[HN Gopher] Fran Sans - font inspired by San Francisco light rai...
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       Fran Sans - font inspired by San Francisco light rail displays
        
       Author : ChrisArchitect
       Score  : 370 points
       Date   : 2025-11-23 18:20 UTC (4 hours ago)
        
 (HTM) web link (emilysneddon.com)
 (TXT) w3m dump (emilysneddon.com)
        
       | ChrisArchitect wrote:
       | Start here for more of the actual font:
       | https://emilysneddon.com/fransans
        
         | zygentoma wrote:
         | Both of these pages seem to me like they're designed for
         | mobile-only usage.
         | 
         | I'm sitting here with a 4k screen, browser maximized, and all
         | text is, like, huuuuge!
         | 
         | And the worst part? You can't zoom! Seems kind of user-hostile
         | to me ...
        
       | aoki wrote:
       | > Back at the SFMTA, Armando told me the Breda vehicles are being
       | replaced, and with them their destination displays will be
       | swapped for newer LED dot-matrix units that are more efficient
       | and easier to maintain. By the end of 2025 the signs that
       | inspired Fran Sans will disappear from the city, taking with them
       | a small but distinctive part of the city's voice.
       | 
       | :-(
        
         | amelius wrote:
         | If the dot-matrix is fine enough, you could still render any
         | font properly. Plus you can add emoticons :)
        
       | eichin wrote:
       | FYI no lower case, also "contact the author for licensing". (The
       | article is a neat story of digging into the history of the
       | displays which are about to be going out of service, as well as
       | some practical aspects of the font design - it's just not
       | casually available.)
        
         | lilsneddz wrote:
         | Honestly, I wasn't expecting this font to go anywhere, and then
         | the SF Chronicle reached out, which has been lovely. Anyone who
         | emails me can have a copy, I just haven't made an easy download
         | link. I've thought about it since, but actually it's way nicer
         | to hear from people and hear about what they're making. It is a
         | community-driven project, and this slower form of distribution
         | feels closer to my original intent. :)
        
       | oktwtf wrote:
       | Typography nerds are some of my favourite nerds.
       | 
       | Font specimen pages are so often screaming with design language
       | and intention, they push and prod to evoke and present.
       | 
       | Maybe the secret has something to do with the lack of priority to
       | the actual content; just present the font gosh-darn!
       | 
       | Looks nicely executed within the confines of the inspiration.
       | very cool
        
         | shagie wrote:
         | Andrew Glassner's Notebook: Recreational Computer Graphics is a
         | _really_ neat book (I especially like the tiles that can add
         | numbers). The author 's site is https://glassner.com/computer-
         | graphics/
         | 
         | Chapter 6 in the book (
         | https://archive.org/details/andrewglassnersn0000glas/page/98...
         | ) Signs of Significance starts with 7 segment displays to the
         | 14 segment and 5x7...
         | 
         | He then goes on to the 66 segment Vienna underground font and
         | an 83 segment font he saw in an elevator at a Siggraph
         | conference in Orlando ... and then concludes with his own 55
         | element mosaic.
         | 
         | --
         | 
         | Also, Adam Savage's Tested - https://youtu.be/eKCcqlJnZcA (3
         | days ago) looking at
         | https://www.kellianderson.com/books/alphabetinmotion.html
         | 
         | At 7:00 into the video is C & D pages looking at the modularity
         | of a font.
         | 
         | (the section "U & V" about 3/4 down the page has the modular
         | components for Kombinations-Schrift
         | https://www.moma.org/collection/works/2724 which was also
         | looked at at 22:00 into the video.
        
       | Doctor_Fegg wrote:
       | For UK readers, this is eerily similar to the typeface originally
       | used on the "Thames Turbo" trains (class 165/166) from their
       | construction in the 1990s until a refurb about five years ago - I
       | could believe it was the same manufacturer. Some photos:
       | 
       | https://commons.wikimedia.org/wiki/File:166207_DMCO_Interior...
       | 
       | https://commons.wikimedia.org/wiki/Category:British_Rail_Cla...
        
         | croisillon wrote:
         | i believe that 3x5 display is quite common and might not have
         | its origin in SF
        
       | Johnny555 wrote:
       | >On route, train operators punch the code into a control panel at
       | the back of the display, and the LCD blocks light on specific
       | segments of the grid to build each letter
       | 
       | I always thought those were mechanical displays with little
       | mechanical shutters that moved to display the segments... like
       | these:
       | 
       | https://youtu.be/Gj_mTp6Ypzk
       | 
       | Never knew they were LCD.
        
       | becomevocal wrote:
       | Have been in font picking mode recently so this was a relevant
       | enough distraction. Excellent read!
        
       | arkensaw wrote:
       | Be honest though, did the name come first?
        
         | lilsneddz wrote:
         | Haha, hi, it's me, Emily, the designer of this font. It
         | actually didn't come first! And strangely finding an available
         | name was almost the hardest part.
        
       | adastra22 wrote:
       | As a native that absolutely cringes at "San Fran" ... I still got
       | mad respect for that awesome name. Well done.
        
         | jabberwhookie wrote:
         | I've always found that cringe to be a strange shibboleth.
         | AFAICT everyone has to summarize with the bay area instead,
         | which I find even more comic having grown up on a coast, aka a
         | bay area.
        
           | adastra22 wrote:
           | The bay area is more than SF. If you mean San Francisco and
           | don't want to say the whole name, you use either 'SF' or 'the
           | city.'
           | 
           | I'm not sure why it's a strange shibboleth? Not every name
           | has to be shortened, and if you are going to shorten names,
           | not every short form is acceptable. I don't know where "San
           | Fran" came from, any more than "Cali", neither of which are
           | used by locals, but it just doesn't feel respectable. It's
           | not the name of the city.
        
             | gerdesj wrote:
             | "SF ... It's not the name of the city."
             | 
             | Your words ... 8)
        
               | clhodapp wrote:
               | I think it honesty just boils down to: It sounds bad.
        
               | adastra22 wrote:
               | You've never met an Alexander that despises being called
               | "Alex"?
        
         | decimalenough wrote:
         | I'll be sure to call it "Frisco" instead.
         | 
         | +1 on the awesome name though.
        
           | bonoboTP wrote:
           | Sans Francisco
        
             | simondotau wrote:
             | A silent router: Sans Fancisco
        
         | lilsneddz wrote:
         | Hey, I made this font. I really ummed and ahhed over the name
         | for this exact same reason. But in the end it was just too
         | clever to pass up. Thanks for moving past it, haha.
        
       | roughly wrote:
       | That was a great read with a ton of fun little bread crumbs to
       | follow. Tipo Velez/Super Veloz gets a mention, and it's
       | definitely worthy of a diversion if you haven't seen it before.
       | 
       | For all the modern handwringing about SF, it really is a hell of
       | a city with a fascinating history.
        
       | gorgoiler wrote:
       | I like the underlying commitment to design in the original
       | displays. Seemingly the double height slants on the bottom are
       | _solely_ for rendering the letter V. They have no other purpose
       | than for that letter.
        
         | lilsneddz wrote:
         | I'm the designer of Fran Sans and I love that you noticed this
         | detail in the original displays!!! :)
        
       | agg23 wrote:
       | Beware that pressing the back arrow twice takes you to unexpected
       | naked photos.
        
         | crazygringo wrote:
         | This is the second comment I've seen on HN today about the back
         | button having unexpected results on a site.
         | 
         | I'm so confused -- I use Chrome on a Mac and my back button
         | works entirely normally. No naked photos, sorry to report.
         | 
         | Is this a real thing that Chrome isn't susceptible to? Or are
         | people just making jokes?
        
           | anamexis wrote:
           | They mean the left arrow key on your keyboard.
        
           | decimalenough wrote:
           | Here you go: https://emilysneddon.com/tinn
           | 
           | NSFW, obviously, but also not all _that_ titillating. (It 's
           | artsy B&W photography of women in their bathrooms.)
        
           | adastra22 wrote:
           | Use the arrow key. It moves the carousel, landing on some
           | scandalizing artistic photos.
        
             | wkat4242 wrote:
             | Not much scandalising in that IMO. Very arty photos. Would
             | anyone find this offensive?
        
         | seniortaco wrote:
         | Are they naked photos you've seen before?
        
       | myself248 wrote:
       | I wonder what's happening to the displays that're being retired!
       | I hope someone can nab them from the waste stream...
        
         | lilsneddz wrote:
         | Hi, I'm Emily the designer of Fran Sans. One of the Breda cars
         | is going to the California State Railroad Museum, and it has
         | the displays in it. I also suggested to the Letterform Archive
         | in SF that they may have interest in it. I do know they've
         | archived some of the NY subway curtain displays, so I think
         | it's only fair they save one of these in their collections too.
        
       | meta-level wrote:
       | I like it because my first name is Frans
        
       | msarnoff wrote:
       | I have seen these throughout the US and Europe and been
       | fascinated by them. Penn Station has (had? been a while) a big
       | one with more segments per character. I've been trying forever to
       | find the name of this particular style of segmented displays and
       | get more info on them. The closest I could find is "mosaic
       | display."
       | 
       | Love this article!
       | 
       | Signed, someone who has an obsession with segmented displays
        
         | sho_hn wrote:
         | It's probably Reitberger's 38-segment AFA alphanumeric LCD:
         | 
         | https://www.reitberger.de/English/Large%20displays/Alphanume...
         | 
         | https://www.reitberger.de/English/Broadsheet/Prospekt_GA_AFA...
         | 
         | These are very common here.
        
         | badlibrarian wrote:
         | https://en.wikipedia.org/wiki/Split-flap_display
         | 
         | https://en.wikipedia.org/wiki/Flip-disc_display
        
           | msarnoff wrote:
           | When I was last at Penn Station in the 2010s their departure
           | board was a mosaic LCD like the article, not a split-flap
           | display:
           | 
           | https://upload.wikimedia.org/wikipedia/commons/b/bd/Penn_Sta.
           | ..
           | 
           | I do miss the split flap displays at the Boston and
           | Providence Amtrak stations though...
        
       | Beijinger wrote:
       | For commercial and non-commercial use of FRAN SANS, please get in
       | touch: emily@......com
        
       | seniortaco wrote:
       | For some reason when I read this font in the digital samples, it
       | feels a bit Soviet? I subconsciously expect the text to be in
       | cyrillic.
        
       | lynndotpy wrote:
       | This is the spitting image of the "FontStruct" tool, which I have
       | fond memories of! I wonder if there was some overlap.
       | 
       | I second the sentiments here about typography nerds. This is very
       | very cool.
        
       | shevy-java wrote:
       | So ... hard to read then?
        
       | flypunk wrote:
       | This post ends with a beautiful poem set in Frans Sans
       | 
       | OUTSIDE MY LIFE, INSIDE THE DREAM.
       | 
       | FALLING UP THE STAIRS, INTO THE STREET.
       | 
       | LET THE CABLE CAR CARRY ME.
       | 
       | STRAIGHT OUT OF TOWN, INTO THE SEA.
       | 
       | PAST THE DAHLIAS AND THE SELF-DRIVING CARS.
       | 
       | THE CHURCH OF 8 WHEELS. THE LOWER HAIGHT BARS.
       | 
       | THE PEAK HOUR SPRAWL. THE KIDS IN THE PARK.
       | 
       | THE SLANTING HOUSES. THE BAY AFTER DARK.
       | 
       | MY WINDOW, MY OWN SILVER SCREEN.
       | 
       | I FOLLOW WHERE THE FOG TAKES ME.
       | 
       | By MADDY CARRUCAN
        
       | kens wrote:
       | I appreciate that the author talked to various people
       | (technician, engineer) and visited the shop rather than just
       | doing online research. It's rare for people to go to the effort
       | of in-person research.
        
       | int0x29 wrote:
       | When I was a child the front side displays on new Muni buses used
       | to use these probably solonoid driven LED arrays. If you sat
       | under one you could here this clattering sound that sounded kinda
       | like rain each time the display changed. This discussion is
       | bringing back old memories of those.
       | 
       | The older Breda trains and I think buses also used to use backlit
       | paper rolls for signs:
       | https://upload.wikimedia.org/wikipedia/commons/4/4c/T_Third_...
       | Those were significantly more readable
        
         | lilsneddz wrote:
         | They certainly did. The SFMTA also showed these to me and
         | explained that not only were they extremely temperamental, but
         | it also cost about $3k to print one of the curtains with the
         | special barcode that prompts the curtains to rotate.
        
       | some_guy_nobel wrote:
       | > For commercial and non-commercial use of FRAN SANS, please get
       | in touch: emily@emilysneddon.com
       | 
       | Cool article, pretty lame that the person creating a recreation
       | of a public-funded font is gatekeeping it behind their email,
       | though.
        
       | nrhrjrjrjtntbt wrote:
       | I am not expert but I really like the font. It does a lot for
       | such a primitive display. Makes me wonder why we used to have
       | those bad 80s 90s alphanumeric LCD displays in most places too
       | cheap for pixels when they could have done this.
        
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       (page generated 2025-11-23 23:00 UTC)