[HN Gopher] Leonard Cohen: The Man Who Saw the Angels Fall
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       Leonard Cohen: The Man Who Saw the Angels Fall
        
       Author : pseudolus
       Score  : 122 points
       Date   : 2024-09-19 18:01 UTC (5 hours ago)
        
 (HTM) web link (www.theatlantic.com)
 (TXT) w3m dump (www.theatlantic.com)
        
       | pseudolus wrote:
       | http://archive.today/i4EDT
        
       | indigodaddy wrote:
       | Here's hoping that some HN users discover Leonard Cohen via this
       | thread! For me it was life changing.. up there with the impact of
       | Glass, Ali Farka Toure, the genre of Flamenco in and of itself,
       | Simon Shaheen, Ennio Morricone, Goran Bregovic, Yann Tiersen,
       | Islands, etc, on me. (although a lot of these aren't really
       | related to each other, just sort of speaking to that "musical
       | impact" on a person)
        
         | Obscurity4340 wrote:
         | Whats the best start or way to go to discover Cohen for a newb?
        
           | pseudolus wrote:
           | Here's a Youtube video ("A Guide to Leonard Cohen") that came
           | out right after he died and provides a brief bio and
           | discusses some of his work: https://youtu.be/rLQD_kugBBM
        
           | bitmasher9 wrote:
           | Maybe one of his later in life live performance albums (Live
           | in Dublin or Live in London)would be a good place to start,
           | if you don't mind spending an hour of audio listening. He's
           | personable, performs his greatest hits, and feels like a man
           | demonstrating his life's work.
        
           | beezlewax wrote:
           | Not the poster you asked but I'd say.. Start at or near the
           | beginning. Later stuff has some gnarly sounding synths and
           | arrangements that might not sound all that palatable to the
           | modern ear (very 80s).
           | 
           | For me I first heard him via his album "Songs of Love and
           | Hate". I found it in my dads record collection after a
           | funeral of a close family member.
           | 
           | It's still my favourite.
        
             | indigodaddy wrote:
             | Pretty sure I first found out about Cohen (and Pixies!) via
             | Pump Up The Volume (1990). Fantastic movie. I thought the
             | Concrete Blonde Everybody Knows cover was good, but then I
             | dug and found the real thing and was blown away..
        
               | jzb wrote:
               | FWIW I think they're comparable, but just very different.
               | Johnette Napolitano's voice is fantastic, and she really
               | gets to stretch out on "Everybody Knows". As good as the
               | recorded version is, hearing Concrete Blonde do it live
               | was amazing. I saw them in 1993 in St. Louis and that
               | show is still in my top 10 concerts, ever.
        
             | Supernaut wrote:
             | > synths and arrangements that might not sound all that
             | palatable to the modern ear
             | 
             | Are you referring to _I 'm Your Man_? Because I'd say that
             | it's his single most accessible collection of songs, and
             | that his adoption of modern instrumentation was a genius
             | move. The backing track for "First We Take Manhattan"
             | sounds like New Order!
        
               | xhevahir wrote:
               | It's not modern instrumentation. It's a Technics arranger
               | keyboard like the kind you might have heard in an airport
               | smoking lounge. He started using them because they
               | allowed him to build an arrangement without the help of
               | other musicians. They've always sounded chintzy to me but
               | they worked for him because of the cabaret nature of his
               | songs.
        
               | Supernaut wrote:
               | His Technics is used in places, such as "Tower of Song".
               | But "First We Take Manhattan" was recorded using a
               | Synclavier, which at the time was as cutting-edge as you
               | could get.
        
               | xhevahir wrote:
               | Interesting. I didn't know that about the Synclavier. I
               | still think the production in his later stuff will sound
               | very quaint to anyone encountering it for the first time.
               | 
               | He was a really dedicated user of those Technics
               | machines. He and Wesley Willis, lol.
        
           | indigodaddy wrote:
           | His later tour stuff is great as another commented mentioned,
           | but I'd say maybe give 'I'm Your Man' a whirl (it has
           | Everybody Knows and Take This Waltz). If you don't like it
           | then you probably won't like LC in general (although you
           | maybe could still like Hallelujah as that one has sort of
           | taken over the mainstream consciousness. Definitely a great
           | song, and I'm in the minority probably being that I dislike
           | most of the Hallelujah "covers", preferring the LC original).
           | 
           | https://en.wikipedia.org/wiki/I%27m_Your_Man_(Leonard_Cohen_.
           | ..
           | 
           | Songs from a Room from 1990 is also pretty great, with one of
           | the most beautiful songs I've ever heard, The Partisan.
           | 
           | His early stuff is a little different, mostly due to his
           | voice being different tonally and being much younger (just
           | his later stuff with the gruff voice comes off kind of
           | different, but stylistically his music has stayed pretty
           | consistent-- he has explored and incorporated world music
           | throughout his career for instance), but you can't go wrong
           | with his first album from 1967, with classics like Suzanne
           | and So Long, Marianne.
           | 
           | https://en.wikipedia.org/wiki/Songs_of_Leonard_Cohen
        
             | Ma8ee wrote:
             | I guess it is just a typo, but Songs from a Room is from
             | 1969. For me his first three albums: Songs of Leonard
             | Cohen, Songs from a Room, and Songs of Love and Hate made a
             | kind of trilogy. I've always loved these ones, while his
             | other albums more grown on me over time.
        
               | indigodaddy wrote:
               | You know I thought it was a very early one, but I looked
               | it up on Google and it said 1990 so I just blindly
               | accepted it. Must have been a reference to a reissue
               | perhaps..
        
             | RandomThoughts3 wrote:
             | _Suzanne_ is quintessential young Cohen: written as poetry
             | before he became a singer, put to simple but enjoyable
             | music, personal but relatable in its theme and quite
             | evocative of the 60s.
             | 
             | I think the best way to understand Cohen is that he is a
             | legitimate poetry writer who realised early on that his
             | voice and good look could earn him more money as a singer.
             | He is in a lot of way a better Dylan except giving him the
             | Nobel would have been less insulting to Roth.
        
             | throw310822 wrote:
             | I think I' have to share my favourite cover of "Take this
             | waltz" then:
             | 
             | https://youtu.be/F2_6XXmIP2U?si=2XyKxNCd9rPq8Im2
        
               | indigodaddy wrote:
               | Wow! What a talented young man, and incredible rendition.
               | And the piano improvisation toward the end was excellent
               | and unexpected. This made my day, thank you.
        
           | mhb wrote:
           | Who By Fire
           | 
           | The little-known story of Leonard Cohen's concert tour to the
           | front lines of the Yom Kippur War
           | 
           | https://mattifriedman.com/who-by-fire/
        
           | jzb wrote:
           | I'd start with _The Future_ (1992), _I 'm Your Man_ (1988),
           | and _Ten New Songs_ (2001). Those are, IMO, his most
           | accessible and there 's a very good chance you already know a
           | few of those songs and haven't realized you know those songs.
           | (e.g., "Everybody Knows" from _I 'm Your Man_ has been in a
           | few movies, as have "The Future", and "Waiting for a Miracle"
           | from _The Future_.)
           | 
           | Note that there's a really stark difference in his voice
           | starting in the mid-80s. His early stuff doesn't sound quite
           | right to me because I equate Leonard Cohen with his voice in
           | the later albums.
        
             | xhevahir wrote:
             | I started with I'm Your Man and it's probably still my
             | favorite but there are good reasons why his best known work
             | is on the first few albums.
        
           | rwmj wrote:
           | The Best Of Leonard Cohen a classic early collection:
           | https://en.wikipedia.org/wiki/The_Best_of_Leonard_Cohen
           | 
           | But his albums, especially the early ones, are worth getting
           | because of the extraordinary standard of both songwriting and
           | production (by Bob Johnston).
        
           | ghotli wrote:
           | Suzanne
        
           | nullhole wrote:
           | "The Best of Leonard Cohen" isn't a bad place. It's from mid-
           | career, so not exhaustive, but most of the songs on it are
           | gems.
        
           | keithasaurus wrote:
           | I learned about Leonard Cohen by watching the movie McCabe
           | and Mrs Miller. Recommended.
        
             | gattilorenz wrote:
             | I learned about him by reading (but no audio...) and then
             | watching Barney's version.
             | 
             | A great songwriter, a great book, a very nice movie.
        
               | indigodaddy wrote:
               | On my watchlist!
        
           | marcus0x62 wrote:
           | Live in London is a great representation of how he sounded
           | toward the end of his touring career, and I think it is a
           | great place to start. IMO, there's not a bad track on the
           | album.
        
           | bregma wrote:
           | First you take Manhattan. Then you take Berlin. You want it
           | darker?
        
             | shagie wrote:
             | I'm fond of the R.E.M. cover of First We Take Manhattan
             | (which also was my introduction to Cohen).
        
           | worik wrote:
           | His first two albums are a revelation
           | 
           | If you can cope with "man and guitar", nothing else
           | 
           | It is the songs. Just the songs
        
             | marginalia_nu wrote:
             | I think either this, or his last two albums.
             | 
             | The Hills[1] is just sublime.
             | 
             | [1] https://www.youtube.com/watch?v=FesS3D-7o1g
        
           | andyjohnson0 wrote:
           | _Live in London_ is a great album to atart with - he was in
           | his seventies, doing a multi-year world tour, and still
           | sounding absolutely at the top of his game.
           | 
           |  _I 'm your Man_, like some of his other 80s albums, can be a
           | bit synth-heavy - which may be surprising if you've only
           | heard _Suzanne_. I 'd recommend it, although I dislike the
           | final track ( _Jazz Police_ ).
           | 
           | His final album, _You Want it Darker_ is elegiac and sadly
           | lovely. Probably not the place to start though.
        
           | karaterobot wrote:
           | In my experience, the best way to discover Leonard Cohen's
           | music is while driving back from a high school club
           | convention in 1996, and the _cool_ teacher starts playing
           | _New Skin for the Old Ceremony_ on cassette. And you 're
           | like: "this isn't Nirvana, what is it?!"
           | 
           | BUT, if you can't swing that, there's a great Best Of album
           | that is 100% bangers. Slow, dark, introspective bangers.
        
             | indigodaddy wrote:
             | Hah, love it.
        
           | mklepaczewski wrote:
           | I don't know about the best way to discover him, but nobody
           | yet mentioned "Famous blue raincoat" nor "Dance me to the end
           | of love" and I just couldn't let them go unnoticed. "Take
           | this waltz" and "Hallelujah" are also great.
        
             | seemaze wrote:
             | Those are all wonderful songs and included in the 2002
             | compilation 'The Essential Leonard Cohen', which
             | incidentally is how I discovered his music.
        
           | marginalia_nu wrote:
           | I don't think it matters where you start, but start with the
           | expectation that a lot of the music is really more spoken
           | word poetry set to music, the emphasis is on the lyrics and
           | their layered metaphor, and so the music strongly benefits
           | from repeated listening.
           | 
           | There's stuff you won't unpack until you've listened to a
           | song dozens of times.
        
           | scrame wrote:
           | just do the greatest hits, and maybe songs of love and hate.
        
           | coldpie wrote:
           | The first thing I listened to from him was his very last
           | album, "You Want it Darker", released less than a month
           | before he passed. I don't know whether it's the best way to
           | start, but I absolutely love the album, and it made a huge
           | impact on me. It's one of the most emotional sets of music
           | I've ever heard. You can hear his voice straining to its
           | limits, he's putting everything he's got into it.
        
             | marginalia_nu wrote:
             | The posthumous Thanks for the Dance is a fantastic album as
             | well. If anything, even more emotional than You Want It
             | Darker.
        
           | eliaspro wrote:
           | I grew up with Leonard's music in the 90s, but it was only
           | after his death that I learned about his non-musical poetry
           | through another favorite of mine - the Swedish group "First
           | Aid Kit". They did an absolutely breathtaking tribute show to
           | honor their idol, where they arranged his music and poetry
           | with a few of their friends: https://youtu.be/of_hZoVvqaM
        
         | 082349872349872 wrote:
         | My favourite cover of "Hallelujah" is the yiddish one:
         | https://www.youtube.com/watch?v=XH1fERC_504
        
           | more_corn wrote:
           | There was a recent article about hallelujah.
           | 
           | https://subtledigressions.substack.com/p/hallelujah-
           | leonard-...
        
           | myth_drannon wrote:
           | Nope, doesn't work with Yiddish/German language, too abrupt
           | and hard. I would say Hebrew since it flows naturally with
           | the word Hallelujah, but even that...
        
         | qwertox wrote:
         | I dislike "Hallelujah" and am not aware of other songs from
         | him. There's the line "Give me a Leonard Cohen afterworld, so I
         | can sigh eternally" in Pennyroyal Tea, which made me not judge
         | him, and then there was Chris Cornell's daughter Toni singing
         | it for her father [0], which was really moving.
         | 
         | What am I missing out on?
         | 
         | [0] https://youtu.be/w5-M1lwLvDU?t=75
        
           | gmac wrote:
           | It's funny, I quite viscerally hate Cohen's original
           | Hallelujah, but I first encountered it as sung by Jeff
           | Buckley, and that version I absolutely love.
           | 
           | Otherwise I like his first album (Songs of Leonard Cohen)
           | when I'm in the mood for something depressing, but everything
           | else of his I've heard just sounds to me like a drunk on a
           | street corner with a Casio keyboard.
        
             | SECProto wrote:
             | > everything else of his I've heard just sounds to me like
             | a drunk on a street corner with a Casio keyboard
             | 
             | Though I disagree with the characterization, there's a
             | beauty in it, too
        
           | indigodaddy wrote:
           | I wouldn't discount exploring further if you disliked
           | Hallelujah, as the song is a bit niche even against LC's
           | larger library. Find a best of album and give it a go.
           | 'Everybody Knows' and many others that you may better regard
           | will certainly be on it.
        
           | jszymborski wrote:
           | Pretty much every track is a hit, but here are some four
           | random personal favourites:
           | 
           | - Everybody Knows https://youtu.be/Gxd23UVID7k
           | 
           | - First We Take Manhattan https://youtu.be/JTTC_fD598A
           | 
           | - Famous Blue Raincoat https://youtu.be/ohk3DP5fMCg
           | 
           | - Who By Fire https://youtu.be/ilGahIwQEQ0
           | 
           | Obviously too many to list here though, just pick up any
           | album. By virtue of the fact that he was an incredible
           | songwriter, his songs have such wonderful covers.
           | 
           | The Tori Amos cover of Famous Blue Raincoat [0] is one of my
           | favourites, and this cover of Who by Fire by PJ Harvey & Tim
           | Phillips gives me chills every time [1] (also the theme for
           | Bad Sisters which is an amazing series). Also, pretty much
           | every Canadian who was an adult in 2010 has an emotional
           | connection to the k.d. lang performance of Hallelujah at the
           | Vancouver olympics [2].
           | 
           | [0] https://youtu.be/PMSbICWbjBw
           | 
           | [1] https://youtu.be/PPY_MqCfMqE
           | 
           | [2] https://youtu.be/tcOQSk_cMO0
        
             | indigodaddy wrote:
             | one of my favorite LC covers, Chelsea Hotel, by one of my
             | favorite artists, lead singer for the Belgian band
             | Intergalactic Lovers:
             | 
             | https://youtu.be/BGKIA7QUEGY?si=d_uzxaJOmiNEAJAm
             | 
             | If you dig her, check out this Intergalactic Lovers
             | concert, basically most of the songs from Little Heavy
             | Burdens:
             | 
             | https://www.youtube.com/watch?v=MVUW5t1HK_Y
        
             | sonofhans wrote:
             | Concrete Blonde did a great cover of Everybody Knows --
             | https://www.youtube.com/watch?v=l5Fb4K8pNmg
             | 
             | Johnette is a poet herself and a fantastic vocalist; she
             | keeps the cynicism and the heartbreak. The cover has always
             | _felt_ like a Cohen song to me.
        
               | jszymborski wrote:
               | Really enjoyed that, cheers.
        
       | mrtksn wrote:
       | When I was backpacking in Germany some many years ago I stumbled
       | upon a concert of him and tried to convince some peers to watch
       | it, IIRC the venue was suitable to hang around and listen to
       | without a ticket, and everybody thought that it was the uncoolest
       | thing ever. I still disagree, Leonard Cohen is amazing. Much
       | cooler than most rocks stars. I would be happy if his song become
       | a thing again.
        
         | lagrange77 wrote:
         | My mom dragged me to one of his last concerts and i had similar
         | expectations as your peers. Since then he has been my role
         | model in terms of coolness.
        
         | wdr1 wrote:
         | I saw him perform twice in Los Angeles. Despite being over 70,
         | he performed over 3 hours. It was outstanding. Outside of
         | seeing U2 at the Sphere, it was the best live events I've ever
         | attended.
        
       | dylan604 wrote:
       | Leonard Cohen is one of those artists where I tend to much prefer
       | someone else's version of his songs than I do his songs.
       | 
       | I wonder how many people were introduced to him in the late 90s
       | from The Soprano's opening theme?
        
         | jachee wrote:
         | For me it was Rufus Wainright's cover of _Hallelujah_ from
         | Shrek. I agree though, that his songwriting is often most-
         | elevated in someone else's hands.
        
           | fracus wrote:
           | Jeff Buckley's cover of Hallelujah is one of if not the best
           | cover song ever period.
        
             | jancsika wrote:
             | At least in terms of emotive distance between original and
             | cover, I'd say Joe Cocker's version of "With a Little Help
             | from My Friends" beats it.
             | 
             | Cocker's version was so compelling they didn't even bother
             | doing the little flat-VI coda from the original. That's the
             | musical equivalent of going out for a coffee during Final
             | Jeopardy because you're so far ahead.
        
           | fipar wrote:
           | I'm pretty sure it's John Cale singing in the movie.
           | 
           | A quick search tells me Wainright's version is on the
           | soundtrack.
           | 
           | I'm down with some nasty bug now and on antibiotics so I may
           | be completely off, but I stand by it being Cale on the movie.
        
           | throw4847285 wrote:
           | I like the Wainright cover, but I think there's a direct line
           | from there to Hallelujah becoming a Christmas song. Not that
           | it isn't beautiful, but the song as written is also tinged
           | with irony and without Cohen's winking mixup of the sacred
           | and the profane, it sounds kind of schmaltzy.
           | 
           | Is that pretentious? Hell yeah. Cohen brings out the
           | pretentious side of me because he was such a brilliant writer
           | and it bums me out when his work gets mistaken for
           | platitudes.
        
         | sqlck wrote:
         | It's a common mistake, but this wasn't him
         | https://en.wikipedia.org/wiki/Woke_Up_This_Morning
         | 
         | His song 'Nevermind' was used as the opening theme for season 2
         | of True Detective. It has a similar mood imo.
        
           | dylan604 wrote:
           | We don't know this True Detective Season 2 that you speak of.
           | It went from the first season to the third season. We've all
           | agreed that season 2 never happened. You must have missed the
           | memo. It should be pinned at the top of your Slack channel.
           | It should definitely be listed in HN's policies.
           | 
           | I always thought the Alabama3 track was just a remix of
           | Cohen's
        
         | dghf wrote:
         | > Leonard Cohen is one of those artists where I tend to much
         | prefer someone else's version of his songs than I do his songs.
         | 
         | I disagree. I'm with whoever it was who said "No one can sing a
         | Leonard Cohen song like Leonard Cohen can't." Especially the
         | older and more gravelly he got.
         | 
         | I did enjoy his duet with Sharon Robinson on "Boogie Street",
         | though.
        
         | technotarek wrote:
         | Here's a cover of his I like, kind of turned on its head.
         | 
         | https://m.youtube.com/watch?v=8eYJwydTxYA
        
       | te_chris wrote:
       | What a writer. We were lucky to share the same planet for a
       | while.
       | 
       | 1000 kisses deep, if it be your will, you want it darker, tower
       | of song, ain't no cure for love, anthem, and on and on. Most
       | songwriters will never write one of those, but he just kept on
       | going.
       | 
       | He was our man, our searching, restless, yearning man.
        
       | FpUser wrote:
       | Absolutely love the guy. Among the other things have huge
       | collection of his songs on my HD.
        
       | dguest wrote:
       | This surprised me:                   ...the rock era unfolded as
       | ... a series of begats (Elvis begat the Beatles, the Beatles
       | begat Jann Wenner, etc.) involving identity-famished teenagers
       | and their heroes ... Cohen is absent from this narrative for one
       | simple reason: He was the same age as Elvis.
       | 
       | I had to look this up: Actually he was a few months older (born
       | in 1934 while Elvis was 1935).
        
         | dennis_jeeves2 wrote:
         | >involving identity-famished teenagers
         | 
         | Transposed to HN it would be:
         | 
         | The era of software unfolded as a series of frameworks,
         | involving identity-famished nerds and their languages...
        
         | allturtles wrote:
         | This seems to overlook the more obvious reason he is absent
         | from that narrative: he was never all that popular. His only
         | top 100 hit, for "Hallelujah", came in 2016, after his
         | death.[0]
         | 
         | [0]: https://www.billboard.com/artist/leonard-cohen/; compare
         | to Elvis https://www.billboard.com/artist/elvis-presley/,
         | Beatles https://www.billboard.com/artist/the-beatles/
        
           | vjerancrnjak wrote:
           | Yep, the album Various Positions on which Hallelujah appeared
           | was not even released in the US by Columbia, they released it
           | in Europe instead.
           | 
           | I think it was only after Bob Dylan covered Hallelujah ~1988
           | at one of his live concerts, he was the first to cover it
           | (John Cale did it in 1991), that the song and the album
           | exploded in popularity.
        
       | mannyv wrote:
       | 'Let's sing another song, boys. This one has grown old and
       | bitter.'
        
       | chikenf00t wrote:
       | I highly recommend Cohen's The Book of Longing. It has carried me
       | over the years through mountains of heartbreak. It was one of the
       | first poetry books that I ever read and introduced me into a
       | whole new realm of literature.
        
       | exabrial wrote:
       | He has a secret chord thats quite pleasing.
        
       | bregma wrote:
       | I once listened to an interview with him in which he was asked if
       | he always wore black.
       | 
       | His response was that no, earlier in the day he was wearing grey
       | but it clashed with the rain so he went home and changed.
        
       | algem wrote:
       | He's got some great tracks on the movie Natural Born Killers.
       | I've always liked "the future"
        
         | everybodyknows wrote:
         | Check out "Everybody Knows" in _Exotica_.
         | 
         | https://en.m.wikipedia.org/wiki/Exotica_(film)
        
           | echelon_musk wrote:
           | Also _McCabe & Mrs. Miller_
           | 
           | https://en.wikipedia.org/wiki/McCabe_%26_Mrs._Miller#Leonard.
           | ..
        
       | barrkel wrote:
       | I named my son after him, and had to rename my cat after he was
       | born - my cat is now Mr Cohen.
       | 
       | I did not discover him, though, I grew up to the sound of Suzanne
       | and the rest of the Songs, one of the tapes my mother played
       | fairly regularly when I was little. He, along with Tom Waits, was
       | the soundtrack of my childhood and of course something you grow
       | to appreciate more, not less, with age.
       | 
       | I think Suzanne is probably my favorite song of his. It's got one
       | of the most soothing melodies, simple and gently repetitive,
       | undulating, like the river itself. The imagery of Jesus, of the
       | cross as a lonely wooden tower, as a man broken and forsaken, in
       | contrast to a life-affirming personification of nature in
       | Suzanne; the whole river / boat / sailor theme running
       | throughout; it's just very well put together and thematically
       | tight.
        
         | tway_GdBRwW wrote:
         | Oh, man, you had great parents. Hopefully in other aspects as
         | well.
        
       | Marsymars wrote:
       | I get a bit choked up when I see his mural in Montreal:
       | https://www.mtl.org/en/what-to-do/culture-arts-heritage/leon...
        
       | ziyao_w wrote:
       | "We are ugly but we have the music."
       | 
       | One of the first things I did in New York was to visit the
       | Chelsea Hotel. All the stories.
       | 
       | I've always been borderline obsessed with hey that's no way to
       | say goodbye, so long, Marianne, and later on if it be your will.
       | There are so many other gems I was almost angry when Dylan won a
       | Nobel and not Leonard Cohen. Another musician I enjoy in the same
       | way would be Gainsbourg. Wonder when will the language model
       | overlords understand all of these beauty.
        
         | nervousvarun wrote:
         | Bird on the Wire and Famous Blue Raincoat are for me basically
         | modern hymns. And these aren't even from his "religious"
         | period.
         | 
         | Also if you've never seen McCabe and Mrs Miller check it
         | out...a great Altman film that makes really good use of Cohen's
         | songs in the soundtrack.
        
       | jaeh wrote:
       | his songs have traveled with me my whole life but it took me 30+
       | years to find my favorite:
       | 
       | the future.
       | 
       | things are going to slide (slide) in all directions
       | 
       | won't be nothing (won't be)
       | 
       | nothing you can measure anymore
       | 
       | ...
       | 
       | i've seen the nations rise and fall,
       | 
       | i've heard their stories, heard them all
       | 
       | but love's the only engine of survival.
       | 
       | ...
       | 
       | and all the lousy little poets coming round
       | 
       | trying to sound like charlie manson
       | 
       | ...
       | 
       | give me back the berlin wall
       | 
       | give me stalin and st. paul
       | 
       | i've seen the future, siblings
       | 
       | it is murder
       | 
       | https://www.youtube.com/watch?v=LYzPVKg3wyo
       | 
       | the song is from 1992 ...
       | 
       | edit: tried to fix the formatting
        
         | marginalia_nu wrote:
         | Anthem from the same album is also fantastic. This one gets me
         | every time:
         | 
         | Every heart
         | 
         | To love will come
         | 
         | But like a refugee
        
       | harel wrote:
       | Leonard's voice was a presence in my life since I was a baby as
       | my mum adored him. I am very fortunate to have got to see him
       | three times perform. Each was a mind-blowing experience.
        
       | doe88 wrote:
       | Love this song - The Partisan (le chant des partisans) - WW2
       | resistance's song - https://www.youtube.com/watch?v=hs5hOhI4pEE
        
       | neom wrote:
       | My fav doc, The Tibetan Book of the Dead, A Way of Life (1994)
       | was Narrated by Leonard Cohen and it's soooo good.
       | https://www.youtube.com/watch?v=mg8ikDKL_zs
        
       | inglor_cz wrote:
       | Leonard Cohen was a fantastic poet.
       | 
       | Plus, I liked his personality. Totally unpretentious, similar to
       | Johnny Cash. Never got distracted by his fame.
        
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       (page generated 2024-09-19 23:01 UTC)