[HN Gopher] Jack Elam and the Fly in 'Once Upon a Time in the West'
       ___________________________________________________________________
        
       Jack Elam and the Fly in 'Once Upon a Time in the West'
        
       Author : chimpanzee
       Score  : 118 points
       Date   : 2024-12-30 20:46 UTC (1 days ago)
        
 (HTM) web link (pov.imv.au.dk)
 (TXT) w3m dump (pov.imv.au.dk)
        
       | chimpanzee wrote:
       | The scene discussed:
       | 
       | https://youtu.be/QML28YQBvyc
       | 
       | And the excellent scene that follows (after the train stops
       | without any passengers departing, or so the gang thinks):
       | 
       | https://youtu.be/uhYLfK8GSr0
        
         | tpchnmy wrote:
         | You brought two to many horses...
        
           | vram22 wrote:
           | Get three coffins ready.
        
       | e40 wrote:
       | This is the beginning of a very good movie. It is on my top 10
       | all-time best movies. I watch it from time to time and see new
       | things each time.
       | 
       | I don't remember where I read the story, but it might have been
       | in the DVD extras. Henry Fonda grew a goatee and dyed his hair
       | black before he flew to Spain for the start of filming. When he
       | got there and Leone saw him he screamed "nooooo" because he hired
       | Fonda to be the baby-faced assassin.
       | 
       | Also, aside from the visuals, the music in this film is probably
       | the best match between music and video ever. Ennio Morricone's
       | soundtrack is pure genius.
        
         | roelschroeven wrote:
         | > the music in this film is probably the best match between
         | music and video ever
         | 
         | I presume you're talking about the mood of the music matching
         | with the video, but they match in another way as well.
         | Undoubtedly you already know this, but I wanted to add for
         | people who don't: the music was composed first, and was played
         | during filming, allowing the actors to synchronize their
         | movements with the music.
         | 
         | The bit about Henry Fonda changing his appearance and Sergio
         | Leone not agreeing with that: I think you're right it's on the
         | DVD. There's a separate soundtrack with comments from various
         | people while the movie is playing, and I /think/ it's in there
         | somewhere, but I'm not 100% sure. They also talk about how
         | Henry Fonda was very famous at the time, famous for playing the
         | good guy. Seeing him playing the bad guys had quite a shocking
         | effect on audiences, which was Leone's intention. A bit like
         | Tom Hanks suddenly playing a vicious assassin (more relatable
         | for people my age).
        
           | svat wrote:
           | > bit like Tom Hanks suddenly playing a vicious assassin
           | 
           | FWIW, Tom Hanks was in _Cloud Atlas,_ where he played at
           | least one evil character (though it was Hugh Grant I remember
           | as more vicious, which was also out of type for him, at least
           | at the time).
        
         | JKCalhoun wrote:
         | It is an excellent film. It is one of the "1001 Films to See
         | Before You Die" (and I am happy I was introduced to it).
        
         | szajbus wrote:
         | I always thought that the movie would be better with another
         | actor in the main role. I just don't buy the character played
         | by Charles Bronson.
        
       | indigodaddy wrote:
       | The HDR on the 4k version of this movie is hideous.
       | 
       | I'd recommend watching the disc in SDR mode. It looked great that
       | way.
        
         | CharlesW wrote:
         | Interestingly, the AVForums review says HDR is the reason (if
         | any) to prefer it. ("WCG" below is "Wide Color Gamut".)
         | 
         | > _The biggest reason for sticking with your purchase is
         | probably the application of WCG and Dolby Vision HDR, with the
         | image now a lush -- but faithful -- palette that enjoys those
         | sun-burnt skin tones (a few pink lips look kinda odd on
         | occasion, but for the most part it 's well handled) dominating
         | wood browns, dirty desert backgrounds and often stunning blue
         | skies. Black levels are rich and deep, but don't swallow up all
         | the shadow detail, and the film -- in comparison to the old
         | blu-ray -- looks a whole lot more "4K" given what we've come to
         | expect from the benefits of WCG and HDR, to the point where
         | it'll likely end up being the default playback for those pot
         | committed on this release._
        
       | NotSammyHagar wrote:
       | Such a fabulous movie. I searched, it's available on amazon prime
       | in the us until Jan 1 it says(with limited interruptions...?).
       | 
       | I want to see movies this great again - you can, but only with
       | streaming. No CGI here but maybe a little syrup on Jack Elam's
       | face ;-)
        
       | garyrob wrote:
       | One of my all-time favorite movies.
        
       | mjw_byrne wrote:
       | Just adding another comment to say how brilliant this film is. So
       | atmospheric, such great music, such a grand presentation of the
       | wild west and it's demise. It makes other westerns feel half-
       | baked.
        
         | ethbr1 wrote:
         | Good filmmakers and authors use a genre to make a specific
         | work.
         | 
         | Middling filmmakers and authors make a work about a specific
         | genre.
         | 
         | It's also a treat to watch Kurosawa's Seven Samurai, Yojimbo,
         | and Sanjuro; then Leone's Dollars Trilogy; then Dirty Harry;
         | then Woo. "The mysterious stranger" throughout the ages,
         | indeed.
        
       | snowwrestler wrote:
       | I always took that opening scene as establishing how tough and
       | capable the 3 waiting gunmen are. How hard would it be to catch a
       | fly inside a gun barrel?? But this guy does it first try. Seems
       | to imply incredible reflexes.
        
         | more_corn wrote:
         | Yeah, reducing it to a story about sound misses the development
         | of the character. Why did he do it, how did he do it? What does
         | it say about him that he chose to and that he could?
        
         | lazide wrote:
         | For anyone familiar with guns (as most Americans in the
         | audience would be, anyway), it also illustrated how unhinged,
         | dangerous, and reckless the gunman was.
         | 
         | You're really going to point a loaded gun at yourself,
         | including looking down the barrel (and potentially shoot your
         | self in the face), to appreciate the fly you just caught? The
         | fly you still haven't killed? Which can now escape while you
         | appreciate it?
         | 
         | And which, it turns out, ends up escaping when the gunman gets
         | distracted. And which you could have killed at any point along
         | the way in about 10 easier ways if you didn't want to try to be
         | fancy?
         | 
         | Well, it turns out that does indeed fit their character haha.
         | And is good foreshadowing for most of the 'bad guys' in the
         | movie, and to some extent the ending.
         | 
         | A really amazing classic, if you're not stuck in 'TikTok
         | attention span' mode anyway.
         | 
         | Also, a really funny parody of the spaghetti western (which
         | includes some of the same folks - 'Support your local
         | sheriff').
        
           | dnh44 wrote:
           | Oddly I remembered it as the fly escaping too but I've
           | rewatched the scene now and he clearly lets the fly go.
        
             | lazide wrote:
             | Even better, considering how often Harmonica gets let
             | go/ignored throughout the movie, despite clearly not being
             | who he says he is.
        
           | pjbeam wrote:
           | One _possible_ out for Snakey here is that in old percussion
           | cap revolvers (like Colt Dragoon), the safe thing to do was
           | keep an empty chamber in front of the hammer when not engaged
           | in active shooting. It's been a while though, and my fuzzy
           | memory leans more toward the guns supposed to be Single
           | Action Army-esque and not cap/ball era so maybe no excuse for
           | Snakey after all.
        
           | dreamcompiler wrote:
           | > Also, a really funny parody of the spaghetti western (which
           | includes some of the same folks - 'Support your local
           | sheriff').
           | 
           | "Why, if I'd pulled that trigger while your finger was in the
           | barrel, that gun woulda blowed up in ma face!
           | 
           | Wouldn't have done my finger a helluva lot of good either."
           | 
           | I loved this movie when I was a kid.
        
       | jtwaleson wrote:
       | Friendly reminder to fans of the genre that you can visit the
       | film set of the cemetery in The Good, The Bad and The Ugly near
       | Burgos, Spain. It's free and I the middle of nowhere. I went this
       | summer and it was an amazing experience. Search for Sad Hill
       | Cemetery.
        
       | pcardoso wrote:
       | Related, the film was shot in what is now a pretty cool small
       | theme park close to Almeria.
       | 
       | https://minihollywoodoasys.com/
        
         | gitaarik wrote:
         | You can also visit Sad Hill Cementery from The Good, the Bad
         | and the Ugly. It was rediscovered and renovated by fans in
         | 2015. It's near Burgos, also Spain, but not close to Almeria.
         | 
         | https://en.m.wikipedia.org/wiki/Sad_Hill_Cemetery
         | 
         | It's also a very beatuful area for hiking around there.
        
       | pjbeam wrote:
       | My read of the end of this is that the author of TFA replaces the
       | "elevated" interpretations in the cited academic works with "the
       | fly scene's purpose is the be awesome (Leonesque)"--is that
       | right?
       | 
       | Love this movie and the scene but definitely don't relate much to
       | more involved interpretations. That said, I'm the first to admit
       | I'm no sophisticate and am interested in other takes.
        
       ___________________________________________________________________
       (page generated 2024-12-31 23:01 UTC)