You know, the longer I live, the more I feel that the great wheeze in life is to be jolly well sure what you want and not let yourself be put off by pals who think they know better than you do. When I had announced at the Drones, my last day in the metropolis, that I was retiring to this secluded spot for an indeterminate period, practically everybody had begged me, you might say with tears in their eyes, not to dream of doing such a cloth-headed thing. They said I should be bored stiff.
But I had carried on according to plan, and here I was, on the fifth morning of my visit, absolutely in the pink and with no regrets whatsoever. The sun was shining. The sky was blue. And London seemed miles away – which it was, of course. I wouldn't be exaggerating if I said that a great peace enveloped the soul.
A thing I never know when I'm telling a story is how much scenery to bung in. I've asked one or two scriveners of my acquaintance, and their views differ. A fellow I met at a cocktail party in Bloomsbury said that he was all for describing kitchen sinks and frowsty bedrooms and squalor generally, but the beauties of Nature, no. Whereas, Freddie Oaker, of the Drones, who does tales of pure love for the weeklies under the pen-name of Alicia Seymour, once told me that he reckoned that flowery meadows in springtime alone were worth at least a hundred quid a year to him.
Personally, I've always rather barred long descriptions of the terrain, so I will be on the brief side. As I stood there that morning, what the eye rested on was the following. There was a nice little splash of garden, containing a bush, a tree, a couple of flower beds, a lily pond with a statue of a nude child with a bit of a tummy on him, and to the right a hedge. Across this hedge, Brinkley, my new man, was chatting with our neighbour, Police Sergeant Voules, who seemed to have looked in with a view to selling eggs.
There was another hedge straight ahead, with the garden gate in it, and over this one espied the placid waters of the harbour, which was much about the same as any other harbour, except that some time during the night a whacking great yacht had rolled up and cast anchor in it. And of all the objects under my immediate advisement I noted this yacht with the most pleasure and approval. White in colour, in size resembling a young liner, it lent a decided tone to the Chuffnell Regis foreshore.
Well, such was the spreading prospect. Add a cat sniffing at a snail on the path and me at the door smoking a gasper, and you have the complete picture.
No, I'm wrong. Not quite the complete picture, because I had left the old two-seater in the road, and I could just see the top part of it. And at this moment the summer stillness was broken by the tooting of its horn, and I buzzed to the gate with all possible speed for fear some fiend in human shape was scratching my paint. Arriving at destination, I found a small boy in the front seat, pensively squeezing the bulb, and was about to administer one on the side of the head when I recognized Chuffy's cousin, Seabury, and stayed the hand.
'Hallo,' he said.
'What ho,' I replied.
My manner was reserved. The memory of that lizard in my bed still lingered. I don't know if you have ever leaped between the sheets, all ready for a spot of sleep, and received an unforeseen lizard up the left pyjama leg? It is an experience that puts its stamp on a man. And while, as I say, I had no legal proof that this young blighter had been the author of the outrage, I entertained suspicions that were tantamount to certainty. So now I not only spoke with a marked coldness but also gave him the fairly frosty eye.
It didn't seem to jar him. He continued to regard me with that supercilious gaze which had got him so disliked among the right-minded. He was a smallish, freckled kid with aeroplane ears, and he had a way of looking at you as if you were something he had run into in the course of a slumming trip. In my Rogues Gallery of repulsive small boys I suppose he would come about third – not quite so bad as my Aunt Agatha's son, Young Thos., or Mr Blumenfeld's Junior, but well ahead of little Sebastian Moon, my Aunt Dahlia's Bonzo, and the field.
After staring at me for a moment as if he were thinking that I had changed for the worse since he last saw me, he spoke.
'You're to come to lunch.'
'Is Chuffy back, then?'
'Yes.'
Well, of course, if Chuffy had returned, I was at his disposal. I shouted over the hedge to Brinkley that I would be absent from the midday meal and climbed into the car and we rolled off.
'When did he get back?'
'Last night.'
'Shall we be lunching alone?'
'No.'
'Who's going to be there?'
'Mother and me and some people.'
'A party? I'd better go back and put on another suit.'
'No.'
'You think this one looks all right?'
'No, I don't. I think it looks rotten. But there isn't time.'
This point settled, he passed into the silence for awhile. A brooding kid. He came out of it to give me some local gossip.
'Mother and I are living at the Hall again.'
'What!'
'Yes. There's a smell at the Dower House.'
'Even though you've left it?' I said, in my keen way.
He was not amused.
'You needn't try to be funny. If you really want to know, I expect it's my mice.'
'Your what?'
'I've started breeding mice and puppies. And, of course, they niff a bit,' he added in a dispassionate sort of way. 'But mother thinks it's the drains. Can you give me five shillings?'
I simply couldn't follow his train of thought. The way his conversation flitted about gave me that feeling you get in dreams sometimes.
'Five shillings?'
'Five shillings.'
'What do you mean, five shillings?'
'I mean five shillings.'
'I dare say. But what I want to know is how have we suddenly got on to the subject? We were discussing mice, and you introduce this five shillings motif
'I want five shillings.'
'Admitting that you may possibly want that sum, why the dickens should I give it to you?'
'For protection.'
'What!'
'Protection.'
'What from?'
'Just protection.'
'You don't get any five shillings out of me.'
'Oh, all right.'
He sat silent for a space.
'Things happen to guys that don't kick in their protection money,' he said dreamily.
And on this note of mystery the conversation concluded, for we were moving up the drive of the Hall and on the steps I perceived Chuffy standing. I stopped the car and got out.
'Hallo, Bertie,' said Chuffy.
'Welcome to Chuffnell Hall,' I replied. I looked round. The kid had vanished. 'I say, Chuffy,' I said, 'young blighted Seabury. What about him?'
'What about him?'
'Well, if you ask me, I should say he had gone off his rocker. He's just been trying to touch me for five bob and babbling about protection.'
Chuffy laughed heartily, looking bronzed and fit.
'Oh, that. That's his latest idea.'
'How do you mean?'
'He's been seeing gangster films.'
The scales fell from my eyes.
'He's turned racketeer?'
'Yes. Rather amusing. He goes round collecting protection money from everybody according to their means. Makes a good thing out of it, too. Enterprising kid. I'd pay up if I were you. I have.'
I was shocked. Not so much at the information that the foul child had given this additional evidence of a diseased mind as that Chuffy should be exhibiting this attitude of amused tolerance. I eyed him keenly. Right from the start this morning I had thought his manner strange. Usually, when you meet him, he is brooding over his financial situation and is rather apt to greet you with the lack-lustre eye and the careworn frown. He had been like that five days ago in London. What, then, had caused him to beam all over the place like this and even to go so far as to speak of little Seabury with what amounted to something perilously near to indulgent affection? I sensed a mystery and decided to apply the acid test.
'How is your Aunt Myrtle?'
'She's fine.'
'Living at the Hall now, I hear.'
'Yes.'
'Indefinitely?'
'Oh, yes.'
It was enough.
One of the things, I must mention, which have always made poor old Chuffy's lot so hard is his aunt's attitude towards him. She has never quite been able to get over that matter of the succession. Seabury, you see, was not the son of Chuffy's late uncle, the fourth Baron: he was simply something Lady Chuffnell had picked up en route in the course of a former marriage and, consequently, did not come under the head of what the Peerage calls 'issue'. And, in matters of succession, if you aren't issue, you haven't a hope. When the fourth Baron pegged out, accordingly, it was Chuffy who copped the title and estates. All perfectly square and above board, of course, but you can't get women to see these things, and the relict's manner, Chuffy has often told me, was consistently unpleasant. She had a way of clasping Seabury in her arms and looking reproachfully at Chuffy as if he had slipped over a fast one on mother and child. Nothing actually said, you understand, but her whole attitude that of a woman who considers she has been the victim of sharp practice.
The result of this had been that the Dowager Lady Chuffnell was not one of Chuffy's best-loved buddies. Their relations had always been definitely strained, and what I'm driving at is that usually, when you mention her name, a look of pain comes into Chuffy's clean-cut face and he winces a little, as if you had probed an old wound.
Now he was actually smiling. Even that remark of mine about her living at the Hall had not jarred him. Obviously, there were mysteries here. Something was being kept from Bertram.
I tackled him squarely.
'Chuffy,' I said, 'what does this mean?'
'What does what mean?'
'This bally cheeriness. You can't deceive me. Not old Hawk-Eye Wooster. Come clean, my lad, something is up. What is all the ruddy happiness about?'
He hesitated. For a moment he eyed me narrowly.
'Can you keep a secret?'
'No.'
'Well, it doesn't much matter, because it'll be in the Morning Post in a day or two. Bertie,' said Chuffy, in a hushed voice, 'do you know what's happened? I'm getting Aunt Myrtle off this season.'
'You mean somebody wants to marry her?'
'I do.'
'Who is this half-wit?'
'Your old friend, Sir Roderick Glossop.'
I was stupefied.
'What!'
'I was surprised, too.'
'But old Glossop can't be contemplating matrimony.'
'Why not? He's been a widower more than two years.'
'Oh, I dare say it's possible to make up some kind of a story for him. But what I mean is, he doesn't seem to go with orange blossoms and wedding cake.'
'Well, there it is.'
'Well, I'm dashed!'
'Yes.'
'Well, there's one thing, Chuffy, old man. This means that little Seabury will be getting a really testing stepfather and old Glossop just the stepson I could have wished him. Both have been asking for something on these lines for years. But fancy any woman being mad enough to link her lot with his. Our Humble Heroines!'
'I wouldn't say the heroism was all on one side. About fifty-fifty, I should call it. There is lots of good in this Glossop, Bertie.'
I could not accept this. It seemed to me loose thinking.
'Aren't you going a bit far, old man? Admitted that he is taking your Aunt Myrtle off your hands
'And Seabury'
'And Seabury, true. But, even so, would you really say there was good in the old pest? Remember all the stories I've told you about him from time to time. They show him in a very dubious light.'
'Well, he's doing me a bit of good, anyway. Do you know what it was he wanted to see me about so urgently that day in London?'
'What?'
'He's found an American he thinks he can sell the Hall to.'
'Not really?'
'Yes. If all goes well, I shall at last get rid of this blasted barracks and have a bit of money in my pocket. And all the credit will be due to Uncle Roderick, as I like to think of him. So you will kindly refrain, Bertie, from nasty cracks at his expense and, in particular, from mentioning him in the same breath with young Seabury. You must learn to love Uncle Roddie for my sake.'
I shook my head.
'No, Chuffy, I fear I cannot recede from my position.'
'Well, go to hell, then,' said Chuffy agreeably. 'Personally, I regard him as a life-saver.'
'But are you sure this thing is going to come off? What would this fellow want with a place the size of the Hall?'
'Oh, that part of it is simple enough. He's a great pal of old Glossop's and the idea is that he shall put up the cash and let Glossop run the house as a sort of country club for his nerve patients.'
'Why doesn't old Glossop simply rent it from you?'
'My dear ass, what sort of state do you suppose the place is in these days? You talk as if you could open it and step straight into it. Most of the rooms haven't been used for forty years. It wants at least fifteen thousand quid spent on it, to put it in repair. More. Besides new furniture, fittings and so on. If some millionaire like this chap doesn't take it on, I shall have it on my hands the rest of my life.'
'Oh, he's a millionaire, is he?'
'Yes, that part of it is all right. All I'm worrying about is getting his signature on the dotted line. Well, he's coming to lunch to-day, and it's going to be a good one too. He's apt to soften up a good bit after a fat lunch, isn't he?'
'Unless he's got dyspepsia. Many American millionaires have. This man of yours may be one of those fellows who can't get outside more than a glass of milk and a dog biscuit.'
Chuffy laughed jovially.
'Not much. Not old Stoker.' He suddenly began to leap about like a lamb in the springtime. 'Hullo-ullo-ullo!'
A car had drawn up at the steps and was discharging passengers.
Passenger A was J. Washburn Stoker. Passenger B was his daughter, Pauline. Passenger C was his young son, Dwight. And Passenger D was Sir Roderick Glossop.