[HN Gopher] 'Maya blue': The mystery dye recreated two centuries...
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       'Maya blue': The mystery dye recreated two centuries after it was
       lost
        
       Author : Qem
       Score  : 48 points
       Date   : 2024-12-01 15:26 UTC (5 days ago)
        
 (HTM) web link (www.aljazeera.com)
 (TXT) w3m dump (www.aljazeera.com)
        
       | Qem wrote:
       | Wikipedia article: https://en.m.wikipedia.org/wiki/Maya_blue
        
       | dylan604 wrote:
       | man, the photographer really was intrigued by his blue painted
       | hand. surely, there could have been other examples of the
       | pigment's use
        
         | oakwhiz wrote:
         | Maybe this is partly because of Islamic aniconism.
        
           | dylan604 wrote:
           | You're implying the only other use of the pigment is to make
           | idols?
        
         | altairprime wrote:
         | Hands are typically an excellent gray reference for
         | photography, ensuring that the captured photos represent the
         | color accurately given the photographer's platform constraints.
         | Hands also help the human brain correct for variations in
         | lighting, color profiles, monitor calibration, and so on.
         | Showing the dye color on skin ensures the highest fidelity
         | conveyance of the hue to the reader possible without control
         | over how it's viewed. Other examples of the pigment's use would
         | be abstract and "just another blue"; by showing in this way,
         | it's possible to see that it's an uncommon and high-key blue.
         | 
         | It's also extremely unusual to see a skin-safe saturated dye in
         | this shade; most powdered sources of blue and white, which
         | would necessarily be blended to reach these shade, would be
         | highly toxic. So, for pigment historians and aficionados, these
         | photographs are eerie and compelling. This is what working with
         | pigment used to be like, before we understood how much of it
         | was toxic and deadly to the people working with and wearing it.
         | You could just dip your hands in the forbidden color and admire
         | them. It's very cool to see and I'm glad they used hands as the
         | focus.
         | 
         | (There may also be cultural reasons why the dye is shown here
         | on skin; I haven't yet studied mesoamerican cultures and body
         | painting, but others who are more familiar should chime in.)
        
           | fourteenrhinos wrote:
           | Thank you for sharing this--I was also confused by the hand
           | photos but viewing them again with this reference point gave
           | me a new appreciation for the entire work!
        
       | myth_drannon wrote:
       | Interesting that some ancient cultures in different parts of the
       | world made blue part of their rituals and also lost the ability
       | to produce the dyes. Egyptians, Jews
       | (https://en.wikipedia.org/wiki/Tekhelet). Is it because
       | blue->sky->God?
        
         | corinroyal wrote:
         | Blue pigments were just rare. There are very few natural ones
         | and historically the synthetics have been costly and hard to
         | produce, Han blue, Egyptian blue, Fra Angelico blue from
         | lapiz... The later was so expensive it was mainly reserved for
         | Mary's robes, so perhaps the spiritual association was due to
         | expense. Fra Angelico blue is still expensive. 23,000 Euros a
         | kilo from Kremer. Even new synthetic blues are expensive. YInMn
         | blue is 208 Euro for 50g.
         | 
         | The real revolution in color was the invention of cheap
         | synthetic blues starting with Prussian blue in the 19th century
         | and led today by the ultramarines and phthalocyanine blues,
         | which include our standard cyan used in every inkjet. When
         | Prussian blue came out there were a few decades of artistic
         | celebration at the dawn of a cheap, intense, and gorgeous blue.
         | Hokusai's 36 Views of Mount Fuji is a particularly exuberant
         | example of this new blue's early use.
        
           | Jun8 wrote:
           | Which triggers the next level question: Why are blue pigments
           | in plants and animals rare? Quick answer: Unknown.
           | 
           | https://biology.stackexchange.com/questions/56476/why-are-
           | so...
           | 
           | https://news.ycombinator.com/item?id=40797070#
        
           | WorkerBee28474 wrote:
           | > Hokusai's 36 Views of Mount Fuji is a particularly
           | exuberant example of this new blue's early use.
           | 
           | https://en.wikipedia.org/wiki/Thirty-
           | six_Views_of_Mount_Fuji...
        
       | GnarfGnarf wrote:
       | For a high-profile outfit like Al Jazeera, I'm surprised at the
       | infestation of tacky ads.
        
       | clcaev wrote:
       | The chemistry of Maya blue is fascinating since Indigo degrades
       | quickly. To keep the color vibrant, now over centuries, it was
       | encased in palygorskite clay. If you are interested in this
       | topic, see also:
       | 
       | Veiled Brightness: A History of Ancient Maya Color with Stephen
       | Houston and colleagues, University of Texas Press, 2009
       | 
       | https://utpress.utexas.edu/9780292719002/
        
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       (page generated 2024-12-06 23:00 UTC)