[HN Gopher] What the photographer who's taken philosopher portra...
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       What the photographer who's taken philosopher portraits thinks of
       philosophers
        
       Author : Petiver
       Score  : 53 points
       Date   : 2024-09-27 03:30 UTC (4 days ago)
        
 (HTM) web link (aestheticsforbirds.com)
 (TXT) w3m dump (aestheticsforbirds.com)
        
       | bbor wrote:
       | Fascinating, thanks for sharing! I've gotta buy this book one
       | day. The interview got a little goofy towards the end -- I think
       | we can all sorta guess what professional photographers think of
       | digital cameras and Instagram filters, and it kinda felt off
       | topic - but overall very heart warming stuff. I do like thinking
       | of philosophers as a family... wonder how true that is today, in
       | the midst of intensely empirical + results-driven academic
       | culture.
       | 
       | Reminds me of the Adler quote;                 What binds the
       | authors together in an intellectual community is the great
       | conversation in which they are engaged. In the works that come
       | later in the sequence of years, we find authors listening to what
       | their predecessors have had to say about this idea or that, this
       | topic or that. They not only harken to the thought of their
       | predecessors, they also respond to it by commenting on it in a
       | variety of ways.
        
         | ygra wrote:
         | > I think we can all sorta guess what professional
         | photographers think of digital cameras and Instagram filters,
         | and it kinda felt off topic
         | 
         | I guess the camera is >>just<< a tool to the photographer. If
         | their job requires certain things that can be done more
         | efficiently with digital photography (e.g. sports - there was
         | an article here recently about how photography was done at the
         | olympics), then I'm fairly certain they tend to choose the
         | better option.
         | 
         | However, for more artistic things like his portraits, I guess
         | it makes little difference. Probably similar to a carpenter who
         | just _likes_ working with hand tools instead of power tools.
         | Personally I like my SLR camera and dread going to mirrorless
         | eventually (or I have to upgrade as long as DSLRs still exist)
         | - at the current point I still feel weird about looking at a
         | screen and not directly through the lens. I also like having
         | all the settings and knobs to turn to control the exposure.
         | 
         | And all that is more a preference thing because it's a hobby
         | for me that's fun and I am not bound to any particular results
         | or cadence thereof.
         | 
         | There's a series on YouTube, Pro photographer, cheap camera. I
         | was impressed at how usable photos can still come out of
         | essentially trash cameras. But perhaps that's what a
         | professional photographer's skill is: Taking a tool,
         | considering what it can do (and what it _cannot_ ) and planning
         | the shot accordingly
        
           | throwanem wrote:
           | Partly that, and partly the other thing. The tool can inform
           | the work; I have a cheap junk Sears-brand lens from 1975 that
           | does magical things with light and color, and I have shots I
           | could not have _imagined_ making before I discovered what
           | that lens could do. (I 'm studying lens repair just lately so
           | I can fix its stuck aperture! This tool is worth a whole
           | _skill_ to me, to keep working properly.)
           | 
           | It isn't a professional photographer's skill, though, but a
           | _photographer 's_ one. Anyone who tells you he's a
           | photographer and can't talk intelligently about these
           | tradeoffs, about the selection of constraints to fit the
           | intent of the work and vice versa, he's lying to impress you
           | and probably don't let him hand you a drink.
        
         | keiferski wrote:
         | You might be interested in what Nick Knight, a well-known
         | photographer, thinks about cameras and other, newer devices.
         | The TLDR is that he feels that "photographer" is increasingly
         | an outdated term, and he ought to be called something like
         | "image maker" instead.
         | 
         | https://www.youtube.com/watch?v=KPummP8Vfyk
        
           | ninalanyon wrote:
           | > ought to be called something like "image maker" instead.
           | 
           | Surely that is what photographers always have been? A
           | photographer in the sense of the article is an artist. The
           | image is created by the photographer using the tools of his
           | trade, the camera, the film, the dark room. Now a
           | photographer uses scanners, digital cameras, and software but
           | I don't see that the essence of artistic photography has
           | changed.
           | 
           | What would Knight call a portrait painter?
        
             | keiferski wrote:
             | He means a specific thing by "image maker," which he talks
             | about in the video.
        
       | caillou wrote:
       | Strange. Why is every single one of these photos out of focus?
        
         | freejazz wrote:
         | They're not?
        
           | vundercind wrote:
           | I see what the poster means. Parts of each face/head are out
           | of focus. I dunno shit about photography so don't know the
           | term for what's going on, but it looks like the camera was
           | set so only about an inch-deep section of the shot would be
           | in focus.
        
             | hyggetrold wrote:
             | Yep, that's a technique in photography - common for
             | portraits.
        
             | tasty_freeze wrote:
             | The resulting image looks more intimate. If the photograph
             | was 10 feet away and zoomed in, the face might have the
             | same scale but the entire face would be in focus. The
             | actual image was shot much closer with a shallow depth of
             | field, which even without thinking about it is perceived as
             | the viewer being very close to the subject.
             | 
             | It is amazing how little of our field of view is in focus.
             | Hold up your hand at arms length and look at your thumbnail
             | so it is in focus. Notice that the part of the thumb
             | immediately below the thumbnail is out of focus unless you
             | move your eyes to look at it.
        
         | fearmerchant wrote:
         | Using a lens with a shallow depth of field to create a bokeh
         | effect.
        
         | pvaldes wrote:
         | Being a little out of focus and rambling around is a
         | philosophers thing.
        
         | alistairSH wrote:
         | The only portrait that appeared OOF to me was that of Susan
         | Hurley. The rest look fine. Was there another one in particular
         | you thought was OOF?
         | 
         | The artist does appear to use a large aperture (or some other
         | technique) to control depth of field. So there are portraits
         | where the background is blurred, or in some, even parts of the
         | subject (hands vs face). But, overall, they're mostly all in
         | focus.
        
         | bpshaver wrote:
         | They're all taken by the same photographer and thus exhibit a
         | consistent style
        
         | justin66 wrote:
         | This photographer is employing an unusually shallow depth of
         | field in some of these photos. You gotta have a gimmick.
        
       | keiferski wrote:
       | _AK: You don't think that's true in the Arts? SP: Not in the same
       | way. In the arts, a lot of the judging is outside of your tribe:
       | curators, galleries, even museums. Philosophers are judged more
       | from within. Also, much of philosophy is not for public
       | consumption, or at least, it sort of is but sort of isn't. You're
       | ultimately making things for your own family and they're the ones
       | judging you. The Arts function in a different way._
       | 
       | I have a degree in analytic philosophy, and this is definitely
       | true. It's something I both miss and think is a serious issue
       | with the field of philosophy, at least in the Anglosphere. It's
       | very, very tempting to stay in the isolated, intellectual world
       | of academic philosophy, where rigor matters and the petty
       | sociopolitical problems of the world outside can be safely
       | ignored. The vast majority of analytic philosophy doesn't really
       | comment on contemporary ethical issues in the first place, which
       | is ultimately where that buffer comes from, instead focusing
       | largely on language, logic, and similar areas.
       | 
       | But it also leaves you feeling like you aren't really engaging
       | with the world and with everything that the field of philosophy
       | has to offer, especially when contemporary times are IMO full of
       | real-world problems in desperate need of philosophers.
        
         | pfd1986 wrote:
         | Thanks for the perspective. The courage to "face society" and
         | write for the public is one of the reasons I've always loved
         | (trying) to read Daniel Dennets work. He seemed to be writing
         | for scientists and less to other philosophers. Not sure if you
         | agree
        
           | keiferski wrote:
           | I'm not super familiar with Dennett's work but I do know that
           | he is better known outside of academic philosophy than
           | within, probably for the reason you mentioned.
        
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