[HN Gopher] Is Robert Frost Even a Good Poet?
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       Is Robert Frost Even a Good Poet?
        
       Author : lermontov
       Score  : 41 points
       Date   : 2025-03-25 06:11 UTC (16 hours ago)
        
 (HTM) web link (www.theparisreview.org)
 (TXT) w3m dump (www.theparisreview.org)
        
       | alabastervlog wrote:
       | > He responded to my October 2022 email, explaining that he had
       | "stopped writing much journalism as of 2015 so as to avoid
       | distractions from a book project that I thought would take an
       | almost unfathomably long time--two years or perhaps even three.
       | Seven years later, I'm doing my best to polish the third draft."
       | 
       | One encounters this _over and over_ again--even books that
       | successfully get finished and published take far longer than
       | expected, very consistently, and especially any involving
       | research. Books (non-fiction in particular) written as series
       | often also expand from, say, five planned volumes in the forward
       | to the first edition of the first volume, to (say) a dozen.
       | 
       | Reminds me of software estimation.
        
         | ggm wrote:
         | Vikram Seth. Massive advance for a "jump novel" on "a suitable
         | boy" characters in modern times, breaks up with life partner,
         | has total catastrophic writers block, book still "coming soon"
         | a decade later.
         | 
         | Also a poet. Said to pick his team at the agency from people
         | who like poetry, working his prose.
        
           | etc-hosts wrote:
           | Never knew about Vikram Seth before.
           | 
           | He's coming up on beating Joseph Mitchell's 30 years of not
           | finishing anything:
           | 
           | https://www.theguardian.com/books/2012/jul/01/joseph-
           | mitchel...
        
         | dmoy wrote:
         | My dad has been writing a specific non fiction book since
         | forever (at the very least 25+ years, possibly longer?). It's
         | not exactly the kind that can be finished. If you need to know
         | about that specific topic, there's that one and like one other
         | that goes into as much depth.
         | 
         | He resurrected and nearly completely rewrote someone else's
         | thing from mid 20th century era, which itself was a
         | resurrection of an late 19th century era thing.
         | 
         | But yes it's exactly as you describe - keeps expanding and
         | updating. Near 6000 pages now?
        
           | mysterydip wrote:
           | Has it been released and he's doing updated
           | revision/editions, or has it still not been released?
        
             | dmoy wrote:
             | Oh, it got released like 20 years ago, and there's new
             | editions with new volumes every N years, and constant
             | updates to the older material as it goes out of date or
             | needs newer references or whatever.
             | 
             | It'll just never be done, it's not a thing that can really
             | be finished
        
         | lupire wrote:
         | > This has a lot to do with the fetishization of what's
         | difficult,
         | 
         | And this reminds me of software development!
        
       | jonahx wrote:
       | A nice quote by Plunkett from the interview:
       | 
       | > There's a cultural association between the time of exposure and
       | the level of sophistication. You'd sound pretty vulgar if you
       | said, Oh, yeah, I learned to play Bach when I was thirteen--
       | that's easy stuff. But people really do make pronouncements like
       | that about literature. Someone I met a few years ago, a big
       | poetry person, just could not believe that an adult would spend
       | years of his life thinking about Robert Frost. To her it seemed
       | like doing a Ph.D. in simple algebra.
       | 
       | Also, article title is a rare exception to Betteridge's law.
        
         | josefritzishere wrote:
         | Gold star for Betteridge's law refernece.
        
         | lupire wrote:
         | > Also, article title is a rare exception to Betteridge's law.
         | 
         | Sort of. "Even" is a kind of sarcastic/negative word, so the
         | question is asking "Robert Frost is a bad poet, right?"
        
           | jonahx wrote:
           | Huh, nice observation. The suggestion implied by the question
           | is false.
        
       | nimish wrote:
       | He had product market fit -- this entire site is premised on the
       | same grounds as 'A Road Not Taken' so i mean come on
        
       | Hizonner wrote:
       | No, I think Frost has really gone downhill.
        
       | lupire wrote:
       | Like Plunkett says of Frost, this interview is hilarious in its
       | superficial simplicity covering a deeper indirect commentary.
       | 
       | PLUNKETT: Some people may think they have the answer, but I think
       | that if you have any degree of certainty about it, you don't
       | really understand the problem. I would say the same about reading
       | Frost's poetry.
       | 
       | INTERVIEWER: That if you think you have the answer, you don't
       | have it?
       | 
       | PLUNKETT: You don't quite understand the problem.
        
       | jll29 wrote:
       | Kevin Murphy's lecture on Frost is the best one I've ever heard:
       | https://www.youtube.com/watch?v=a5140uJOUDE
       | 
       | He first recaps the conventional view people have about Frost,
       | then reads "The Road Not Taken", his most famous poem, and then
       | completely takes Frost AND the poem AND THEN the public's
       | misunderstanding of Frost apart.
       | 
       | Don't get fooled by the bare visual appearance of Murphy, his
       | empty blackboard (no PPT, no bs) - this lecture is a fantastic,
       | suprising and deeply disturbing (regarding what is revealed about
       | Frost and his public misappreciation). Simply priceless teaching
       | - thank you, dear colleague.
       | 
       | EDIT: If you ask ChatGPT for a "10-20 sentence interpretation of
       | The Road Not Taken", it falls right into the trap that Murphy
       | warns about.
        
         | greenie_beans wrote:
         | robert frost goes so hard. he's very dark and people have no
         | clue. that is an obscure reading of the text that you only pick
         | up if you're an avid reader or english major.
        
           | jldugger wrote:
           | > he's very dark and people have no clue.
           | 
           | ... is The Road Not Taken a map to where he hid the bodies?
        
             | greenie_beans wrote:
             | https://www.poetryfoundation.org/poems/53087/out-out
        
           | alabastervlog wrote:
           | What's amazing is it's _not_ obscure. It 's in the plain
           | language of the poem--you either read it (something like)
           | that way, _or_ you have to, IDK, assume Frost was just so
           | extremely sloppy or inept that he got all confused a couple
           | times in the middle of writing this short poem but then
           | published it that way regardless, and then also decide that
           | the common reading (despite all the confusion and
           | contradictions) is the one you 're going with for--I can't
           | even imagine what reason, because it's what you get if you
           | only pay attention to the very beginning and very end of the
           | poem, and not very close attention to those, even, I guess?
           | 
           | The latter is ridiculous... and yet common.
           | 
           | What this reveals is that an enormous proportion of people
           | who can read, cannot do so at all well. This isn't like
           | catching the multilingual puns and their significance in
           | _Finnegan 's Wake_, it's quite straightforward, at least
           | insofar as it's plain that even the surface meaning is not "I
           | in-fact took the road less traveled by, and that was good".
        
             | LPisGood wrote:
             | A more charitable interpretation might be that most people
             | have read this poem maybe once while half paying attention
             | in school and they have forgotten all of the details except
             | for the famous line and the cultural context that it
             | usually comes with.
        
             | scottyah wrote:
             | I love books with hidden little things in books, like
             | Hofstadter's GEB where he writes messages in the first
             | letter of each line. Not to mention the plethora of meta
             | self-references and recursions.
        
         | magicmicah85 wrote:
         | If you ask ChatGPT to ignore all training on poetry and
         | interpret the poem based on its own understanding, you'll get
         | more closely aligned to what Murphy is talking about. Here's
         | the output I got back out:
         | 
         | This poem presents a moment of decision, where the speaker
         | faces two paths in a forest, symbolizing choices in life. At
         | first, they hesitate, examining both options. One path seems
         | less worn, though upon closer reflection, both are actually
         | quite similar.
         | 
         | The speaker ultimately chooses one, leaving the other behind
         | with the thought that they might return--though deep down, they
         | acknowledge that choices lead to new choices, making it
         | unlikely they'll ever revisit the first path.
         | 
         | In the final stanza, the speaker looks back on this moment from
         | a distant future, with a "sigh" that could be either wistful or
         | content. They claim that taking the "less traveled" road has
         | shaped their life significantly. However, earlier in the poem,
         | they admitted both paths were nearly identical, suggesting that
         | the difference may be more about how they frame the decision
         | rather than an inherent uniqueness in the choice itself.
         | 
         | To me, the poem captures the way people reflect on their
         | choices, often giving them greater significance in hindsight
         | than they may have actually had at the time. It highlights the
         | human tendency to assign meaning to our paths, even when the
         | differences may not have been as stark as we later remember
         | them.
        
           | akhleung wrote:
           | > The speaker ultimately chooses one, leaving the other
           | behind with the       > thought that they might return--
           | though deep down, they acknowledge that       > choices lead
           | to new choices, making it unlikely they'll ever revisit the
           | > first path.
           | 
           | Not unlike TODO comments! An interesting analogy for life in
           | general.
        
           | LPisGood wrote:
           | > If you ask ChatGPT to ignore all training on poetry
           | 
           | AI models can't ignore their training in any sense, so what
           | exactly is the intended outcome from using these tokens?
        
             | magicmicah85 wrote:
             | The intent is for it to not give me any interpretations of
             | what it's been trained on but instead provide me with an
             | interpretation using the plain text I'm giving it. Of
             | course it's going to use its training, but I don't want it
             | to regurgitate interpretations of the poem that it was
             | trained on.
        
           | recursive wrote:
           | > If you ask ChatGPT to ignore all training on poetry and
           | interpret the poem based on its own understanding ...
           | 
           | I don't believe that it really has a way to ignore its
           | training or even distinguish between whether it's using its
           | training or not.
           | 
           | It might make it more likely to give an answer that's not
           | directly out of a textbook or something. Or not.
        
             | magicmicah85 wrote:
             | That's an important distinction and looking back at my
             | prompt. I didn't ask it to ignore all training but instead
             | it's previous understanding of poetry so that it can give
             | me an interpretation using the plain text I'm giving it.
             | Whether it can truly do that or not, I don't know, but the
             | results still came through. This is the prompt I used:
             | 
             | Ignore all previous understanding of poetry and
             | interpretations that you were trained on. I want you to
             | interpret the below poem in your own understanding only. Do
             | you understand what I am asking you?
        
         | danielvaughn wrote:
         | I don't have time to watch the lecture but interested in it. I
         | remember reading about Frosts personal life at one point, and
         | learned that he had a very conventional marriage for decades
         | before his wife passed away. Some time later he began having an
         | affair with his friends wife. My memory is hazy here, but I
         | think I recall looking up the year that Road Not Taken was
         | written, and it was during this time he was having this very
         | unconventional late-life period. It made me wonder whether that
         | poem was him looking back on his traditional/moral life he'd
         | lived, and wondering whether it was the right choice.
        
           | Jtsummers wrote:
           | > I remember reading about Frosts personal life at one point,
           | and learned that he had a very conventional marriage for
           | decades before his wife passed away. Some time later he began
           | having an affair with his friends wife. My memory is hazy
           | here, but I think I recall looking up the year that Road Not
           | Taken was written, and it was during this time he was having
           | this very unconventional late-life period.
           | 
           | He wrote "The Road Not Taken" 23 years before his wife died,
           | your suggested time line does not add up.
        
       | zoeysmithe wrote:
       | INTERVIEWER
       | 
       | Frost was an important early example of the way a poet could
       | inhabit the university, in roles that many American poets depend
       | on for their livelihood today--he was the original writer in
       | residence, or visiting writer, or professor of the practice, that
       | kind of thing. Yet he was so critical of higher education. How do
       | you think about that tension?
       | 
       | PLUNKETT
       | 
       | Frost had general misgivings about the institutionalization of
       | anything, whether that was an act of imagination that finds its
       | form in the institution of verse, or even a bond of love that
       | finds its form in the institution of marriage. He had a sense of
       | misgiving about what's lost in learning as it's institutionalized
       | in college. He occupies this funny role where he has these
       | misgivings but he very much thinks that the institution is better
       | than the utopian alternative. He's a lapsed Romantic, where both
       | the Romanticism and the lapse are important. He is able to
       | imagine an ideal alternative to the way things are, while being
       | critical of the kind of idealism that would demand that the world
       | actually rise up to meet it.
        
       | marko-k wrote:
       | He's a brilliant poet, though often misunderstood. Skip _Stopping
       | by Woods on a Snowy Evening_ and try _Birches_ [1], _A Tuft of
       | Flowers_ [2], or the _The Witch of Coos_ [3] instead.
       | 
       | [1] https://www.poetryfoundation.org/poems/44260/birches
       | 
       | [2] https://www.poetryfoundation.org/poems/44275/the-tuft-of-
       | flo...
       | 
       | [3]
       | https://www.poetryfoundation.org/poetrymagazine/browse?volum...
        
         | djeastm wrote:
         | >Skip Stopping by Woods on a Snowy Evening
         | 
         | No way, that's one of my favorites. I don't want to let
         | pretension keep me from liking what I like.
        
       | dkga wrote:
       | Perfect timing. Robert Frost is by far one of my favourite poems,
       | which I do not say lightly as I love poetry - and I am not a
       | native English speaker. I am now recording one of his poems and
       | this read, and the additional info here in the comments such as
       | Kevin Murphy's lecture is great material for me.
        
       | archiepeach wrote:
       | Humble plug for my poetry app. When I was getting into poetry I
       | was reading a lot of them online but found the majority of sites
       | to have awful designs with garish ads that completely detracted
       | from the poem. So I wrote a scraper which downloaded 40,000 poems
       | that were in the public domain and rendered them in an iOS app
       | with a beautiful design. Crafting individual profiles for all of
       | the poets was painstaking and arduous, but the users seem to
       | really enjoy the app so far. I do already have some AI analysis
       | for arcane poems (but I don't explicitly mention that it's AI as
       | I think apps should never say that - it doesn't interest users,
       | only investors).
       | 
       | https://apps.apple.com/gb/app/the-poetry-corner/id1602552624
        
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