[HN Gopher] The Golden Age of Japanese Pencils, 1952-1967
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       The Golden Age of Japanese Pencils, 1952-1967
        
       Author : apokryptein
       Score  : 166 points
       Date   : 2025-03-03 16:51 UTC (6 hours ago)
        
 (HTM) web link (notes.stlartsupply.com)
 (TXT) w3m dump (notes.stlartsupply.com)
        
       | tocs3 wrote:
       | We need more histories like this. History taught in school often
       | seems so abstract and distant. Without the million little stories
       | about the people that do things the political histories are
       | little meaningless.
        
         | Mistletoe wrote:
         | I really feel like this with regard to monarchs. Most of them
         | seem like homicidal inbred mentally ill people. Why are we
         | studying and deifying them? Henry VIII? One of the absolute
         | worst human beings to ever exist. Put him in the bin with Pol
         | Pot.
         | 
         | Most of real history was a simple peasant working hard and
         | making quiet decisions while avoiding being trampled by a king.
        
       | bayindirh wrote:
       | In the age of digital data storage and keyboards, these writing
       | tools do not get the attention and celebration they deserve.
       | 
       | There are tools so unique that really changes how you think and
       | how you write. Some of these tools are so timeless and they are
       | irreplaceable.
       | 
       | When you acquire one of these tools, and appreciate all the
       | craftsmanship and engineering went into these things, and notice
       | how all blends and becomes invisible, you realize that that
       | simple thing is not that simple in the end.
       | 
       | I'm very grateful that the great papers, pens and all these
       | supplies are still made, albeit in smaller varieties and numbers
       | since the demand is lower than before. But, nothing replaces a
       | silent thinking session on a good paper with good set of writing
       | utensils. No notifications, no indirections, nothing. Just
       | directly projecting your thoughts to a medium which has no
       | batteries, encryption, etc.
       | 
       | Very personal, and much more productive.
        
         | luqtas wrote:
         | one literally can raise the same points about a running text-
         | editor and a keyboard with 'Silent Mode/Do Not Disturb'
         | activated, except the timeless argument as we don't have even
         | 200 years of electronic computers... have you ever tried to be
         | productive by sharing letters in a mailling list when
         | brainstorming ideas? /s
         | 
         | and don't come up with research comparing the 2 with biases
         | like participants not even knowing how to touch-type or that
         | variable not even being mentioned
        
           | WalterBright wrote:
           | Taking notes with a keyboard does not work for me.
        
           | bayindirh wrote:
           | OK. I'll come with another research, the one I'm doing on
           | myself for more than 30 years.
           | 
           | See, I'm both typing and writing for more than 30 years, and
           | I started doing both almost the same time, so there's no
           | inherent bias there. Here's what I found.
           | 
           | - I can type around 75 WPM in a good day, yet writing on
           | paper always brings out clearer ideas.
           | 
           | - I write my blog posts in iA writer, fullscreen and in DnD
           | mode, yet drilling some ideas on paper is still necessary for
           | reflection.
           | 
           | - I have encrypted diary on my personal computer, yet I
           | always prefer to carry a good notebook with a good pen, and
           | find that I can write more sincerely and drill into myself
           | better during reflection sessions.
           | 
           | - I can design programs in my head, brainstorm with mind
           | maps, or draw architecture diagrams with relatively high
           | speeds, yet designing on paper always results in better
           | architectures, less bugs, and better performance.
           | 
           | - I can skirmish in real time like an old IRC person (because
           | I am), or fire salvos of posts with different amount of flame
           | included (because I lived through newsgroups), yet I prefer
           | elaborating ideas on paper or in silence before writing them,
           | because seeing what I want to say, and scribbling them with a
           | good pen always brings different perspectives.
           | 
           | What I found by working on myself is ironically parallel to
           | the research you denounce. Writing is different than typing
           | and is a deeper experience with more connection to self.
           | Having a small notebook around boosts my productivity 5x,
           | while reducing planning overhead and mental load incurred by
           | it to almost zero, and this is while I have a tool which I
           | plan my next three weeks with great detail.
           | 
           | So, maybe you should try writing, and while you're at it, you
           | can even find a pen friend which spends a couple of hours to
           | write you a nice and sincere letter, and you'll do the same
           | and understand why some of us like writing and everything
           | related to that.
           | 
           | Who knows?
        
             | luqtas wrote:
             | i remember burning a pile, like 15 cm thick, of paper notes
             | once. i still have another one but i didn't parsed to the
             | computer yet
             | 
             | you don't know how sacred to me is my _scratch_ (temporary)
             | file on Emacs or my org documents or Gimp files with stuff
             | like studies of games platform level design (quite easy to
             | screenshot views and highlight stuff i want to comment) or
             | digital collages material
             | 
             | for me there isn't anything closer than having a coffee
             | after weeks/months without having one and going for a walk
             | with or without a science podcast playing... ironically the
             | last thing i did on paper was the tinker of specific apps
             | layers layouts on my keyboard (now i use an online keyboard
             | editor alongside a text document)
        
       | hed wrote:
       | Fascinating article. Seeing the "uni" and wondering if that was
       | in fact the beginning of what we know as uni-ball was neat.
       | 
       | And since the authors' shop is local to me I'm going to have to
       | go see what they've got!
        
         | bayindirh wrote:
         | If they also sell mechanical pencils, get a Zebra Drafix and
         | Pentel PG-5, and maybe a Pentel Smash (aka Q1000) and/or Pentel
         | 120 A3-DX.
         | 
         | You'll not be disappointed. :)
        
       | GuB-42 wrote:
       | In general, I find Japan to be unmatched when it comes to
       | stationery. Pens, pencils, notebooks, etc... Everything is just
       | better: the simple stuff, like what you can find in "konbini" and
       | "100 yen shops", entire floors in department stores like "Hands",
       | and all the way up to luxury. As you might expect, Japanese
       | brands of stationery are popular worldwide.
       | 
       | So it is not surprising that Japan had a golden age of pencils,
       | and that you can still buy the products today and that they are
       | still the best.
        
         | bayindirh wrote:
         | They are very good at higher end paper, pencils and erasers.
         | Their gel and roller pens are mostly unmatched.
         | 
         | OTOH, while they're top tier in fountain pens, Germans really
         | equal with them. Lamy, Faber Castell, Diplomat, Kaweco and of
         | course Montblanc make great pens. Pilot & Sailor are not behind
         | them, though. Mitsubishi Pencil bought Lamy so things will get
         | interesting.
         | 
         | Inks are the same. Germans and Japanese are head to head. OTOH,
         | except Leuchttrum and Rhodia, I can't find many fountain pen
         | first papers from Europe.
         | 
         | Funnily, when it comes to fountain pens, there's another
         | interesting contender. China. While they copy most of the
         | stuff, their domestic brands make great pens and ink.
         | 
         | Also, a company in my country started making a paper which
         | rivals Yu-Sari and Tomoe River. I write letters with it, and
         | it's great.
        
           | nadir_ishiguro wrote:
           | I'm from Germany and personally prefer Japanese fountain
           | pens, but also value our local brands.
           | 
           | I took for granted that I could go into any small stationary
           | store and buy a LAMY or Pelikan any time I wanted as a child.
           | 
           | "Also, a company in my country started making a paper which
           | rivals Yu-Sari and Tomoe River. I write letters with it, and
           | it's great."
           | 
           | Is that available internationally?
        
             | bayindirh wrote:
             | I keep a stable of inked pens. The set is half Japanese,
             | half German all the time. I find Lamy superior for leak
             | resistance and ruggedness, and they're repairable if you
             | manage to damage them also, their tipping is one of the
             | best and fastest polishing/adapting ones if not the best.
             | Japanese ones tend to stay at my desk at home, since
             | they're more delicate writing instruments (except Pilot
             | Metropolitan.That's a tank), but I enjoy them all the same,
             | regardless of their price points and materials.
             | 
             | BTW, if you have not tried Montblanc's Royal Blue give it a
             | chance. That one is "different". Also Scrikss's blue black
             | ink is nice.
             | 
             | The notebook using this paper is called Meteksan Prestige
             | [0]. I don't know if they're exported or not.
             | 
             | [0]: https://www.sarikalem.com/en/meteksan-prestij-
             | bloknot-17x24-...
        
             | linguae wrote:
             | My first PhD advisor was German, and he introduced me to
             | LAMY pens. Everyone in our lab was given a hardcover
             | notebook and a LAMY pen, and there were plenty of ink
             | cartridges that we could use. I don't use fountain pens
             | these days, preferring pencil instead, but I remember how
             | nice those pens were.
             | 
             | While I'm on the topic of German stationery, I regularly
             | use my Staedtler eraser and pencil sharpener.
        
             | tannhaeuser wrote:
             | Yeah I never came across those Japanese products given the
             | available German brands, of which there's also Staedtler,
             | Faber-Castell, Stabilo, and Rotring, in addition to those
             | already mentioned.
             | 
             | If anything, I had thought Japan were known to produce fine
             | markers/felt-tip pens.
        
           | internet101010 wrote:
           | I love my Platinum fountain pens far more than the Lamys or
           | other European fountain pens. No matter how many times I try
           | I always go back to the Platinum PTL-5000A, which has been
           | discontinued (thankfully I got a backup).
        
             | bayindirh wrote:
             | It's a matter of taste, and that's OK. Platinum is a great
             | brand, but it doesn't resonate with me much. Sailor's
             | ProGear and Pilot is where my heart is when it comes to
             | Japanese pens.
             | 
             | On the other hand, I find entry level German pens great for
             | everyday carry. They're _very_ rugged, and easy to replace,
             | if you can damage them.
             | 
             | I'm happy that you found your grail pen, because having one
             | is a great feeling.
        
           | WillAdams wrote:
           | One of the reasons China does well with fountain pens is they
           | nationalized the Parker pen factory at the beginning of the
           | cultural revolution.
        
         | redwall_hp wrote:
         | I exclusively use Japanese writing implements, and hand-wrote
         | all of my notes when I was in college. (Saved carrying a laptop
         | around, and some professors were sticklers about not having
         | laptops out during lectures.)
         | 
         | * Pilot Metropolitan fountain pen and Namiki ink
         | 
         | * Pilot G2 is my "minimum" pen, though I vastly prefer roller
         | ball pens.
         | 
         | * Uniball Air Micro
         | 
         | * Pilot Precise V2
         | 
         | * When I need a pencil, I use the Uni Kuru Toga, a mechanical
         | pencil that slowly rotates the lead to keep it sharp. Before
         | that, I used the Pilot pencils that use the G2 body.
         | 
         | * Recently, I ordered a Metacil "infinity pencil" out of
         | curiosity. It's an aluminum pencil with a very dense tip that
         | writes like an ordinary pencil, but is supposed to last a very
         | long time.
        
           | CocaKoala wrote:
           | Pilot Precise V2 got me through grad school and when I
           | started journaling recently, a set of those was the first
           | thing I went and picked up. Great pens.
        
           | JadeNB wrote:
           | > * Pilot Precise V2
           | 
           | I've only ever heard of V5 (0.5 mm) and V7 (0.7 mm), and
           | Googling doesn't turn up a V2. Is there one, or was this a
           | typo?
        
           | fransje26 wrote:
           | > Pilot G2 is my "minimum" pen, though I vastly prefer roller
           | ball pens
           | 
           | Do you have any roller ball pens you recommend? I love my G2,
           | but it does have the tendency to "leak" from time to time..
        
         | fallinditch wrote:
         | I love the Leuchturm 1917 A4 Master Notebook with a dotted grid
         | but the smaller B5 dotted grid notebook from Japan, the Maruman
         | 104 Mnemosyne, is also perfect and easier to travel with.
        
       | ics wrote:
       | This article reminded me of another great website which sadly has
       | been offline for several years now. Thankfully it seems to be
       | pretty well archived.
       | 
       | Leadholder - The Drafting Pencil Museum:
       | https://web.archive.org/web/20170617140127/http://leadholder...
       | 
       | Example:
       | https://web.archive.org/web/20160629142925/http://leadholder...
        
       | andrewla wrote:
       | The problem with most modern pencils that I've found is that the
       | leads are ever-so-slightly off-center, so a sharpened pencil will
       | often have a piece of wood very near the tip. From the pictures
       | (I've never used one myself) in this article, these pencils are
       | made to an excellent standard and the sharpened pencils look
       | amazing.
       | 
       | I'm far from a wood pencil connoisseur; I generally prefer
       | mechanical pencils (specifically Pentel Sharp; the P205 is a
       | beast), but in buying pencils for my kids I've found this to be a
       | consistently annoying issue.
        
         | sleepybrett wrote:
         | I finally ran out of my 'retro' blackwings and picked up a box
         | of their revival. They are expensive ($2.50 a pencil in packs
         | of 12) but the quality so far has been very consistent. Not
         | sure I'd give them to my kids as likely as they would be to
         | lose or destroy them, but you might consider them for yourself.
         | 
         | For mechanicals I have a Rotring 600 and a Staedtler Mars
         | Technico that is a billion years old.
        
           | otherme123 wrote:
           | Expensive pencils are one of those things that totally worth
           | it. I use Faber-Castell pencil, eraser and sharpener, and
           | while they are maybe double or triple the price of a cheap
           | one, they last way longer than that because they do their
           | job.
           | 
           | I have sharpened a cheap pencil more than 3 cm at once
           | because either the lead or the wood keep breaking.
        
         | wantless wrote:
         | I have used the "Mitsu-Bishi" 9800s (the green painted pencil
         | with gold lettering in this article) for years: all sharpen to
         | perfection. I like HBs, but love the 2Bs, which write as smooth
         | as butter. This is the low tier pencil offering at about 50
         | cents (US) each. I will never try high-end Unis; I can't afford
         | to habituate myself to luxury with the volume I write.
        
         | SoftTalker wrote:
         | I like wood pencils, I buy Faber-Castell 2B, also HB. I use a
         | small razor twist sharpener, not a crank sharpener. Haven't
         | really noticed much of a problem with off-center lead. Haven't
         | tried any Japanese pencils.
        
       | FatChauncy wrote:
       | I really like Japanese eraser-tipped office pencils. I was
       | cleaning out a drawer the other day and was excited to find half
       | a box of Mitsubishi 9850, a favorite of mine. They run about $8 a
       | dozen, but I felt like I had stumbled on a treasure trove. Smooth
       | writing, nice paint, well-centered leads, and a nice eraser on a
       | ferrule that doesn't loosen up. A good woodcased pencil is a joy
       | to write with.
        
       | blackeyeblitzar wrote:
       | It's interesting seeing all the innovative writing products in
       | Japan - feels like a totally different culture. I have to say
       | though, in the age of phones and laptops, it's hard to make time
       | to write things physically. It also just seems more painful (like
       | for the hands). Still, I appreciate the design and thought that
       | goes into Japanese pencils and pens.
        
         | JadeNB wrote:
         | > It also just seems more painful (like for the hands).
         | 
         | If you're anything like me, that's the experience of writing
         | with cheap pens and pencils, but finding the right grip for you
         | can make writing a totally different experience. I don't write
         | huge amounts on paper any more these days, so maybe my hand
         | would start cramping up if I wrote voluminously, but I can
         | easily take hours worth of notes without any trouble when using
         | nice pens.
        
         | WillAdams wrote:
         | Have you tried a good-quality, light-weight fountain pen?
        
       | fallinditch wrote:
       | See also:
       | 
       | In a world full of touchscreens, why do Japanese people love
       | stationery? (blog post)
       | 
       | https://hatsukoi.co.uk/blog/113-in-a-world-full-of-touchscre...
        
       | linguae wrote:
       | I love Japanese stationery. I prefer my Mitsubishi Hi-Uni pencils
       | to even my Blackwings, which are also great pencils. I also love
       | Kokuyo Campus notebooks, which I first started using 15 years ago
       | when I was a research intern at Fujitsu Labs in Kawasaki, Japan.
       | Every time I travel to Japan, I stock up on stationery.
       | 
       | On a related note, I wish there were software companies that put
       | as much attention to their software as companies like Mitsubishi
       | and Kokuyo put into their stationery. There was some well-crafted
       | software in the past; I have fond memories of ClarisWorks, and I
       | also enjoyed using The Omni Group's software, particularly
       | OmniOutliner and OmniGraffle. I also love the classic Mac OS and
       | Jobs-era Mac OS X. Unfortunately, most software these days do not
       | "spark joy" for me. In fact, I often have to deal with software
       | that gets in my way, that nags me instead of gets out of my way.
       | 
       | It's unfortunate that the economics of software makes it
       | difficult to create Omni Group's-style companies.
       | "Enshittification" seems to be the end result of successful large
       | software companies. Also, it's hard for smaller proprietary
       | software companies to compete against free, whether it's free-as-
       | in-beer or FOSS. I love FOSS, but it's hard for developers to
       | make a living writing FOSS unless they have strategies for
       | monetizing the software, which sometimes leads to compromises
       | that threaten to "enshittify" the software.
       | 
       | I'd love to find a solution to this problem. I'd love to see more
       | craftsmanship in software, but the economic incentives make
       | pursuing such craftsmanship hard.
        
         | makeitdouble wrote:
         | > I wish there were software companies that put as much
         | attention to their software as companies like Mitsubishi and
         | Kokuyo put into their stationery.
         | 
         | Mitsubishi refined its process by selling the same basic
         | product for half a century. The software equivalent would be
         | closer to the 'cat' command than Omni. We could go with curl or
         | vi, or Notepad if we give more credit to Mitsubishi pencils on
         | keeping up with modern materials.
         | 
         | You'll note that Mitsubishi Pencils isn't producing a highly
         | crafted extremely precise and delightful to use 3D mouse. They
         | stuck to pencils and the day pencil demand will die the company
         | will also die.
        
       | julienchastang wrote:
       | You know what is great about that blog post? The pictures. There
       | is something so pleasing about those shallow depth of field
       | macros of carefully laid out pencils and other stationary. (I
       | found some of those items on Amazon, BTW.)
        
       | wrp wrote:
       | I have preferred Japanese stationery for decades, and while its
       | overall quality is still the highest, I think its zenith is past.
       | There is still innovation in areas, but most product lines are
       | not as extensive as 20 years ago and some production has moved
       | overseas with a slight decline in quality.
       | 
       | Probably the decline is due to the shift to screen-based
       | communication. Japanese companies could produce better (i.e. more
       | expensive) products because their domestic market supported it.
       | With the younger generation glued to their smartphones, there is
       | much less use of traditional stationery products.
       | 
       | I have a few drawers full of discontinued items that I've
       | collected from eBay sales of old stock.
        
       | fallinghawks wrote:
       | My most treasured tools when I used to draw were Pentel 0.3
       | sliding sleeve pencils, model PS523. The sleeve let me put a lot
       | of pressure on a very fine lead without breaking. And of course
       | the lead was wonderful to use, very smooth. B was the softest
       | lead available in that diameter, so it was hard to get a really
       | dark black, hence the need for pressure.
       | 
       | I've bought a number of mechanical pencils since the model was
       | discontinued and have been only disappointed. Few enough have the
       | sliding sleeve, and on the few that do, the sleeve does not move
       | at all smoothly. There may never be another pencil like it.
       | 
       | For ink drawing I have a set of Sakura Pigma Micron pens in
       | different widths, also a lovely tool, and for general writing,
       | Uniball micros are my pen of choice.
       | 
       | I think it's more than coincidence that all these are Japanese.
        
         | MrMcCall wrote:
         | I guess that the nature of their writing system has either
         | driven both their artistic expressiveness and excellence of
         | their writing accessories, or vice versa, but, regardless,
         | their craftsmanship is outstanding and admirable.
         | 
         | I, too, was a Uniball micro man until I switched to pencils and
         | have been a Pentel Twist-Erase III man for a long time, indeed,
         | with 2B lead instead of America's #2 standard. So smooth, and
         | such a great eraser!
         | 
         | [I also must make my usual recommendation for NHKOnline's
         | videos, where they have many, many shows about traditional
         | Japanese crafts. Our family's favorite is now called "Design
         | Stories", where it used to be "Design Talks Plus". They
         | interview famous Japanese designers of all kinds, including a
         | couple of Manga and many graphic design folks, as well as some
         | stationery shops and Washi paper producers, plus architects and
         | potters. I've only seen a few less than excellent episodes, but
         | they're all good in the least.]
        
       | MrMcCall wrote:
       | I know this post is about old-school wooden pencils, but, as a
       | dedicated pencil pusher, I've got to tip my hat to my favorite
       | pencil for the past, at least, 12 years: the Pentel Twist-Erase
       | III mechanical pencils, in 0.5 and 0.7 (they also have a 0.9, but
       | I don't use those).
       | 
       | The key to these outstanding pencils is the perfectly fat eraser
       | that is over an inch long. Its formulation is excellent (neither
       | too hard nor too soft) so it erases superbly and lasts quite a
       | time, and it has refills in packs of three that can sometimes be
       | found in Office DepotMax.
       | 
       | I must also suggest a lead softness/hardness of 2B, instead of
       | the normal "Number 2 pencil lead" that is standard for test
       | taking here in America. It glides onto the paper more smoothly
       | and yet erases easily and mostly completely.
        
       | yapyap wrote:
       | Tombow HOMO
       | 
       | that's definitely, a name choice
        
       | buildsjets wrote:
       | There is an FAA accepted test of paint film hardness that
       | requires special calibrated pencils, available ONLY from
       | Mitsubishi pencil company, in packages of 17 for $224. Each
       | pencil comes with an individual certificate of calibration shows
       | that it meet's it's specified hardness level. The test is ASTM D
       | 3363, "Standard Test Method for Film Hardness by Pencil Test"
       | 
       | https://www.gardco.com/Products/Hardness-Testers/Scratch-Har...
        
       | WalterBright wrote:
       | I've tried all kinds of pens, and my favorite by a wide margin
       | are the TUL ones. It glides smoothly over the paper, doesn't
       | groove it, no blotchy lines, no dried up ink in the pen problems.
       | 
       | I use a pencil in the car because it always works.
       | 
       | Pencil writing doesn't scan very well, so I don't use it for
       | notes. TUL writing scans delightfully.
        
       | thr0waway001 wrote:
       | Those HOMOs are superior.
        
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       (page generated 2025-03-03 23:00 UTC)