[HN Gopher] The theft of a Churchill portrait
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       The theft of a Churchill portrait
        
       Author : prismatic
       Score  : 51 points
       Date   : 2024-09-17 03:28 UTC (19 hours ago)
        
 (HTM) web link (thewalrus.ca)
 (TXT) w3m dump (thewalrus.ca)
        
       | yawpitch wrote:
       | > A simple image amplified and focused by hand, through _delicate
       | rotations of plates of glass_ , and filtered toward a _tiny
       | mirror contained inside a camera that projected the reflection
       | toward a viewing screen_. When Karsh opened the shutter for one-
       | tenth of a second, he exposed an eight-by-ten sheet of light-
       | sensitive nitrocellulose Kodak film to the reflection of Winston
       | Churchill, creating a negative that later needed to be developed
       | in darkness.
       | 
       | Karsh used an 8x10" monorail camera... there were no "delicate
       | rotations of plates of glass", such cameras don't use helical
       | focusing, instead a lens with fixed optical glass is moved back
       | and forth using linear movements of either or both of the
       | vertical stanchions.
       | 
       | There also is no "tiny mirror" reflecting anything... while (a
       | very few) 8x10" reflex cameras have been built, they require an
       | 8x10" mirror, and in any case this wasn't a reflex camera at all.
       | Karsh would have set the rough focus by moving the rear stanchion
       | sufficiently far from the front stanchion to get rough focus at
       | that distance from the film plane with the lens he was using,
       | then he would have achieved fine focus by viewing a ground glass
       | plate slightly larger than the negative set in the rear
       | stanchion, light projected directly through the lens onto that
       | ground glass forming an image flipped both vertically and
       | horizontally from reality (Churchill's head would have been on
       | the bottom and any text on the cigar would have been flipped left
       | to right)... no mirror of any size was involved. Once focus was
       | set a light tight film back was inserted, replacing the ground
       | glass with a sheet of film at the same distance from the optical
       | center of the lens, hence the same focal distance. The lens's
       | shutter would then have been closed, a dark slide would have
       | lifted to allow light to strike the film, and then the exposure
       | was ready to be taken whenever Karsh (and Winston) were ready
       | (-ish, in the case of Winston).
       | 
       | Lastly all film negatives, sheet or otherwise, had to be
       | developed in the dark... the thing that made nitrocellulose
       | special was that it _really_ needed to be developed and stored
       | away from flame.
        
         | galago wrote:
         | About a year ago, I had an opportunity to use an 8x10 field
         | camera. This description is correct. I didn't have any film, so
         | I loaded the film holder with paper and developed it under a
         | safelight in the darkroom. This isn't a typical process though
         | and film has very low ISO. I then contact printed through the
         | paper. The resulting image wasn't particularly sharp. It was a
         | fun exercise though, and I'd like to borrow the camera again.
         | Using it is a very slow and formal process. The film is as one
         | would expect, expensive.
        
       | Molitor5901 wrote:
       | In this case the buyer of the print is out of his money, the
       | hotel got the print back, the criminal apparently caught, but
       | really should not the auction house be on the hook for the money?
       | Unless it comes back via the criminal, it would have been the
       | auction house's job to verify this was not stolen. Not always
       | possible, I understand, but.. ?
        
         | sandworm101 wrote:
         | >> it would have been the auction house's job to verify this
         | was not stolen.
         | 
         | The auction house is a facilitator of a transaction between the
         | parties. Unless they purchase the object from the seller first,
         | they are not even a middle man. They are akin to ebay, a
         | platform rather than a dealership. I'd bet that somewhere in
         | the fine print is even a statement that any appraisals remain
         | the opinion of the individual appraiser and are not the
         | responsibility of the auction house.
        
         | jccooper wrote:
         | Yeah, that's a fishy claim. You could perhaps say it's
         | technically true he currently holds title... until a court
         | rules otherwise. Which is certainly would, unless Italy is
         | doing something very unusual.
         | 
         | I expect that's the statement of a lawyer in CYA mode; at some
         | point he goes from unknowing victim to knowingly holding stolen
         | property, which can start to cause legal issues.
        
         | Scoundreller wrote:
         | The theft of it wasn't even noticed for months. It got sold
         | some months before they realized it was stolen.
         | 
         | I can't find the article, but the buyer had stated that
         | Sotheby's mostly reimbursed him. Maybe he was out shipping or
         | VAT? It also said, the buyer, an Italian lawyer, technically
         | could have kept it, but chose not to.
        
           | thmsths wrote:
           | I wonder if the fact that he was a lawyer had a significant
           | impact on the decision. It is my understanding that in some
           | jurisdictions lawyers are held to high ethics standards. I
           | could see the local bar association taking disciplinary
           | actions had he chosen to keep a painting he knew was stolen.
        
         | seanc wrote:
         | A report in The Globe and Mail indicated that the buyer was re-
         | imbursed for most of the purchase cost. So very likely
         | Sotheby's insurance provider is ultimately on the hook.
         | 
         | https://www.theglobeandmail.com/politics/article-italian-who...
        
       | 0cf8612b2e1e wrote:
       | Experts long said the photograph's real value was hard to peg.
       | Previous sales of The Roaring Lion have fetched as much as
       | $85,000 at auction. Though the actual stolen portrait managed to
       | fetch only about $7,500 from a London auction house
       | (significantly less than the $25,000 it was once insured for),
       | Geller, as the lead investigator on the case, insists that the
       | resale price didn't matter to him as much as what it represented.
       | 
       | So priceless in the way that all unique things are priceless.
        
       | dave333 wrote:
       | Interesting that so called great photographs are often the result
       | of simple emotional tricks - pulling his cigar from his mouth in
       | Churchill's case and for the Duke and Duchess of Windsor being
       | told a story about a dog that had died to get their famous
       | melancholy expression.
        
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       (page generated 2024-09-17 23:01 UTC)