herding the penny,
Unconscious what evil await?
Wi' a jump, yell, and howl,
Alarm every soul,
For the foul thief is just at your gate.
Daddy Auld,[84] Daddy Auld,
There's a tod in the fauld,
A tod meikle waur than the clerk;
Though yo can do little skaith,
Ye'll be in at the death,
And gif ye canna bite, ye may bark.
Davie Bluster,[85] Davie Bluster,
If for a saint ye do muster,
The corps is no nice of recruits;
Yet to worth let's be just,
Royal blood ye might boast,
If the ass was the king of the brutes.
Jamy Goose,[86] Jamy Goose,
Ye ha'e made but toom roose,
In hunting the wicked lieutenant;
But the Doctor's your mark,
For the L--d's haly ark;
He has cooper'd and cawd a wrang pin in't.
Poet Willie,[87] Poet Willie,
Fie the Doctor a volley,
Wi' your liberty's chain and your wit;
O'er Pegasus' side
Ye ne'er laid astride,
Ye but smelt, man, the place where he ----.
Andro Gouk,[88], Andro Gouk,
Ye may slander the book,
And the book not the waur, let me tell ye;
Ye are rich and look big,
But lay by hat and wig,
And ye'll ha'e a calf's head o' sma' value.
Barr Steenie,[89] Barr Steenie,
What mean ye, what mean ye?
If ye'll meddle nae mair wi' the matter,
Ye may ha'e some pretence
To havins and sense,
Wi' people wha ken ye nae better.
Irvine side,[90] Irvine side,
Wi' your turkey-cock pride,
Of manhood but sum' is your share,
Ye've the figure 'tis true,
Even your faes will allow,
And your friends they dae grunt you nae mair.
Muirland Jock,[91] Muirland Jock,
When the L--d makes a rock
To crush Common sense for her sins,
If ill manners were wit,
There's no mortal so fit
To confound the poor Doctor at ance.
Holy Will,[92] Holy Will,
There was wit i' your skull,
When ye pilfer'd the alms o' the poor;
The timmer is scant,
When ye're ta'en for a saunt,
Wha should swing in a rape for an hour.
Calvin's sons, Calvin's sons,
Seize your spir'tual guns,
Ammunition you never can need;
Your hearts are the stuff,
Will be powther enough,
And your skulls are storehouses o' lead.
Poet Burns, Poet Burns,
Wi' your priest-skelping turns,
Why desert ye your auld native shire?
Your muse is a gipsie,
E'en tho' she were tipsie,
She could ca' us nae waur than we are.
FOOTNOTES:
[Footnote 76: This Poem was written a short time after the publication of M'Gill's Essay.]
[Footnote 77: Dr. M'Gill.]
[Footnote 78: John Ballantyne.]
[Footnote 79: Robert Aiken.]
[Footnote 80: Dr. Dalrymple.]
[Footnote 81: Mr. Russell.]
[Footnote 82: Mr. M'Kinlay.]
[Footnote 83: Mr. Moody, of Riccarton.]
[Footnote 84: Mr. Auld of Mauchline.]
[Footnote 85: Mr. Grant, of Ochiltree.]
[Footnote 86: Mr. Young, of Cumnock.]
[Footnote 87: Mr. Peebles, Ayr.]
[Footnote 88: Dr. Andrew Mitchell, of Monkton.]
[Footnote 89: Mr. Stephen Young, of Barr.]
[Footnote 90: Mr. George Smith, of Galston.]
[Footnote 91: Mr. John Shepherd, Muirkirk.]
[Footnote 92: Holy Willie, alias William Fisher, Elder in Mauchline.]
CX.
THE KIRK'S ALARM.
A BALLAD.
[SECOND VERSION.]
[This version is from the papers of Miss Logan, of Afton. The origin of the Poem is thus related to Graham of Fintry by the poet himself: "Though I dare say you have none of the solemn League and Covenant fire Which shone so conspicuous in Lord George Gordon, and the Kilmarnock weavers, yet I think you must have heard of Dr. M'Gill, one of the clergymen of Ayr, and his heretical book, God help him, poor man! Though one of the worthiest, as well as one of the ablest of the whole priesthood of the Kirk of Scotland, in every sense of that ambiguous term, yet the poor doctor and his numerous family are in imminent danger of being thrown out (9th December, 1790) to the mercy of the winter winds. The enclosed ballad on that business, is, I confess too local: but I laughed myself at some conceits in it, though I am convinced in my conscience there are a good many heavy stanzas in it too." The Kirk's Alarm was first printed by Stewart, in 1801. Cromek calls it, "A silly satire, on some worthy ministers of the gospel, in Ayrshire."]
I.
Orthodox, orthodox,
Who believe in John Knox,
Let me sound an alarm to your conscience--
There's a heretic blast,
Has been blawn i' the wast,
That what is not sense must be nonsense,
Orthodox,
That what is not sense must be nonsense.
II.
Doctor Mac, Doctor Mac,
Ye should stretch on a rack,
And strike evil doers wi' terror;
To join faith and sense,
Upon any pretence,
Was heretic damnable error,
Doctor Mac,
Was heretic damnable error.
III.
Town of Ayr, town of Ayr,
It was rash I declare,
To meddle wi' mischief a-brewing;
Provost John is still deaf,
To the church's relief,
And orator Bob is its ruin,
Town Of Ayr,
And orator Bob is its ruin.
IV.
D'rymple mild, D'rymple mild,
Tho' your heart's like a child,
And your life like the new-driven snaw,
Yet that winna save ye,
Old Satan must have ye
For preaching that three's are an' twa,
D'rymple mild,
For preaching that three's are an' twa.
V.
Calvin's sons, Calvin's sons,
Seize your spiritual guns,
Ammunition ye never can need;
Your hearts are the stuff,
Will be powder enough,
And your skulls are a storehouse of lead,
Calvin's sons,
And your skulls are a storehouse of lead.
VI.
Rumble John, Rumble John,
Mount the steps with a groan,
Cry the book is with heresy cramm'd;
Then lug out your ladle,
Deal brimstone like aidle,
And roar every note o' the damn'd,
Rumble John,
And roar every note o' the damn'd.
VII.
Simper James, Simper James,
Leave the fair Killie dames,
There's a holier chase in your view;
I'll lay on your head,
That the pack ye'll soon lead,
For puppies like you there's but few,
Simper James,
For puppies like you there's but few.
VIII.
Singet Sawnie, Singet Sawnie,
Are ye herding the penny,
Unconscious what danger awaits?
With a jump, yell, and howl,
Alarm every soul,
For Hannibal's just at your gates,
Singet Sawnie,
For Hannibal's just at your gates.
IX.
Andrew Gowk, Andrew Gowk,
Ye may slander the book,
And the book nought the waur--let me tell you;
Tho' ye're rich and look big,
Yet lay by hat and wig,
And ye'll hae a calf's-head o' sma' value,
Andrew Gowk,
And ye'll hae a calf's-head o' sma' value.
X.
Poet Willie, Poet Willie,
Gie the doctor a volley,
Wi' your "liberty's chain" and your wit;
O'er Pegasus' side,
Ye ne'er laid a stride
Ye only stood by when he ----,
Poet Willie,
Ye only stood by when he ----.
XI.
Barr Steenie, Barr Steenie,
What mean ye? what mean ye?
If ye'll meddle nae mair wi' the matter,
Ye may hae some pretence, man,
To havins and sense, man,
Wi' people that ken ye nae better,
Barr Steenie,
Wi' people that ken ye nae better.
XII.
Jamie Goose, Jamie Goose,
Ye hae made but toom roose,
O' hunting the wicked lieutenant;
But the doctor's your mark,
For the L--d's holy ark,
He has cooper'd and ca'd a wrong pin in't,
Jamie Goose,
He has cooper'd and ca'd a wrong pin in't.
XIII.
Davie Bluster, Davie Bluster,
For a saunt if ye muster,
It's a sign they're no nice o' recruits,
Yet to worth let's be just,
Royal blood ye might boast,
If the ass were the king o' the brutes,
Davie Bluster,
If the ass were the king o' the brutes.
XIV.
Muirland George, Muirland George,
Whom the Lord made a scourge,
To claw common sense for her sins;
If ill manners were wit,
There's no mortal so fit,
To confound the poor doctor at ance,
Muirland George,
To confound the poor doctor at ance.
XV.
Cessnockside, Cessnockside,
Wi' your turkey-cock pride,
O' manhood but sma' is your share;
Ye've the figure, it's true,
Even our faes maun allow,
And your friends daurna say ye hae mair,
Cessnockside,
And your friends daurna say ye hae mair.
XVI.
Daddie Auld, Daddie Auld,
There's a tod i' the fauld
A tod meikle waur than the clerk;[93]
Tho' ye downa do skaith,
Ye'll be in at the death,
And if ye canna bite ye can bark,
Daddie Auld,
And if ye canna bite ye can bark.
XVII.
Poet Burns, Poet Burns,
Wi' your priest-skelping turns,
Why desert ye your auld native shire?
Tho' your Muse is a gipsy,
Yet were she even tipsy,
She could ca' us nae waur than we are,
Poet Burns,
She could ca' us nae waur than we are.
POSTSCRIPT.
Afton's Laird, Afton's Laird,
When your pen can be spar'd,
A copy o' this I bequeath,
On the same sicker score
I mentioned before,
To that trusty auld worthy Clackleith,
Afton's Laird,
To that trusty auld worthy Clackleith.
FOOTNOTES:
[Footnote 93: Gavin Hamilton.]
CXI.
PEG NICHOLSON.
[These hasty verses are to be found in a letter addressed to Nicol, of the High School of Edinburgh, by the poet, giving him on account of the unlooked-for death of his mare, Peg Nicholson, the successor of Jenny Geddes. She had suffered both in the employ of the joyous priest and the thoughtless poet. She acquired her name from that frantic virago who attempted to murder George the Third.]
Peg Nicholson was a good bay mare,
As ever trode on airn;
But now she's floating down the Nith,
And past the mouth o' Cairn.
Peg Nicholson was a good bay mare,
And rode thro' thick an' thin;
But now she's floating down the Nith,
And wanting even the skin.
Peg Nicholson was a good bay mare,
And ance she bore a priest;
But now she's flouting down the Nith,
For Solway fish a feast.
Peg Nicholson was a good bay mare,
And the priest he rode her sair;
And much oppress'd and bruis'd she was;
As priest-rid cattle are, &c. &c.
CXII.
ON
CAPTAIN MATTHEW HENDERSON,
A GENTLEMAN WHO HELD THE PATENT FOR HIS HONOURS
IMMEDIATELY FROM ALMIGHTY GOD.
"Should the poor be flattered?"
SHAKSPEARE.
But now his radiant course is run,
For Matthew's course was bright;
His soul was like the glorious sun,
A matchless heav'nly light!
[Captain Matthew Henderson, a gentleman of very agreeable manners and great propriety of character, usually lived in Edinburgh, dined constantly at Fortune's Tavern, and was a member of the Capillaire Club, which was composed of all who desired to be thought witty or joyous: he died in 1789: Burns, in a note to the Poem, says, "I loved the man much, and have not flattered his memory." Henderson seems indeed to have been universally liked. "In our travelling party," says Sir James Campbell, of Ardkinglass, "was Matthew Henderson, then (1759) and afterwards well known and much esteemed in the town of Edinburgh; at that time an officer in the twenty-fifth regiment of foot, and like myself on his way to join the army; and I may say with truth, that in the course of a long life I have never known a more estimable character, than Matthew Henderson." _Memoirs of Campbell, of Ardkinglass_, p. 17.]
O death! thou tyrant fell and bloody!
The meikle devil wi' a woodie
Haurl thee hame to his black smiddie,
O'er hurcheon hides,
And like stock-fish come o'er his studdie
Wi' thy auld sides!
He's gane! he's gane! he's frae us torn,
The ae best fellow e'er was born!
Thee, Matthew, Nature's sel' shall mourn
By wood and wild,
Where, haply, pity strays forlorn,
Frae man exil'd!
Ye hills! near neebors o' the starns,
That proudly cock your cresting cairns!
Ye cliffs, the haunts of sailing yearns,
Where echo slumbers!
Come join, ye Nature's sturdiest bairns,
My wailing numbers!
Mourn, ilka grove the cushat kens!
Ye haz'lly shaws and briery dens!
Ye burnies, wimplin' down your glens,
Wi' toddlin' din,
Or foaming strang, wi' hasty stens,
Frae lin to lin!
Mourn, little harebells o'er the lea;
Ye stately foxgloves fair to see;
Ye woodbines, hanging bonnilie,
In scented bow'rs;
Ye roses on your thorny tree,
The first o' flow'rs.
At dawn, when ev'ry grassy blade
Droops with a diamond at its head,
At ev'n, when beans their fragrance shed
I' th' rustling gale,
Ye maukins whiddin thro' the glade,
Come join my wail.
Mourn, ye wee songsters o' the wood;
Ye grouse that crap the heather bud;
Ye curlews calling thro' a clud;
Ye whistling plover;
An' mourn, ye whirring paitrick brood!--
He's gane for ever!
Mourn, sooty coots, and speckled teals;
Ye fisher herons, watching eels:
Ye duck and drake, wi' airy wheels
Circling the lake;
Ye bitterns, till the quagmire reels,
Rair for his sake.
Mourn, clam'ring craiks, at close o' day,
'Mang fields o' flowering clover gay;
And when ye wing your annual way
Frae our cauld shore,
Tell thae far warlds, wha lies in clay,
Wham we deplore.
Ye houlets, frae your ivy bow'r,
In some auld tree, or eldritch tow'r,
What time the moon, wi' silent glow'r,
Sets up her horn,
Wail thro' the dreary midnight hour
'Till waukrife morn!
O rivers, forests, hills, and plains!
Oft have ye heard my canty strains:
But now, what else for me remains
But tales of woe?
And frae my een the drapping rains
Maun ever flow.
Mourn, spring, thou darling of the year!
Ilk cowslip cup shall kep a tear:
Thou, simmer, while each corny spear
Shoots up its head,
The gay, green, flow'ry tresses shear
For him that's dead!
Thou, autumn, wi' thy yellow hair,
In grief thy sallow mantle tear:
Thou, winter, hurling thro' the air
The roaring blast,
Wide, o'er the naked world declare
The worth we've lost!
Mourn him, thou sun, great source of light!
Mourn, empress of the silent night!
And you, ye twinkling starnies bright,
My Matthew mourn!
For through your orbs he's ta'en his flight,
Ne'er to return.
O, Henderson! the man--the brother!
And art thou gone, and gone for ever?
And hast thou crost that unknown river
Life's dreary bound?
Like thee, where shall I find another,
The world around?
Go to your sculptur'd tombs, ye great,
In a' the tinsel trash o' state!
But by thy honest turf I'll wait,
Thou man of worth!
And weep the ae best fellow's fate
E'er lay in earth.
THE EPITAPH.
Stop, passenger!--my story's brief,
And truth I shall relate, man;
I tell nae common tale o' grief--
For Matthew was a great man.
If thou uncommon merit hast,
Yet spurn'd at fortune's door, man,
A look of pity hither cast--
For Matthew was a poor man.
If thou a noble sodger art,
That passest by this grave, man,
There moulders here a gallant heart--
For Matthew was a brave man.
If thou on men, their works and ways,
Canst throw uncommon light, man,
Here lies wha weel had won thy praise--
For Matthew was a bright man.
If thou at friendship's sacred ca'
Wad life itself resign, man,
Thy sympathetic tear maun fa'--
For Matthew was a kind man!
If thou art staunch without a stain,
Like the unchanging blue, man,
This was a kinsman o' thy ain--
For Matthew was a true man.
If thou hast wit, and fun, and fire,
And ne'er guid wine did fear, man,
This was thy billie, dam and sire--
For Matthew was a queer man.
If ony whiggish whingin sot,
To blame poor Matthew dare, man,
May dool and sorrow be his lot!
For Matthew was a rare man.
CXIII.
THE FIVE CARLINS.
A SCOTS BALLAD.
Tune--_Chevy Chase._
[This is a local and political Poem composed on the contest between Miller, the younger, of Dalswinton, and Johnstone, of Westerhall, for the representation of the Dumfries and Galloway district of Boroughs. Each town or borough speaks and acts in character: Maggy personates Dumfries; Marjory, Lochmaben; Bess of Solway-side, Annan; Whiskey Jean, Kirkcudbright; and Black Joan, Sanquhar. On the part of Miller, all the Whig interest of the Duke of Queensberry was exerted, and all the Tory interest on the side of the Johnstone: the poet's heart was with the latter. Annan and Lochmaben stood staunch by old names and old affections: after a contest, bitterer than anything of the kind remembered, the Whig interest prevailed.]
There were five carlins in the south,
They fell upon a scheme,
To send a lad to London town,
To bring them tidings hame.
Not only bring them tidings hame,
But do their errands there;
And aiblins gowd and honour baith
Might be that laddie's share.
There was Maggy by the banks o' Nith,
A dame wi' pride eneugh;
And Marjory o' the mony lochs,
A carlin auld and teugh.
And blinkin' Bess of Annandale,
That dwelt near Solway-side;
And whiskey Jean, that took her gill
In Galloway sae wide.
And black Joan, frae Crighton-peel,
O' gipsey kith an' kin;--
Five wighter carlins were na found
The south countrie within.
To send a lad to London town,
They met upon a day;
And mony a knight, and mony a laird,
This errand fain wad gae.
O mony a knight, and mony a laird,
This errand fain wad gae;
But nae ane could their fancy please,
O ne'er a ane but twae.
The first ane was a belted knight,
Bred of a border band;
And he wad gae to London town,
Might nae man him withstand.
And he wad do their errands weel,
And meikle he wad say;
And ilka ane about the court
Wad bid to him gude-day.
The neist cam in a sodger youth,
And spak wi' modest grace,
And he wad gae to London town,
If sae their pleasure was.
He wad na hecht them courtly gifts,
Nor meikle speech pretend;
But he wad hecht an honest heart,
Wad ne'er desert his friend.
Then wham to chuse, and wham refuse,
At strife thir carlins fell;
For some had gentlefolks to please,
And some wad please themsel'.
Then out spak mim-mou'd Meg o' Nith,
And she spak up wi' pride,
And she wad send the sodger youth,
Whatever might betide.
For the auld gudeman o' London court
She didna care a pin;
But she wad send the sodger youth
To greet his eldest son.
Then slow raise Marjory o' the Lochs
And wrinkled was her brow;
Her ancient weed was russet gray,
Her auld Scotch heart was true.
"The London court set light by me--
I set as light by them;
And I wilt send the sodger lad
To shaw that court the same."
Then up sprang Bess of Annandale,
And swore a deadly aith,
Says, "I will send the border-knight
Spite o' you carlins baith.
"For far-off fowls hae feathers fair,
And fools o' change are fain;
But I hae try'd this border-knight,
I'll try him yet again."
Then whiskey Jean spak o'er her drink,
"Ye weel ken, kimmersa',
The auld gudeman o' London court,
His back's been at the wa'.
"And mony a friend that kiss'd his caup,
Is now a fremit wight;
But it's ne'er be sae wi' whiskey Jean,--
We'll send the border-knight."
Says black Joan o' Crighton-peel,
A carlin stoor and grim,--
"The auld gudeman, or the young gudeman,
For me may sink or swim.
"For fools will prate o' right and wrang,
While knaves laugh in their sleeve;
But wha blaws best the horn shall win,
I'll spier nae courtier's leave."
So how this mighty plea may end
There's naebody can tell:
God grant the king, and ilka man,
May look weel to himsel'!
CXIV.
THE LADDIES BY THE BANKS O' NITH.
[This short Poem was first published by Robert Chambers. It intimates pretty strongly, how much the poet disapproved of the change which came over the Duke of Queensberry's opinions, when he supported the right of the Prince of Wales to assume the government, without consent of Parliament, during the king's alarming illness, in 1788.]
The laddies by the banks o' Nith,
Wad trust his Grace wi' a', Jamie,
But he'll sair them, as he sair'd the King,
Turn tail and rin awa', Jamie.
Up and waur them a', Jamie,
Up and waur them a';
The Johnstones hae the guidin' o't,
Ye turncoat Whigs awa'.
The day he stude his country's friend,
Or gied her faes a claw, Jamie:
Or frae puir man a blessin' wan,
That day the Duke ne'er saw, Jamie.
But wha is he, his country's boast?
Like him there is na twa, Jamie,
There's no a callant tents the kye,
But kens o' Westerha', Jamie.
To end the wark here's Whistlebirk,[94]
Lang may his whistle blaw, Jamie;
And Maxwell true o' sterling blue:
And we'll be Johnstones a', Jamie.
FOOTNOTES:
[Footnote 94: Birkwhistle: a Galloway laird, and elector.]
CXV.
EPISTLE TO ROBERT GRAHAM, ESQ.
OF FINTRAY:
ON THE CLOSE OF THE DISPUTED ELECTION BETWEEN
SIR JAMES JOHNSTONE AND CAPTAIN MILLER, FOR
THE DUMFRIES DISTRICT OF BOROUGHS.
["I am too little a man," said Burns, in the note to Fintray, which accompanied this poem, "to have any political attachment: I am deeply indebted to, and have the warmest veneration for individuals of both parties: but a man who has it in his power to be the father of a country, and who acts like his Grace of Queensberry, is a character that one cannot speak of with patience." This Epistle was first printed in my edition of Burns in 1834: I had the use of the Macmurdo and the Afton manuscripts for that purpose: to both families the poet was much indebted for many acts of courtesy and kindness.]
Fintray, my stay in worldly strife,
Friend o' my muse, friend o' my life,
Are ye as idle's I am?
Come then, wi' uncouth, kintra fleg,
O'er Pegasus I'll fling my leg,
And ye shall see me try him.
I'll sing the zeal Drumlanrig bears,
Who left the all-important cares
Of princes and their darlings;
And, bent on winning borough towns,
Came shaking hands wi' wabster lowns,
And kissing barefit carlins.
Combustion thro' our boroughs rode,
Whistling his roaring pack abroad
Of mad unmuzzled lions;
As Queensberry buff and blue unfurl'd,
And Westerha' and Hopeton hurl'd
To every Whig defiance.
But cautious Queensberry left the war,
Th' unmanner'd dust might soil his star;
Besides, he hated bleeding:
But left behind him heroes bright,
Heroes in Cæsarean fight,
Or Ciceronian pleading.
O! for a throat like huge Mons-meg,
To muster o'er each ardent Whig
Beneath Drumlanrig's banner;
Heroes and heroines commix,
All in the field of politics,
To win immortal honour.
M'Murdo[95] and his lovely spouse,
(Th' enamour'd laurels kiss her brows!)
Led on the loves and graces:
She won each gaping burgess' heart,
While he, all-conquering, play'd his part
Among their wives and lasses.
Craigdarroch[96] led a light-arm'd corps,
Tropes, metaphors and figures pour,
Like Hecla streaming thunder:
Glenriddel,[97] skill'd in rusty coins,
Blew up each Tory's dark designs,
And bar'd the treason under.
In either wing two champions fought,
Redoubted Staig[98] who set at nought
The wildest savage Tory:
And Welsh,[99] who ne'er yet flinch'd his ground,
High-wav'd his magnum-bonum round
With Cyclopeian fury.
Miller brought up th' artillery ranks,
The many-pounders of the Banks,
Resistless desolation!
While Maxwelton, that baron bold,
'Mid Lawson's[100] port intrench'd his hold,
And threaten'd worse damnation.
To these what Tory hosts oppos'd,
With these what Tory warriors clos'd.
Surpasses my descriving:
Squadrons extended long and large,
With furious speed rush to the charge,
Like raging devils driving.
What verse can sing, what prose narrate,
The butcher deeds of bloody fate
Amid this mighty tulzie!
Grim Horror grinn'd--pale Terror roar'd,
As Murther at his thrapple shor'd,
And hell mix'd in the brulzie.
As highland craigs by thunder cleft,
When lightnings fire the stormy lift,
Hurl down with crashing rattle:
As flames among a hundred woods;
As headlong foam a hundred floods;
Such is the rage of battle!
The stubborn Tories dare to die;
As soon the rooted oaks would fly
Before the approaching fellers:
The Whigs come on like Ocean's roar,
When all his wintry billows pour
Against the Buchan Bullers.
Lo, from the shades of Death's deep night,
Departed Whigs enjoy the fight,
And think on former daring:
The muffled murtherer[101] of Charles
The Magna Charter flag unfurls,
All deadly gules it's bearing.
Nor wanting ghosts of Tory fame.
Bold Scrimgeour[102] follows gallant Graham,[103]
Auld Covenanters shiver.
(Forgive, forgive, much-wrong'd Montrose!
Now death and hell engulph thy foes,
Thou liv'st on high for ever!)
Still o'er the field the combat burns,
The Tories, Whigs, give way by turns;
But fate the word has spoken:
For woman's wit and strength o' man,
Alas! can do but what they can!
The Tory ranks are broken.
O that my een were flowing burns,
My voice a lioness that mourns
Her darling cubs' undoing!
That I might greet, that I might cry,
While Tories fall, while Tories fly,
And furious Whigs pursuing!
What Whig but melts for good Sir James!
Dear to his country by the names
Friend, patron, benefactor!
Not Pulteney's wealth can Pulteney save!
And Hopeton falls, the generous brave!
And Stewart,[104] bold as Hector.
Thou, Pitt, shalt rue this overthrow;
And Thurlow growl a curse of woe;
And Melville melt in wailing!
How Fox and Sheridan rejoice!
And Burke shall sing, O Prince, arise,
Thy power is all prevailing!
For your poor friend, the Bard, afar
He only hears and sees the war,
A cool spectator purely;
So, when the storm the forests rends,
The robin in the hedge descends,
And sober chirps securely.
FOOTNOTES:
[Footnote 95: John M'Murdo, Esq., of Drumlanrig.]
[Footnote 96: Fergusson of Craigdarroch.]
[Footnote 97: Riddel of Friars-Carse.]
[Footnote 98: Provost Staig of Dumfries.]
[Footnote 99: Sheriff Welsh.]
[Footnote 100: A wine merchant in Dumfries.]
[Footnote 101: The executioner of Charles I. was masked.]
[Footnote 102: Scrimgeour, Lord Dundee.]
[Footnote 103: Graham, Marquis of Montrose.]
[Footnote 104: Stewart of Hillside.]
CXVI.
ON
CAPTAIN GROSE'S
PEREGRINATIONS THROUGH SCOTLAND,
COLLECTING THE
ANTIQUITIES OF THAT KINGDOM.
[This "fine, fat, fodgel wight" was a clever man, a skilful antiquary, and fond of wit and wine. He was well acquainted with heraldry, and was conversant with the weapons and the armor of his own and other countries. He found his way to Friars-Carse, in the Vale of Nith, and there, at the social "board of Glenriddel," for the first time saw Burns. The Englishman heard, it is said, with wonder, the sarcastic sallies and eloquent bursts of the inspired Scot, who, in his turn, surveyed with wonder the remarkable corpulence, and listened with pleasure to the independent sentiments and humourous turns of conversation in the joyous Englishman. This Poem was the fruit of the interview, and it is said that Grose regarded some passages as rather personal.]
Hear, Land o' Cakes and brither Scots,
Frae Maidenkirk to Johnny Groat's;
If there's a hole in a' your coats,
I rede you tent it:
A chiel's amang you taking notes,
And, faith, he'll prent it!
If in your bounds ye chance to light
Upon a fine, fat, fodgel wight,
O' stature short, but genius bright,
That's he, mark weel--
And wow! he has an unco slight
O' cauk and keel.
By some auld, houlet-haunted biggin,
Or kirk deserted by its riggin,
It's ten to one ye'll find him snug in
Some eldritch part,
Wi' deils, they say, L--d save's! colleaguin'
At some black art.
Ilk ghaist that haunts auld ha' or chaumer,
Ye gipsey-gang that deal in glamour,
And you deep read in hell's black grammar,
Warlocks and witches;
Ye'll quake at his conjuring hammer,
Ye midnight b----s!
It's tauld he was a sodger bred,
And ane wad rather fa'n than fled;
But now he's quat the spurtle-blade,
And dog-skin wallet,
And ta'en the--Antiquarian trade,
I think they call it.
He has a fouth o' auld nick-nackets:
Rusty airn caps and jinglin' jackets,
Wad haud the Lothians three in tackets,
A towmont guid;
And parritch-pats, and auld saut-backets,
Afore the flood.
Of Eve's first fire he has a cinder;
Auld Tubal-Cain's fire-shool and fender;
That which distinguished the gender
O' Balaam's ass;
A broom-stick o' the witch o' Endor,
Weel shod wi' brass.
Forbye, he'll shape you aff, fu' gleg,
The cut of Adam's philibeg:
The knife that nicket Abel's craig
He'll prove you fully,
It was a faulding jocteleg,
Or lang-kail gully.--
But wad ye see him in his glee,
For meikle glee and fun has he,
Then set him down, and twa or three
Guid fellows wi' him;
And port, O port! shine thou a wee,
And then ye'll see him!
Now, by the pow'rs o' verse and prose!
Thou art a dainty chiel, O Grose!--
Whae'er o' thee shall ill suppose,
They sair misca' thee;
I'd take the rascal by the nose,
Wad say, Shame fa' thee!
CXVII.
WRITTEN IN A WRAPPER,
ENCLOSING
A LETTER TO CAPTAIN GROSE.
[Burns wrote out some antiquarian and legendary memoranda, respecting certain ruins in Kyle, and enclosed them in a sheet of a paper to Cardonnel, a northern antiquary. As his mind teemed with poetry he could not, as he afterwards said, let the opportunity, pass of sending a rhyming inquiry after his fat friend, and Cardonnel spread the condoling inquiry over the North--
"Is he slain by Highlan' bodies?
And eaten like a wether-haggis?"]
Ken ye ought o' Captain Grose?
Igo and ago,
If he's amang his friends or foes?
Iram, coram, dago.
Is he south or is he north?
Igo and ago,
Or drowned in the river Forth?
Iram, coram, dago.
Is he slain by Highlan' bodies?
Igo and ago,
And eaten like a wether-haggis?
Iram, coram, dago.
Is he to Abram's bosom gane?
Igo and ago,
Or haudin' Sarah by the wame?
Iram, coram, dago.
Where'er he be, the L--d be near him!
Igo and ago,
As for the deil, he daur na steer him!
Iram, coram, dago.
But please transmit the enclosed letter,
Igo and ago,
Which will oblige your humble debtor,
Iram, coram, dago.
So may he hae auld stanes in store,
Igo and ago,
The very stanes that Adam bore,
Iram, coram, dago.
So may ye get in glad possession,
Igo and ago,
The coins o' Satan's coronation!
Iram, coram, dago.
CXVIII.
TAM O' SHANTER.
A TALE.
"Of brownys and of bogilis full is this buke."
GAWIN DOUGLAS
[This is a West-country legend, embellished by genius. No other Poem in our language displays such variety of power, in the same number of lines. It was written as an inducement to Grose to admit Alloway-Kirk into his work on the Antiquities of Scotland; and written with such ecstasy, that the poet shed tears in the moments of composition. The walk in which it was conceived, on the braes of Ellisland, is held in remembrance in the vale, and pointed out to poetic inquirers: while the scene where the poem is laid--the crumbling ruins--the place where the chapman perished in the snow--the tree on which the poor mother of Mungo ended her sorrows--the cairn where the murdered child was found by the hunters--and the old bridge over which Maggie bore her astonished master when all hell was in pursuit, are first-rate objects of inspection and inquiry in the "Land of Burns." "In the inimitable tale of Tam o' Shanter," says Scott "Burns has left us sufficient evidence of his ability to combine the ludicrous with the awful, and even the horrible. No poet, with the exception of Shakspeare, ever possessed the power of exciting the most varied and discordant emotions with such rapid transitions."]
When chapman billies leave the street,
And drouthy neebors neebors meet,
As market-days are wearing late,
An' folk begin to tak' the gate;
While we sit bousing at the nappy,
An' gettin' fou and unco happy,
We think na on the lang Scots miles,
The mosses, waters, slaps, and stiles,
That lie between us and our hame,
Where sits our sulky sullen dame,
Gathering her brows like gathering storm,
Nursing her wrath to keep it warm.
This truth fand honest Tam O' Shanter,
As he frae Ayr ae night did canter,
(Auld Ayr, wham ne'er a town surpasses,
For honest men and bonny lasses.)
O Tam! hadst thou but been sae wise,
As ta'en thy ain wife Kate's advice!
She tauld thee weel thou was a skellum,
A blethering, blustering, drunken blellum;
That frae November till October,
Ae market-day thou wasna sober;
That ilka melder, wi' the miller,
Thou sat as lang as thou had siller;
That ev'ry naig was ca'd a shoe on,
The smith and thee gat roaring fou on;
That at the Lord's house, ev'n on Sunday,
Thou drank wi' Kirton Jean till Monday.
She prophesy'd, that late or soon,
Thou would be found deep drown'd in Doon;
Or catch'd wi' warlocks in the mirk,
By Alloway's auld haunted kirk.
Ah, gentle dames! it gars me greet,
To think how mony counsels sweet,
How mony lengthen'd sage advices,
The husband frae the wife despises!
But to our tale:--Ae market night,
Tam had got planted unco right;
Fast by an ingle bleezing finely,
Wi' reaming swats, that drank divinely;
And at his elbow, Souter Johnny,
His ancient, trusty, drouthy crony;
Tam lo'ed him like a vera brither;
They had been fou' for weeks thegither!
The night drave on wi' sangs an' clatter;
And ay the ale was growing better:
The landlady and Tam grew gracious;
Wi' favors secret, sweet, and precious;
The Souter tauld his queerest stories;
The landlord's laugh was ready chorus:[105]
The storm without might rair and rustle--
Tam did na mind the storm a whistle.
Care, mad to see a man sae happy,
E'en drown'd himself amang the nappy!
As bees flee hame wi' lades o' treasure,
The minutes wing'd their way wi' pleasure:
Kings may be blest, but Tam was glorious,
O'er a' the ills o' life victorious.
But pleasures are like poppies spread,
You seize the flow'r, its bloom is shed;
Or like the snow falls in the river,
A moment white--then melts for ever;
Or like the borealis race,
That flit ere you can point their place;
Or like the rainbow's lovely form
Evanishing amid the storm.
Nae man can tether time or tide;
The hour approaches Tam maun ride;
That hour, o' night's black arch the key-stane,
That dreary hour he mounts his beast in;
And sic a night he taks the road in
As ne'er poor sinner was abroad in.
The wind blew as 'twad blawn its last;
The rattling show'rs rose on the blast;
The speedy gleams the darkness swallow'd;
Loud, deep, and lang the thunder bellow'd:
That night, a child might understand,
The de'il had business on his hand.
Weel mounted on his gray mare, Meg,
A better never lifted leg,
Tam skelpit on thro' dub and mire,
Despising wind, and rain, and fire;
Whiles holding fast his guid blue bonnet;
Whiles crooning o'er some auld Scots sonnet;
Whiles glow'ring round wi' prudent cares,
Lest bogles catch him unawares;
Kirk-Alloway was drawing nigh,
Whare ghaists and houlets nightly cry.--
By this time he was cross the foord,
Whare in the snaw the chapman smoor'd;
And past the birks and meikle stane,
Where drunken Charlie brak's neck-bane;
And thro' the whins, and by the cairn,
Where hunters fand the murder'd bairn;
And near the thorn, aboon the well,
Where Mungo's mither hang'd hersel'.
Before him Doon pours all his floods;
The doubling storm roars thro' the woods;
The lightnings flash from pole to pole;
Near and more the thunders roll;
When, glimmering thro' the groaning trees,
Kirk-Alloway seem'd in a bleeze;
Thro' ilka bore the beams were glancing;
And loud resounded mirth and dancing.
Inspiring, bold John Barleycorn!
What dangers thou canst make us scorn!
Wi' tippenny, we fear nae evil;
Wi' usquabae we'll face the devil!
The swats sae ream'd in Tammie's noddle,
Fair play, he car'd nae deils a boddle.
But Maggie stood right sair astonish'd,
'Till, by the heel and hand admonish'd,
She ventur'd forward on the light;
And wow! Tam saw an unco sight!
Warlocks and witches in a dance;
Nae cotillion brent new frae France,
But hornpipes, jigs, strathspeys, and reels,
Put life and mettle in their heels:
A winnock-bunker in the east,
There sat auld Nick, in shape o' beast;
A towzie tyke, black, grim, and large,
To gie them music was his charge;
He screw'd the pipes and gart them skirl,
Till roof and rafters a' did dirl.--
Coffins stood round, like open presses;
That shaw'd the dead in their last dresses;
And by some devilish cantrip slight
Each in its cauld hand held a light--
By which heroic Tam was able
To note upon the haly table,
A murderer's banes in gibbet airns;
Twa span-lang, wee, unchristen'd bairns;
A thief, new-cutted frae a rape,
Wi' his last gasp his gab did gape;
Five tomahawks, wi' bluid red-rusted;
Five scimitars, wi' murder crusted;
A garter, which a babe had strangled;
A knife, a father's throat had mangled,
Whom his ain son o' life bereft,
The gray hairs yet stack to the heft:[106]
Wi' mair o' horrible and awfu',
Which ev'n to name would be unlawfu'.
As Tammie glowr'd, amaz'd, and curious,
The mirth and fun grew fast and furious:
The piper loud and louder blew;
The dancers quick and quicker flew;
They reel'd, they set, they cross'd, they cleekit,
'Till ilka carlin swat and reekit,
And coost her duddies to the wark,
And linket at it in her sark!
Now Tam, O Tam! had thae been queans
A' plump and strapping, in their teens;
Their sarks, instead o' creeshie flannen,
Been snaw-white seventeen hunder linen,
Thir breeks o' mine, my only pair,
That ance were plush, o' guid blue hair,
I wad hae gi'en them off my hurdies,
For ae blink o' the bonnie burdies!
But wither'd beldams, auld and droll,
Rigwoodie hags, wad spean a foal,
Lowping an' flinging on a cummock,
I wonder didna turn thy stomach.
But Tam kenn'd what was what fu' brawlie,
There was a winsome wench and walie,
That night enlisted in the core,
(Lang after kenn'd on Carrick shore;
For mony a beast to dead she shot,
And perish'd mony a bonnie boat,
And shook baith meikle corn and bear,
And kept the country-side in fear.)
Her cutty sark, o' Paisley harn,
That, while a lassie, she had worn,
In longitude tho' sorely scanty,
It was her best, and she was vauntie--
Ah! little kenn'd the reverend grannie,
That sark she coft for her wee Nannie,
Wi' twa pund Scots ('twas a' her riches),
Wad ever grac'd a dance of witches!
But here my muse her wing maun cour;
Sic flights are far beyond her pow'r;
To sing how Nannie lap and flang,
(A souple jade she was and strung,)
And how Tam stood, like ane bewitch'd;
And thought his very een enrich'd;
Even Satan glowr'd, and fidg'd fu' fain,
And hotch'd and blew wi' might and main:
'Till first ae caper, syne anither,
Tam tint his reason a' thegither,
And roars out, "Weel done, Cutty-sark!"
And in an instant all was dark:
And scarcely had he Maggie rallied,
When out the hellish legion sallied.
As bees bizz out wi' angry fyke,
When plundering herds assail their byke;
As open pussie's mortal foes,
When, pop! she starts before their nose;
As eager runs the market-crowd,
When "Catch the thief!" resounds aloud;
So Maggie runs, the witches follow,
Wi' mony an eldritch screech and hollow.
Ah, Tam! Ah, Tam! thou'll get thy fairin'!
In hell they'll roast thee like a herrin'!
In vain thy Kate awaits thy comin'!
Kate soon will be a woefu' woman!
Now do thy speedy utmost, Meg,
And win the key-stane[107] of the brig;
There at them thou thy tail may toss,
A running stream they darena cross!
But ere the key-stane she could make,
The fient a tail she had to shake!
For Nannie, far before the rest,
Hard upon noble Maggie prest,
And flew at Tam wi' furious ettle;
But little wist she Maggie's mettle--
Ae spring brought off her master hale,
But left behind her ain gray tail:
The carlin claught her by the rump,
And left poor Maggie scarce a stump.
Now, wha this tale o' truth shall read,
Ilk man and mother's son, take heed:
Whene'er to drink you are inclin'd,
Or cutty-sarks run in your mind,
Think! ye may buy the joys o'er dear--
Remember Tam O' Shanter's mare.
FOOTNOTES:
[Footnote 105: VARIATION.
The cricket raised its cheering cry,
The kitten chas'd its tail in joy.]
[Footnote 106: VARIATION.
Three lawyers' tongues turn'd inside out,
Wi' lies seem'd like a beggar's clout;
And priests' hearts rotten black as muck,
Lay stinking vile, in every neuk.]
[Footnote 107: It is a well-known fact that witches, or any evil spirits, have no power to follow a poor wight any further than the middle of the next running stream. It may be proper likewise to mention to the benighted traveller, that when he falls in with _bogles_, whatever danger there may be in his going forward, there is much more hazard in turning back.]
CXIX.
ADDRESS OF BEELZEBUB
TO THE
PRESIDENT OF THE HIGHLAND SOCIETY.
[This Poem made its first appearance, as I was assured by my friend the late Thomas Pringle, in the Scots Magazine, for February, 1818, and was printed from the original in the handwriting of Burns. It was headed thus, "To the Right honorable the Earl of Brendalbyne, President of the Right Honourable and Honourable the Highland Society, which met on the 23d of May last, at the Shakspeare, Covent Garden, to concert ways and means to frustrate the designs of four hundred Highlanders, who, as the Society were informed by Mr. M. ----, of A----s, were so audacious as to attempt an escape from their lawful lairds and masters, whose property they were, by emigrating from the lands of Mr. Macdonald, of Glengarry, to the wilds of Canada, in search of that fantastic thing--LIBERTY." The Poem was communicated by Burns to his friend Rankine of Adam Hill, in Ayrshire.]
Long life, my Lord, an' health be yours,
Unskaith'd by hunger'd Highland boors;
Lord grant mae duddie desperate beggar,
Wi' dirk, claymore, or rusty trigger,
May twin auld Scotland o' a life
She likes--as lambkins like a knife.
Faith, you and A----s were right
To keep the Highland hounds in sight;
I doubt na! they wad bid nae better
Than let them ance out owre the water;
Then up among the lakes and seas
They'll mak' what rules and laws they please;
Some daring Hancock, or a Franklin';
May set their Highland bluid a ranklin';
Some Washington again may head them,
Or some Montgomery fearless lead them,
Till God knows what may be effected
When by such heads and hearts directed--
Poor dunghill sons of dirt and mire
May to Patrician rights aspire!
Nae sage North, now, nor sager Sackville,
To watch and premier o'er the pack vile,
An' whare will ye get Howes and Clintons
To bring them to a right repentance,
To cowe the rebel generation,
An' save the honour o' the nation?
They an' be d----d! what right hae they
To meat or sleep, or light o' day?
Far less to riches, pow'r, or freedom,
But what your lordship likes to gie them?
But hear, my lord! Glengarry, hear!
Your hand's owre light on them, I fear;
Your factors, grieves, trustees, and bailies,
I canna' say but they do gaylies;
They lay aside a' tender mercies,
An' tirl the hallions to the birses;
Yet while they're only poind't and herriet,
They'll keep their stubborn Highland spirit;
But smash them! crash them a' to spails!
An' rot the dyvors i' the jails!
The young dogs, swinge them to the labour;
Let wark an' hunger mak' them sober!
The hizzies, if they're aughtlins fawsont,
Let them in Drury-lane be lesson'd!
An' if the wives an' dirty brats
E'en thigger at your doors an' yetts,
Flaffan wi' duds an' grey wi' beas',
Frightin' awa your deuks an' geese,
Get out a horsewhip or a jowler,
The langest thong, the fiercest growler,
An' gar the tattered gypsies pack
Wi' a' their bastards on their back!
Go on, my Lord! I lang to meet you,
An' in my house at hame to greet you;
Wi' common lords ye shanna mingle,
The benmost neuk beside the ingle,
At my right han' assigned your seat
'Tween Herod's hip an Polycrate,--
Or if you on your station tarrow,
Between Almagro and Pizarro,
A seat I'm sure ye're weel deservin't;
An' till ye come--Your humble rervant,
BEELZEBUB.
_June 1st, Anno Mundi 5790._
CXX.
TO
JOHN TAYLOR.
[Burns, it appears, was, in one of his excursions in revenue matters, likely to be detained at Wanlockhead: the roads were slippery with ice, his mare kept her feet with difficulty, and all the blacksmiths of the village were pre-engaged. To Mr. Taylor, a person of influence in the place, the poet, in despair, addressed this little Poem, begging his interference: Taylor spoke to a smith; the smith flew to his tools, sharpened or frosted the shoes, and it is said lived for thirty years to boast that he had "never been well paid but ance, and that was by a poet, who paid him in money, paid him in drink, and paid him in verse."]
With Pegasus upon a day,
Apollo weary flying,
Through frosty hills the journey lay,
On foot the way was plying,
Poor slip-shod giddy Pegasus
Was but a sorry walker;
To Vulcan then Apollo goes,
To get a frosty calker.
Obliging Vulcan fell to work,
Threw by his coat and bonnet,
And did Sol's business in a crack;
Sol paid him with a sonnet.
Ye Vulcan's sons of Wanlockhead,
Pity my sad disaster;
My Pegasus is poorly shod--
I'll pay you like my master.
ROBERT BURNS.
_Ramages_, _3 o'clock_, (_no date._)
CXXI.
LAMENT
OF
MARY, QUEEN OF SCOTS,
ON THE APPROACH OF SPRING.
[The poet communicated this "Lament" to his friend, Dr. Moore, in February, 1791, but it was composed about the close of the preceding year, at the request of Lady Winifred Maxwell Constable, of Terreagles, the last in direct descent of the noble and ancient house of Maxwell, of Nithsdale. Burns expressed himself more than commonly pleased with this composition; nor was he unrewarded, for Lady Winifred gave him a valuable snuff-box, with the portrait of the unfortunate Mary on the lid. The bed still keeps its place in Terreagles, on which the queen slept as she was on her way to take refuge with her cruel and treacherous cousin, Elizabeth; and a letter from her no less unfortunate grandson, Charles the First, calling the Maxwells to arm in his cause, is preserved in the family archives.]
I.
Now Nature hangs her mantle green
On every blooming tree,
And spreads her sheets o' daisies white
Out o'er the grassy lea:
Now Phoebus cheers the crystal streams,
And glads the azure skies;
But nought can glad the weary wight
That fast in durance lies.
II.
Now lav'rocks wake the merry morn,
Aloft on dewy wing;
The merle, in his noontide bow'r,
Makes woodland echoes ring;
The mavis wild wi' mony a note,
Sings drowsy day to rest:
In love and freedom they rejoice,
Wi' care nor thrall opprest.
III.
Now blooms the lily by the bank,
The primrose down the brae;
The hawthorn's budding in the glen,
And milk-white is the slae;
The meanest hind in fair Scotland
May rove their sweets amang;
But I, the Queen of a' Scotland,
Maun lie in prison strang!
IV.
I was the Queen o' bonnie France,
Where happy I hae been;
Fu' lightly rase I in the morn,
As blythe lay down at e'en:
And I'm the sov'reign o' Scotland,
And mony a traitor there;
Yet here I lie in foreign bands
And never-ending care.
V.
But as for thee, thou false woman!
My sister and my fae,
Grim vengeance yet shall whet a sword
That thro' thy soul shall gae!
The weeping blood in woman's breast
Was never known to thee;
Nor th' balm that draps on wounds of woe
Frae woman's pitying e'e.
VI.
My son! my son! may kinder stars
Upon thy fortune shine;
And may those pleasures gild thy reign,
That ne'er wad blink on mine!
God keep thee frae thy mother's faes,
Or turn their hearts to thee:
And where thou meet'st thy mother's friend
Remember him for me!
VII.
O! soon, to me, may summer suns
Nae mair light up the morn!
Nae mair, to me, the autumn winds
Wave o'er the yellow corn!
And in the narrow house o' death
Let winter round me rave;
And the next flow'rs that deck the spring
Bloom on my peaceful grave!
CXXII.
THE WHISTLE.
["As the authentic prose history," says Burns, "of the 'Whistle' is curious, I shall here give it. In the train of Anne of Denmark, when she came to Scotland with our James the Sixth, there came over also a Danish gentleman of gigantic stature and great prowess, and a matchless champion of Bacchus. He had a little ebony whistle, which at the commencement of the orgies, he laid on the table, and whoever was the last able to blow it, everybody else being disabled by the potency of the bottle, was to carry off the whistle as a trophy of victory. The Dane produced credentials of his victories, without a single defeat, at the courts of Copenhagen, Stockholm, Moscow, Warsaw, and several of the petty courts in Germany; and challenged the Scotch Bacchanalians to the alternative of trying his prowess, or else of acknowledging their inferiority. After man overthrows on the part of the Scots, the Dane was encountered by Sir Robert Lawrie, of Maxwelton, ancestor of the present worthy baronet of that name; who, after three days and three nights' hard contest, left the Scandinavian under the table,
'And blew on the whistle his requiem shrill.'
"Sir Walter, son to Sir Robert before mentioned, afterwards lost the whistle to Walter Riddel, of Glenriddel, who had married a sister of Sir Walter's.--On Friday, the 16th of October, 1790, at Friars-Carse, the whistle was once more contended for, as related in the ballad, by the present Sir Robert of Maxwelton; Robert Riddel, Esq., of Glenriddel, lineal descendant and representative of Walter Riddel, who won the whistle, and in whose family it had continued; and Alexander Fergusson, Esq., of Craigdarroch, likewise descended of the great Sir Robert; which last gentleman carried off the hard-won honours of the field."
The jovial contest took place in the dining-room of Friars-Carse, in the presence of the Bard, who drank bottle and bottle about with them, and seemed quite disposed to take up the conqueror when the day dawned.]
I sing of a whistle, a whistle of worth,
I sing of a whistle, the pride of the North,
Was brought to the court of our good Scottish king,
And long with this whistle all Scotland shall ring.
Old Loda,[108] still rueing the arm of Fingal,
The god of the bottle sends down from his hall--
"This whistle's your challenge--to Scotland get o'er,
And drink them to hell, Sir! or ne'er see me more!"
Old poets have sung, and old chronicles tell,
What champions ventur'd, what champions fell;
The son of great Loda was conqueror still,
And blew on his whistle his requiem shrill.
Till Robert, the Lord of the Cairn and the Scaur,
Unmatch'd at the bottle, unconquer'd in war,
He drank his poor godship as deep as the sea,
No tide of the Baltic e'er drunker than he.
Thus Robert, victorious, the trophy has gain'd;
Which now in his house has for ages remain'd;
Till three noble chieftains, and all of his blood,
The jovial contest again have renew'd.
Three joyous good fellows, with hearts clear of flaw;
Craigdarroch, so famous for wit, worth, and law;
And trusty Glenriddel, so skill'd in old coins;
And gallant Sir Robert, deep-read in old wines.
Craigdarroch began, with a tongue smooth as oil,
Desiring Glenriddel to yield up the spoil;
Or else he would muster the heads of the clan,
And once more, in claret, try which was the man.
"By the gods of the ancients!" Glenriddel replies,
"Before I surrender so glorious a prize,
I'll conjure the ghost of the great Rorie More,[109]
And bumper his horn with him twenty times o'er."
Sir Robert, a soldier, no speech would pretend,
But he ne'er turn'd his back on his foe--or his friend, Said, toss down the whistle, the prize of the field,
And, knee-deep in claret, he'd die or he'd yield.
To the board of Glenriddel our heroes repair,
So noted for drowning of sorrow and care;
Bur for wine and for welcome not more known to fame
Than the sense, wit, and taste of a sweet lovely dame.
A bard was selected to witness the fray,
And tell future ages the feats of the day;
A bard who detested all sadness and spleen,
And wish'd that Parnassus a vineyard had been.
The dinner being over, the claret they ply,
And ev'ry new cork is a new spring of joy;
In the bands of old friendship and kindred so set,
And the bands grew the tighter the more they were wet.
Gay Pleasure ran riot as bumpers ran o'er;
Bright Phoebus ne'er witness'd so joyous a core,
And vow'd that to leave them he was quite forlorn,
Till Cynthia hinted he'd find them next morn.
Six bottles a-piece had well wore out the night,
When gallant Sir Robert, to finish the fight,
Turn'd o'er in one bumper a bottle of red,
And swore 'twas the way that their ancestor did.
Then worthy Glenriddel, so cautions and sage,
No longer the warfare, ungodly, would wage;
A high-ruling Elder to wallow in wine!
He left the foul business to folks less divine.
The gallant Sir Robert fought hard to the end;
But who can with fate and quart-bumpers contend?
Though fate said--a hero shall perish in light;
So up rose bright Phoebus--and down fell the knight.
Next up rose our bard, like a prophet in drink;--
"Craigdarroch, thou'lt soar when creation shall sink;
But if thou would flourish immortal in rhyme,
Come--one bottle more--and have at the sublime!
"Thy line, that have struggled for freedom with Bruce,
Shall heroes and patriots ever produce:
So thine be the laurel, and mine be the bay;
The field thou hast won, by yon bright god of day!"
FOOTNOTES:
[Footnote 108: See Ossian's Carie-thura.]
[Footnote 109: See Johnson's Tour to the Hebrides]
CXXIII.
ELEGY
ON
MISS BURNET,
OF MONBODDO.
[This beautiful and accomplished lady, the heavenly Burnet, as Burns loved to call her, was daughter to the odd and the elegant, the clever and the whimsical Lord Monboddo. "In domestic circumstances," says Robert Chambers, "Monboddo was particularly unfortunate. His wife, a very beautiful woman, died in child-bed. His son, a promising boy, in whose education he took great delight, was likewise snatched from his affections by a premature death; and his second daughter, in personal loveliness one of the first women of the age, was cut off by consumption, when only twenty-five years old." Her name was Elizabeth.]
Life ne'er exulted in so rich a prize
As Burnet, lovely from her native skies;
Nor envious death so triumph'd in a blow,
As that which laid th' accomplish'd Burnet low.
Thy form and mind, sweet maid, can I forget?
In richest ore the brightest jewel set!
In thee, high Heaven above was truest shown,
As by his noblest work, the Godhead best is known.
In vain ye flaunt in summer's pride, ye groves;
Thou crystal streamlet with thy flowery shore,
Ye woodland choir that chant your idle loves,
Ye cease to charm--Eliza is no more!
Ye heathy wastes, immix'd with reedy fens;
Ye mossy streams, with sedge and rushes stor'd;
Ye rugged cliffs, o'erhanging dreary glens,
To you I fly, ye with my soul accord.
Princes, whose cumb'rous pride was all their worth,
Shall venal lays their pompous exit hail?
And thou, sweet excellence! forsake our earth,
And not a muse in honest grief bewail?
We saw thee shine in youth and beauty's pride,
And virtue's light, that beams beyond the spheres;
But like the sun eclips'd at morning tide,
Thou left'st us darkling in a world of tears.
The parent's heart that nestled fond in thee,
That heart how sunk, a prey to grief and care;
So leck'd the woodbine sweet yon aged tree;
So from it ravish'd, leaves it bleak and bare.
CXXIV.
LAMENT
FOR
JAMES, EARL OF GLENCAIRN.
[Burns lamented the death of this kind and accomplished nobleman with melancholy sincerity: he moreover named one of his sons for him: he went into mourning when he heard of his death, and he sung of his merits in a strain not destined soon to lose the place it has taken among the verses which record the names of the noble and the generous. He died January 30, 1791, in the forty-second year of his age. James Cunningham was succeeded in his title by his brother, and with him expired, in 1796, the last of a race, whose name is intimately connected with the History of Scotland, from the days of Malcolm Canmore.]
I.
The wind blew hollow frae the hills,
By fits the sun's departing beam
Look'd on the fading yellow woods
That wav'd o'er Lugar's winding stream:
Beneath a craggy steep, a bard,
Laden with years and meikle pain,
In loud lament bewail'd his lord,
Whom death had all untimely ta'en.
II.
He lean'd him to an ancient aik,
Whose trunk was mould'ring down with years;
His locks were bleached white with time,
His hoary cheek was wet wi' tears;
And as he touch'd his trembling harp,
And as he tun'd his doleful sang,
The winds, lamenting thro' their caves,
To echo bore the notes alang.
III.
"Ye scattered birds that faintly sing,
The reliques of the vernal quire!
Ye woods that shed on a' the winds
The honours of the aged year!
A few short months, and glad and gay,
Again ye'll charm the ear and e'e;
But nocht in all revolving time
Can gladness bring again to me.
IV.
"I am a bending aged tree,
That long has stood the wind and rain;
But now has come a cruel blast,
And my last hold of earth is gane:
Nae leaf o' mine shall greet the spring,
Nae simmer sun exalt my bloom;
But I maun lie before the storm,
And ithers plant them in my room.
V.
"I've seen sae mony changefu' years,
On earth I am a stranger grown;
I wander in the ways of men,
Alike unknowing and unknown:
Unheard, unpitied, unrelieved,
I bear alane my lade o' care,
For silent, low, on beds of dust,
Lie a' that would my sorrows share.
VI.
"And last (the sum of a' my griefs!)
My noble master lies in clay;
The flow'r amang our barons bold,
His country's pride! his country's stay--
In weary being now I pine,
For a' the life of life is dead,
And hope has left my aged ken,
On forward wing for ever fled.
VII.
"Awake thy last sad voice, my harp!
The voice of woe and wild despair;
Awake! resound thy latest lay--
Then sleep in silence evermair!
And thou, my last, best, only friend,
That fillest an untimely tomb,
Accept this tribute from the bard
Though brought from fortune's mirkest gloom.
VIII.
"In poverty's low barren vale
Thick mists, obscure, involve me round;
Though oft I turn'd the wistful eye,
Nae ray of fame was to be found:
Thou found'st me, like the morning sun,
That melts the fogs in limpid air,
The friendless bard and rustic song
Became alike thy fostering care.
IX.
"O! why has worth so short a date?
While villains ripen fray with time;
Must thou, the noble, gen'rous, great,
Fall in bold manhood's hardy prime!
Why did I live to see that day?
A day to me so full of woe!--
O had I met the mortal shaft
Which laid my benefactor low.
X.
"The bridegroom may forget the bride
Was made his wedded wife yestreen;
The monarch may forget the crown
That on his head an hour has been;
The mother may forget the child
That smiles sae sweetly on her knee;
But I'll remember thee, Glencairn,
And a' that thou hast done for me!"
CXXV.
LINES
SENT TO
SIR JOHN WHITEFOORD, BART.,
OF WHITEFOORD.
WITH THE FOREGOING POEM.
[Sir John Whitefoord, a name of old standing in Ayrshire, inherited the love of his family for literature, and interested himself early in the fame and fortunes of Burns.]
Thou, who thy honour as thy God rever'st,
Who, save thy mind's reproach, nought earthly fear'st,
To thee this votive offering I impart,
The tearful tribute of a broken heart.
The friend thou valuedst, I, the patron, lov'd;
His worth, his honour, all the world approv'd,
We'll mourn till we too go as he has gone,
And tread the dreary path to that dark world unknown.
CXXVI.
ADDRESS
TO
THE SHADE OF THOMSON,
ON CROWNING HIS BUST AT EDNAM WITH BAYS.
["Lord Buchan has the pleasure to invite Mr. Burns to make one at the coronation of the bust of Thomson, on Ednam Hill, on the 22d of September: for which day perhaps his muse may inspire an ode suited to the occasion. Suppose Mr. Burns should, leaving the Nith, go across the country, and meet the Tweed at the nearest point from his farm, and, wandering along the pastoral banks of Thomson's pure parent stream, catch inspiration in the devious walk, till he finds Lord Buchan sitting on the ruins of Dryburgh. There the Commendator will give him a hearty welcome, and try to light his lamp at the pure flame of native genius, upon the altar of Caledonian virtue." Such was the invitation of the Earl of Buchan to Burns. To request the poet to lay down his sickle when his harvest was half reaped, and traverse one of the wildest and most untrodden ways in Scotland, for the purpose of looking at the fantastic coronation of the bad bust of on excellent poet, was worthy of Lord Buchan. The poor bard made answer, that a week's absence in the middle of his harvest was a step he durst not venture upon--but he sent this Poem.
The poet's manuscript affords the following interesting variations:--
"While cold-eyed Spring, a virgin coy,
Unfolds her verdant mantle sweet,
Or pranks the sod in frolic joy,
A carpet for her youthful feet:
"While Summer, with a matron's grace,
Walks stately in the cooling shade,
And oft delighted loves to trace
The progress of the spiky blade:
"While Autumn, benefactor kind,
With age's hoary honours clad,
Surveys, with self-approving mind,
Each creature on his bounty fed."]
While virgin Spring, by Eden's flood,
Unfolds her tender mantle green,
Or pranks the sod in frolic mood,
Or tunes Æolian strains between:
While Summer, with a matron grace,
Retreats to Dryburgh's cooling shade,
Yet oft, delighted, stops to trace
The progress of the spiky blade:
While Autumn, benefactor kind,
By Tweed erects his aged head,
And sees, with self-approving mind,
Each creature on his bounty fed:
While maniac Winter rages o'er
The hills whence classic Yarrow flows,
Rousing the turbid torrent's roar,
Or sweeping, wild, a waste of snows:
So long, sweet Poet of the year!
Shall bloom that wreath thou well hast won;
While Scotia, with exulting tear,
Proclaims that Thomson was her son.
CXXVII.
TO
ROBERT GRAHAM, ESQ.,
OF FINTRAY.
[By this Poem Burns prepared the way for his humble request to be removed to a district more moderate in its bounds than one which extended over ten country parishes, and exposed him both to fatigue and expense. This wish was expressed in prose, and was in due time attended to, for Fintray was a gentleman at once kind and
considerate.]
Late crippl'd of an arm, and now a leg,
About to beg a pass for leave to beg:
Dull, listless, teas'd, dejected, and deprest,
(Nature is adverse to a cripple's rest;)
Will generous Graham list to his Poet's wail?
(It soothes poor misery, hearkening to her tale,)
And hear him curse the light he first survey'd,
And doubly curse the luckless rhyming trade?
Thou, Nature, partial Nature! I arraign;
Of thy caprice maternal I complain:
The lion and the bull thy care have found,
One shakes the forests, and one spurns the ground:
Thou giv'st the ass his hide, the snail his shell,
Th' envenom'd wasp, victorious, guards his cell;
Thy minions, kings, defend, control, devour,
In all th' omnipotence of rule and power;
Foxes and statesmen, subtile wiles insure;
The cit and polecat stink, and are secure;
Toads with their poison, doctors with their drug,
The priest and hedgehog in their robes are snug;
Ev'n silly woman has her warlike arts,
Her tongue and eyes, her dreaded spear and darts;--
But, oh! thou bitter stepmother and hard,
To thy poor fenceless, naked child--the Bard!
A thing unteachable in world's skill,
And half an idiot too, more helpless still;
No heels to bear him from the op'ning dun;
No claws to dig, his hated sight to shun;
No horns, but those by luckless Hymen worn,
And those, alas! not Amalthea's horn:
No nerves olfact'ry, Mammon's trusty cur,
Clad in rich dullness' comfortable fur;--
In naked feeling, and in aching pride,
He bears the unbroken blast from every side.
Vampyre booksellers drain him to the heart,
And scorpion critics cureless venom dart.
Critics!--appall'd I venture on the name,
Those cut-throat bandits in the paths of fame.
Bloody dissectors, worse than ten Monroes!
He hacks to teach, they mangle to expose.
His heart by causeless wanton malice wrung,
By blockheads' daring into madness stung;
His well-won bays, than life itself more dear,
By miscreants torn, who ne'er one sprig must wear:
Foil'd, bleeding, tortur'd, in the unequal strife,
The hapless poet flounders on through life;
Till, fled each hope that once his bosom fir'd,
And fled each muse that glorious once inspir'd,
Low sunk in squalid, unprotected age,
Dead, even resentment, for his injur'd page,
He heeds or feels no more the ruthless critic's rage!
So, by some hedge, the gen'rous steed deceas'd,
For half-starv'd snarling curs a dainty feast:
By toil and famine wore to skin and bone,
Lies senseless of each tugging bitch's son.
O dullness! portion of the truly blest!
Calm sheltered haven of eternal rest!
Thy sons ne'er madden in the fierce extremes
Of fortune's polar frost, or torrid beams.
If mantling high she fills the golden cup,
With sober selfish ease they sip it up;
Conscious the bounteous meed they well deserve,
They only wonder "some folks" do not starve.
The grave sage hern thus easy picks his frog,
And thinks the mallard a sad worthless dog.
When disappointment snaps the clue of hope,
And thro' disastrous night they darkling grope,
With deaf endurance sluggishly they bear,
And just conclude that "fools are fortune's care."
So, heavy, passive to the tempest's shocks,
Strong on the sign-post stands the stupid ox.
Not so the idle muses' mad-cap train,
Not such the workings of their moon-struck brain;
In equanimity they never dwell,
By turns in soaring heav'n or vaulted hell
I dread thee, fate, relentless and severe,
With all a poet's, husband's, father's fear!
Already one strong hold of hope is lost,
Glencairn, the truly noble, lies in dust;
(Fled, like the sun eclips'd as noon appears,
And left us darkling in a world of tears:)
O! hear my ardent, grateful, selfish pray'r!--
Fintray, my other stay, long bless and spare!
Thro' a long life his hopes and wishes crown;
And bright in cloudless skies his sun go down!
May bliss domestic smooth his private path;
Give energy to life; and soothe his latest breath,
With many a filial tear circling the bed of death!
CXXVIII.
TO
ROBERT GRAHAM, ESQ.,
OF FINTRAY.
ON RECEIVING A FAVOUR.
[Graham of Fintray not only obtained for the poet the appointment in Excise, which, while he lived in Edinburgh, he desired, but he also removed him, as he wished, to a better district; and when imputations were thrown out against his loyalty, he defended him with obstinate and successful eloquence. Fintray did all that was done to raise Burns out of the toiling humility of his condition, and enable him to serve the muse without fear of want.]
I call no goddess to inspire my strains,
A fabled muse may suit a bard that feigns;
Friend of my life! my ardent spirit burns,
And all the tribute of my heart returns,
For boons accorded, goodness ever new,
The gift still dearer, as the giver, you.
Thou orb of day! thou other paler light!
And all ye many sparkling stars of night;
If aught that giver from my mind efface;
If I that giver's bounty e'er disgrace;
Then roll to me, along your wandering spheres,
Only to number out a villain's years!
CXXIX.
A VISION.
[This Vision of Liberty descended on Burns among the magnificent ruins of the College of Lincluden, which stand on the junction of the Cluden and the Nith, a short mile above Dumfries. He gave us the Vision; perhaps, he dared not in those yeasty times venture on the song, which his secret visitant poured from her lips. The scene is chiefly copied from nature: the swellings of the Nith, the howling of the fox on the hill, and the cry of the owl, unite at times with the natural beauty of the spot, and give it life and voice. These ruins were a favourite haunt of the poet.]
As I stood by yon roofless tower,
Where the wa'-flower scents the dewy air,
Where th' howlet mourns in her ivy bower
And tells the midnight moon her care;
The winds were laid, the air was still,
The Stars they shot along the sky;
The fox was howling on the hill,
And the distant echoing glens reply.
The stream, adown its hazelly path,
Was rushing by the ruin'd wa's,
Hasting to join the sweeping Nith,[109A]
Whose distant roaring swells and fa's.
The cauld blue north was streaming forth
Her lights, wi' hissing eerie din;
Athort the lift they start and shift,
Like fortune's favours, tint as win.
By heedless chance I turn'd mine eyes,
And, by the moon-beam, shook to see
A stern and stalwart ghaist arise,
Attir'd as minstrels wont to be.[109B]
Had I a statue been o' stane,
His darin' look had daunted me;
And on his bonnet grav'd was plain,
The sacred posy--'Libertie!'
And frae his harp sic strains did flow,
Might rous'd the slumb'ring dead to hear;
But, oh! it was a tale of woe,
As ever met a Briton's ear.
He sang wi' joy the former day,
He weeping wail'd his latter times;
But what he said it was nae play,--
I winna ventur't in my rhymes.
[Footnote 109A: VARIATIONS.
To join yon river on the Strath.]
[Footnote 109B: VARIATIONS.
Now looking over firth and fauld,
Her horn the pale-fac'd Cynthia rear'd;
When, lo, in form of minstrel auld,
A storm and stalwart ghaist appear'd.]
CXXX.
TO
JOHN MAXWELL OF TERRAUGHTY,
ON HIS BIRTHDAY.
[John Maxwell of Terraughty and Munshes, to whom these verses are addressed, though descended from the Earls of Nithsdale, cared little about lineage, and claimed merit only from a judgment sound and clear--a knowledge of business which penetrated into all the concerns of life, and a skill in handling the most difficult subjects, which was considered unrivalled. Under an austere manner, he hid much kindness of heart, and was in a fair way of doing an act of gentleness when giving a refusal. He loved to meet Burns: not that he either cared for or comprehended poetry; but he was pleased with his knowledge of human nature, and with the keen and piercing remarks in which he indulged. He was seventy-one years old when these verses were written, and survived the poet twenty years.]
Health to the Maxwell's vet'ran chief!
Health, ay unsour'd by care or grief:
Inspir'd, I turn'd Fate's sybil leaf
This natal morn;
I see thy life is stuff o' prief,
Scarce quite half worn.
This day thou metes three score eleven,
And I can tell that bounteous Heaven
(The second sight, ye ken, is given
To ilka Poet)
On thee a tack o' seven times seven
Will yet bestow it.
If envious buckies view wi' sorrow
Thy lengthen'd days on this blest morrow,
May desolation's lang teeth'd harrow,
Nine miles an hour,
Rake them like Sodom and Gomorrah,
In brunstane stoure--
But for thy friends, and they are mony,
Baith honest men and lasses bonnie,
May couthie fortune, kind and cannie,
In social glee,
Wi' mornings blythe and e'enings funny
Bless them and thee!
Fareweel, auld birkie! Lord be near ye,
And then the Deil he daur na steer ye;
Your friends ay love, your faes ay fear ye;
For me, shame fa' me,
If neist my heart I dinna wear ye
While BURNS they ca' me!
_Dumfries, 18 Feb. 1792._
CXXXI.
THE RIGHTS OF WOMAN.
AN OCCASIONAL ADDRESS SPOKEN BY MISS FONTENELLE
ON HER BENEFIT NIGHT,
Nov. 26, 1792.
[Miss Fontenelle was one of the actresses whom Williamson, the manager, brought for several seasons to Dumfries: she was young and pretty, indulged in little levities of speech, and rumour added, perhaps maliciously, levities of action. The Rights of Man had been advocated by Paine, the Rights of Woman by Mary Wolstonecroft, and nought was talked of, but the moral and political regeneration of the world. The line
"But truce with kings and truce with constitutions,"
got an uncivil twist in recitation, from some of the audience. The words were eagerly caught up, and had some hisses bestowed on them.]
While Europe's eye is fix'd on mighty things,
The fate of empires and the fall of kings;
While quacks of state must each produce his plan,
And even children lisp the Rights of Man;
Amid this mighty fuss just let me mention,
The Rights of Woman merit some attention.
First on the sexes' intermix'd connexion,
One sacred Right of Woman is protection.
The tender flower that lifts its head, elate,
Helpless, must fall before the blasts of fate,
Sunk on the earth, defac'd its lovely form,
Unless your shelter ward th' impending storm.
Our second Right--but needless here is caution,
To keep that right inviolate's the fashion,
Each man of sense has it so full before him,
He'd die before he'd wrong it--'tis decorum.--
There was, indeed, in far less polish'd days,
A time, when rough, rude man had haughty ways;
Would swagger, swear, get drunk, kick up a riot,
Nay, even thus invade a lady's quiet.
Now, thank our stars! these Gothic times are fled;
Now, well-bred men--and you are all well-bred--
Most justly think (and we are much the gainers)
Such conduct neither spirit, wit, nor manners.
For Right the third, our last, our best, our dearest,
That right to fluttering female hearts the nearest,
Which even the Rights of Kings in low prostration
Most humbly own--'tis dear, dear admiration!
In that blest sphere alone we live and move;
There taste that life of life--immortal love.--
Smiles, glances, sighs, tears, fits, flirtations, airs, 'Gainst such an host what flinty savage dares--
When awful Beauty joins with all her charms,
Who is so rash as rise in rebel arms?
But truce with kings and truce with constitutions,
With bloody armaments and revolutions,
Let majesty your first attention summon,
Ah! ça ira! the majesty of woman!
CXXXII.
MONODY,
ON A LADY FAMED FOR HER CAPRICE.
[The heroine Of this rough lampoon was Mrs. Riddel of Woodleigh Park: a lady young and gay, much of a wit, and something of a poetess, and till the hour of his death the friend of Burns himself. She pulled his displeasure on her, it is said, by smiling more sweetly than he liked on some "epauletted coxcombs," for so he sometimes designated commissioned officers: the lady soon laughed him out of his mood. We owe to her pen an account of her last interview with the poet, written with great beauty and feeling.]
How cold is that bosom which folly once fired,
How pale is that cheek where the rouge lately glisten'd! How silent that tongue which the echoes oft tired,
How dull is that ear which to flattery so listen'd!
If sorrow and anguish their exit await,
From friendship and dearest affection remov'd;
How doubly severer, Maria, thy fate,
Thou diest unwept as thou livedst unlov'd.
Loves, Graces, and Virtues, I call not on you;
So shy, grave, and distant, ye shed not a tear:
But come, all ye offspring of Folly so true,
And flowers let us cull for Maria's cold bier.
We'll search through the garden for each silly flower,
We'll roam through the forest for each idle weed;
But chiefly the nettle, so typical, shower,
For none e'er approach'd her but rued the rash deed.
We'll sculpture the marble, we'll measure the lay;
Here Vanity strums on her idiot lyre;
There keen indignation shall dart on her prey,
Which spurning Contempt shall redeem from his ire.
THE EPITAPH.
Here lies, now a prey to insulting neglect,
What once was a butterfly, gay in life's beam:
Want only of wisdom denied her respect,
Want only of goodness denied her esteem
CXXXIII.
EPISTLE
FROM
ESOPUS TO MARIA.
[Williamson, the actor, Colonel Macdouall, Captain Gillespie, and Mrs. Riddel, are the characters which pass over the stage in this strange composition: it is printed from the Poet's own manuscript, and seems a sort of outpouring of wrath and contempt, on persons who, in his eyes, gave themselves airs beyond their condition, or their merits. The verse of the lady is held up to contempt and laughter: the satirist celebrates her
"Motley foundling fancies, stolen or strayed;"
and has a passing hit at her
"Still matchless tongue that conquers all reply."]
From those drear solitudes and frowsy cells,
Where infamy with sad repentance dwells;
Where turnkeys make the jealous portal fast,
And deal from iron hands the spare repast;
Where truant 'prentices, yet young in sin,
Blush at the curious stranger peeping in;
Where strumpets, relics of the drunken roar,
Resolve to drink, nay, half to whore, no more;
Where tiny thieves not destin'd yet to swing,
Beat hemp for others, riper for the string:
From these dire scenes my wretched lines I date,
To tell Maria her Esopus' fate.
"Alas! I feel I am no actor here!"
'Tis real hangmen, real scourges bear!
Prepare, Maria, for a horrid tale
Will turn thy very rouge to deadly pale;
Will make they hair, tho' erst from gipsy polled,
By barber woven, and by barber sold,
Though twisted smooth with Harry's nicest care,
Like hoary bristles to erect and stare.
The hero of the mimic scene, no more
I start in Hamlet, in Othello roar;
Or haughty Chieftain, 'mid the din of arms,
In Highland bonnet woo Malvina's charms;
While sans culottes stoop up the mountain high,
And steal from me Maria's prying eye.
Blest Highland bonnet! Once my proudest dress,
Now prouder still, Maria's temples press.
I see her wave thy towering plumes afar,
And call each coxcomb to the wordy war.
I see her face the first of Ireland's sons,[110]
And even out-Irish his Hibernian bronze;
The crafty colonel[111] leaves the tartan'd lines,
For other wars, where he a hero shines;
The hopeful youth, in Scottish senate bred,
Who owns a Bushby's heart without the head;
Comes, 'mid a string of coxcombs to display
That veni, vidi, vici, is his way;
The shrinking bard adown the alley skulks,
And dreads a meeting worse than Woolwich hulks;
Though there, his heresies in church and state
Might well award him Muir and Palmer's fate:
Still she undaunted reels and rattles on,
And dares the public like a noontide sun.
(What scandal call'd Maria's janty stagger
The ricket reeling of a crooked swagger,
Whose spleen e'en worse than Burns' venom when
He dips in gall unmix'd his eager pen,--
And pours his vengeance in the burning line,
Who christen'd thus Maria's lyre divine;
The idiot strum of vanity bemused,
And even th' abuse of poesy abused!
Who call'd her verse, a parish workhouse made
For motley foundling fancies, stolen or stray'd?)
A workhouse! ah, that sound awakes my woes,
And pillows on the thorn my rack'd repose!
In durance vile here must I wake and weep,
And all my frowsy couch in sorrow steep;
That straw where many a rogue has lain of yore,
And vermin'd gipsies litter'd heretofore.
Why, Lonsdale, thus thy wrath on vagrants pour?
Must earth no rascal save thyself endure?
Must thou alone in guilt immortal swell,
And make a vast monopoly of hell?
Thou know'st, the virtues cannot hate thee worse,
The vices also, must they club their curse?
Or must no tiny sin to others fall,
Because thy guilt's supreme enough for all?
Maria, send me too thy griefs and cares;
In all of thee sure thy Esopus shares.
As thou at all mankind the flag unfurls,
Who on my fair one satire's vengeance hurls?
Who calls thee, pert, affected, vain coquette,
A wit in folly, and a fool in wit?
Who says, that fool alone is not thy due,
And quotes thy treacheries to prove it true?
Our force united on thy foes we'll turn,
And dare the war with all of woman born:
For who can write and speak as thou and I?
My periods that deciphering defy,
And thy still matchless tongue that conquers all reply.
FOOTNOTES:
[Footnote 110: Captain Gillespie.]
[Footnote 111: Col. Macdouall.]
CXXXIV.
POEM
ON PASTORAL POETRY.
[Though Gilbert Burns says there is some doubt of this Poem being by his brother, and though Robert Chambers declares that he "has scarcely a doubt that it is not by the Ayrshire Bard," I must print it as his, for I have no doubt on the subject. It was found among the papers of the poet, in his own handwriting: the second, the fourth, and the concluding verses bear the Burns' stamp, which no one has been successful in counterfeiting: they resemble the verses of Beattie, to which Chambers has compared them, as little as the cry of the eagle resembles the chirp of the wren.]
Hail Poesie! thou Nymph reserv'd!
In chase o' thee, what crowds hae swerv'd
Frae common sense, or sunk enerv'd
'Mang heaps o' clavers;
And och! o'er aft thy joes hae starv'd
Mid a' thy favours!
Say, Lassie, why thy train amang,
While loud the trump's heroic clang,
And sock or buskin skelp alang,
To death or marriage;
Scarce ane has tried the shepherd-sang
But wi' miscarriage?
In Homer's craft Jock Milton thrives;
Eschylus' pen Will Shakspeare drives;
Wee Pope, the knurlin, 'till him rives
Horatian fame;
In thy sweet sang, Barbauld, survives
Even Sappho's flame.
But thee, Theocritus, wha matches?
They're no herd's ballats, Maro's catches;
Squire Pope but busks his skinklin patches
O' heathen tatters;
I pass by hunders, nameless wretches,
That ape their betters.
In this braw age o' wit and lear,
Will nane the Shepherd's whistle mair
Blaw sweetly in its native air
And rural grace;
And wi' the far-fam'd Grecian share
A rival place?
Yes! there is ane; a Scottish callan--
There's ane; come forrit, honest Allan!
Thou need na jouk behint the hallan,
A chiel sae clever;
The teeth o' time may gnaw Tantallan,
But thou's for ever!
Thou paints auld nature to the nines,
In thy sweet Caledonian lines;
Nae gowden stream thro' myrtles twines,
Where Philomel,
While nightly breezes sweep the vines,
Her griefs will tell!
In gowany glens thy burnie strays,
Where bonnie lasses bleach their claes;
Or trots by hazelly shaws and braes,
Wi' hawthorns gray,
Where blackbirds join the shepherd's lays
At close o' day.
Thy rural loves are nature's sel';
Nae bombast spates o' nonsense swell;
Nae snap conceits, but that sweet spell
O' witchin' love;
That charm that can the strongest quell,
The sternest move.
CXXXV.
SONNET,
WRITTEN ON THE TWENTY-FIFTH OF JANUARY, 1793,
THE BIRTHDAY OF THE AUTHOR, ON HEARING A
THRUSH SING IN A MORNING WALK.
[Burns was fond of a saunter in a leafless wood, when the winter storm howled among the branches. These characteristic lines were composed on the morning of his birthday, with the Nith at his feet, and the ruins of Lincluden at his side: he is willing to accept the unlooked-for song of the thrush as a fortunate omen.]
Sing on, sweet thrush, upon the leafless bough,
Sing on, sweet bird, I listen to thy strain:
See, aged Winter, 'mid his surly reign,
At thy blythe carol clears his furrow'd brow.
So, in lone Poverty's dominion drear,
Sits meek Content with light unanxious heart,
Welcomes the rapid moments, bids them part,
Nor asks if they bring aught to hope or fear.
I thank Thee, Author of this opening day!
Thou whose bright sun now gilds yon orient skies!
Riches denied, Thy boon was purer joys,
What wealth could never give nor take away.
Yet come, thou child of poverty and care,
The mite high Heaven bestow'd, that mite with thee I'll share.
CXXXVI.
SONNET,
ON THE
DEATH OF ROBERT RIDDEL, ESQ.
OF GLENRIDDEL,
APRIL, 1794.
[The death of Glencairn, who was his patron, and the death of Glenriddel, who was his friend, and had, while he lived at Ellisland, been his neighbor, weighed hard on the mind of Burns, who, about this time, began to regard his own future fortune with more of dismay than of hope. Riddel united antiquarian pursuits with those of literature, and experienced all the vulgar prejudices entertained by the peasantry against those who indulge in such researches. His collection of what the rustics of the vale called "queer quairns and swine-troughs," is now scattered or neglected: I have heard a competent judge say, that they threw light on both the public and domestic history of Scotland.]
No more, ye warblers of the wood--no more!
Nor pour your descant, grating, on my soul;
Thou young-eyed Spring, gay in thy verdant stole,
More welcome were to me grim Winter's wildest roar.
How can ye charm, ye flow'rs, with all your dyes?
Ye blow upon the sod that wraps my friend:
How can I to the tuneful strain attend?
That strain flows round th' untimely tomb where Riddel lies.
Yes, pour, ye warblers, pour the notes of woe!
And soothe the Virtues weeping on this bier:
The Man of Worth, who has not left his peer,
Is in his "narrow house" for ever darkly low.
Thee, Spring, again with joy shall others greet,
Me, mem'ry of my loss will only meet.
CXXXVII.
IMPROMPTU,
ON MRS. R----'S BIRTHDAY.
[By compliments such as these lines contain, Burns soothed the smart which his verses "On a lady famed for her caprice" inflicted on the accomplished Mrs. Riddel.]
Old Winter, with his frosty beard,
Thus once to Jove his prayer preferr'd,--
What have I done of all the year,
To bear this hated doom severe?
My cheerless suns no pleasure know;
Night's horrid car drags, dreary, slow:
My dismal months no joys are crowning,
But spleeny English, hanging, drowning.
Now, Jove, for once be mighty civil,
To counterbalance all this evil;
Give me, and I've no more to say,
Give me Maria's natal day!
That brilliant gift shall so enrich me,
Spring, Summer, Autumn, cannot match me;
'Tis done! says Jove; so ends my story,
And Winter once rejoiced in glory.
CXXXVIII.
LIBERTY.
A FRAGMENT.
[Fragment of verse were numerous, Dr. Currie said, among the loose papers of the poet. These lines formed the commencement of an ode commemorating the achievement of liberty for America under the directing genius of Washington and Franklin.]
Thee, Caledonia, thy wild heaths among,
Thee, fam'd for martial deed and sacred song,
To thee I turn with swimming eyes;
Where is that soul of freedom fled?
Immingled with the mighty dead!
Beneath the hallow'd turf where Wallace lies!
Hear it not, Wallace, in thy bed of death!
Ye babbling winds, in silence sweep;
Disturb not ye the hero's sleep,
Nor give the coward secret breath.
Is this the power in freedom's war,
That wont to bid the battle rage?
Behold that eye which shot immortal hate,
Crushing the despot's proudest bearing!
CXXXIX.
VERSES
TO A YOUNG LADY.
[This young lady was the daughter of the poet's friend, Graham of Fintray; and the gift alluded to was a copy of George Thomson's Select Scottish Songs: a work which owes many attractions to the lyric genius of Burns.]
Here, where the Scottish muse immortal lives,
In sacred strains and tuneful numbers join'd,
Accept the gift;--tho' humble he who gives,
Rich is the tribute of the grateful mind.
So may no ruffian feeling in thy breast,
Discordant jar thy bosom-chords among;
But peace attune thy gentle soul to rest,
Or love ecstatic wake his seraph song.
Or pity's notes in luxury of tears,
As modest want the tale of woe reveals;
While conscious virtue all the strain endears,
And heaven-born piety her sanction seals.
CXL.
THE VOWELS.
A TALE.
[Burns admired genius adorned by learning; but mere learning without genius he always regarded as pedantry. Those critics who scrupled too much about words he called eunuchs of literature, and to one, who taxed him with writing obscure language in questionable grammar, he said, "Thou art but a Gretna-green match-maker between vowels and consonants!"]
'Twas where the birch and sounding thong are ply'd,
The noisy domicile of pedant pride;
Where ignorance her darkening vapour throws,
And cruelty directs the thickening blows;
upon a time, Sir Abece the great,
In all his pedagogic powers elate,
His awful chair of state resolves to mount,
And call the trembling vowels to account.--
First enter'd A, a grave, broad, solemn wight,
But, ah! deform'd, dishonest to the sight!
His twisted head look'd backward on the way,
And flagrant from the scourge he grunted, _ai!_
Reluctant, E stalk'd in; with piteous race
The justling tears ran down his honest face!
That name! that well-worn name, and all his own,
Pale he surrenders at the tyrant's throne!
The pedant stifles keen the Roman sound
Not all his mongrel diphthongs can compound;
And next the title following close behind,
He to the nameless, ghastly wretch assign'd.
The cobweb'd gothic dome resounded Y!
In sullen vengeance, I, disdain'd reply:
The pedant swung his felon cudgel round,
And knock'd the groaning vowel to the ground!
In rueful apprehension enter'd O,
The wailing minstrel of despairing woe;
Th' Inquisitor of Spain the most expert
Might there have learnt new mysteries of his art;
So grim, deform'd, with horrors entering U,
His dearest friend and brother scarcely knew!
As trembling U stood staring all aghast,
The pedant in his left hand clutched him fast,
In helpless infants' tears he dipp'd his right,
Baptiz'd him _eu_, and kick'd him from his sight.
CXLI.
VERSES
TO JOHN RANKINE.
[With the "rough, rude, ready-witted Rankine," of Adamhill, in Ayrshire, Burns kept up a will o'-wispish sort of a correspondence in rhyme, till the day of his death: these communications, of which this is one, were sometimes graceless, but always witty. It is supposed, that those lines were suggested by Falstaff's account of his ragged recruits:--
"I'll not march through Coventry with them, that's flat!"]
Ae day, as Death, that grusome carl,
Was driving to the tither warl'
A mixtie-maxtie motley squad,
And mony a guilt-bespotted lad;
Black gowns of each denomination,
And thieves of every rank and station,
From him that wears the star and garter,
To him that wintles in a halter:
Asham'd himsel' to see the wretches,
He mutters, glowrin' at the bitches,
"By G--d, I'll not be seen behint them,
Nor 'mang the sp'ritual core present them,
Without, at least, ae honest man,
To grace this d--d infernal clan."
By Adamhill a glance he threw,
"L--d G--d!" quoth he, "I have it now,
There's just the man I want, i' faith!"
And quickly stoppit Rankine's breath.
CXLII.
ON SENSIBILITY.
TO
MY DEAR AND MUCH HONOURED FRIEND, MRS. DUNLOP,
OF DUNLOP.
[These verses were occasioned, it is said, by some sentiments contained in a communication from Mrs. Dunlop. That excellent lady was sorely tried with domestic afflictions for a time, and to these he appears to allude; but he deadened the effect of his sympathy, when he printed the stanzas in the Museum, changing the fourth line to,
"Dearest Nancy, thou canst tell!"
and so transferring the whole to another heroine.]
Sensibility how charming,
Thou, my friend, canst truly tell:
But distress with horrors arming,
Thou host also known too well.
Fairest flower, behold the lily,
Blooming in the sunny ray:
Let the blast sweep o'er the valley,
See it prostrate on the clay.
Hear the woodlark charm the forest,
Telling o'er his little joys:
Hapless bird! a prey the surest,
To each pirate of the skies.
Dearly bought, the hidden treasure,
Finer feeling can bestow;
Chords that vibrate sweetest pleasure,
Thrill the deepest notes of woe.
CXLIII.
LINES,
SENT TO A GENTLEMAN WHOM HE HAD
OFFENDED.
[The too hospitable board of Mrs. Riddel occasioned these repentant strains: they were accepted as they were meant by the party. The poet had, it seems, not only spoken of mere titles and rank with disrespect, but had allowed his tongue unbridled license of speech, on the claim of political importance, and domestic equality, which Mary Wolstonecroft and her followers patronized, at which Mrs. Riddel affected to be grievously offended.]
The friend whom wild from wisdom's way,
The fumes of wine infuriate send;
(Not moony madness more astray;)
Who but deplores that hapless friend?
Mine was th' insensate frenzied part,
Ah, why should I such scenes outlive
Scenes so abhorrent to my heart!
'Tis thine to pity and forgive.
CXLIV.
ADDRESS,
SPOKEN BY MISS FONTENELLE ON HER BENEFIT
NIGHT.
[This address was spoken by Miss Fontenelle, at the Dumfries theatre, on the 4th of December, 1795.]
Still anxious to secure your partial favour,
And not less anxious, sure, this night than ever,
A Prologue, Epilogue, or some such matter,
'Twould vamp my bill, said I, if nothing better;
So sought a Poet, roosted near the skies,
Told him I came to feast my curious eyes;
Said nothing like his works was ever printed;
And last, my Prologue-business slyly hinted!
"Ma'am, let me tell you," quoth my man of rhymes,
"I know your bent--these are no laughing times:
Can you--but, Miss, I own I have my fears,
Dissolve in pause--and sentimental tears;
With laden sighs, and solemn-rounded sentence,
Rouse from his sluggish slumbers, fell Repentance;
Paint Vengeance as he takes his horrid stand,
Waving on high the desolating brand,
Calling the storms to bear him o'er a guilty land?"
I could no more--askance the creature eyeing,
D'ye think, said I, this face was made for crying?
I'll laugh, that's poz--nay more, the world shall know it; And so your servant: gloomy Master Poet!
Firm as my creed, Sirs, 'tis my fix'd belief,
That Misery's another word for Grief;
I also think--so may I be a bride!
That so much laughter, so much life enjoy'd.
Thou man of crazy care and ceaseless sigh,
Still under bleak Misfortune's blasting eye;
Doom'd to that sorest task of man alive--
To make three guineas do the work of five:
Laugh in Misfortune's face--the beldam witch!
Say, you'll be merry, tho' you can't be rich.
Thou other man of care, the wretch in love,
Who long with jiltish arts and airs hast strove;
Who, us the boughs all temptingly project,
Measur'st in desperate thought--a rope--thy neck--
Or, where the beetling cliff o'erhangs the deep,
Peerest to meditate the healing leap:
Would'st thou be cur'd, thou silly, moping elf?
Laugh at their follies--laugh e'en at thyself:
Learn to despise those frowns now so terrific,
And love a kinder--that's your grand specific.
To sum up all, be merry, I advise;
And as we're merry, may we still be wise.
CXLV.
ON
SEEING MISS FONTENELLE
IN A FAVOURITE CHARACTER.
[The good looks and the natural acting of Miss Fontenelle pleased others as well as Burns. I know not to what character in the range of her personations he alludes: she was a favourite on the Dumfries boards.]
Sweet naiveté of feature,
Simple, wild, enchanting elf,
Not to thee, but thanks to nature,
Thou art acting but thyself.
Wert thou awkward, stiff, affected,
Spurning nature, torturing art;
Loves and graces all rejected,
Then indeed thou'dst act a part.
R. B.
CXLVI.
TO CHLORIS.
[Chloris was a Nithsdale beauty. Love and sorrow were strongly mingled in her early history: that she did not look so lovely in other eyes as she did in those of Burns is well known: but he had much of the taste of an artist, and admired the elegance of her form, and the harmony of her motion, as much as he did her blooming face and sweet voice.]
'Tis Friendship's pledge, my young, fair friend,
Nor thou the gift refuse,
Nor with unwilling ear attend
The moralizing muse.
Since thou in all thy youth and charms,
Must bid the world adieu,
(A world 'gainst peace in constant arms)
To join the friendly few.
Since, thy gay morn of life o'ercast,
Chill came the tempest's lower;
(And ne'er misfortune's eastern blast
Did nip a fairer flower.)
Since life's gay scenes must charm no more,
Still much is left behind;
Still nobler wealth hast thou in store--
The comforts of the mind!
Thine is the self-approving glow,
On conscious honour's part;
And, dearest gift of heaven below,
Thine friendship's truest heart.
The joys refin'd of sense and taste,
With every muse to rove:
And doubly were the poet blest,
These joys could he improve.
CXLVII.
POETICAL INSCRIPTION
FOR AN ALTAR TO INDEPENDENCE.
[It was the fashion of the feverish times of the French Revolution to plant trees of Liberty, and raise altars to Independence. Heron of Kerroughtree, a gentleman widely esteemed in Galloway, was about to engage in an election contest, and these noble lines served the purpose of announcing the candidate's sentiments on freedom.]
Thou of an independent mind,
With soul resolv'd, with soul resign'd;
Prepar'd Power's proudest frown to brave,
Who wilt not be, nor have a slave;
Virtue alone who dost revere,
Thy own reproach alone dost fear,
Approach this shrine, and worship here.
CXLVIII.
THE HERON BALLADS.
[BALLAD FIRST.]
[This is the first of several party ballads which Burns wrote to serve Patrick Heron, of Kerroughtree, in two elections for the Stewartry of Kirkcudbright, in which he was opposed, first, by Gordon of Balmaghie, and secondly, by the Hon. Montgomery Stewart. There is a personal bitterness in these lampoons, which did not mingle with the strains in which the poet recorded the contest between Miller and Johnstone. They are printed here as matters of poetry, and I feel sure that none will be displeased, and some will smile.]
I.
Whom will you send to London town,
To Parliament and a' that?
Or wha in a' the country round
The best deserves to fa' that?