[HN Gopher] Show HN: My iOS app to practice sight reading (10 ye...
       ___________________________________________________________________
        
       Show HN: My iOS app to practice sight reading (10 years in the App
       Store)
        
       Hello HN, this has been my personal project for quite some time
       now. It has been a slowly evolving project over the years and its
       core function is for users to expose themselves to progressively
       more difficult lessons of music notes.  NOTE: It is free and there
       are no ads. There is an in app purchase but most of the app doesn't
       require it.
        
       Author : rooster117
       Score  : 286 points
       Date   : 2025-03-23 21:25 UTC (1 days ago)
        
 (HTM) web link (apps.apple.com)
 (TXT) w3m dump (apps.apple.com)
        
       | jkmcf wrote:
       | What a wonderful logo!
       | 
       | I'll see if my daughter is interested, but I'd love a guitar
       | version (hint, hint).
        
         | rooster117 wrote:
         | I appreciate it!
         | 
         | I'd love to add new instruments. I actually have a version
         | which is violin only but it is pretty stale at this point.
        
         | shermantanktop wrote:
         | Check out Tenuto for similar types of learning modes, and that
         | has guitar/fretboard support for some modes.
        
       | devonsolomon wrote:
       | I learned on this. It's near perfect. Nothing to say but thank
       | you!
        
         | rooster117 wrote:
         | Awesome to hear!
        
       | ppetty wrote:
       | That's awesome! I'm not a musician but just impressed by an app
       | with great focus that stands the test of time. Makes me wonder
       | why Apple doesn't have an area for exactly this type of app; the
       | opposite of Latest Apps.
        
         | walterbell wrote:
         | Community could maintain an index.                 awesome-ios-
         | apps-timeless
        
           | kibibu wrote:
           | Might be my pessimistic mood this morning, but I'm curious
           | whether these "awesome x" indices are _actually_ community-
           | owned or whether its code for  "one passionate person sifting
           | through a bunch of garbage until they burn out"
        
             | walterbell wrote:
             | Hopefully the next volunteer extends the work of their
             | predecessor, instead of starting from scratch.
             | 
             | In theory, reputation signals from 'awesome' lists and HN
             | threads could inform search engines, LLMs and app market
             | analytics.
        
       | mortar wrote:
       | Thanks, just downloaded it to try and purchased instantly - great
       | app! Have been "playing" Fur Elise for so many years on piano,
       | but forgot how to read sheet music years ago and didn't quite
       | know how to get back into it. Thought Synthesia would help but
       | struggle at certain parts so the repetition and score based
       | learning will help a lot.
        
         | rooster117 wrote:
         | It'll probably come back to you fast. My app is best to learn
         | the note (letter/octave) of what's on the staff and mixed with
         | practice on a real piano should get you back to reading
        
         | shermantanktop wrote:
         | I am cursed with enough musical memory that if I learn a piece
         | from sheet music, my sight reading literally turns off and I
         | play from some combination of muscle memory and ear. That might
         | sound like a humblebrag, but it's not -it's quite frustrating
         | to "work on reading" and then realize I'm not actually getting
         | better at reading. When I come back to the material later, the
         | short-term musical memory has usually faded and I'm starting
         | over.
         | 
         | That's what comes from playing simpler rock stuff by ear/memory
         | for many years and then moving to large amounts of material
         | which can't be done only by ear.
         | 
         | My solution is to have a large amount of unfamiliar material
         | and just open to a random page and start working things out.
        
           | spunker540 wrote:
           | This may sound crazy but my sight reading improved a lot
           | after I took an ear training class that required me to work
           | in arbitrary clefs. I always knew treble and bass from
           | playing piano, and had really memorized the note positions in
           | each.
           | 
           | When I was suddenly forced to work in tenor, alto, soprano,
           | baritone clefs, I could no longer rely on memorization of
           | note positions. I had to pivot to "reading intervals". A
           | fifth looks the same in any clef, so if you know the current
           | note, and the next note is a fifth above, you know the next
           | note too, clef be damned.
        
             | thaumasiotes wrote:
             | > A fifth looks the same in any clef
             | 
             | Really? I don't think all fifths look the same even if
             | they're all in the same clef. If you're working in C major,
             | B to F looks like it's a fifth, but it's a tritone.
             | Everything around this becomes a little weird; A# to E#
             | looks like a fifth and is one, but A# to F is a fifth and
             | doesn't look like one.
             | 
             | Random clefs seem like they would make that problem worse.
        
           | whiddershins wrote:
           | In my experience, accidentally memorizing what you are
           | reading doesn't really get in the way of what most people
           | think of as sight reading. Internalizing structures and
           | patterns is 99% of what it means ti "learn to read."
        
       | benoliver999 wrote:
       | Been using this for years now, it's precisely what I needed given
       | that I came to bass clef late in life
        
         | rooster117 wrote:
         | Love to hear it
        
       | aterp wrote:
       | Anyone have recs for good Android equivalents?
        
         | rooster117 wrote:
         | I get a lot of requests for an Android version. I've never had
         | time but I hope there is something good out there
        
         | punnerud wrote:
         | Not an answer to your question but I have 8 iPhone app on
         | AppStore, and many more on my phone not published. Made an
         | Android app, but it's hard to publish to Google Play compared.
         | Stopped almost at the end in the approval process, because I
         | felt like this platform must really hate developers. Or is it
         | just me?
         | 
         | When I see the stats on paying Android users compared to
         | iPhone, I feel I always will start on iOS and only maybe make
         | to Android if it's successful somewhere else first.
        
         | busymom0 wrote:
         | I made a similar app for both iPhone and Android called Note
         | Flash. Works with microphone and MIDI:
         | 
         | https://play.google.com/store/apps/details?id=com.pranapps.n...
         | 
         | https://apps.apple.com/ca/app/note-flash-music-sight-reading...
        
           | IncreasePosts wrote:
           | Needs to be updated for a modern version of Android:(
        
             | busymom0 wrote:
             | Let me update it to the latest SDK this weekend. If you
             | email me (in my profile), I can reply to you when update is
             | available.
        
         | rs186 wrote:
         | I have been using https://www.sightreadingfactory.com. It is
         | available as a website and works differently from these apps
        
         | acatcalledrob wrote:
         | Musical Notes is a simple open source option
         | 
         | https://f-droid.org/en/packages/jl.musicalnotes/
         | 
         | https://codeberg.org/jonas-l/musical-notes-android
        
         | bambax wrote:
         | I made a webapp a couple of years ago that works in most
         | browsers, including on mobile:
         | 
         | https://www.babeloop.com/
        
       | hackerdood wrote:
       | Chiming in to say I downloaded this what feels like ages ago and
       | occasionally come back to it when I'm away from my keyboard for
       | too long, so thank you for this amazing app!
        
         | rooster117 wrote:
         | Love to hear it. Thanks for the years of usage!
        
       | Almondsetat wrote:
       | Sight reading is equal parts being quick to parse the score and
       | being quick to understand the piece harmonically/rythmically.
       | This is why random exercises or simple songs don't really cut it.
       | 
       | Also, it's all about compromise. When sight reading a serious
       | piece you will almost never be expected or be capable of playing
       | every note. You have to understand what's important and what's
       | feasible, and to do that on the fly you need tons of musical
       | experience.
        
         | coliveira wrote:
         | Yes, sight reading is a misnomer because at some level it is
         | almost impossible to sight read a complex piece. It is not like
         | reading a book where you will be able to read the words
         | correctly as long as you're literate. What you can say is that
         | you're familiar with simple/medium complexity rhythms so you
         | can play them as you read.
        
           | turtlebits wrote:
           | Not sure i agree with that. I can sight read through just
           | about any piece, albeit not at full speed. If I make a
           | mistake, I keep going. Jazz is definitely the hardest, due to
           | rhythm and complex chords.
           | 
           | As a piano player that primarily sight reads, I end playing a
           | lot of music, so maybe it is partly memorizing patterns.
        
             | shermantanktop wrote:
             | Jazz is...different. The Real Book is full of mistakes by
             | some Berklee students in the 1970s. Standards as played on
             | the bandstand are very different than what is on the
             | records. The records are all different from each other. The
             | melody is simplified or shortened or embellished, and the
             | chords? Forget it, you'll find out that the piano player
             | likes to play a dominant instead of minor only when you're
             | actually playing the tune. Ask a pro how to think about the
             | harmony of a standard, and they'll explain how they think
             | about the harmony of the variant they prefer.
        
       | pil0u wrote:
       | This is incredible because it exactly matches my needs. I started
       | learning the piano 3 years ago as an adult, I love it, but my
       | biggest difficulty is reading scores. I do want to practice but
       | also I'm very lazy, I tried to find a tool to help but never
       | found yours before.
       | 
       | Tiny question before I purchase to unlock the microphone feature
       | (which is really what makes sense for me): does the app
       | understands do re mi via microphone?
       | 
       | Thanks for your work.
        
         | rooster117 wrote:
         | The mic works on the standard 440 tuning and converts the input
         | to its midi representation. Trying to understand your question
         | but the mic doesn't really care about the do, re, me but rather
         | that it's the right frequency for the displayed note on the
         | staff. The mic feature is something I'm actively working on
         | improving as it's decent now but not perfect. If you have an
         | instrument with a way to connect to the phone through midi it's
         | the best experience but if you have acoustic then the mic or
         | just the on screen keyboard is the good.
        
           | doctorhandshake wrote:
           | Do you mind if I ask what library or algorithm you're using
           | for pitch estimation?
        
             | rooster117 wrote:
             | currently it's yin
        
               | doctorhandshake wrote:
               | Ah thank you I was not aware of that one.
        
           | pil0u wrote:
           | Ha, I thought I could "sing" the notes, like reading them out
           | loud (which is what my mentor suggests me to work on)
        
             | rooster117 wrote:
             | You may be able to sing to it but since it's assuming the
             | instrument to be in tune (piano) it may be slightly off and
             | still register since it's estimating which note is most
             | correct.
        
             | dhosek wrote:
             | Joining a good choir can do a lot to really build your ear
             | in this respect. Generating a note from within your body
             | does so much more to build your ear than generating a note
             | by hitting a key or plucking a string (wind instruments are
             | kind of a middle ground in this respect).
        
           | ajepst wrote:
           | Sight reading practice for voice is super useful, but not
           | many of us have perfect pitch to pull a starting note out of
           | the air! An option to get a starting note audible cue for
           | vocal sight reading would be a great add-on (and hopefully
           | not too difficult!)
        
             | Ericson2314 wrote:
             | I have perfect pitch and it's overrated.
             | 
             | Pro tip: You can pick any note you want as the starting
             | pitch, and do realtive pitch from there. It doesn't matter.
             | Pitch is an affine space, there's no 0 pitch!
        
               | ajepst wrote:
               | Oh of course, if you just want to practice sight reading
               | on your own, correct pitch is irrelevant, but if you want
               | to use an app like this and have it follow along and
               | check if you're accurate with your sight reading, you
               | have to agree with the app on pitch!
        
               | Ericson2314 wrote:
               | Can you change the tempo or something to slide around on
               | the first note until you find the pitch it wants?
        
               | ozornin wrote:
               | It becomes important if you play with other people though
        
               | Ericson2314 wrote:
               | Even then, you need to tune against those other people.
               | Perfect pitch is not so precise that everyone can just
               | start on exactly the same note hah.
        
               | eumenides1 wrote:
               | Classic Joke: How do you know a person has perfect pitch?
               | 
               | I learned that as you get older, if you don't use it, you
               | lose it.
        
               | tunesmith wrote:
               | In music school, I was in the position of having
               | excellent relative pitch and zero perfect pitch. In the
               | ear training courses, I actually scored better than the
               | peers with perfect pitch, as it seemed they had
               | difficulty with a lot of the exercises, particularly the
               | by-ear transcription of the four-part bach chorale
               | snippets.
        
         | rooster117 wrote:
         | My app appears at the top of a search if you specify sight
         | reading but if you are searching for "learn piano" or similar
         | keywords it will be no where near the top
        
           | pil0u wrote:
           | I just learned via your post the term "sight reading" in
           | English. French words and expressions when it comes to music
           | are very different.
        
             | rooster117 wrote:
             | I've only recently localized the app but only the contents
             | of the app. I'm sure there are a lot of easy improvements
             | on discoverability I'm missing out on.
        
             | alwa wrote:
             | Out of curiosity, what's the French term for this
             | technique?
        
               | patrocle wrote:
               | We call it "solfege".
        
               | thaumasiotes wrote:
               | Huh. My instinct was that (in English), "solfege" is just
               | the name of the collection of notes. (The same way that
               | "alphabet" is the name of the collection of letters
               | beginning "A B C D E ...".)
               | 
               | And interestingly enough, the English wikipedia page
               | completely backs me up on that.
               | https://en.wikipedia.org/wiki/Solf%C3%A8ge ("Solfege is a
               | form of solmization, though the two terms are sometimes
               | used interchangeably.")
               | 
               | However, the English wiktionary page gives no gloss other
               | than "a method of sight singing". (More fully, "A method
               | of sight singing that uses the syllables do (originally
               | ut), re, mi, fa, sol (or so), la, and si (or ti) to
               | represent the seven principal pitches of the scale".)
               | 
               | Merriam-Webster strongly supports the wikipedia
               | definition, but it does note that "a method of sight-
               | reading music" is an alternative, non-primary meaning.
               | 
               | In French, does solfege refer to _any_ sight reading? A
               | common way to sight-read vocal music is to sing the
               | actual lyrics as opposed to the note names. And by far
               | the most common way to sight-read piano music is to play
               | it without saying anything at all.
        
               | xibe wrote:
               | Akshually... According to Wikipedia FR, the French
               | equivalent of Sight Reading is "Lecture a vue" [1].
               | 
               | Notes:                 - I'm French;        - I learnt to
               | play the piano as a teenager, and I'm trying to get back
               | to it again as at 45+;        - I too discovered the
               | "sight reading" term online, but that was long ago (as I
               | recall, through a video of an adult piano player doing
               | "live sight-reading" versions of songs he didn't know
               | beforehand, such as the Mario theme [2];
               | 
               | ... and YET neither have I ever heard of nor used
               | "Lecture a vue" (that I remember of). I too would use
               | "apprendre le solfege" (EN: learn solfege) when saying
               | that I'm learning to read the notes on sheet music while
               | playing at the same time.
               | 
               | [1]: https://fr.wikipedia.org/wiki/Lecture_%C3%A0_vue
               | (change language for confirmation)
               | 
               | [2]: Possibly this one?
               | https://www.youtube.com/watch?v=b9IkpUYlOx8
        
               | amszmidt wrote:
               | Solmization, I think is maybe what you are looking for?
               | It is where you sing a song using the Solfege
               | (Do/Re/Mi....)?
               | 
               | Though I wouldn't say that it is the same as "sight
               | reading" -- but maybe "sight singing"?
        
             | xibe wrote:
             | Indeed! When I first learnd that the English equivalent
             | of...
             | 
             | Do Re Mi Fa Sol La Si Do
             | 
             | ... is...
             | 
             | C D E F G A B C
             | 
             | ... it blew my mind :D I mean, I can see the point in using
             | letters instead of words, alright. But why in that order?
             | 
             | Even today I can't find the origin/reason for that -- apart
             | from "It's a German thing" apparently.
             | 
             | It could be just that the "German key notation") and the
             | "Fixed Do key notation" were each created independently
             | centuries ago, and thus differed. And once each system
             | spread and reached users of the other, well, hello, my Do
             | is your C and my A is your La :)
        
               | balfirevic wrote:
               | > But why in that order?
               | 
               | Well, it's in the alphabetical order.
        
               | amszmidt wrote:
               | Maybe more importantly, it is in that specific order
               | because it is the key of C major! The A major scale is
               | for example would be A, B, C#, D, E, F#, and G# ...
               | 
               | In fixed Solfege, that would become La Si Do ... but in
               | movable Solfege, Do would be A, Re would be B ...
        
               | whiddershins wrote:
               | yeah but why isn't C major called A major
        
               | amszmidt wrote:
               | The piano is a new instrument, when it was created its
               | natural "place" was within the C major scale (all white
               | keys); while A major requires 3 black keys.
               | 
               | All instruments have a "sweet" spot for where they like
               | to make sound. The baroque flute for example, prefers the
               | key of D -- not C. The violin is very at home in the key
               | of A.
               | 
               | If you sit down at a piano, and find a place to put your
               | fingers a somewhat natural place would where there are
               | two white keys beside two black keys.
               | 
               | And then press them in order.. C major scale.
        
               | xibe wrote:
               | Of course, there's the C Major thing :)
               | 
               | And I didn't know about Movable Solfege, thanks! I'll
               | have to study that.
               | 
               | But, to put it in audio perspective rather than comparing
               | words and letters, why is the note that corresponds to
               | 440 Hz named A and not F -- implying that, going lower
               | and lower from 440 Hz for each note, 261.63 Hz would not
               | be named C but rather A instead.
               | 
               | Or, to use maybe a comparison that would work from whence
               | those two notation systems were created/named (I figure
               | with a keyboard nearby), why is the first note of a
               | standard piano octave (you know, this: [1]) labelled C
               | and not A? Since it's the first note of the octave and
               | since the German system is using the alphabet (which,
               | well, starts with A), wouldn't it have made sense to have
               | that first octave piano key be labelled A too :)
               | 
               | [1]: https://www.hellosimply.com/blog/wp-
               | content/uploads/2022/03/...
               | 
               | I've seen this conversation several times online, and
               | it's funny to see how participants cannot agree on what
               | is being talked about here, and no conclusion is reached.
               | So I'm aware that I might be asking a super dumb beginner
               | question, but I really do wonder why Do=C and not Do=A.
               | 
               | Don't hesitate to slap me with a "origins of musical
               | notation systems" link, I love to read about music and
               | history :)
        
               | amszmidt wrote:
               | The easy answer is that the piano is not the "reference"
               | instrument. If you look at a violin, the A major scale is
               | generally the first scale you learn -- not C.
               | 
               | The piano has C natural in the middle of a full 88
               | keyboard, which is why it is a "natural" scale to pick (C
               | major only uses the white keys, while A major would use
               | three black keys).
               | 
               | So if you are learning another instrument, your "base"
               | note will sometimes be entirely different.
               | 
               | Many "non-western" tradition also aren't tuned to 440 Hz,
               | and even many _western_ traditions don't use 440 Hz for
               | A, 415 Hz is also common.
               | 
               | [addendum] And why Do/Ut, Re, Mi? Because of a Gregorian
               | chant where each sound sorta fell into a vocal range of
               | monks ... then you adopt Do to whatever "sound" the
               | instrument is closest, many years pass and deviations and
               | standardizations ...
               | 
               | [addendum] I recommend starting out researching Guido
               | d'Arezzo (and the Guidonian hand) a bit, that is where we
               | get do/re/mi .. which was used as a teaching aid (which
               | is maybe why Solfege as a term is often used in
               | combination to sight reading or singing from sheet
               | music). Almost no matter what language someone
               | sings/voices Do/Re/Mi/... ... it falls naturally into a
               | vocal range, irrespective of octave.
               | 
               | And then one could look into the hexachord ... and deep
               | into a very deep well of confusion.
        
               | balfirevic wrote:
               | > The easy answer is that the piano is not the
               | "reference" instrument.
               | 
               | The question make sense without ever thinking about
               | piano. The question is: how come the notes named only by
               | letters (without any accidentals) form a major scale, and
               | yet the note A is not the first note (or tonic) of that
               | scale.
               | 
               | The answer is probably related to the fact that those
               | notes also form other scales (seven of them - seven
               | diatonic modes, one of which corresponds to major scale),
               | and it's only relatively recently that the major scale
               | took a central role in music theory.
        
               | amszmidt wrote:
               | You will need to blame Boethius, musical notation is a
               | quagmire of many systems that have been merged over
               | centuries. If you venture into non-western systems, it
               | becomes even more fascinating.
               | 
               | Maybe we should make one more standard .. that
               | consolidates all of them? ;-)
        
               | balfirevic wrote:
               | Ah, right, so the question of the starting point is a
               | good one. I don't know the exact historical answer, but
               | it's worth noting that if your are in minor scale (or
               | Aeolian mode) then the tonic of the scale (for A minor)
               | is indeed A.
               | 
               | Quick check with Claude hints that various modes were in
               | common use in church music prior to major scale (Ionian
               | mode) taking more central place in (western) music
               | theory.
        
           | DidYaWipe wrote:
           | Apple's app-store search is a joke. Actually... it's not a
           | joke; it's offensive to developers and users alike. You can
           | search for the name of the publisher, spelled perfectly, and
           | Apple will instead show you hundreds of screenfuls of apps
           | that don't contain your search string ANYWHERE.
           | 
           | This despite Apple claiming that publisher name is one of the
           | top three criteria for search.
        
       | karol wrote:
       | Amazing!
        
       | MarcelOlsz wrote:
       | How's it compare to SightReadingFactory? Can I use it for
       | trumpet?
        
         | rooster117 wrote:
         | I know what sight reading factory is but I haven't personally
         | used it. In the app you can isolate the Treble staff for
         | practice/lessons so it would work for practice with what you
         | read on trumpet (I believe)
        
       | LVB wrote:
       | Excellent timing, as I was just looking at some apps to help get
       | back into after 20 years away. I've noticed that a number of
       | them, including yours, do include microphone input. That's great
       | since I only have an upright, but I wondered how well it actually
       | works, especially with more complex drills, or if I should look
       | at getting an affordable midi keyboard for the app-supported
       | practice sessions?
        
         | rooster117 wrote:
         | Well it's an area I'm working to improve. It works well for me
         | but everyone's acoustic instrument and device is a little
         | different. I'd say it isn't worth getting a new keyboard to use
         | midi for this purpose. Acoustic pianos are awesome and using my
         | app (or others) on the go to drill in note recognition to
         | supplement your physical practice is a great combination.
        
       | dsabanin wrote:
       | I've been using your app for years, you've done a great job with
       | it! Thank you!
        
         | rooster117 wrote:
         | Awesome to hear you've been using it for so long!
        
       | block_dagger wrote:
       | I've been using Simply Piano for a while, but will give this a
       | try.
       | 
       | Noticed a typo: "Notes is your is your tool..." in the app store
       | description.
        
         | rooster117 wrote:
         | thanks haha
        
       | TheJoeMan wrote:
       | Unsolicited advice but I think you're too timid with the IAP!
       | It's a superb app and there is no shame in asking for the
       | upgrade. I tapped the button labeled "mic (premium required)"
       | fully expecting the paywall, and it had a prompt to ask if it was
       | okay to show the paywall... it's not a hard paywall, there's a
       | visible X icon, nobody's going to be mad if it pops up.
       | 
       | If you want to go a step further, you have only 1 one-time-
       | purchase, what if you tap the mic icon, and a popover modal has
       | the required disclosure text and the "purchase" button right
       | there? The Slopes app did this to significant effect I believe -
       | reduce friction.
        
         | rooster117 wrote:
         | I completely agree I'm being too timid. With that said it was
         | 100% free for many years and I always had in my mind that I
         | would get it to a certain level before being more aggressive.
         | Because I never really had as much time on this project as I
         | would have liked I also never felt it was ready to try to ramp
         | up monetization. Also I've really enjoyed providing a high
         | value resource to music students and I'll always keep more of
         | it free than is common. I've also always avoided any form of
         | popup or banner advertisement mostly because I don't like them.
        
           | alariccole wrote:
           | Commendable. I'm starting out on my second attempt at a
           | learning app in my life, and I feel the same.
        
       | graveltongue wrote:
       | Huge fan, awesome work, I use it all the time!
        
         | rooster117 wrote:
         | Glad to hear it!
        
       | Tewboo wrote:
       | Impressive to see an app dedicated to sight reading stick around
       | for 10 years. Must be doing something right!
        
         | rooster117 wrote:
         | I mostly just solved my own problem for a lot of those years
         | and it was always a bonus that others used it.
        
       | swixed wrote:
       | I tried the app and I honestly am pretty disappointed. I know the
       | app is for note training but the rhythms are completely broken.
       | In Ode to Joy and Minuet, there are notes that should be dotted
       | but are not. And in Practice modes there is also no consistency;
       | some measures have 4 beats, others 6. I'd consider removing the
       | measure bars entirely and/or making all notes have the same
       | duration if note pitch is the only goal.
        
         | rooster117 wrote:
         | Yeah these are things I'm working on. The lack of dotted notes
         | and rests are a weakness in doing any real songs which is why
         | that section is a little lacking. I'm testing a new way to
         | build lessons altogether which will be a big improvement over
         | random. Anyway thanks for the feedback. I know there is a lot
         | to go
        
       | DesaiAshu wrote:
       | I've been using this for a year, it's really great. Thanks for
       | making it!
        
         | rooster117 wrote:
         | glad you like it!
        
       | tianshuo wrote:
       | Hi, I've been using notequest before and this really hits a
       | string for my needs. There are some places that could be
       | improved. 1. There is lacking logic in the notes, there should be
       | some kind of pattern that an LLM could create that sounds better.
       | For example for left hand usually there could be eg. walking
       | bass/ chord progressions etc, instead of just random notes. If
       | you need ideas and help on that, you can contact me at
       | (myhackernewsname_at_gmail_dot_com) I am willing to help
       | 
       | 2. Now the game is like, press the notes as fast as you can,
       | instead, a musician needs to practice, pressing the note at the
       | right time, which means you can make a metronome + press the
       | notes on time mode, which is even more useful than the present
       | version.
        
         | rooster117 wrote:
         | Great feedback. I'm working on a new way to generate lessons.
         | It's better but even when it's out it'll mostly just be a
         | structure I'll be able to build on.
         | 
         | I agree on the metronome and it's high on my list of TODO's. I
         | think it would be very helpful.
        
       | kvbe wrote:
       | What basic midi/piano do you use these days to start learning
       | using an app like this?
        
         | rooster117 wrote:
         | I'd say the best thing to do would be to get a keyboard you
         | enjoyed and make sure it was compatible with iOS. The quality
         | of instrument will hopefully keep you interested for all of the
         | learning/playing.
        
       | xnickb wrote:
       | There is a typo in the description "is your is your"
        
       | roydivision wrote:
       | Guitar player here. App looks great, but shame it's only for
       | piano. I used a different app that does pretty much the same
       | thing and really benefited from it, the improvement was
       | noticeable after each session.
       | 
       | If you add guitar support it will be an immediate download for
       | me.
        
         | rupi wrote:
         | Another vote for guitar. Will love to get this for guitar.
        
           | Ylpertnodi wrote:
           | ...guitar....and
        
         | phitt wrote:
         | do you mind share which app you are using?
        
         | dockerd wrote:
         | Why not use Tab notation for guitar?
        
           | aqme28 wrote:
           | There are some settings where it's good for a guitar player
           | to be able to sight read. If you're playing for random bands,
           | or playing classical, it can be a big help.
        
           | stnmtn wrote:
           | Tab notation doesn't provide full time signature information,
           | if you're picking up a piece of music which you've never
           | heard played before
           | 
           | In tablature, imagine one string's line shows ---10-----7--8
           | ------11----13. How long do you hold each note? Clearly 7 to
           | 8 is quick, but how quick? Sheet music gives you this exact
           | information.
        
             | shermantanktop wrote:
             | That's a solved problem. Tab + stave notation, with the
             | stave above and tab below.
        
               | shermantanktop wrote:
               | Here's an example from the (great) abcjs project:
               | 
               | https://paulrosen.github.io/abcjs/visual/tablature.html
        
         | rooster117 wrote:
         | I hear you on the other instruments and guitar request. I tried
         | making a violin app years ago and it was a tiny fraction of the
         | traffic of the piano version which I'm guessing is common theme
         | amongst other developers. That's not an excuse but just the
         | reason I didn't focus on other instruments in the past. Now
         | technically I did slightly support guitar in my app in that you
         | can offset the input of notes in settings which would mean you
         | could use the mic as input and play the guitar as you'd expect
         | while sight reading but the onscreen is still piano. Maybe
         | sometime soon
        
       | xlii wrote:
       | Yet another HN moment for me: I use it, and as I
       | bought/downloaded like 50 or more - I think it is the best out
       | there.
       | 
       | Given that I might have you ,,on the feedback phoneline" I have
       | thoughts, I'd like to share:
       | 
       | - It might not be true, but it seems that notes are picked at
       | random so sometimes I feel there's disharmony which somewhat
       | distracts me - in age of LLMs maybe it would be plausible to ask
       | for generation of more harmonic sounding sequences?
       | 
       | - I don't practice sight reading often but when I do I usually
       | practice longer than 1-3 minutes - clicking through lessons to
       | get to the next one is distracting - I'd enjoy endless auto-
       | progress (that is - keep progress structure so no free training
       | but just auto start next one)
       | 
       | - I'd like to have minimalistic practice mode (I.e. follow
       | progression but without any aids at all) - I repeat lessons but
       | my brain flips lazy mode when it sees helpers.
       | 
       | I'd like to thank you for making this app accessible in terms of
       | price though. However I have resources and want to support
       | developers I believe in which includes you and your application.
       | I'd suggest ,,coffee subscription" - I.e. completely optional no-
       | features added but visible and I'd be glad to enable and forget
       | about it.
       | 
       | In fun-fact context: I have some uncommon traits and my
       | educational needs are different from general population (I cannot
       | do repetitions and I have multisensory aphantasia - can't hear
       | sounds in my head - so can't memorize them) and your app so far
       | helped building passive eye-muscle link which I find fascinating
       | on its own.
        
         | rooster117 wrote:
         | This is all really great feedback and it's great to hear you've
         | used my app! A couple of things:
         | 
         | 1. I'm currently testing a new way of generating practices with
         | some patterns and elements that make it feel more musical. I'd
         | love to have you test the beta if you're interested. You can
         | just email me in the settings screen.
         | 
         | 2. I updated the lessons visual aids by only showing the hint
         | on the staff itself for what was new to that lesson. It was
         | previously overkill to do all notes if it was just adding a
         | couple to the range. The visual aid of notes on the keyboard
         | may also be too far but I think it's helpful or maybe I can
         | fade them out eventually.
         | 
         | 3. I hear this and something I should address. Years ago I
         | originally made extremely long lessons but I'd get feedback
         | asking me to make lessons that had an end. I could very easily
         | make the lesson length configurable.
         | 
         | 4. I really appreciate the coffee subscription idea. Maybe I
         | can consider adding that and be explicit that it doesn't
         | provide anything other than support of me.
         | 
         | It's great to hear the app practice has helped with your eye.
         | Maybe it's the repetitive back and forth of the reading?
        
       | palla89 wrote:
       | I'm trying it and I love it! can I ask you a question? I'm not
       | playing piano since at least 15 years, but why are you using
       | C,D,E,etc instead of the real notes? I found an option to enable
       | do,re,mi,etc but it's only applying on the piano notes instead of
       | the middle screen "note" to play
       | 
       | Am I missing something?
        
         | amszmidt wrote:
         | > instead of real notes?
         | 
         | C, D, ... are real notes? Some countries do Solfege, some
         | don't.
        
           | palla89 wrote:
           | TIL this, thank you! I'm italian and only knew about the do
           | re mi fa sol la si do :D
           | 
           | From ChatGPT:
           | 
           | The choice between using letter names (C, D, E, etc.) and
           | solfege (do, re, mi, etc.) largely comes down to tradition
           | and purpose: * Historical Convention: In Western music, the
           | letter system has been the standard for centuries. It
           | provides a clear, concise way to notate specific pitches on a
           | staff, which is especially useful for instruments like the
           | piano or guitar. * Clarity in Notation: Letters denote fixed
           | pitches, making it easier to communicate musical ideas in
           | written form. This helps performers quickly identify which
           | keys or notes to play without additional context. *
           | Educational Focus: Solfege is typically used as a tool for
           | vocal training and ear development. It emphasizes the
           | relationship between pitches (intervals) and is often taught
           | using a movable system (where "do" represents the tonic of
           | any given scale) or a fixed system (where "do" is always C).
           | This system helps singers internalize pitch relationships and
           | improve sight-singing. * Different Purposes: Essentially, the
           | letter system is more suited to the precision required in
           | written music scores, while solfege is more about developing
           | a musician's internal sense of pitch and harmony.
           | 
           | In short, both systems have their place in music, with
           | letters serving as the backbone of Western musical notation
           | and solfege acting as an invaluable educational tool.
        
       | gustanas wrote:
       | I'm not in the target audience, but as an iOS dev myself, I have
       | to say--your app is an ASO wet dream:
       | 
       | - Nice logo
       | 
       | - Clear, engaging screenshots
       | 
       | - Solid title/subtitle with relevant keywords
       | 
       | - Amazing reviews and ratings
       | 
       | Really well done!
        
         | rooster117 wrote:
         | I appreciate it
        
         | mvdtnz wrote:
         | What's ASO?
        
           | allenu wrote:
           | App Store Optimization, sort of the SEO for the App Store.
        
       | onkkos wrote:
       | I would love to see a video of someone reviewing the app to
       | understand a little bit more.
        
         | rooster117 wrote:
         | I agree. I need a YouTube presence for this app in general
        
       | swyx wrote:
       | congrats! what made you decide to Show HN now?
        
         | rooster117 wrote:
         | Honestly I've always felt it wasn't done enough. It still isn't
         | done enough against what I'd want but obviously I was years
         | late on when I should have shown it haha
        
       | appsDev wrote:
       | I was looking for this actually lol! Downloaded it will try it
       | out soon! :)
        
       | anythingworks wrote:
       | this is so great! out of curiosity how long did it take to
       | develop this app? what was the process like?
        
       | arkano wrote:
       | Thank you, I love this app.
        
       ___________________________________________________________________
       (page generated 2025-03-24 23:01 UTC)