19
Genji too wanted to see the crown prince, but he wanted also to make Fujitsubo aware of her cruelty. He kept to himself at Nijo~. Fearing that his indolence would be talked about and thinking that the autumn leaves would be at their best, he went off to the Ujii Temple, to the north of the city, over which an older brother of his late mother presided. Borrowing the uncle's cell for fasting and meditation, he stayed for several days.
The fields, splashed with autumn color, were enough to make him forget the city. He gathered erudite monks and listened attentively to their discussions of the scriptures. Though he would pass the night in the thoughts of the evanescence of things to which the setting was so conducive, he would still, in the dawn moonlight, remember the lady who was being so cruel to him. There would be a clattering as the priests put new flowers before the images, and the chrysanthemums and the falling leaves of varied tints, though the scene was in no way dramatic, seemed to offer asylum in this life and hope for the life to come. And what a purposeless life was his!
“All who invoke the holy name shall be taken unto Lord Amita~bha and none shall be abandoned,” * proclaimed Genji's uncle in grand, linger-ing tones, and Genji was filled with envy. Why did he not embrace the religious life? He knew (for the workings of his heart were complex) that the chief reason was the girl at Nijo~.
He had been away from her now for an unusually long time. She was much on his mind and he wrote frequently. “I have come here,” he said in one of his letters, “to see whether I am capable of leaving the world. The serenity I had hoped for eludes me and my loneliness only grows. There are things I have yet to learn. And have you missed me? “ It was on heavy Michinoku paper. The hand, though casual, was strong and distinguished.
“In lodgings frail as the dew upon the reeds
I left you, and the four winds tear at me.”
It brought tears to her eyes. Her answer was a verse on a bit of white paper:
“Weak as the spider's thread upon the reeds,
The dew-drenched reeds of autumn, I blow with the winds.”
He smiled. Her writing had improved. It had come to resemble his, though it was gentler and more ladylike. He congratulated himself on having such a perfect subject for his pedagogical endeavors.