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Contemporary Fiction Views: Resonating sentences [1]

['This Content Is Not Subject To Review Daily Kos Staff Prior To Publication.']

Date: 2026-04-07  

Fiction can tell a story in so many ways. Among the instances that resonate more deeply with me are the times a statement about something happening in the story has implications beyond the event. Sometimes the statements apply to more than one aspect of the story. And those are the statements with the most potential to go beyond the story.

Such is the case with what Georgie, one of the two sisters in Nina McConigley's brilliant How to Commit a Postcolonial Murder, notes during an orientation session at Girl Scout Camp.

"Maps aren't for exploring or for helping you figure out where you're going. They're for telling you what's already there, right in your own backyard."

Georgie realizes this about maps because one of the girls in her group is the only child of a rancher in the part of Wyoming where they live. The 14-year-old is an expert at reading detailed maps because her father demands her ability to take over the ranch when he is gone. She needs to know the lay of the land, literally.

Another girl in the group is shunted between her divorced parents. Her mother is expected twins with her new husband, who has been horribly cruel to the lonely child. Her father has handed her over to her young stepmother, who tries but is out of her depth. Georgie and her sister are dealing with extended family as well. Her aunt, uncle and cousin have moved into their small house when they came over from India.

Georgie and her sister know the lay of the land in their small Wyoming town. Her family lives there for weeks on end without their father, a white man, who travels as a geologist helping the oil company for which he works find oil. The girls also know the lay of the land in their house, where it is loud, cramped and is oppressed by her uncle. He's supposed to babysit them after school while the women work, but he is a predator. And the girls know he must die.

The realization about a map not only demonstrates the different things that the girls in the group have going on in their lives. It also reinforces what the sisters know they must do, because they know what is going on in their home.

The short novel itself covers a lot about assimilation and cultural roots, from the ways in which young brown-skinned teens always have to play Mary and Joseph, and Native Americans, living among the white people, to what they gravitate toward at the mall. The role of the adult women in the household, the way the lazy, abusive uncle gets away with whatever he likes, the expectations they all have of each other, is embedded in this observant book.

What is there is always something Georgie and her sister will see.

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Here are some of this week's new fiction releases, with links to The Literate Lizard and descriptions by the publishers. As the lunatic in the White House gets worse, being able to spend any amount of time reading has been a way to ground myself. I wish the same for you. It’s a very big week for publishing, so have a look around.

American Fantasy by Emma Straub

When the American Fantasy cruise ship sets sail for a four-day themed voyage, aboard are all five members of a famous, nineties-era boy band and three thousand screaming women who have worshipped them since childhood.

Feeling slightly out of place amid this crowd is Annie, here on a lark to appease her sister. Yet when the lights come up and the idols of her youth begin to sing, something is unlocked. Call it memory. Call it nostalgia. Call it the chemical reaction of hormones, hope, and sexual reawakening. Between the slushy alcoholic drinks, the familiar music, and the throngs of middle-aged women acting like lovesick teenagers, Annie finally reconnects to a long-submerged part of herself. By the time she meets one of the band members—not just a celebrity but someone in need of a friend—she has accessed a new sense of possibility.

Yesteryear by Caro Claire Burke

Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it.

Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible.

My Dear You: Stories by Rachel Khong

The characters in My Dear You find themselves facing extraordinary choices in scenarios that range from the everyday to the absurd: The U.S. government injects all citizens with a drug that makes them see everyone else as members of their own race and gender. God does away with humans in favor of something much better. A woman adopts a cat who conjures the ghosts of her ex-loves. A factory worker decides to befriend a sex doll she is tasked with selling.

These stories go deep beneath the surface, touching on the particular awkwardness of dating in your thirties and asking: What does it mean to be an Asian woman in America? Or an American? Or a human? Along the way, the characters stop to consider interventions from the supernatural, the earthly, the robotic, and the immortal.

Transcription by Ben Lerner

The narrator of Ben Lerner’s new novel has traveled to Providence, Rhode Island, where he is to conduct what will be the final published interview with Thomas, his ninety-year-old mentor and the father of his college friend, Max. Thomas is a giant in the arts who seems to hail “from the future and the past simultaneously” and who “reenchants the air” when he speaks. But the narrator drops his smartphone in the hotel sink. He arrives at Thomas’s house with no recording device, a fact he is mysteriously unable to confess.

Hexes of the Deadwood Forest by Agnieszka Szpila, translated by Scotia Gilroy

Anna Frenza hates the tyrannical tree huggers and the idiotic eco-warriors—after all, she’s the CEO of Poland’s biggest oil company. But then she finds herself in a trance, sleepwalking into the woods and making love to a tree, manically—all caught on camera. Her career ends and, in the fallout, she discovers her husband’s disturbing secret. Her mind splinters until she is no longer Anna Frenza, CEO. Now—whether by delusion or possession of spirit—she lives in the Duchy of Nysa, a medieval province ruled by the Catholic Church.

From her psychiatric bed, Anna falls in with Mathilde Spalt, leader of the Earthen Ones—a congregation of women who live in the woods and reject all patriarchy, instead engaging in ecstatic, sensuous worship of Mother Earth. Through Mathilde, Anna learns to love the forest, preaching and practicing the emancipatory rituals of the Earthen Ones . . . until the Church decides to fell the forest and all the women within it.

The Midnight Show by Lee Kelly, Jennifer Thorne

n the 1980s, women were not supposed to be funny. But when a group of college improv comedians gets the chance to join a new late-night show, it’s Lillian Martin who stands out. The new show was called The Midnight Show and it would air every Friday night, live from New York, and change the landscape of TV and comedy forever.

But first it would change Lillian’s and her friends’ lives. When the show becomes a runaway hit, the cast is thrown into the spotlight. Suddenly, they’re skipping the line at the city’s hottest clubs and posing on the cover of Rolling Stone. Lillian, in particular, seems destined for bigger things—until one winter night in Lower Manhattan, she vanishes, leaving nothing behind but questions. Was Lillian a victim of her own excesses? Was it a mugging gone wrong? Or could she have been killed by someone in her own inner circle?

Forty years later, Lillian’s disappearance has still never been solved. But when a budding journalist looking to examine Lillian’s story from a modern lens begins asking questions, she stirs up decades-old drama—as well as tightly-held secrets some comedy legends would much rather stay buried.

The Witch by Marie NDiaye, translated by Jordan Stump

Lucie comes from a long line of witches, with powers passed down from mother to daughter. Many of them have hidden or repressed their gifts to appease disgusted or fearful men. But against the wishes of her controlling husband, Lucie initiates her twins into their family’s peculiar womanhood when they reach the age of twelve. In a few short months, Maud and Lise are crying rich crimson tears, their powers quickly becoming more potent than their mother’s, opening them to liberation and euphoria beyond what Lucie and her foremothers ever considered.

Equal parts dreamlike and disquieting, The Witch tells a tale as old as time, with a dark twist: Without looking back, children fly the nest, laying bare the tenuous threads of family that have long threatened to snap.

Honey in the Wound by Jiyoung Han

A sister disappears and returns as a tiger. A mother’s voice compels the truth from any tongue. A granddaughter divines secrets in others’ dreams. These women are all of one lineage—a Korean family split across decades and borders by Japanese imperialism.

At this saga’s heart is Young-Ja, a girl who infuses food with her emotions. She revels in her gift for cooking, nourishing the people she loves with her cheerfulness. But her sunny childhood comes to an end in 1931 when Japanese soldiers crush her family’s defiance against the Empire. Young-Ja is cast adrift, her food turning increasingly bitter with grief. When a Korean rebel fighter notices her talents, however, she is whisked off to Manchuria to join a secretive sisterhood of beautiful teahouse spies. There, Young-Ja finds a new sense of belonging and starts using her abilities for the resistance. But the Imperial Army is not yet finished with her…

Decades later, Young-Ja lives alone in Seoul, withdrawn from the world until her Tokyo-born granddaughter Rinako bursts into her life with the ability to see into dreams. In cultivating a tentative bond, they confront the long-buried past in a stunning emotional climax.

The Infinite Sadness of Small Appliances by Glenn Dixon

In a self-running, smart house, a young and sentient Roomba listens as her owner, Harold, reads aloud to his dying wife, Edie. Mesmerized by To Kill a Mockingbird and craving the human connection she witnesses in Harold’s stories, the little vacuum renames herself Scout and embarks on a journey of self-discovery.

Day Care: Stories by Nora Lange

In “Heart Beats,” Carol and David arrive late to a Boston dinner party for a night of “messy socializing” with other couples, including a former cult-leader turned financial-advisor and a woman who learned of a “kinky sort of game” while riding public transit, details that she will reveal after the peach crumble. In “Island of Phaetons,” an expatriate living in Istanbul is called away from her daily life with “the husband” and “the friend who wanted more than friendship” to visit her mother, who notoriously makes bad decisions, and who has just arrived in Greece “with news” for her daughter, a tantalizing invitation that has her daughter immediately on a plane. In “Dog Star,” two figurines live out their dreams before succumbing to the truth that they have been assembled inside of a snow globe and will never go anywhere. In the title story, a new mother in Los Angeles navigates a job, a long-distance relationship with her husband, and her visiting mother, while hoping to find relief in daytime app sex.

The Penguin Book of the International Short Story edited by Rabih Alameddine, John Freeman

n The Penguin Book of the International Short Story, writers from different nations, languages, and sensibilities come together in a globe-spanning and long overdue tour of modern fiction. In “Super-Frog Saves Tokyo,” Haruki Murakami brings us a man who believes a giant amphibian is enlisting him to protect his city from an impending earthquake. In “War of the Clowns,” Mozambique’s Mia Couto sketches a perfect allegory for our divided culture. In the predecessor story to her iconic novel The Vegetarian, Han Kang depicts a protagonist quietly undergoing an unlikely transformation. A Colm Tóibín character thinks, “I do not even believe in Ireland,” while Carol Bensimon reflects from Brazil, “All great ideas seem like bad ones at some point.” Salman Rushdie brings us to unsettled rural India, Olga Tokarczuk to an ugly woman exhibit at the circus, Abdellah Taïa to the queer Arab world, Ted Chiang to a far-off galaxy.

Like This, But Funnier Hallie Cantor

TV writer Caroline Neumann is thirty-four and mired in professional envy and self-hatred. Even Harry, her usually supportive therapist husband, thinks it’s time for her to press pause on her career ambitions and focus on getting pregnant, despite Caroline’s serious ambivalence about having children.

When Caroline accidentally stumbles on Harry’s patient session notes and offhandedly mentions what she finds in a meeting with a producer, the momentum of Hollywood takes over. Before she knows it—and unbeknownst to Harry—Caroline finds herself pitching a TV show about the deepest, darkest secrets of her husband’s favorite patient, a woman known to Caroline only as the Teacher.

Amid the indignities of the Hollywood development process, Caroline must balance her burning desire for professional validation against her own morality and the health of her marriage. And when Caroline forms a real-life relationship with Teacher herself, the lines between art and life begin to blur further, shaking up Caroline’s understanding of what it means to be the “likeable female protagonist” of her own life.

Ghostroots: Stories by 'Pemi Aguda

A debut collection of stories set in a hauntingly reimagined Lagos where characters vie for freedom from ancestral ties.



’Pemi Aguda dramatizes the tension between our yearning to be individuals and the ways we are haunted by what came before.

In “Manifest,” a woman sees the ghost of her abusive mother in her daughter’s face. Shortly after, the daughter is overtaken by wicked and destructive impulses. In “Breastmilk,” a wife forgives her husband for his infidelity. Months later, when she is unable to produce milk for her newborn, she blames herself for failing to uphold her mother’s feminist values and doubts her fitness for motherhood. In “Things Boys Do,” a trio of fathers finds something unnatural and unnerving about their infant sons. As their lives rapidly fall to pieces, they begin to fear that their sons are the cause of their troubles. And in “24, Alhaji Williams Street,” a teenage boy lives in the shadow of a mysterious disease that’s killing the boys on his street.

A Killer in the Family by Amin Ahmad

It’s time for Ali, a good-natured Mumbai party-boy, to grow up. The first step to settling down is an arranged marriage to Maryam, the daughter of Abbas Khan, a New York real estate tycoon. She’s pretty, demure, and respectable—unlike her sister, Farhan, a sexy, rebellious divorcée.

After the wedding, Ali moves to New York and enjoys the privileges of being an honorary Khan: private helicopters, supertall skyscrapers, and a Gatsbyesque house in the Hamptons. But soon rumors begin to surface about Abbas Khan—accusations of corruption and hidden affairs—and Farhan hints that a violent secret underlies Abbas's success. Though Ali's wife insists the insinuations are unfounded, he can't shake the feeling that there's something he doesn't know.

To uncover the truth, Ali launches his own investigation, which takes him deep into Abbas’s dealings and past. As he closes in on the truth, Ali must decide: Can he remain part of the Khan family, and pay the moral price demanded by unimaginable wealth and power?

My Dreadful Body by Egana Djabbarova, translated by Lisa C. Hayden

A dazzling debut novel about a young woman's vexed coming of age in a traditional Azerbaijani community in Russia, grappling under the weight of Muslim patriarchal norms and a debilitating neurological condition. The mysterious affliction leaves her unable to control her muscles, plagued by pain and speech disorders, defying diagnosis. Addressing each body part with the scrupulousness of a medical researcher, the narrator explores memories, traditions, and taboos related to her physical self. In the process, a woman once destined for the role of a beautiful marriageable daughter comes to be perceived as damaged goods.

Wolvers by Taylor Brown

Broke, dispossessed, and angry at the government after losing his family’s New Mexico ranch, Trace Temple is looking for revenge. He’s living out of his truck when a shadowy militia movement hires him to take down the legendary she-wolf of the Dark Canyon pack, One-Eleven. But One-Eleven is no ordinary wolf. Cunning, fiercely protective of her young, and seasoned in the ways of men, she leads her pack deep into the forbidding desert peaks and canyons, always one step ahead of pursuit.

After a harrowing brush with death in the backcountry, Trace has a change of heart—only to be replaced by a professional hunter and assassin named Murdoch, who ruthlessly pursues his animal quarry while stalking Trace himself.

To survive, Trace must join forces with a pair of unlikely allies: a survivalist animal protector who deploys feral senses and deep wilderness skills to protect the wolves, and Imogen Cruz, a local rancher, childhood friend, and unrequited love of Trace’s early years. Together, they must fight to protect not only themselves and the Dark Canyon pack, but ultimately, the Gila Wilderness itself—the world’s first designated wilderness area.

Tailbone by Che Yeun

Set in Seoul in 2008, Tailbone follows the story of an unnamed teenage girl who, after years of struggling with her alcoholic father’s abuse, and what she sees as her mother’s cowardice, decides to run away. At a boarding house for single women, the narrator is pulled into the orbit of one of the other girls living there: an older girl named Juju, whose beauty and hardscrabble determination greatly impress the narrator.

But when a global financial crisis reaches Korea, fears of a wider economic collapse bring the city to a standstill. Everything the girls have come to rely on for survival—mainly, the patronage of wealthy men—is put at risk. Everyone begins to struggle, especially Juju, who has long been dependent on one particular benefactor, a man who is all too aware of his power over her. As businesses close and winter sets in, the narrator is forced to reckon with not only her deepening fear for Juju’s future, but also her own uncertain path. Will she stay on the run or go back home to her heartbroken mother? In a city where everything rots from greed and desperation, what can a helpless woman like Juju teach her about survival? Will their hope for each other ignite courage or destruction?

Purgatoire by Liz Prato

In 1910 Sabé Parella makes the journey from northern Italy to southern Colorado to join her husband who had gone ahead to work in the coal mines. But when Sabé arrives along the banks of the Purgatoire River, he is nowhere to be found.

Based on Prato’s ancestors, Purgatoire paints a gripping portrait of Italian immigrants in rural America, and how the shame and secrecy of one man’s abandonment haunts a family for generations. A single mother fights to reunite with her children, an immortal cat yearns for kin, a bootlegger’s recklessness devastates his family, queer folk escape to secret spaces, and stranded spirits narrate, converse, and sometimes violate the laws of their realm: they interfere with the fate of the living.

Mount Verity by Therese Bohman, translated by Marlaine Delargy

Tinged with Swedish lore, this enthralling coming-of-age tale explores art and guilt in the wake of a mysterious tragedy at the end of the 1980s.

On the night of Easter Eve 1989, 12-year-old Hanna’s older brother Erik and some friends go to the infamous Mount Verity, where there is a cave that, according to legend, was used in the witch trials in Östergötland during the 17th century. Rumor has it that whoever does not tell the truth and goes down into the cave will disappear into the mountain. Erik never comes home that night.

Over the years, Hanna and her childhood friend Marcus develop an increasingly symbiotic relationship, until life takes them in different directions. He pursues an academic career, while she fails to get into art school, feeling uncertain about her path and doubting her talent. When Hanna finally becomes a successful artist, she cannot let go of what it has cost her. What justice decided that she was allowed to live while Erik vanished? What is there left to believe in when the worst has happened? And can the story of Mount Verity be more than a fable?

White Moss by Anna Nerkagi, translated by Irina Sadovina

Providing rare, direct insight into the beauties and struggles of the Indigenous reindeer-herding Nenets community of the Russian north, White Moss tells a piercingly moving coming-of-age story of the conflict between individual dreams and collective life.

On the eve of his wedding, young Alyoshka pines for an earlier love. Ilne chose to leave the nomadic Nenets community behind 7 years before, moving to the city and taking his heart with her. As the seasons have passed and his mother has grown older, Alyoshka has been under increasing pressure to marry and fully embrace the Nenets’ age-old customs of home and family. Unwilling to give up his hope for another life, the young man struggles against everything he has been taught to accept, while other painful transitions shake the stability of the small camp and minor human tragedies play out against the cold expanse of the tundra.

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