[HN Gopher] The Last Letter
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       The Last Letter
        
       Author : HR01
       Score  : 57 points
       Date   : 2025-05-20 17:10 UTC (5 hours ago)
        
 (HTM) web link (aeon.co)
 (TXT) w3m dump (aeon.co)
        
       | bee_rider wrote:
       | Three mostly unrelated thoughts.
       | 
       | 1) The photo of Tony Bloncourt seems quite well preserved, and
       | for whatever reason his style seems pretty modern. It somehow
       | creates a bit of cognitive dissonance or something; how could he
       | have been killed by Nazis, he looks like the subject of a modern
       | drivers license photo.
       | 
       | 2) It is interesting that, despite being so awful, the Nazis let
       | people write these last letters. I wonder how this tiny bit of
       | humanity survived.
       | 
       | 3) I wonder, is the line
       | 
       | > Today, I will have lived.
       | 
       | An expression, part of a well known poem, or something like that,
       | in French? As the article notes
       | 
       | > This turn of phrase, so simple grammatically speaking, is
       | deceptively philosophical because it captures the interval that
       | separates the writer from the reader, the one who will have lived
       | from the one who lives on.
       | 
       | It is a remarkable bit of grammatical sleight of hand to somehow
       | pack so much this much reflection on mortality and life into,
       | basically, a choice of tenses.
        
         | dhosek wrote:
         | > he looks like the subject of a modern drivers license photo.
         | 
         | I was reminded of an interview on Fresh Air around 10 years ago
         | or so where a director was talking about going through casting
         | photos looking for people who "looked like" they belonged in
         | the WWI era. Terry Gross knew exactly what he was getting at
         | (as did I), in that outside of clothes and hairstyle, some
         | people seem to just seem like they belong in different
         | historical contexts (conversely, there are plenty of old
         | portraits of people who see, like they belong more in the 21st
         | century than the 18th).
        
           | mxuribe wrote:
           | This is interesting...when my partner and i watch films
           | portraying an older, historic period, we use the term
           | "timeless" or "classic-looking" to refer to some actors who
           | mostly due to their appearance (and maybe a little makeup)
           | can look like they belong in so many different periods. And,
           | then there are other actors, who clearly don't seem like they
           | would fit in periods outside of our own modern day...and this
           | has nothing to do with whether any of the actors look
           | attractive or not...its just a thing that some people have
           | about their appearance (or not).
        
           | hammock wrote:
           | As much as we don't want to think or talk about it, the gene
           | pool has changed over time and it shows up in faces.
           | 
           | Not to mention diet, environment etc that also takes
           | different tolls on our faces depending on the period.
           | 
           | By that logic there is such a thing as someone who looks like
           | they lived in a different time, and would be rare to see
           | today (and vice versa).
        
         | thrance wrote:
         | OK, so I did a little digging on the guy behind the letter,
         | Huynh Khuong An [1]. Turns out he was born in Ho Chi Minh City,
         | back when it was called "Saigon" and a French colony.
         | 
         | He arrived in France between his 12th and 15th birthday, and
         | then became a philosophy professor, and a communist one at
         | that.
         | 
         | This guy was very much an intellectual, which explains the
         | pretty and unusual "Aujourd'hui, j'aurais vecu" (Today, I will
         | have lived). I don't think I've ever seen it elsewhere, so he
         | probably came up with it himself.
         | 
         | His wife was arrested too but survived the war and went on to
         | continue her communist activism.
         | 
         | So yeah, definitely an interesting couple.
         | 
         | [1]
         | https://fr.wikipedia.org/wiki/Hu%E1%BB%B3nh_Kh%C6%B0%C6%A1ng...
        
           | croisillon wrote:
           | j'aurai (without a s): future tense, not conditional ;)
        
         | schoen wrote:
         | In Latin it's somewhat usual to use the past perfect of "to
         | live" to indicate that someone has died.
         | 
         | In Dido's last speech in the _Aeneid_ , before committing
         | suicide, one of the things she says is "vixi" ("I have lived").
         | Cicero is also known to have used "vixerunt" ("they have
         | lived") as a euphemism for reporting on how he had people
         | executed.
         | 
         | https://en.wiktionary.org/wiki/vixerunt
         | 
         | So maybe this is a classicism in French, or maybe the author
         | just thought of it spontaneously.
         | 
         | Latin also has a future perfect like this ("vixero", "I will
         | have lived"), but I can't think of an example of people using
         | it to talk about imminent deaths.
        
         | atombender wrote:
         | You might enjoy the photos of Sergei Mikhailovich Prokudin-
         | Gorski [1]. His photos were taken in the 1800s using an early
         | colour photography technique. Many of them look as if they were
         | taken today.
         | 
         | Aside from being black and white, photos tend to look old
         | because of hairstyles and clothing. The "time traveling
         | hipster" [2] is a good example of someone in an old photo
         | creating dissonance by not conforming to expectations
         | 
         | [1]
         | https://www.google.com/search?tbm=isch&as_q=Sergei+Mikhailov...
         | 
         | [2]
         | https://www.reddit.com/r/timetravelercaught/comments/e82116/...
        
         | exmadscientist wrote:
         | > I will have lived
         | 
         | This is one of those constructions that works better in French
         | than in English. It has future tense and perfect aspect (so,
         | "future perfect"), which gets muddled in English since English
         | generally muddles tense and aspect.
        
         | palmotea wrote:
         | > 1) The photo of Tony Bloncourt seems quite well preserved,
         | and for whatever reason his style seems pretty modern. It
         | somehow creates a bit of cognitive dissonance or something; how
         | could he have been killed by Nazis, he looks like the subject
         | of a modern drivers license photo.
         | 
         | I think it's sometimes easy to get tripped up by funny clothes
         | or hairstyles, and forget the people in the past were just like
         | us. But there are only so many ways one can do their hair, and
         | an oddly contemporary hairstyle can pull us back to the reality
         | we're not that different.
        
         | keybored wrote:
         | > It is interesting that, despite being so awful, the Nazis let
         | people write these last letters. I wonder how this tiny bit of
         | humanity survived.
         | 
         | I'm at a loss as to why the Nazis would put their foot down
         | over a last smoke or a last letter.
        
       | yapyap wrote:
       | I don't wanna be too harsh but I think that learning how to live
       | from deathbed letters, especially the deathbed letters from
       | people who were going to be sentenced to death is utter nonsense.
       | 
       | The letters were going to be checked by the people that were
       | killing you -- the nazis in this example -- so your letter was
       | never going to be "fuck those utter pigs" or anything resentful
       | of the people that were going to be your murderers because they
       | would just be shredded or burnt or destroyed in some way. So this
       | has a massive impact on the contents of the letters.
       | 
       | Then there's the unreliability of the narrator on the deathbed, I
       | recently read a beautiful article about this about why you should
       | not take advice from people on their deathbed or from yourself on
       | your deathbed, the inherent bias you have will make you
       | unreliable and the things you value and take for granted on your
       | deathbed will not necessarily have been things you have always
       | had but instead may be things you have worked hard for in your
       | life. [1]
       | 
       | Now that's not to say their words are nothingburgers but when you
       | have to wholly draw your own conclusions from inherently biased
       | letters it starts to feel like we are all pretending to care more
       | about these words because of the sacredness of death. No one
       | wants to disrespect the dead, no one wants to say "wow, he must
       | have been really losing it at the end" and that's a given, not to
       | be rude to dead people. That's like punching down to the first
       | degree. But like even things that would be considered light
       | critiques or nice criticism don't get to be said about take it or
       | leave it bodies of work from dead people, because they are dead.
       | On the one hand that's a beautiful thing because let's not start
       | disrespecting dead people but on the other hand let's keep it
       | real.
       | 
       | [1] https://www.hjorthjort.xyz/2018/02/21/the-deathbed-
       | fallacy.h...
        
         | xivzgrev wrote:
         | I thought of that article too, but these letters are not really
         | regret filled. For the most part, they knew what they were
         | doing and ready for the consequences.
         | 
         | Rather, they're grieving and saying goodbye to loved ones. And
         | the author wonders, how might we live more present to cherish
         | our loves ones and feel the moments more deeply?
        
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