[HN Gopher] Yoko: A Biography
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       Yoko: A Biography
        
       Author : howard941
       Score  : 27 points
       Date   : 2025-04-04 18:29 UTC (4 hours ago)
        
 (HTM) web link (www.newstatesman.com)
 (TXT) w3m dump (www.newstatesman.com)
        
       | pvg wrote:
       | https://archive.is/ROQMo
        
       | piokoch wrote:
       | Typical "femme fatale", she destroyed The Beatles, she turned
       | Lennon into "working class hero", who had servants and used air
       | condition to lower temperature in his home, so he and Yoko could
       | wear furs inside.
       | 
       | The only worthy Lennon's post-Beatles album is Mind Games, the
       | rest was a daub, with Imagine on the top of it.
        
       | rdtsc wrote:
       | > Although Ono has, for two decades, been comfortably
       | rehabilitated as an artist in her own right
       | 
       | I don't think she is a very good artist. Everyone felt they have
       | to like her, and galleries brought her work in because, well, she
       | is John Lennon's widow.
       | 
       | Here is her performance art, she is screaming in a microphone
       | https://www.youtube.com/watch?v=HdZ9weP5i68
       | 
       | And some drawings https://www.moma.org/collection/works/131503
       | 
       | It's fine, but just nothing outstanding. The article gives her
       | the best description I've heard so far "ultimate professional
       | widow".
        
         | ustad wrote:
         | Well, you know, I see what you're saying about Yoko - she's not
         | the kind of artist that makes your jaw drop or blows your mind
         | with technique. But, to me, it's not really about that. It's
         | about the journey, not the destination, right? Art's all about
         | the path you take, the experiences you collect, and the way you
         | view the world. Yoko, for all the criticisms, has certainly led
         | an interesting life, no doubt. She's been a trailblazer, or
         | maybe just a wild spirit, pushing boundaries and breaking
         | norms. She's had her share of ups and downs, but it's the
         | living that matters. And through it all, she's remained true to
         | herself. That's something to admire, even if you don't agree
         | with everything she does. The destination, the fame, the
         | recognition - that's all fleeting. But the journey, man, that's
         | where the real magic happens.
        
           | rdtsc wrote:
           | > she's not the kind of artist that makes your jaw drop or
           | blows your mind with technique.
           | 
           | But to be displayed in MoMA she'd kind of have to be.
           | 
           | > Art's all about the path you take, the experiences you
           | collect, and the way you view the world.
           | 
           | I guess I see your point, the fact that she is the widow is
           | also part of the artist and the artwork. That's fair. But,
           | I'll also say that who she is is the 90% part and the 10% is
           | the art. If one anonymized her work, it would never have made
           | it to those galleries or exhibits.
        
             | fipar wrote:
             | > But to be displayed in MoMA she'd kind of have to be.
             | 
             | While I agree with you about Ono's art, I disagree on this.
             | I know art is subjective, but in my times at MoMA I've
             | found it bimodal: works on display there either blow ls my
             | mind or I just don't feel anything about.
        
             | brandall10 wrote:
             | That's underselling her influence as an artist from her
             | pre-Beatles period. She produced a handful of important
             | avant-garde pieces and performances from the 60s in NYC and
             | London and was a student and collaborator of John Cage, an
             | extremely influential composer who has had dozens of
             | exhibitions at MoMA. In fact she first met The Beatles to
             | request a song manuscript for a Cage book.
             | 
             | She was also well connected to that world (she was invited
             | to join the Fluxus community and artists like Marcel
             | Duchamp attended her NYC loft parties) and quite ambitious,
             | so there's a non-zero chance she would have become even
             | more prominent had The Beatles association never taken
             | place.
             | 
             | I have no interest in that world myself, but to say she was
             | a nobody without The Beatles simply isn't true, she was
             | definitely a rising star. A household name? Probably not,
             | but possibly. An artist from that period that could be
             | exhibited at the major international galleries, have her
             | works studied in art schools? Absolutely.
        
               | rdtsc wrote:
               | Yeah. I can agree about her 60s work.
               | 
               | However I think she would have stayed relatively obscure
               | had she not become "ultimate professional widow" as the
               | article put it.
        
         | bitwize wrote:
         | I don't think she broke up the Beatles, I think there was a
         | clash of personalities there that wasn't tied to a specific
         | relationship. She did, however, ruin what was to be a legendary
         | collaboration between Lennon and Chuck Berry.
         | 
         | She and Lennon may have been right for each other. I think they
         | both reached a point of arrogance and self-indulgence that made
         | them complement each other well. The difference was that Lennon
         | was absurdly talented and Yoko, not so much.
         | 
         | And that's the problem with contemporary art in her style: a
         | dearth of talent and a need for attention create an urge to do
         | something, anything, to stand out in some way. Great art by a
         | talented artist can take you into the artist's imagination,
         | expanding your perspective. Mediocre art often comes off as a
         | form of trolling because the point is not to show you a rich
         | new point of view but merely to challenge you, to piss you off.
         | Hence the urinal exhibited as a sculpture; the banana taped to
         | a wall; the scrawled instructions on how to create the piece
         | exhibited instead of the piece itself, there being often no
         | piece at all, just a bit of manic-pixie-dream-girl vagueness.
         | ("Hide until everyone goes home. Hide until everyone forgets
         | you. Hide until everyone dies.") And curators and collectors
         | all standing around telling the emperor what a lovely outfit he
         | has on.
        
           | pstuart wrote:
           | > She did, however, ruin what was to be a legendary
           | collaboration between Lennon and Chuck Berry.
           | 
           | https://www.youtube.com/watch?v=fXSGm0RUDxo
        
             | bitwize wrote:
             | The withering side-eye Chuck gives to Yoko when she does
             | her thing still gets me.
        
         | v9v wrote:
         | I'm not claiming to be the majority here, but I first learned
         | about Yoko Ono and her work from a Fluxus artists' catalogue
         | and much later found out that she was married to someone
         | famous.
        
           | rdtsc wrote:
           | I remember seeing her work alongside of other artists, and
           | before reading the plaque with the name, think, "meh, kind of
           | underwhelming" and then seeing "oh, it's Yoko, that's why
           | it's here".
        
           | bigfishrunning wrote:
           | It's unlikely that Yoko's work would have been in that
           | artists' catalogue if she hadn't married John Lennon.
        
             | zemo wrote:
             | on the contrary, they met after John went to one of Yoko's
             | art shows and was intrigued by her artwork; it's probably
             | unlikely that Yoko would have married John if it were not
             | for Yoko's work.
             | 
             | https://en.wikipedia.org/wiki/Ceiling_Painting/Yes_Painting
        
         | fsckboy wrote:
         | > _Here is her performance art, she is screaming in a
         | microphone_
         | 
         | anybody who judges an artist on the basis of one work is an
         | ass. here are a number of those in a work that cleaved the art
         | world into two hemispheres with a chasm between them
         | https://www.youtube.com/watch?v=1CbDkRFjLAQ
         | 
         | been a long time since I read about it, but pretty sure iirc
         | those are celebs making cheeky cameos in that piece
        
           | rdtsc wrote:
           | Heh, well played. I was going to use that as an example but
           | thought to keep it somewhat SFW.
           | 
           | For anyone that's Yoko's "Film No 4 Bottoms 1966-67" which is
           | exactly what it sounds like, if you'd rather not click on it.
        
         | tossaway0 wrote:
         | Here is a performance before Lennon; way better in my opinion:
         | https://www.youtube.com/watch?v=bU4tCw2u_hg
         | 
         | edited with a better link.
        
         | chongli wrote:
         | She's right up there Cattelan's banana duct-taped to a wall. In
         | other words, she's in that grey area where you're not sure
         | whether her art is sincere or some kind of fraud.
         | 
         | But that's par for the course with much of modern art. It's a
         | vast movement occupying this Poe's Law-style zone of artistic
         | ambiguity.
        
           | rdtsc wrote:
           | I think humor is common in his work and a banana taped to
           | wall makes sense. I like his horse sculptures and Pope struck
           | by meteorite. To me that's a whole other level than Yoko's
           | work.
        
             | chongli wrote:
             | La Nona Ora at least exhibits highly realistic technique.
             | There's no advanced technique with the banana. To me, that
             | one is just an example of an artist trolling people.
        
           | aylmao wrote:
           | +1. To me it just seems kind of bland. I used to like her
           | more and made a point of going to MoMA to see her when I
           | lived in NYC, but over time she's done the opposite of "grow
           | on me".
           | 
           | I still think Grapefruit is great. Nonetheless a lot of her
           | work, especially her recent work, seems kind of disconnected
           | form its historical context, not very daring, deep or
           | metaphorical. It doesn't really propose anything new or seem
           | distinctively hers. It's almost performative, like someone
           | doing conceptual, installation and performance art "as a
           | brand" rather than as a means to achieve something that can't
           | be achieved via other mediums.
        
       | TomWhitwell wrote:
       | Her loft series in 1960 was an amazing moment in time - La Monte
       | Young, John Cage, Marcel Duchamp etc https://press.moma.org/wp-
       | content/files_mf/yoko_sectiontext_...
        
         | someone7x wrote:
         | White chess is another amazing piece
         | 
         | https://www.moma.org/explore/inside_out/2015/07/14/notes-on-...
        
           | szopa wrote:
           | One color go is a training method used in go... I wonder if
           | that was her inspiration.
        
       | nickvec wrote:
       | If you haven't seen it already, would recommend checking out Yoko
       | Ono's "performance" during John Lennon and Chuck Berry's
       | "Memphis, Tennessee". https://www.youtube.com/watch?v=fXSGm0RUDxo
        
         | riffic wrote:
         | orange site, where nuance goes to die. The out-of-context clip
         | isn't a referendum on her artistry; it's just bait for people
         | who never engaged with her actual work.
        
           | nickvec wrote:
           | I mean, I'm not sure what other context could justify howling
           | and screaming in the middle of a musical performance.
        
           | titaphraz wrote:
           | Whatever the actual work that was, the sound engineer did the
           | world a favor by cutting the cord to her mic right there and
           | then.
        
         | meibo wrote:
         | To contrast this, for anyone that might be interested, a well
         | researched ~1:40h documentary on Yoko's impact on the Beatles
         | and John's life: https://www.youtube.com/watch?v=SMOABV_zgrk
        
       | wdbbdw wrote:
       | I saw her sing once with Thurston Moore (of Sonic Youth) playing
       | guitar, and it a transcendent experience for me, personally. I'd
       | heard her singing before on a recording and I'd found it
       | irritating, but seeing it live was something else. So primal and
       | beautiful. However, even though it brought me to literal tears,
       | half of the audience were walking away and shaking their heads,
       | which, I don't know, seems like a win for avant-garde art to me.
        
       | TomMasz wrote:
       | John got tired of the Beatles, his drug use made things worse.
       | Paul's perfectionism did its part as well. Yoko was a
       | distraction.
       | 
       | She's a provocateur, art is the medium she uses.
        
       | kazinator wrote:
       | By the way, she is the long o Yoko.
       | 
       | There is short o Yoko given name too; I suspect it's pretty rare.
        
       | bloomingeek wrote:
       | I've always been kind of meh on Yoko breaking up the Beatles. I
       | was in junior high when it all went down, so for me there wasn't
       | much info to be had to think one way or another. These artists
       | live their lives like they want, as do I, so it is what it is.
       | (sorry)
       | 
       | However, I missed not having new music from them sorely! AM radio
       | was the main medium and the Beatles were on a lot, which I loved.
       | In a parallel universe, great bands, which I get to choose, will
       | be prevented from fighting and hating each other until I've had
       | enough time loving their music, which they will continue to drop,
       | until an acceptable retirement age. There.
        
       | ggm wrote:
       | Peter Jackson's recovery of the footage leading to "Get Back" on
       | the roof of the Apple building shows a lot more normal
       | interaction between the Beatles, Linda Eastman and Yoko.
       | 
       | If anything, Ringo is the disruptive one (albeit briefly) when
       | the others ego trips get him down.
       | 
       | Yoko was mythologised into the evil influence by fans distraught
       | at the breakup of the group. Was she wierd? Sure.
       | 
       | Was she wierder than anyone else in those times? Not really. The
       | Chuck Berry gig is just a moment, it doesn't define her. The
       | screaming shtick was a thing, sure.
        
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