[HN Gopher] Published Doesn't Mean Paid
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       Published Doesn't Mean Paid
        
       Author : Anon84
       Score  : 43 points
       Date   : 2025-03-29 16:57 UTC (3 days ago)
        
 (HTM) web link (kristie-de-garis.ghost.io)
 (TXT) w3m dump (kristie-de-garis.ghost.io)
        
       | arjunaaqa wrote:
       | Modern authors should publish on their own websites,
       | 
       | And spend 6-12 months time before launch in marketing and talking
       | on social media.
       | 
       | We need more empowered authors.
        
         | cardanome wrote:
         | Yeah but it sucks that these days more and more professions
         | require that you market yourself.
         | 
         | It would be great if people could just write and live from
         | that.
        
           | tornadofart wrote:
           | I genuinely hate that. DoNt oNlY bE a dEvELoPER bUT AlsO a
           | TeChniCAl WriTeR aND bUiLD yOuR pErSoNaL bRAnd ... uh no
           | sorry I have a life
        
             | daedrdev wrote:
             | There are just so many books published today that there is
             | no guarantee of any amount of readership by just releasing
             | a book.
        
         | Miraste wrote:
         | Modern authors may be forced to spend too much time in the
         | sludge pits of social media for any hope of financial success,
         | but we don't need to pretend that's being "empowered."
         | 
         | Also, publishing on your own website and nowhere else will not
         | work. Such is the modern age of platforms.
        
       | richardatlarge wrote:
       | first suggestion: don't take 2.5 years to write a book
       | 
       | second suggestion: don't go with a traditional publisher if
       | you're not getting a hefty advance- a small advance means no
       | publicity, and the royalty rates are too dismal to do your own
       | advertising
       | 
       | go indie: with 70 percent royalties on ebooks you can make more
       | than this author in a week
       | 
       | trad publishing is a club: don't expect to make money when you
       | join an elite(ist) club
        
         | TimorousBestie wrote:
         | Assuming the seventy percent figure is KDP, there are so many
         | restrictions on that tier an author rarely gets anywhere close
         | to that rate.
         | 
         | And charging 2.99 for an eBook is a death knell in some genres,
         | it'll cut sales by an order of magnitude.
        
       | WorkerBee28474 wrote:
       | The conclusion the author should have reached isn't 'authors need
       | more support' but rather 'this is how the world tells authors it
       | doesn't need so many books'.
        
         | tornadofart wrote:
         | The market isn't that good at detecting and rewarding genius
         | work in the short term. Herman Melville, Edgar Allan Poe as
         | well as Oscar Wilde died poor.
        
         | MinimalAction wrote:
         | These comments where they somehow suggest more of creativity is
         | not necessary is rather upsetting. Should they then just be
         | doing what the world handsomely rewards, which currently seems
         | to be optimizing ads at a big tech company.
        
           | fph wrote:
           | Looks like we need to change the priorities set by the
           | market. Targeted taxes and subsidies are the way to do it.
        
           | daedrdev wrote:
           | There are more books published today than ever before. 96%
           | sold less than 1000 copies when published by the big
           | publishing houses. I feel like that is the strongest sign the
           | market can give that there are too many authors or many of
           | them aren't good enough.
           | 
           | https://www.elysian.press/p/no-one-buys-books
        
         | TeMPOraL wrote:
         | That's fair. Now if we go with this line of thinking, and push
         | a little bit past the obvious, the seeming difference in
         | earning potential between authors and entertainers - whether
         | YouTube influencers, classical athletes or singers, combined
         | with clear winner-take-all dynamics of the latter groups, is
         | how the world tells us...
         | 
         | ... we need more human connection.
         | 
         | It's not just whether or not the content is lighter, more
         | engaging, or hyperoptimized. It's not _just_ that. Maybe what
         | 's common between all this, and other high-engagement creations
         | like high-outrage news reporting, is the same instinct: seeking
         | out what's important, by proxy of what we expect others will
         | also seek out and talk about. So, in short, seeking connection.
         | 
         | Just random musings, no real conclusion here.
        
       | christina97 wrote:
       | I'm not sure what the author expected? I imagine the royalties
       | and advance were agreed upon in advance, surely they could do the
       | calculus then?
       | 
       | I think the fundamental issue is thinking that you can make a
       | living writing a book for 2.5 years that only sells 500-2000
       | copies. At the upper end, if she got the full PS10 per book for
       | 2000 copies, that's still not a livable wage...
       | 
       | Is the author just upset about the way the world works?
        
         | WorkerBee28474 wrote:
         | > Is the author just upset about the way the world works?
         | 
         | Yes. The author has chosen to work on something she loves,
         | without regard to whether anyone will pay her to do it, and is
         | complaining that no one will pay her to do it.
        
         | tornadofart wrote:
         | I did not read it as being upset. Drawing the public's
         | attention to the economics of publishing and showing how to
         | support an author you like is OK, no?
        
         | MinimalAction wrote:
         | It is not that they didn't know the calculus. You seem to
         | suggest that writing altogether is economically unviable, so
         | the author should not have chosen to do that at all.
         | 
         | The issue is that certain talents are not recognized at all,
         | and if you like reading, then buy the books outright, pre-order
         | it, ask your library to get it. Basically, an effort to reward
         | those who show up and contribute to a profession as noble as
         | writing.
        
           | christina97 wrote:
           | I'm not suggesting at all that the author should not have
           | chosen to do it. No such judgement.
           | 
           | I'm simply interpreting the authors tone: it sounds to me
           | frustrated and as if she feels she's been wronged by "the
           | system." Maybe I simply misinterpreted the tone!
        
             | wrs wrote:
             | I didn't get that impression. I think she just wants the
             | readers to not have a misconception of how much she's
             | getting paid for the book they're (hopefully) enjoying.
             | 
             | I hear a lot of similar sentiments from musicians whose
             | fans think they're making any money by touring or
             | streaming. And they get the same advice I'm seeing in this
             | thread: you can't just be a musician anymore, you have to
             | also be a social media expert, marketer, bookkeeper,
             | recording engineer...in other words all the stuff the music
             | label / publisher used to do so you could focus on the
             | actual artwork.
        
               | tossandthrow wrote:
               | >... whose fans think they're making any money...
               | 
               | I am curious about this.
               | 
               | I might be alone, but very rarely do I think about what
               | the authors I enjoy, or musicians I enjoy earn.
               | 
               | I am constantly, however, being exposed to what tailor
               | swift earns. But I absolutely don't make myself belive
               | that German niche Orchestras make comparable amounts.
               | 
               | Being a musician, author etc. Does not pay well. And
               | nobody has ever told them elsewise, or is telling them
               | elsewise.
               | 
               | It has really always been the case.
               | 
               | So it rings hollow when authors and musicians try to put
               | awareness on their earnings.
        
           | jonas21 wrote:
           | > _if you like reading, then buy the books outright, pre-
           | order it, ask your library to get it._
           | 
           | I don't think the issue is that people are reading her book
           | without buying it or requesting it at the library. The issue
           | is that not enough people want to read it in the first place.
           | That's just the way things work. Far more people want to
           | write books than can be supported by the market.
        
         | nyeah wrote:
         | I'm surprised that anyone can read this coldly factual post
         | about volunteer work that benefits society and pays next to
         | nothing ... and then somehow come up with an antagonistic
         | response.
         | 
         | YMMV. But I never read about St. Francis, say, and thought to
         | myself "Shut up already. What ever made you think the bird gig
         | was going to pay off?"
         | 
         | EDIT: "Benefits society" in the aggregate. This particular
         | woman may write utterly worthless books that benefit nobody. I
         | don't know.
        
           | paxys wrote:
           | There are an estimated 4 million books published every year.
           | Not all of them are "volunteer work that benefits society".
           | I'm going to go ahead and assume it's a very, very tiny
           | minority of them. Most writers (and certainly every single
           | one I know) have nothing to contribute to society except
           | their own vanity.
           | 
           | I have nothing against creative expression, but when people
           | start splashing a bucket of paint on a canvas and going "I'm
           | an artist, I deserve to have a comfortable life" I can't help
           | but roll my eyes.
        
             | nyeah wrote:
             | When did she say she deserved a comfortable life? She
             | writes. She doesn't get paid. Where are these bad vibes
             | coming from?
        
               | paxys wrote:
               | What was your takeaway from the article?
        
               | nyeah wrote:
               | Almost no writers make significant money from their
               | writing.
        
               | paxys wrote:
               | And what was the call to action?
        
               | nyeah wrote:
               | "Buy books."
               | 
               | My turn. What about the article is making you roll the
               | eyes and go Socratic on my ass? Whence the bad vibes,
               | bro?
        
         | paxys wrote:
         | It's just wild to me that someone spent _two and a half years_
         | of their life perfecting their book and then...sold away the
         | rights for PS2,500. At that point just self publish, or even
         | put it up for free on the internet with a  "donate" button next
         | to it. Why devalue your own work to this degree?
        
           | crazygringo wrote:
           | Not that it changes your overall point, but they didn't. They
           | sold away the rights _before_ they spent the two and a half
           | years writing their book. If they hadn 't gotten the advance
           | and therefore the ~guarantee it would get published, they
           | might not have written it in the first place.
           | 
           | But they can't choose to self-publish after they finish it,
           | because they chose to sign their contract long before that.
        
         | 6stringmerc wrote:
         | Okay so I'm also a writer - self publishing on Medium (and earn
         | $x.xx occasionally some months) and also a 100% independent
         | musician and producer and songwriter.
         | 
         | You are absolutely spot on about the tone. It's incredibly
         | whiny and woe-is-me and complaining about a system that, as she
         | admits, is known to be poverty level revenue for the vast
         | majority. The big tell is "support authors!" as if it's some
         | kind of requirement people do more than simply sustain an
         | industry already on the brink. She has the gall to even get an
         | advance, publish, and make it the audience's guilt trip she's
         | gotta tell people she didn't make squat? That's a high horse.
         | 
         | I dislike the article and its perspective. It's PETULANT.
         | Thousands of writers simply appreciate audiences for sharing
         | their TIME for reading a piece. This article? It's a dressed up
         | complaint and I'll have none of what she's having.
         | 
         | For reference, I've got 10k Spotify plays, worldwide, over the
         | course of 10 years and it's under $100. When I write about this
         | fact, I don't complain about the income. What is my big
         | takeaway? I'm grateful people I've never met and will likely
         | never meet have found my music worth listening to and chosen to
         | give it a little slice of their life. That's a good
         | perspective, a healthy one, and I'm with you on your
         | impression.
        
       | MinimalAction wrote:
       | This post evoked a sense of sadness within me, though I can't
       | quite pinpoint the reason behind it. In the era where influencers
       | without much depth to their content get to reap the monetary
       | benefits, while those who genuinely showcase their creativity in
       | rather holistic ways are left unrewarded. This trend has been
       | around perhaps for longer than I imagine, but to put it in words
       | made me realize this intensely.
       | 
       | I will do my part and ask my library too.
        
         | bombcar wrote:
         | If it makes you feel better the economics of "influencers" is
         | way, way, way worse. This lady at least got some money! The
         | average "influencer" just gets nothing.
        
       | Havoc wrote:
       | The same dynamics play out in everything from YouTube to
       | onlyfans. A very small group make tons of money and are very
       | visible and the other 99% make no money but nobody notices them.
       | And that's slanted perception pulls in more people driving up
       | supply
       | 
       | But yeah books seem particularly brutal. The vast majority of my
       | books were acquired at just over a dollar. Amazon daily sales and
       | lots of patience. Even the big names have discounts that deep.
       | I'm glad to have them but that is pretty brutal economics
        
         | blatantly wrote:
         | If I did a book for money (bad idea yes!) I'd try at least to
         | self publish and make it a premium thing with upsells. Like the
         | Total Typescript course.
         | 
         | Selling 100 for $50 (no mean feat but still modest) copies
         | would probably beat any publisher earnings!
         | 
         | You could also get away with less perfect grammar etc. BYO
         | editor or just edit yourself. The goal is to teach after all.
        
         | cardanome wrote:
         | This is way some countries like Germany have fixed book prices.
         | They set a minimum price that the book needs to be sold at.
         | 
         | This helps authors and also prevents smaller book shops from
         | being out competed by price.
         | 
         | It is a pretty great system. Sure German books tend to be
         | significantly more expensive than the English counter part but
         | its not like I don't have already enough books in my pile of
         | shame. And for those tight on money there is always libraries.
        
           | spacebanana7 wrote:
           | I don't think that logic works well with digital goods.
           | Because there is zero marginal cost, you always want more
           | purchases even if the price is incredibly low.
           | 
           | And digital goods can be infinitely large. Conceivably the
           | combined works of JK Rowling or Tolkien could be sold as a
           | single unit. Therefore able to cut beneath a minimum price.
        
       | 101008 wrote:
       | We grew up in the 80s or 90s that meant get published means
       | money, being on TV meant being famous, the elite were separated
       | from the public. Internet democratriced all of that. Now we are
       | all mixed. You can be famous on the internet, be someone on
       | Twitter, and at the same time need a regular job.
        
       | nyeah wrote:
       | If you read the OP and felt angry or offended, can you quote a
       | key sentence that seemed to be a problem?
        
         | crazygringo wrote:
         | I don't think it's any "key sentence". I think it's simply
         | summarized by the first sentence of the current top comment by
         | christina97:
         | 
         | > _I'm not sure what the author expected?_
         | 
         | It's less about being angry or offended, and more like, why is
         | this being posted? It's not news. It's how publishing works.
        
       | decimalenough wrote:
       | This has always been the case. What's new is that LLMs let people
       | churn out books in seconds, meaning that for e-books in
       | particular, formerly (possibly) lucrative topics like niche
       | erotica are about to get competed down to zero.
        
       | daedrdev wrote:
       | 35% of books published are profitable
       | 
       | 96% of books sold less than 1,000 copies in 2020
       | 
       | 50% sold less than a dozen copies in 2020
       | 
       | This is the state of the industry, publishers publish many books
       | gambling for the hits the make up the vast majority of their
       | revenue.
       | 
       | It is a very cold industry with many authors failing to get
       | readers interested. They best measure of schuss is to have a
       | preexisting readership or be popular elsewhere, and even then
       | that's by no means a guarantee of a books success. And this data
       | is from before AI. The 35% probably undersells it because books
       | like hers probably received no marketing.
       | 
       | [1] https://www.elysian.press/p/no-one-buys-books
        
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