[HN Gopher] More than one hundred years of Film Sizes
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       More than one hundred years of Film Sizes
        
       Author : exvi
       Score  : 82 points
       Date   : 2026-01-11 08:22 UTC (14 hours ago)
        
 (HTM) web link (wichm.home.xs4all.nl)
 (TXT) w3m dump (wichm.home.xs4all.nl)
        
       | Lammy wrote:
       | I think this is the earliest-born person I've ever seen have a
       | personal website like this -- 1929 !
       | https://wichm.home.xs4all.nl/amsterdam1.html
       | 
       | R.I.P. https://en.wikipedia.org/wiki/Michael_Rogge
       | 
       | I went ahead and mirrored this entire site, and his YouTube
       | channel: https://www.youtube.com/user/MichaelRogge
        
         | croisillon wrote:
         | i went down this rabbit hole and in fact Tim Berners Lee is/was
         | not old (b. 1955), though one can argue George HW Bush (b.
         | 1924) had the White House website running he evidently didn't
         | have a personal one
         | 
         | and then there is Olive Riley (b. 1899)
         | https://en.wikipedia.org/wiki/Olive_Riley
        
         | dcminter wrote:
         | I'd imagine there are a good few, but that for a lot of them
         | their websites expired when the owner did. For example my Dad's
         | is gone now and he was only a bit younger. Wayback machine
         | likely has a lot of them in its index if you can find them.
        
       | MORPHOICES wrote:
       | As I was looking at various film formats, I was reminded of how
       | messy standards are. ~
       | 
       | There are dozens of formats with slightly different sizes and
       | long tails that never fully disappear.
       | 
       | There is almost no rhyme or reason to it and a lot of it feels
       | like it's just been passed down.
       | 
       | After a while, a format can no longer be considered optional.
       | Once again, I see the same pattern with software and I was
       | curious how others view the same phenomenon.
       | 
       | Which standards survived due to inertia? Which lost better
       | alternatives? Where was the emphasis on compatibility over
       | design?
        
         | guax wrote:
         | "Where was the emphasis on compatibility over design"
         | 
         | Im confused by this line, standards are meant to promote
         | compatibility, not design. They're a way to, well...
         | standardise processes and things. Its almost a given that
         | you'll have to compromise on design to be able to include
         | enough variance to appease the majority of use cases. It is
         | also desirable, I think, of a standard to not give in to edge
         | cases and niche uses and stay as simple as it can to the
         | general use. There will be other niche standards for those and
         | that is a good thing.
         | 
         | Standards survive and die for the same reason they're created,
         | they make things cheaper, faster and easier. Once they fail at
         | those, they give in to newer entrants. Physical standards can
         | also make things safer, but safety must be enforced as people
         | often are bad at judging risk and prefer the other features to
         | a fault.
        
         | justincormack wrote:
         | Film is manufactured on huge rolls, and is cut down to
         | different sizes and formats, so its not really that expensive
         | on the manufacturing side to support a lot of formats. From the
         | buy side, cameras are expensive, and almost all cameras only
         | support one format. The big change came with film developing
         | labs on teh high street, as when development was at home it was
         | fairly manual, but once it was automated the machines were
         | designed for fewer formats (for a long time 35mm, and often
         | medium format). But even then, the process doesnt change per
         | format and the chemicals are the same, so supporting variation
         | is relatively cheap.
        
           | jacquesm wrote:
           | In the early days there were as many formats as there were
           | camera backs because the exposure was at the size of the
           | print. These were positives that were developed directly
           | rather than that they went through an intermediate step of a
           | negative and subsequent enlargement.
        
             | justincormack wrote:
             | The glass plate sizes were relatively well standardised, eg
             | whole plate, half plate quarter plate, although other
             | countries had metric and imperial versions. Before the
             | plates were mass produced they may have varied more.
        
               | jacquesm wrote:
               | My dad collected old cameras, he had 100's, and the
               | number of formats in use was not all that much smaller
               | than the number of cameras, to the point that we had to
               | cut glass or paper quite often. We also sensitized our
               | own plates and developed metal plates (which is insanely
               | dangerous).
        
         | drmpeg wrote:
         | VistaVision has made a comeback with "The Brutalist", "One
         | Battle After Another" and "Bugonia".
         | 
         | https://en.wikipedia.org/wiki/VistaVision
        
         | kudeyar wrote:
         | IKR. This is why i'm always angry at little kids for making a
         | hundred mistakes. why can't they see like i can see? why am i
         | the only one in here that can see?!?!?!
        
       | keiferski wrote:
       | It's amazing to think that film / moving images as an art form is
       | only a little over a century old. Painting, sculpture, drawing,
       | etc. are orders of magnitude older.
       | 
       | It also makes me wonder what the future of the form will be.
       | Historically speaking we're still at the very beginning of it.
        
         | justincormack wrote:
         | The oldest surviving photograph is 200 years old this year
         | https://en.wikipedia.org/wiki/View_from_the_Window_at_Le_Gra...
        
       | lordwiz wrote:
       | Film formats still rule, but I'm curious what comes next. What
       | I'm seeing in the mainstream is large-format 65 mm / IMAX 70 mm
       | film, which feels like a premium big-screen experience, almost
       | too premium to access nearby.
        
         | greekrich92 wrote:
         | One Battle After Another was shot and released on VistaVision.
         | Sideways 35mm basically.
         | 
         | https://en.wikipedia.org/wiki/VistaVision
        
           | mmcwilliams wrote:
           | VistaVision is being used more often as a cheaper way to get
           | to IMAX or 70mm projections sizes. The gear and filmstock is
           | less expensive for production and you can laser out to the
           | other formats at roughly the same resolution you capture at.
        
         | SoftTalker wrote:
         | I'm sure there are still some stubborn old directors shooting
         | movies on film but aren't most shot digitally today? And even
         | those shot on film are surely immediately scanned so post
         | processing can be done digitally? Can't imagine anyone is still
         | sitting with razor blades and splicing tape putting scenes
         | together.
        
       | fallinditch wrote:
       | It's great to see Vistavision making a comeback, a perfect format
       | IMHO, exemplified by Hitchcock's Vertigo -
       | https://youtu.be/95o-QM-lz8g
        
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       (page generated 2026-01-11 23:01 UTC)