[HN Gopher] How to Make a Living as a Writer
       ___________________________________________________________________
        
       How to Make a Living as a Writer
        
       Author : pepys
       Score  : 159 points
       Date   : 2025-05-24 04:36 UTC (18 hours ago)
        
 (HTM) web link (thewalrus.ca)
 (TXT) w3m dump (thewalrus.ca)
        
       | davvid wrote:
       | > Throughout all of this, Horse News was the only stable work I
       | had.
       | 
       | Only a good writer, that truly enjoys their craft, is able to
       | masterfully insert a witty dry pun like that into their work.
       | Bravo!
        
         | fractallyte wrote:
         | > I root for Horse Laws and grow sad when a state bucks them.
         | 
         | Another cute one!
        
         | Waterluvian wrote:
         | It's a good pun but let's not pretend that it takes a
         | professional writer. I mean, have you met dads?
        
           | busyant wrote:
           | we make fishy puns like that just for the halibut.
        
           | munificent wrote:
           | I am offended you would say this. As a Dad, I put a
           | monumental amount of effort into coming up with puns to make
           | my family wince.
        
             | Waterluvian wrote:
             | I remember wondering why my dad did it so much, given he
             | never ever got a positive reaction. But now that I'm a dad,
             | I get it. It's just a sort of instinct. In fact, I think
             | I'm seeking the puns that go splat rather than landing
             | well.
        
           | vunderba wrote:
           | Or the entirety of reddit for that matter. Most threads are
           | inane word puns and/or turtles the whole way down.
        
         | xandrius wrote:
         | Calling the horse/stable job a witty pun today is quite a
         | stretch.
        
         | 90s_dev wrote:
         | Maybe I'm just old and tired, but this pun is exactly like what
         | you'd find in a movie review, which is literally the worst type
         | of literature for that exact reason, and should be banned
         | worldwide.
        
           | noduerme wrote:
           | Don't be so hard on movie reviewers. They're mostly just
           | alcoholics on pensions who found a reasonably good retirement
           | gig. Also, they have more random esoteric knowledge about
           | movie shit than anyone in our industry has about anything.
        
       | chistev wrote:
       | Writing is fun. I have a small personal blog with 21 subscribers
       | -
       | 
       | https://rxjourney.net
       | 
       | If you like it and you're feeling extra generous, you can leave a
       | donation.
        
         | hluska wrote:
         | You're a good writer and I enjoyed this article:
         | 
         | https://www.rxjourney.net/the-problem-with-our-country
        
           | chistev wrote:
           | Thanks a lot
        
         | Max-q wrote:
         | I liked the piece on corruption. You say it's not everyone,
         | it's the system. I think it might be the culture, not the
         | system? It has become the culture of the country to think that
         | way. This is something I'm often thinking about, how can this
         | be changed? How can a leader say "we as a country have to
         | change. We need to change our culture, think of corruption as
         | illegal and destructive" , and get the citizens on board with
         | it. Because, with my, unfortunately limited, knowledge about
         | Africa, I have understood that in many countries a government
         | employee can't make a living of their salary. The position is a
         | position enabling taking bribes, and that's what's putting food
         | on the table. When it's that ingrained, how is a transformation
         | possible? Where to start?
         | 
         | One idea I've had, is transformation via a system similar to
         | corruption, but regulated. If you go to a government office,
         | you don't pay a bribe, but you pay some kind of tip to the
         | representative. And that tip is listed on a "menu" and is
         | reported to the employer, and a small tax is paid. The amounts
         | are set at a level around the commonly known bribe paid today.
         | 
         | Then, year by year, those tips are reduced (or stay the same,
         | not adjusted for inflation), while the salary is increased.
         | This is possible due to the small tip tax.
         | 
         | Doing this while information campaigns are running on TV,
         | internet, schools, and so on, continuously.
         | 
         | Let's say this is a 20 year project, with a clear goal of a
         | higher level of civilization, imprinting in people that this
         | good and this will make life better for you, your children and
         | grandchildren.
         | 
         | I hope that your country will be able to fix the problem.
        
           | chistev wrote:
           | Thanks
        
       | treve wrote:
       | Extremely entertaining read!
        
         | mediumsmart wrote:
         | I concur. ... Not sure where, but empathy stopped me before the
         | end.
        
       | ggm wrote:
       | This would be an instance of those mimetic "how I got to own a
       | house at 29" stories where the first 6 steps are rational and the
       | seventh is "have rich parents"
       | 
       | For most people, writing is not sufficiently lucrative to sustain
       | a living income and supplements other income streams or is net
       | negative.
       | 
       | Also: read "new grub street" by George Gissing, 1891
        
         | vidarh wrote:
         | But this patchwork of low paid freelance work is the most
         | reasonable way to make it sustainable for most people.
        
           | ggm wrote:
           | Yes. And, if this is your craft, this is how to flex. If
           | you're driven to write, you're going to write, rich or not.
           | 
           | There's another piece of journalistic writing about erotic
           | Potter fanfic where the article author realises they're
           | possibly good at it and have recruited followers. It's
           | https://www.vice.com/en/article/my-quest-to-become-a-
           | harry-p...
        
         | SuperHeavy256 wrote:
         | This is a negative comment. The author is someone who is
         | clearly struggling, and trying to do her best to make ends meet
         | by working multiple jobs that she makes clear she is
         | desperately in search of. She also can't use her hands and is
         | in chronic pain. Please, have some empathy.
        
           | ggm wrote:
           | I have empathy but it's tempered by realism. Very few people
           | make a sustaining income from writing, almost all of them
           | supplement some other source of income or subsist.
           | 
           | Editing and proofing may be a better deal. My partner did
           | this for over 25 years and rarely exceeded the taxable income
           | threshold.
        
             | cafard wrote:
             | Having done editing and proofing for a few years, I can say
             | that it paid the rent and kept me fed, but didn't do much
             | more than that.
        
             | ghaff wrote:
             | The perhaps unsatisfactory answer is you land a day job
             | with a company that has a significant writing component,
             | e.g. various content marketing roles but other types of
             | marketing as well or analyst work. It's not the "great
             | American novel" but I was, to a large degree, essentially a
             | professional writer for over 20 years. And latterly I
             | definitely worked with a lot of people who would probably
             | have preferred to be independent writers but found pleasure
             | in having a fairly well-paid career with a company.
             | 
             | I do know some successful freelancers but they're the
             | generally fairly well-known exception (and are presumably
             | still not making the kind of money many on this board would
             | consider great).
        
               | Loughla wrote:
               | Grant writing. I've done that for years. It's using your
               | writing and analysis skills. Again, not the next great
               | novel, but it does afford you the opportunity and income
               | to write in your spare time, while doing a job that isn't
               | too demanding.
        
           | madaxe_again wrote:
           | I have the same thing as her and I built an off-grid
           | homestead with my stupid useless arms, and I type until
           | they're so numb it's like watching a hen peck for feed.
           | 
           | It never even occurred to me to make it a core part of my
           | identity - it's just pain and numbness, and they aren't about
           | to drop off and catch fire, even if it feels like it
           | sometimes.
        
         | windowshopping wrote:
         | Have you actually seen someone write an article like that where
         | one of the instructive steps was "have rich parents"?
        
           | ggm wrote:
           | No. I have only seen reddit memes and they generally relate
           | to property ownership.
        
           | abenga wrote:
           | I have seen several. One interesting one was a "how I became
           | an airline pilot at 21" video where the (obviously smart and
           | hard working) young man talked about a life where he went to
           | a high school with an aviation club, interning at an airline
           | while in high school where THE CEO took personal interest in
           | him and gave him one-on-one coaching. "Have rich parents" was
           | not one of the steps explicitly but it was a massive part of
           | the subtext.
        
             | greggsy wrote:
             | Another classic pilot career hack is to have a parent who
             | is a pilot. Simple.
        
               | 0_____0 wrote:
               | My ex's dad flew for a US carrier. I got to hear a bit
               | about how raw a deal new pilots get these days.
               | Apparently it's much less desirable as a job now as
               | commercial aviation works on tighter margins.
        
             | Apocryphon wrote:
             | Pilots talking with each other, what will they think of
             | next!
        
             | 6stringmerc wrote:
             | For those who might eyeroll at this example, I believe it
             | and find it a good citation. Have you done the math on what
             | it costs to get a US commercial aviation license?
             | 
             | Just remember, Jack Antonoff (musician turned music
             | producer for acts like St. Vincent) benefitted from his Dad
             | being a millionaire diet supplement multi-level marketing
             | huckster, Taylor Swift's Dad was (and still is) a Merrill
             | Lynch high earning banker, Redfoo of LmFAO is the son of
             | Barry Gordy...he'll, even Annie Clark, aka St. Vincent, is
             | the niece of famous guitarist Tuck Andreas. Tell me with a
             | straight face having those connections isn't a thumb on the
             | roulette wheel and I'll politely go away for obvious
             | reasons.
        
               | jryle70 wrote:
               | Having rich parent certainly helps. The problem with this
               | line of thinking is that there are many many rich
               | parents, but only one Tailor Swift. What happen to all
               | other rich kids who also dream of being a singer? Can you
               | say, "with straight face", that they can just became
               | Taylor Swift if their dad was a Merrill Lynch banker?
               | 
               | There is also one and only Adele, whose father left when
               | she was two and who had a very modest upbringing.
        
               | TheOtherHobbes wrote:
               | I can say with a straight face that having rich, well-
               | connected parents hugely raises your odds of success if
               | you have some native talent, for obvious reasons - in
               | music you can buy equipment, hire teachers, PR people,
               | and stylists, spend money on recording, and get easy
               | access to industry insiders.
               | 
               | You can experiment without worrying that you will starve
               | or be homeless if you fail.
               | 
               | Some corners of the arts are full of people like this -
               | some talent, more money, so they get to have "careers"
               | with nothing tangible on the line except loss of face.
               | The family fortune protects them from everything except
               | wilful self-destruction.
               | 
               | The obvious corollary is that failing to have rich, well-
               | connected parents hugely lowers your odds of success,
               | even if you have equivalent talent. _Some_ people still
               | succeed, for all kinds of reasons. But the odds are
               | forever not in your favour.
               | 
               | It's not a binary, it's a significant tilt of the playing
               | field.
        
               | sunnybeetroot wrote:
               | Alongside Adele you have JK Rowling who didn't have all
               | her cards aligned.
        
           | notahacker wrote:
           | I've seen a _lot_ of articles where it 's implicit. There
           | seems to be a whole subgenre of _Daily Telegraph_ "young
           | person buys first house at 25" articles which lead with tales
           | of their thriftiness and aspiration and bury the "parents
           | paid most of the deposit" somewhere in the detail near the
           | end.
        
           | -__---____-ZXyw wrote:
           | That's the thing, you don't have to say it, sort of by
           | definition. It's always implied, as is its opposite. Imagine
           | a video or article or whatever, titled:
           | 
           | "How to get a Mediocre Job and live an Unremarkable Life"
           | 
           | Where the content of the article or video was, simply:
           | 
           | "Be born a human. You'll have a 99.99% chance of succeeding!"
           | 
           | It'd be pretty grim, it'd last about 15s to read or view, so
           | no-one makes that video. Instead, they make videos about
           | becoming pilots at 21, or owning your own house at 23, etc.
           | 
           | It's hard to accept these percentages as real, because it's
           | about the opposite of what is presented on the content farm
           | platforms, and that's partly as I said the fact that the
           | story is too grim, but also the fact that the "unremarkable"
           | people are not the ones producing "content".
        
         | vouaobrasil wrote:
         | > This would be an instance of those mimetic "how I got to own
         | a house at 29" stories where the first 6 steps are rational and
         | the seventh is "have rich parents"
         | 
         | You don't need to have rich parents. I also make a living as a
         | writer, and I'll say an alternative to having rich parents
         | would be to get a high-paying job for a couple years and just
         | save a little. Just for when the initial pay is a little low.
        
           | -__---____-ZXyw wrote:
           | HN in the Common Era 2025:
           | 
           | "If you don't have rich parents, an alternative is to get a
           | high-paying job".
        
       | mndgs wrote:
       | Beautiful text, easy to read, one can immediately feel that
       | author knows what she is doing. Light, but long and sad at the
       | same time. With an aftertaste of hope at the end. Nice work.
        
       | dSebastien wrote:
       | I've been writing for many years, and I I'm still very far from
       | being able to pay rent
       | 
       | https://dsebastien.net
        
       | magic_hamster wrote:
       | Hitting CTRL+F and searching for AI all over the piece, there are
       | 0 mentions. I would have loved to read what a writer thinks of
       | the coming AI takeover in creative writing.
       | 
       | Virtually all the jobs mentioned can already be replaced with AI
       | for a fraction of the cost.
       | 
       | One thing is clear from this text: she can definitely write. I
       | wonder what her erotic stories read like even though I'm not
       | exactly the demographic they were aiming for.
        
         | SuperHeavy256 wrote:
         | Not everything needs to be about AI. Not everything should be.
        
           | CalRobert wrote:
           | Ok, but if you're a horse in the 1920's it seems prudent to
           | consider automobiles
        
             | cafard wrote:
             | Given the modus operandi of the AI world, it might be more
             | prudent to consider dogfood factories.
        
             | vouaobrasil wrote:
             | Horse to automobile is not the same as AI to not using AI.
        
             | cozzyd wrote:
             | Surely horse world will track this.
        
         | dakiol wrote:
         | > Virtually all the jobs mentioned can already be replaced with
         | AI for a fraction of the cost.
         | 
         | I'm not so sure. First, they are already paying pennies to the
         | writers. Second, who's gonna write the prompt? The bosses
         | certainly not, so they would hire prompters. Now, you cannot
         | simply hire a prompter with zero experience in copywriting or
         | editing; these people would not accept less than pennies for
         | their work. So you just go ahead and hire people with writing
         | experience. It's easier.
         | 
         | Edit: besides, assuming AI will take over, if you want an
         | original and catchy story, you need to provide a good prompt. I
         | cannot think someone more suitable to provide such prompts than
         | the writers themselves. Is like saying: anyone can create their
         | own app with LLMs. Well, I can tell you my mom or my 21 year
         | old cousin wouldn't be able to do so (they wouldn't be able to
         | be more specific than a simple "I want a spotify-like app but
         | in red". They wouldn't know what to do with the LLM output,
         | even if it comes as an executable that you just need to drop in
         | your phone). So you need developers here as well.
        
           | cousin_it wrote:
           | > Second, who's gonna write the prompt? The bosses certainly
           | not, so they would hire prompters.
           | 
           | I think AIs will quickly progress to the point where the boss
           | can just tell them to do X, instead of telling the prompter
           | to tell the AI to do X.
        
             | bix6 wrote:
             | The boss doesn't have time for that.
        
               | throwaway290 wrote:
               | If the boss has the time to task the writer then they
               | also have time to task the LLM
        
               | bix6 wrote:
               | No because the writer can finish everything without any
               | follow up whereas the LLM needs hand holding, re
               | prompting, context, etc.
        
               | throwaway290 wrote:
               | All of it seems like technicalities easy to add and wrap
               | in a product that takes one task you would give to an
               | actual writer...
        
         | keiferski wrote:
         | My prediction is that all "anonymous" writing will be replaced
         | by AI. By anonymous, I mean: copywriting, corporate-style
         | neutral writing, product descriptions, news summaries,
         | headlines, and so on. Anything where the identity of the author
         | is unknown or not important.
         | 
         | However, writers that lean into their identity and inject their
         | personality into the writing, use video, and generally have a
         | public brand will probably do fine. The fact is: we live in a
         | video world now, so unless you can latch onto the brand of a
         | larger entity to grow your audience, you're probably going to
         | need to be on camera.
         | 
         | (This is basically how many writers are successful on
         | Substack.)
         | 
         | Writers will also continue to be needed in fields where there
         | is zero tolerance for errors (say, technical writers at complex
         | manufacturing companies.)
        
           | throwaway290 wrote:
           | > we live in a video world now
           | 
           | Yeah and in a world where Veo3 exists. Using video is not a
           | panacea. Actually if you post the video on youtube then it is
           | used to train Veo so that you can be replaced...
           | https://news.ycombinator.com/item?id=44070548
        
         | Tallain wrote:
         | For many writers and creative types I've read and talked to,
         | the use of AI for pretty much any reason is equivalent to
         | crossing the picket line.
         | 
         | When so many models are trained on illegally-obtained data
         | (libgen, etc.) and provide profit without acknowledgement to
         | the folks whose creative output made said profit possible in
         | the first place, it feels really icky to put it lightly.
         | 
         | What's more, the creative process is about pulling something
         | out from inside of you, examining your ideas and yourself, and
         | maybe showing it to the world. Feedback from others, editors or
         | readers or whatever, is a reciprocation of that. Or if you keep
         | it to yourself, you've learned and grown anyway, and have honed
         | your craft for the next time you try it.
         | 
         | What reward is there in computer mimicry? How does AI empower
         | this process?
         | 
         | From a commercial aspect it all sucks. Creatives are devalued
         | and the creative process is arrested. This isn't new, though.
         | Ever since we started calling entertainment "content," you
         | could see it coming. It's a struggle Hollywood's faced since
         | the studio system, even before. We had the subversives in the
         | Code era, the new wave people, the auteurs, and so on, all
         | fighting that good fight against the business people who spoke
         | only in dollars and cents. So it was, so it shall be.
         | 
         | I don't think there will be an AI takeover in creative writing,
         | except for maybe a hiccup where slop content creators chase
         | gold. Already a couple of romance writers accidentally
         | published stories with prompts left in them and have instantly
         | ruined their reputations forever. I think the people interested
         | in reading what a machine wrote are the people interested in
         | making the machine write. Everyone else wants something from a
         | real human.
        
         | vouaobrasil wrote:
         | > Hitting CTRL+F and searching for AI all over the piece, there
         | are 0 mentions. I would have loved to read what a writer thinks
         | of the coming AI takeover in creative writing.
         | 
         | I make a living as a writer and I don't use AI. In fact, I hate
         | AI and I work for an AI-free writing website. There is an
         | audience for it, and we make enough money to support ourselves
         | as well.
        
       | globalnode wrote:
       | Was enjoying the article 'till a massive popup tried to grab my
       | attention. Unfortunately I have a policy that requires the page
       | be closed within 5 seconds of any such popups :'(, hope the horse
       | writing turned out OK for him/her/them/they.
        
         | jadtz wrote:
         | I doubt the writer has any control over the website her piece
         | is published on. It is a pretty good writeup, you should give
         | it another try.
        
       | Max-q wrote:
       | She's a good writer, I really enjoyed the article. It was one
       | topic regarding being a writer today I was curiously waiting for
       | while reading: gpt. Nothing can be more transforming for writers
       | right now? The erotic novella will probably be written by AI very
       | soon. YouTube is overflowing with AI generated and narrated
       | stories now. Just a couple of months ago they were quite bad, but
       | it's huge improvements weekly and this week they have become so
       | good that I'll say they are better than magazine stories. We can
       | just imagine how good they will be in two months from now.
        
         | Papazsazsa wrote:
         | They will never replace lived experience, in the same way
         | McDonalds will never replace a meal made by mom.
        
           | quesera wrote:
           | Define "replace".
           | 
           | Because for the majority of people, McDonald's and
           | equivalents have absolutely supplanted meals made by a parent
           | or an adult self.
        
         | artofpongfu wrote:
         | Could AI have written this touching, funny article? There will
         | still be a market for great writers, for now people crave
         | connection to a real person at the other end. In this case, I'm
         | reading it to understand something about being human. But it's
         | true that the market for human writing as a whole will shrink
         | further.
        
       | Papazsazsa wrote:
       | What do HN folks want to read that isn't tech news? What are you
       | _reading_ reading these days?
       | 
       | I have just made the leap into becoming a full-time writer. I had
       | an early stroke of luck and sold a screenplay - which let me
       | write full-time for the next 6 months or so. I write primarily
       | military/espionage fiction, would love to hear what the HN crowd
       | is hungry for on that front.
        
         | giraffe_lady wrote:
         | There have been pretty periodic recommended book "ask HN" posts
         | through the years, you could go have a look at some. Even a
         | quick skim will make it extremely clear you don't want to take
         | book recommendations, or especially writing guidance, from
         | these people.
        
           | Papazsazsa wrote:
           | Haha, too cruel.
           | 
           | The nerd is a useful archetype.
        
           | quesera wrote:
           | We are deeply grateful for the time you are able to spend
           | here with us.
        
         | bix6 wrote:
         | Feel like you could write a pretty absurd story about the
         | espionage implications of accepting a jumbo jet from a foreign
         | adversary.
        
           | nosioptar wrote:
           | That's too absurd. What person in a position to be gifted a
           | jumbo jet would be dumb enough to accept it?
           | 
           | Even if he/she was dumb enough, I'd assume the person likely
           | has contacts with national security agencies that could spell
           | it out for them.
        
             | bix6 wrote:
             | Well in this story all the agency heads could be replaced
             | with podcast hosts and other talking heads
        
       | manoji wrote:
       | Loved this article . It took me back to the days of just reading
       | random stuff out of the blue and just enjoying it undistracted.
        
       | willsoon wrote:
       | I can't write erotica or porn no matter how much I practice. I
       | have read some great writers fails like a champ when they had
       | tried to do the same. So, what if I fail. Sometimes I fall in
       | erotica/porn scenes like not wanting to go that way. A detail
       | just spontaneous popupping in my mind. And yes, then It's good.
       | But is not erotica if it happen every 100 pages. PS: practice to
       | write erotica, admin.
        
       | keiferski wrote:
       | One of the ironically (or maybe not ironic and just expected?)
       | beneficial outcomes of AI tools is that "human-like" qualities
       | are going to become more in-demand. The more weird, charismatic,
       | or unique your personality is, the better you're probably going
       | to do in the creative marketplace. The creators that will thrive
       | are ones that manage to build an audience around their identity,
       | and not merely ones that write/film/create the best works.
        
         | notjulianjaynes wrote:
         | You are probably thinking this means life will be more like
         | that Jack Kerouac line "the mad ones..." I am imagining how
         | what you describe plays out is more like a billion reality TV
         | stars all trying to one up each other.
        
           | keiferski wrote:
           | It will probably be a mix of both. "One-upping reality star"
           | is still something of a genre in itself, and it turns off a
           | lot of people.
           | 
           | IMO it's very possible to convey authenticity via video, if
           | you know what you're doing. I'm thinking of someone like Dry
           | Creek Wrangler School:
           | 
           | https://www.youtube.com/@DryCreekWranglerSchool
        
         | mykowebhn wrote:
         | So you mean that personality will trump content? The cult of
         | personality?
         | 
         | I think we're already seeing that in the most-watched Youtube
         | videos. The most followed Youtubers usually are the ones who
         | are most "way-out-there" in terms of personality.
        
           | keiferski wrote:
           | I wouldn't call it a "cult of personality" because that seems
           | unduly negative. It will just be...different, both better and
           | worse.
           | 
           | Better, because creators are no longer dependent on a film
           | exec in LA / publishing exec in NYC / etc. to "make it" as a
           | creative.
           | 
           | Worse, because while those gatekeepers did lock out many
           | talented people, they also had the function of allowing the
           | creator to focus excellent, "pure" work. I'm thinking of
           | anonymous/semi-anonymous authors that wrote world-famous
           | novels while being unknown. I don't think that is going to be
           | a viable route anymore, because it depended on the middle-
           | men.
           | 
           | Now that I think about it, this last function might actually
           | appear again: agencies that manage a creator's marketing,
           | budget, etc. and just let them focus on making stuff.
           | 
           | In short: I don't know if we could have the open opportunity
           | of social media _without_ it also being dependent on personal
           | charisma.
        
             | roenxi wrote:
             | > I'm thinking of anonymous/semi-anonymous authors that
             | wrote world-famous novels while being unknown. I don't
             | think that is going to be a viable route anymore, because
             | it depended on the middle-men.
             | 
             | It is entirely viable, there are a couple of pipelines that
             | go something like [forum -> patreon -> widespread appeal]
             | to pick up aspiring writers who can rise above the herd. It
             | reminds me a bit of Charles Dickens - a man who was clearly
             | being paid by the word - but much more accessible. Then
             | there are the sites that just aggregate masses of amateur
             | stories. Mostly badly written stories, but talent has a
             | chance to be seen.
             | 
             | There isn't going to be any difficulty for the next great
             | novel making it out into the world. The issue is more the
             | living conditions of the legions of also-ran writers.
        
         | aucisson_masque wrote:
         | I don't see why ai wouldn't be able to copy that 'personality'.
         | 
         | Everything ai can read or watch, it can copy. So someone
         | showing his personality on YouTube video, Instagram or even
         | tiktok, you get all the video, feed it into an AI and you get
         | an enhanced clone.
        
           | keiferski wrote:
           | 1. We are decades away from an AI being able to livestream
           | convincingly, cheaply enough for the average person to use
           | it.
           | 
           | 2. At that point, identity systems will prevent an AI from
           | just copying another creator's content and passing it off as
           | their own. YouTube, Facebook etc. have an interest in keeping
           | real humans on their platforms and not just bots.
        
             | hnlmorg wrote:
             | They have an interest in keeping real humans consuming
             | content because they're the ones watching the adverts. The
             | creators are just a byproduct of the pipeline.
             | 
             | If YouTube could replace humans with AI, and thus reduce
             | all that annoying overhead that comes with dealing with
             | creators, and do so without reducing the number of ads that
             | are watched, then I bet Google would be ok with it.
        
               | keiferski wrote:
               | And what, every creator with a public presence and
               | YouTube channel is going to be okay with Google stealing
               | their identity?
               | 
               | This is a sci-fi fantasy with no connection to reality.
               | In the real world, IP matters a lot and lawyers determine
               | what's allowed on YouTube, not demigod AIs.
        
               | MonkeyClub wrote:
               | > lawyers determine
               | 
               | Laws are skewed through lobbying as a matter of course,
               | and individual content creators don't have the same legal
               | reach as AI unicorns.
        
               | rwmj wrote:
               | Why would Google/Youtube need to copy existing
               | identities? Given a sufficiently powerful AI it can
               | create a whole new world of characters and content.
               | 
               | I also think your comment is an example of the "just
               | world fallacy" (https://en.wikipedia.org/wiki/Just-
               | world_fallacy). Google/Youtube has vastly more resources,
               | lawyers and lobbying power than individual creatives.
        
               | keiferski wrote:
               | What do you think Hollywood actors, studios, and agents
               | are going to do in this situation? Just disappear and be
               | fine with Google copying their work and destroying their
               | careers?
               | 
               | Not to mention the fact that the minute it becomes
               | obvious to society writ large that YouTube is not filled
               | with real people, and is only AI fake bots, it
               | immediately will become blase and uninteresting to the
               | vast majority of people. Humans like humans, not
               | facsimiles of humans.
               | 
               | Way too much sci-fi AI worship on this site sometimes, it
               | borders on deification. "An infinitely powerful being
               | will have no restrictions." Human culture isn't a math
               | problem that can be replaced and solved with computing
               | power.
               | 
               | Google can't even seem to make search results that work
               | anymore. Color me dubious that they can create thousands,
               | millions of unique characters and content that out-
               | compete real people.
        
             | criddell wrote:
             | > YouTube, Facebook etc. have an interest in keeping real
             | humans on their platforms and not just bots.
             | 
             | They want a human audience, but I suspect they are fine
             | with bot creators and are probably working on that
             | themselves.
             | 
             | Ever notice all those channels on YouTube and Spotify that
             | are hours and hours of lofi music? They aren't all human
             | and some of them have big audiences.
             | 
             | https://harpers.org/archive/2025/01/the-ghosts-in-the-
             | machin...
        
             | NikolaNovak wrote:
             | 1. I'm a computer science graduate and work in IT, although
             | the boring enterprise kind. ~5 years ago I would have
             | easily signed a document vouching that we will not have the
             | kind of interactive experience chatgpt gives us today,
             | within my lifetime :-). So the notion that automatically
             | generated content of any kind is "decades away" while the
             | field is wildly unstable, seems like a tricky prophecy.
             | I'll take that bet :-).
             | 
             | 2. Social networks don't have any interest whatsoever in
             | keeping _creators_ humans. Creators are the cost, viewers
             | or better yet paid subscribers, and the advertising buyers,
             | are the revenue. IF majority of people are happy to consume
             | generated content, social networks are happy to indulge. We
             | on HN are assuming and hoping for some kind of human
             | revolt, but we have historically been horrible at
             | predicting such. Majority of people don 't care a whif
             | about stuff that HN cares about deeply (see: privacy,
             | security,open source, etc:).
             | 
             | (This is not a hypothetical as far as I'm concerned -
             | Spotify already has popular LoFi / sleep / working music
             | channels it promotes that are generated cheaply by AI, or
             | session musicians that are one step away from being / being
             | replaced by AI. YouTube and Facebook are full of clips
             | which have chatgpt generating text, AI voiceover, and short
             | AI clips merged together - today, vs decades from now).
        
               | keiferski wrote:
               | The ecosystem is dependent on real people. The idea that
               | audiences are going to just sit by and watch AI generated
               | content without any desire to connect to other human
               | beings is a fundamental misunderstanding of culture.
        
             | jdietrich wrote:
             | We have models _now_ that will generate not-quite-
             | convincing video of a talking head in real time on a
             | consumer GPU. Given the pace of developments in the field,
             | I think it 's utterly ludicrous to suggest that getting
             | this type of model from "not quite right" to "good enough
             | to fool a lot of people" will take decades, when so many
             | other types of model have achieved that feat in a matter of
             | years or months.
             | 
             | https://humanaigc.github.io/chat-anyone/
        
               | keiferski wrote:
               | I don't find that to be "not quite convincing" at all.
               | It's pretty obviously fake, and not comparable at all to
               | a real person reacting in real time in their own
               | personalized way, to slang or other internet
               | interactions.
        
         | TheOtherHobbes wrote:
         | Or rather - the more weird, charismatic, and unique your AI-
         | generated personalities are.
         | 
         | In the future, everyone's aidoru will be famous for fifteen
         | minutes.
        
       | madaxe_again wrote:
       | She doesn't explicitly say it, but it sounds like she has
       | thoracic outlet syndrome - it's familiar to me because I have it,
       | and it sucks. Looking up her name plus that, yes, that's what she
       | has.
       | 
       | Sat here after a night of crappy sleep poking this out with hands
       | that feel like they're in tight rubber gloves, but life goes on,
       | but it's never even crossed my mind to see it as a disability,
       | just as "one of those things".
       | 
       | The only things that it has made extremely difficult for me are
       | things like rock climbing or climbing very long ladders - but not
       | impossible, if I take the time to pause and windmill my arms
       | until they aren't useless numb pain obelisks, or until other
       | people start to get impatient with me. Other things I've had to
       | just adapt to - stuff with fine motor control I have to take
       | frequent breaks and ensure I'm supporting my hand and arm.
       | Washing dishes, which she cites in another piece, I deal with by
       | pincering a sponge between my fingers and using the back of my
       | hand. It just became the new normal. Gross stuff, I find little
       | difference with, although it definitely aggravates it if I spend
       | a day doing heavy work involving my arms. Buy now, pay later.
       | 
       | Maybe it's a generational or cultural thing. Maybe hers is worse
       | than mine. I don't know - I just found it jarring to hear someone
       | describe it as a disability, as that idea has literally never
       | even crossed my mind.
        
       | anovikov wrote:
       | A friend of mine was determined to make an actual career as a
       | writer, and she gradually followed the money switching jobs in
       | the direction of those that paid the most. She now easily makes
       | upwards of $15K per month writing, sustainably over years
       | (although she does work a lot, like 60 hour weeks). Catch is, it
       | is mostly marketing content for scam companies, crypto peddlers,
       | illegal trading companies, and associated ecosystem (like lead
       | suppliers, salesmen sourcers and so forth).
        
       | mykowebhn wrote:
       | The part of this essay that convinced me that I like this person
       | was this:
       | 
       | "Horse News makes me feel like a bad person sometimes. Racing is
       | an odd, archaic, and often cruel sport. The more I read about it,
       | the more convinced I become that it should not exist. I root for
       | Horse Laws and grow sad when a state bucks them."
       | 
       | Part of her paycheck comes from the horse racing industry so to
       | be honest in this way is courageous. If she were in any of the
       | common HN industries she would've written how horses have been
       | her life-long passion, ever since she saw a picture of one in
       | some random children's book, and how writing about horse racing
       | allows her to share her passion with the world. She'd also have
       | another job as a life coach.
        
       | J_cst wrote:
       | A totally different working life compared to mine. Definitely
       | worth reading, thank you!
        
       | ednite wrote:
       | The piece provides an open and modest behind-the-scenes look at
       | the author's dedication to her work and will to maintain her
       | creative identity in the face of adversity.
       | 
       | As someone who just started blogging and sharing stories, I'm
       | reminded of how much passion and hardship influence creative
       | work.
       | 
       | My weakness is also my self-doubt.
       | 
       | I understand that living a creative life does not require waiting
       | for the right circumstances; rather, it requires working hard in
       | the face of criticism, uncertainty, or lack of reward.
       | 
       | Thanks for sharing.
        
       | Avicebron wrote:
       | So born rich is the strat?
        
       | 6stringmerc wrote:
       | As a person with a lifetime handicap, reading this article with
       | its plethora of examples and debilitating health issues:
       | 
       | Why did this person insist on denying their handicap and status
       | as a disabled person and pursue benefits available to provide for
       | basic needs, if available in Canada or elsewhere?
       | 
       | There are other options than going to the "dark side" as I call
       | an avenue like _Horse News_.
       | 
       | I'm sure she's intelligent enough to admit that "reputation
       | management" is a fucked up way of relabeling "propaganda outlet"
       | so it's more palatable.
       | 
       | Honestly I've got no qualms with the smut angle because that's a
       | long running tradition and readers very much have made it a
       | worthwhile enterprise over hundreds of years.
       | 
       | I do find some odd comedy in taking a position that writing
       | literary pornography is actually the lesser of two evils, morally
       | speaking, in her method of making a living. I won't be checking
       | out her book because of the pervasive comments about her health
       | issues. I have a far worse one and I rarely bring it up and
       | that's my choice, as it's hers to wave the flag or tout
       | overcoming it as some kind of accomplishment to celebrate. I
       | suppose in some ways it is, but personally speaking working for
       | "reputation management" is absolutely distasteful to me and I
       | won't try to rationalize it, even in the context of physical
       | limitations.
        
         | TimorousBestie wrote:
         | > I have a far worse one and I rarely bring it up and that's my
         | choice, as it's hers to wave the flag or tout overcoming it as
         | some kind of accomplishment to celebrate.
         | 
         | It's one of a handful of things in your HN bio. The pinned
         | article on your blog is largely about its effects on your life.
         | 
         | That's okay.
         | 
         | I think it's admirable for people to talk frankly about their
         | struggles with disability, and I think it's hypocritical of you
         | to criticize the article's author for doing so.
        
       | hexage1814 wrote:
       | You don't?
        
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