[HN Gopher] I analyzed the lineups at the most popular nightclubs
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       I analyzed the lineups at the most popular nightclubs
        
       Author : kalli
       Score  : 133 points
       Date   : 2025-11-06 13:37 UTC (9 hours ago)
        
 (HTM) web link (dev.karltryggvason.com)
 (TXT) w3m dump (dev.karltryggvason.com)
        
       | kalli wrote:
       | The technical details of a visualisation built around the lineups
       | and programming at the world's most popular nightclubs.
        
         | PaulHoule wrote:
         | D3 is the only charting library that I've loved.
        
       | alexandregcode wrote:
       | This is pretty cool, interesting to think about what causes more
       | or less resident DJs.
       | 
       | As a side note, on the RA events sometimes artists are listed in
       | the description but not linked in the description so there could
       | be some artists missing. In my experience it tends to vary on the
       | nightclub.
        
         | analog31 wrote:
         | Granted I'm not a DJ but a jazz musician. I think there's a
         | slight premium for "out of town" acts compared to local acts of
         | possibly equal quality. It could simply be due to scarcity. If
         | a certain act is only in town for one night, then it's your
         | only chance to see them, whereas you can put off seeing a local
         | band for a while.
        
           | radley wrote:
           | > I think there's a slight premium for "out of town" acts
           | 
           | In the EDM world, it can often be much more than a slight
           | premium. Ever since streaming took over music sales,
           | performance fees have become the key source of income for
           | most artists.
        
             | analog31 wrote:
             | That's a good point. In fact, I'm not a full time musician,
             | but performing is my only source of musical income. I've
             | never bothered with trying to make money from recordings.
             | 
             | I do know some indie artists who make a bit of extra money
             | at performances selling CDs to people who still buy them. I
             | think it takes advantage of the immediacy of the moment,
             | and the fact that a lot of people are actually not savvy
             | about finding stuff online.
        
       | input_sh wrote:
       | I love the idea behind it and the visualisation indeed looks
       | awesome, but the RA data behind it is messy to say the least.
       | 
       | For example, 3/7 "nightclubs" it lists in Croatia are not
       | nightclubs. I would also group Kalypso and Zrce Beach together as
       | Kalypso is one out of 4 nightclubs located _on_ Zrce Beach, but
       | the beach _itself_ is not a venue. Similarly, Barbarella 's is
       | kind of an afterparty destination for festivals organised at the
       | Garden Resort. They only match 6%, but I wouldn't call them
       | completely separate. This is the kind of "lore" that's impossible
       | to catch from raw data.
       | 
       | I like the Essential Mix visualisation even more! It's such a
       | shame most of the other ones appear dead due to API changes.
        
         | kalli wrote:
         | Author here, this is good to know.! I tried to spotcheck the
         | regions and countries, but wasn't familiar with all of them so
         | didn't want to make assumptions (and didn't make time to
         | research them thoroughly). Not sure if/how I could try to
         | correct that.
         | 
         | > This is the kind of "lore" that's impossible to catch from
         | raw data.
         | 
         | Agreed this project definitely banged up against those sorts of
         | walls a few times. Still think it's worth trying, hopefully the
         | information offered one can find outweighs any distortions it
         | introduces. Maybe something that should have been explicitly
         | acknowledged in the piece.
         | 
         | > I like the Essential Mix visualisation even more! It's such a
         | shame most of the other ones appear dead due to API changes.
         | 
         | Thanks, happy to hear that. I keep meaning to go back to the
         | essential mix one, get new data and apply some of the stuff
         | I've learned since!
        
         | radley wrote:
         | Sounds like RA could have a lot of DJs promoting their small
         | bar gigs and day parties.
        
       | stevetron wrote:
       | Might have been nice to know where the clubs are? San Francisco?
       | South Africa? Belgium? And what demographic the clubs serve, i.e
       | are any of the clubs LGBTQ+, or are the all hetero? They don't
       | generally play the same material.
        
         | kalli wrote:
         | If you click a club its region and country should be in its
         | detail panel underneath their logo. The region and country
         | filters should show you just the clubs in the given
         | region/country.
         | 
         | Demographic analysis would have been interesting I agree, but I
         | didn't know of a good data source for that and it's hard to
         | parse from line up data (especially in places one isn't
         | familiar with)
        
       | siva7 wrote:
       | Don't confuse this list with actually very popular djs. Many
       | clubs in this list host mostly resident and local djs (like
       | Berghain as the club name/culture is the main reason people go
       | there, not the lineup) instead of popular touring djs who have a
       | big fan base of their own (and are more expensive to book).
        
         | wavefunction wrote:
         | people go to a club because the music is good, even at the
         | shittiest of popular venues everything follows from there
        
           | afavour wrote:
           | I don't know you can state that universally. A lot of people
           | go to a club because it's the "in" spot to be seen at (not
           | that clubs are in any way unique in that regard)
        
           | tirant wrote:
           | Music is not the only aspect. Even more important is the
           | vibe.
        
           | Mashimo wrote:
           | Setting / atmosphere / vibe also plays a role.
           | 
           | If a know a place that has angry bouncers or annoying rules,
           | I rather go to a place that he less then ideal music.
           | 
           | One local club has a rule that you can't drink water from the
           | bathroom tab, and they even turn off the cold water. I'm not
           | going there, even when the music is fire.
        
           | malfist wrote:
           | I've never once when to a club because of the music they
           | play, and I can't remember my friends ever suggesting we go
           | to a different one because the music is better.
           | 
           | It's more about the atmosphere, who's there and the mood
           | you're looking for that night.
        
         | Honga wrote:
         | They also have something like a 2 month ban on playing
         | elsewhere after you DJ for them. And it doesn't seem like the
         | pay is great to compensate. The upside is exposure, because
         | their lineups are phenomenal and consistent, You don't really
         | have to go there for the music, it's guaranteed to be good.
         | 
         | https://www.scribd.com/document/639992014/Untitled#:~:text=R...
        
       | bongodongobob wrote:
       | I actually want to go to Haunted House more than I want to go to
       | Aqua.
        
       | jrrv wrote:
       | Am I missing something or is the author using dots for both
       | breaking up large numbers and also for decimal points?
        
         | FinnKuhn wrote:
         | Yes, I assume it is because you use dots to seperate large
         | numbers in most European languages and they forgot it's
         | different in English.
        
           | hansonkd wrote:
           | usually its a combination of . , not exclusively . for both
           | the thousands seperator and the radix point.
        
             | FinnKuhn wrote:
             | Well, they appear to have remembered it when typing the
             | radix point, but forgot it when it came to the thousands
             | separator.
             | 
             | This might have happened to me before as well...
        
       | RobKohr wrote:
       | I love finding new music. Looks like now I can go find some far
       | away clubs and listen to their djs while doing some coding.
        
         | lukan wrote:
         | You know those ressources?
         | 
         | https://music.ishkur.com/
         | 
         | https://www.music-map.com/
        
       | bog_hag wrote:
       | Including San Francisco and not Chicago? Criminal.
        
       | ssalka wrote:
       | I'm just gonna say that some aspect of the data collection here
       | seems flawed: among the SF clubs listed are DNA Lounge and Public
       | Works - which are great clubs, don't get me wrong - but they are
       | very much on the smaller side. And, Phonobar? That is a
       | bar/restaurant, not a nightclub at all. Meanwhile, The Warfield
       | and 1015 Folsom are left out - how does that make any sense?
        
         | kalli wrote:
         | It's based on popularity on Resident Advisor / RA (those are
         | the clubs that had the most "followers" among their userbase)
        
           | kenhwang wrote:
           | This is a classic example of data sourcing bias.
           | 
           | RA is primarily used by independent promoters in the States,
           | which tend to be much smaller and have smaller or less
           | frequent events.
           | 
           | Large promoters who regularly throw events or have the budget
           | for larger events would use their own promotion mechanisms
           | and general population ad networks instead of listing on RA.
        
             | lelandfe wrote:
             | > Large promoters who regularly throw events or have the
             | budget for larger events would use their own promotion
             | mechanisms
             | 
             | No (at least in the US) - it's because of exclusive
             | contracts with the ticketing platforms.
             | 
             | Whereas you can list on RA and other platforms too, the
             | biggest clubs and venues get lucrative deals with eg AXS to
             | _only_ list tickets on their platform.
        
               | kenhwang wrote:
               | That's ticketing. There's plenty of listings on RA that
               | don't use RA's ticketing service.
               | 
               | Large promoters that use or have exclusivity deals with
               | AXS or Ticketmaster/LiveNation or Dice still
               | advertise/promote on platforms like Facebook/Instagram,
               | EDM Train, Radiate, etc alongside the ticketing
               | platform's promotion platforms.
        
         | namanyayg wrote:
         | Which is the best SF nightclub? I got baited by online reviews
         | to visit DNA and was disappointed.
        
           | radley wrote:
           | It depends on the music and scene that interests you. Most SF
           | nightclubs are event spaces that host independent promoters
           | of recurring events, so the music and attendance can vary.
           | You'll generally get best results if your friends will be
           | there and you want to see the performing artist(s).
        
           | bckr wrote:
           | My favorites are Public Works, The Midway, and 1015 Folsom
        
           | siva7 wrote:
           | DNA is good - but it's a club for the actual artist and music
           | to go - and less as a place to hang out on a random night
        
         | kiitos wrote:
         | dunno about the rest of your post but phonobar is legit, it's
         | tiny but it has a dance floor and regularly hosts top-tier
         | talent
        
       | Razengan wrote:
       | As an introvert, what are you even supposed to do at "clubs"?
       | 
       | Besides having your eardrums damaged
        
         | JohnFen wrote:
         | If clubs aren't your thing, then don't go. Easy peasy.
        
         | jillesvangurp wrote:
         | Talking to people is not actually possible at clubs because
         | it's just too loud. So, it's oddly perfect for introverts in
         | that sense. Nobody goes there to talk.
         | 
         | It's why I never liked clubs I prefer small bars where you can
         | talk to people. I've been in Berlin for 16 years now and there
         | are plenty of those bars around. Even now that I no longer
         | drink alcohol, I still enjoy going there.
         | 
         | But I never saw the point of the club scene here. I don't
         | actually mind some of the music and there are some nice
         | Berghain playlists on Spotify that I listen to occasionally. I
         | just never felt any need to actually go there. Just not my
         | thing. My impression of talking to people that do go to these
         | things is that it's a lot about just being seen there or being
         | able to brag about having been there. And then there are of
         | course a lot of people that just go nuts and do that for the
         | whole weekend while taking lots of pills. Also not my thing.
         | But live and let live as far as I'm concerned.
         | 
         | Berghain particularly doesn't just let everybody in. People
         | queue for ages and can then get told off for looking wrong or
         | whatever. Elon Musk famously got an access denied there once.
         | Not cool enough. Which I find hilarious. But the prospect of
         | being vetted like that is a definite turn off for me. I just
         | don't like that kind of snobbishness.
        
           | exasperaited wrote:
           | > So, it's oddly perfect for introverts in that sense. Nobody
           | goes there to talk.
           | 
           | For an introvert, the only place better than being in the
           | crowd at a music venue is being on the stage. There are
           | _sooo_ many introverts in bands and especially DJs; some of
           | the greatest musicians are introverts. Performing is a form
           | of radical self-care, and introverts are actually really good
           | at judging the vibe of a crowd.
        
         | el_nahual wrote:
         | When it comes to electronic music, there are basically two
         | types of clubs.
         | 
         | One type is the mega club. These are see-and-be-seen places.
         | Ibiza. Vegas. Miami. The DJs are very famous, but often because
         | they have a few EDM "hits"--not because of their selection or
         | mixing skills. These places have tables, bottle service, and
         | beautiful people. The DJs here often do nothing: they may have
         | a USB drive that they press "play" on and then pretend to mix.
         | 
         | Then there's another class of club: the "indie" electronic
         | music club. These places have djs whose skill is more about
         | selection, mixing, and crowd/vibe management. The djs here
         | often have respected production careers but often not.
         | 
         | What you do at these clubs is simply dance. Usually by
         | yourself, listening to music. The best of these clubs will
         | _not_ blow out your hearing because the sound system is
         | exquisitely tuned.
         | 
         | As an introvert, the second class of club sounds like it would
         | be perfect for you!
         | 
         | As an aside, if you've never experienced a truly world-class DJ
         | (of the second type, not the first), it's an incredible
         | experience. Even if you find electronic music "boring", these
         | people are absolute masters at taking you on an emotional
         | journey.
         | 
         | The best way to experience this is at one of the top festivals.
         | The second best way is at a club. The third best way is at
         | home, with great headphones, and soundcloud/youtube dj sets.
         | NOT spotify.
        
           | Razengan wrote:
           | > _Even if you find electronic music "boring", these people
           | are absolute masters at taking you on an emotional journey.
           | The best way to experience this is at one of the top
           | festivals. The second best way is at a club. The third best
           | way is at home_
           | 
           | Hell I LOVE The Midnight, Com Truise, Essenger, Empire of the
           | Sun, Robert Parker, Gunship, FM-84, Molchat Doma (Molchat
           | Doma) and other Slavsynth groups I can't even pronounce the
           | names of..
           | 
           | but the best way to jam out to that is to go on an actual
           | journey ^^ a long drive, an open road, no stops.. Being
           | stationary even if dancing just doesn't fit in with the
           | images those sounds give me (picture those synthwave/outrun
           | posters with purple suns and ringed planets in the background
           | sky)
           | 
           | I really wish there were some modern games and movies made
           | around that vibe.
        
         | radley wrote:
         | Socialize? Dance? Let loose?
         | 
         | As a wise man once said, "Free your mind and your ass will
         | follow."
        
         | y-c-o-m-b wrote:
         | I'm also introverted and haven't been to clubs in over 10
         | years, so can't speak for today's crowd. Despite being an
         | introvert, I pushed myself to socialize. Primary motivation was
         | just being somewhere fun with friends or work colleagues where
         | I can dance/listen to music I like, people watch, or the one
         | thing most people don't readily admit to: meet potential
         | partners for sex. What actually happened was a lot more of the
         | first thing and A LOT less of the last thing though lol. You're
         | around a bunch of drunk people, something funny is bound to
         | happen and those hilarious moments really made it memorable.
        
         | marssaxman wrote:
         | Dance! Dance dance dance dance dance. When you lose yourself in
         | the music and the motion, it's a type of spiritual experience.
         | 
         | The risk of hearing damage is easily mitigated by 1) wearing
         | earplugs 2) going to better clubs which have properly tuned
         | sound systems.
        
       | Der_Einzige wrote:
       | Btw, SF night clubs actively refuse to let "tech nerds" in. I
       | witnessed whole groups of people who attended the huggingface
       | "Woodstock of AI" meetup circa 2023 and the local clubs would
       | refuse to let anyone in who wore glasses or wore Patagonia.
       | 
       | Thanks John Hughes films!
        
         | Elof wrote:
         | That doesn't make sense. Huggingface is a 'popular' tech
         | company. Maybe those 'nerds' just didn't have tickets
        
           | Der_Einzige wrote:
           | I'm talking about an event that drew ~5000 people, not the
           | staff of HF themselves.
           | 
           | The "tickets" that these nerds didn't have is more accurately
           | known as "game" or "rizz" by zoomers.
        
           | bongodongobob wrote:
           | No one outside of tech knows what that is
        
         | firefax wrote:
         | >Btw, SF night clubs actively refuse to let "tech nerds" in.
         | 
         | I got escorted past the line at DNA lounge because I had a
         | Firefox shirt on. (Only solid black shirt I had, outta respect
         | to the goths rocked it with some black jeans.)
         | 
         | Are you aware that one of the best clubs in the bay is owned by
         | a former "tech bro"?
         | 
         | >DNA Lounge is an all-ages nightclub, restaurant and cafe in
         | the SoMa district of San Francisco owned by Jamie Zawinski, a
         | former Netscape programmer and open-source software hacker.[3]
         | The club features DJ dancing, live music, burlesque
         | performances, and occasionally conferences, private parties,
         | and film premieres.
         | 
         | https://en.wikipedia.org/wiki/DNA_Lounge#History
         | 
         | In general, clubs don't want to let in folks who don't match
         | the culture... for example, Berghain, at it's core, wants
         | people coming in who want to dance, so if you show up in
         | glasses and Patagonia you're not going to enjoy yourself.
         | 
         | Finally, be mindful of the energy you put out -- any group of
         | people in business casual trying to get into the hottest
         | nightclub in town might find their hopes dashed.
         | 
         | Frankly, based on your post I think maybe an air of entitlement
         | and persecution might be your issue, not glasses or a sweater
         | vest, because spoiler alert: if you don't mention your work, no
         | one knows what you do for a living, and SF is probably wayyyy
         | more welcoming to "uncool" people getting into clubs than
         | someplace like NYC or LA, where if you're not a literal model
         | or some kind of entertainment bigshot no clothing choice (or
         | lack thereof) is getting you in.
        
           | toast0 wrote:
           | > In general, clubs don't want to let in folks who don't
           | match the culture... for example, Berghain, at it's core,
           | wants people coming in who want to dance, so if you show up
           | in glasses and Patagonia you're not going to enjoy yourself.
           | 
           | I can tell you, if I show up to an event without my glasses,
           | I'm not going to enjoy myself either :P But, thanks to the
           | internet, I can listen to dance music without having to go to
           | a club https://www.di.fm/ (also I have the joy of having a
           | local dance music station https://www.c895.org/ so I can
           | listen to dance music with just an FM radio)
        
       | kouru225 wrote:
       | I wonder if you'd get a higher percent of overlap if you only
       | focused on Friday/Saturday bookings
        
         | Elof wrote:
         | For the San Francisco venues, some of my favorite artists come
         | on random days, and as a 40-something with a kid I would only
         | go out on nights other than Friday/Saturday if I REALLY liked
         | the artist. From this perspective, it might make sense to
         | weight weekday outliers higher
        
       | flufluflufluffy wrote:
       | This is really cool but in my experience, RA is typically used
       | for less popular "underground" (in very large quotes) events,
       | warehouse parties, etc. It might be different in Europe or other
       | cities here in the states. The data for such events is
       | interesting in its own right, but it's probably not quite
       | representative of the most popular clubs and/or artists.
       | 
       | Perhaps doing a similar thing with Ticketmaster/tixr/all the
       | other ticket apps and combining them together could produce more
       | representative data, of course you'd still have the problem of
       | having to filter out actual clubs.
       | 
       | on an unrelated note, what in gods name is that color scheme on
       | the visualizations? xD
        
       | okokwhatever wrote:
       | I just came to the comments section to say "blablabla flawed
       | blabla incorrect data blablabla representation failure
       | blablabla... but I just saw others came first.
       | 
       | Yeah, humans.
        
       | Honga wrote:
       | Ah I miss De School. It always feels a bit uncanny seeing
       | Tillatec wearing the hand me downs, even though they have their
       | own thing going.
        
         | vovavili wrote:
         | And the most interesting part is that despite falling short
         | from its predecessor, Tilla Tec is the best currently working
         | club in The Netherlands.
        
       | buckle8017 wrote:
       | What's with using . for both decimal and thousands?
       | 
       | I kinda understand swapping witch is which, but why have no
       | distinction.
        
       | pier25 wrote:
       | Was surprised to not see Space (the Ibiza club) and it turns it
       | closed back in 2016.
        
       | zkmon wrote:
       | In excitement over the cool-looking visualizations, we lose the
       | sight of its usefulness. The entire article hardly has any text
       | talking about how these visualization would be useful and to
       | whom.
       | 
       | Even if this is an ask from a top-level managers hoping that it
       | would help their decision-making, let me tell you that, this will
       | be binned after everyone agrees that the visualizations are very
       | cool. Decisions are driven by other factors.
        
         | RandallBrown wrote:
         | > Even if this is an ask from a top-level managers
         | 
         | This was a pandemic project from someone who likely did it just
         | because they thought it was cool/interesting.
        
         | tweetle_beetle wrote:
         | Note to people considering publishing articles describing
         | passion projects on their personal websites (especially if they
         | may be considered exciting).
         | 
         | Stop!
         | 
         | It is vital that you first hire an independent product manager
         | and perform market fit analysis. Ask yourself "Does my blog
         | deliver high ROI and facilitate decision making by key
         | stakeholders?". If not, it has no use and should not be
         | published.
        
       | eyeundersand wrote:
       | Looks like I'm in the minority here but I was not impressed by
       | the visualizations or the color scheme or anything. Oh well...
        
       | anigbrowl wrote:
       | Data raw material is meh, as are the results (clubs are clustered
       | by geography and music style? Shocker), but the post isn't about
       | collection or survey methodology.
       | 
       | The hard work here is in the analysis and presentation, which are
       | nice. That will still be valuable if applied to better-curated
       | datasets. I don't blame the author for working with a mediocre
       | dataset that happened to reflect his interests, he's not making
       | big claims about what this means for the entertainment industry
       | or the future of culture.
        
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       (page generated 2025-11-06 23:00 UTC)