[HN Gopher] A camera that shoots 40k FPS decided the 100-meter s...
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       A camera that shoots 40k FPS decided the 100-meter sprint final
        
       Author : wallflower
       Score  : 124 points
       Date   : 2024-08-11 12:11 UTC (1 days ago)
        
 (HTM) web link (petapixel.com)
 (TXT) w3m dump (petapixel.com)
        
       | formerly_proven wrote:
       | (It's a line scan camera)
        
       | porphyra wrote:
       | Photo finishes are typically done with a line scan camera. It
       | only captures a single column of pixels at a time. So the
       | horizontal axis in the image is actually time, not space. Super
       | cool stuff.
        
         | SoftTalker wrote:
         | Ah I was wondering why you can't actually see the finish line
         | in the image. This wasn't really described well. Are the
         | shadows of the runners artificial then?
        
           | wiredfool wrote:
           | You can, it's the white bit. It just doesn't move.
           | 
           | The shadows are what's projected on the line from the stadium
           | lights, and the shape is how they changed in time.
        
             | SoftTalker wrote:
             | Oh I see, it's the entire "track" that is rendered in the
             | image.
             | 
             | Again, not well explained in the article.
        
           | wanderingstan wrote:
           | Because this is a line camera, the _entire image is the
           | finish line_. That is, each vertical column of pixels is what
           | was on the finish line at that particular point in time.
           | 
           | That's also the reason for the distortions. It's not a single
           | frame taken at one time.
        
           | jetrink wrote:
           | > Are the shadows of the runners artificial then?
           | 
           | As the runners' shadows cross the finish line, they are
           | recorded by the camera in the same way that the runners are.
        
           | jasode wrote:
           | _> This wasn't really described well. _
           | 
           | This short video might be a better explanation of the "line
           | camera" concept of multiple photos of a single line being
           | stretched out over the x-axis :
           | 
           | https://www.youtube.com/watch?v=Ut0nKdLCAEo&t=0m23s
        
         | xnorswap wrote:
         | Is the advertising board behind faked then? Shouldn't that be
         | static relative to the finish line, and therefore not really
         | show up?
        
           | wanderingstan wrote:
           | According to Reddit thread on this, the led board behind is
           | specifically animated with the right timing so the content
           | shows up correctly in the line camera.
        
           | jonahhorowitz wrote:
           | There is a special advertising board that only the camera can
           | see.
        
           | wtallis wrote:
           | There's a narrow display behind the finish line with a
           | quickly-scrolling banner ad.
        
           | LeoPanthera wrote:
           | I was there at the time, and I could clearly see how the
           | advertising board works. It's a vertical line of LEDs that
           | constantly rotates through the columns of the logo. To the
           | naked eye it just seems to be flickering randomly.
        
           | iainmerrick wrote:
           | I was curious what the advertising board would have looked
           | like to the athletes -- it must be a bit distracting to see a
           | display scrolling at ~10m/s!
           | 
           | You can see it here at 9m50s:
           | 
           | https://youtu.be/7Xnr805bm4E?feature=shared&t=590
           | 
           | It's just a single animated strip, one pixel wide. I assume
           | the camera array is on the opposite side.
        
             | ninju wrote:
             | Video no longer available :-(
        
               | ceejayoz wrote:
               | NBC is _very_ quick to DMCA Olympics clips.
        
               | ipsum2 wrote:
               | NBC isn't DMCA-ing the official Olympics channel.
        
               | reaperducer wrote:
               | _NBC is very quick to DMCA Olympics clips._
               | 
               | Writing a check for $12,000,000,000.00 will do that to
               | you.
               | 
               | https://marketrealist.com/p/how-much-did-nbc-pay-for-the-
               | oly...
        
               | ipsum2 wrote:
               | Region blocked from the US.
        
             | chch wrote:
             | Thanks for pointing that out! This video doesn't seem to be
             | available in the US, so you can also see it in the slow
             | motion footage here, right on the finish line:
             | 
             | https://www.youtube.com/watch?v=tcxyXnPIF4o#t=2m45s
             | 
             | (You can see it in normal speed too, but I can feel the
             | formation of shapes better in the slow-mo, instead of it
             | just feeling like blinking)
        
               | iainmerrick wrote:
               | Ha, and that video isn't visible outside the US!
               | 
               | I guess pick one or the other depending on your country
               | (or if neither works, search for one that does).
        
             | ipython wrote:
             | This makes total sense as a way to quickly validate the
             | cameras calibration visually. "Does the ad look correct?"
             | 
             | Clever.
        
         | adolph wrote:
         | When I read "line scan camera" I thought of "rolling shutter"
         | which in digital cameras works out to be a horizontal line at a
         | time, which causes interesting artifacts with quick moving
         | objects like propellers or windshield wipers.
         | 
         | Questions that came to mind and answers as far as I can tell:
         | Q: Are the scan lines parallel to the plane of completion?
         | A: There is only one scan line and it is parallel to the plane
         | of completion. "In track, the cameras are only focused on the 5
         | mm near the finish line." [0]            Q: If yes, is the
         | sequence of lines scanned in the same direction as the
         | competitor movement?       A: There is only one scan line.
         | 
         | 0. https://www.axios.com/2024/08/05/noah-lyles-wins-gold-
         | track-...
         | 
         | Also interesting:
         | https://www.hodinkee.com/articles/olympics-2024-mens-100m-ph...
        
           | jasomill wrote:
           | Note that the rolling shutter effect is not limited to
           | digital photography: it also affects physical focal plane
           | shutters at high shutter speeds where the time it takes for
           | shutter curtains to move across the frame is a significant
           | fraction of exposure time.
           | 
           | This effect is the origin of the "race cars going fast slant
           | forward" trope:
           | 
           | https://imsmuseum.org/adoptable_car/1911-winner/
           | 
           | https://about.usps.com/news/national-
           | releases/2011/images/pr...
        
         | ortusdux wrote:
         | I find line scan cameras and strip photography fascinating.
         | 
         | https://en.wikipedia.org/wiki/Strip_photography
         | 
         | Early film versions used a highspeed spinning slit aperture to
         | film fast objects. This paper from 1931 shows some very
         | impressive results for ballistics, including the shockwave:
         | https://royalsocietypublishing.org/doi/pdf/10.1098/rspa.1931...
         | 
         | Outside sports, digital line scan cameras are used in various
         | quality control applications (objects on conveyer belts,
         | vehicle mounted road/rail scanners, etc). This unit can film an
         | 8k px strip at a rate of 80khz.
         | 
         | https://www.youtube.com/watch?v=OXUwJOJ7fMk
        
           | dllu wrote:
           | Oh yeah I took that picture on the Wikipedia article! I have
           | a couple more on my website [1]. One of these days I want to
           | go to Atherton station with my line scan camera to scan some
           | Caltrains.
           | 
           | [1] https://daniel.lawrence.lu/photos/
        
             | ortusdux wrote:
             | Small world! You took some amazing images. Can I ask - what
             | hardware did you use?
        
               | dllu wrote:
               | Alkeria Necta N4K2-7C
        
               | ortusdux wrote:
               | Very cool. Have you thought about filming a rocket
               | launch? The smooth acceleration should cause very a
               | interesting distortion.
        
             | brbcoding wrote:
             | Very cool photos! Just as an FYI, the link to the full
             | sized "Victorian house in San Francisco, CA, 2020" image
             | 404s for me.
        
               | dllu wrote:
               | Weird, I'll fix that later but meanwhile you can also
               | find it here: https://commons.wikimedia.org/wiki/File:Vic
               | torian_house_on_W...
        
             | justsomehnguy wrote:
             | Long train is long!
             | 
             | It's actually hilarious what you really need to scroll it
             | to see it on your Wiki page.
        
         | fouronnes3 wrote:
         | Fun fact! This is actually how many earth observation
         | satellites work too! Except the motion comes not from the
         | subject, but the satellite orbit itself. It's called a
         | pushbroom camera.
        
           | imoverclocked wrote:
           | HiRISE in MRO is a pushbroom imager too... so we have sent
           | the tech beyond Earth's orbit :)
        
         | mhb wrote:
         | Yes. And this is a terribly uninformative article which says
         | nothing interesting about any of that.
        
           | ghayes wrote:
           | Shouldn't the screen (Olympics logo) in the background be a
           | constant blur then?
        
           | hn_throwaway_99 wrote:
           | Agreed. Better article IMO: https://www.hodinkee.com/articles
           | /olympics-2024-mens-100m-ph...
           | 
           | To the question of the Omega logo and Olympic rings asked
           | below, this article states "In fact, the entire photo is
           | literally the finish line viewed one pixel at a time (the
           | Omega and Olympic branding is added at the top)."
        
             | ortusdux wrote:
             | IIRC, they have a single pixel wide display that strobes
             | the logos, similar to a persistence of vision display.
        
       | voytec wrote:
       | Ok, what's the underlying storage?
        
         | jsheard wrote:
         | High speed cameras usually record into RAM and then dump the
         | recording out to an SSD in slower-than-realtime when it ends.
         | Since the recording duration is limited by RAM capacity they
         | have rolling modes which record continuously into a ring buffer
         | and then store the current contents when the shutter is
         | pressed, so that unpredictable events can be captured after
         | they happen.
        
           | freedomben wrote:
           | Is RAM even fast enough? I remember reading somewhere that
           | the high speed cameras have special cache-like memory on or
           | near the processor that is faster write than RAM. I can't
           | find it now though so I'm taking it with a grain of salt.
        
             | jsheard wrote:
             | Maybe in specialty cameras with ultra low maximum recording
             | durations but it's usually just a bunch of DRAM, take this
             | Phantom camera as an example.
             | 
             | https://www.phantomhighspeed.com/products/cameras/tmx/7510
             | 
             | The spec sheet lists up to 512GB of RAM depending on
             | configuration. There's no way you're scaling cache-like
             | SRAM up to those numbers.
        
             | Denvercoder9 wrote:
             | The necessary data rate for these photo finish cameras
             | isn't actually that high, because every "frame" is only 1
             | pixel wide. If the photo is 10000 pixels high, you need a
             | datarate of about 10 Gbit/s at 40000 fps and 24 bits/pixel.
             | RAM is plenty fast enough for that.
             | 
             | Regular high-speed cameras that shoot a video are a whole
             | other story, though.
        
       | johndhi wrote:
       | Hmm -- call me crazy, but I feel like the positioning of the
       | camera might have wrongly decided the race for Lyles. The first
       | torso to cross the line wins.
       | 
       | If you look at the still image in the article, Lyles' right
       | shoulder is leaning forward and visible to the camera, positioned
       | to his right.
       | 
       | But Thompson's left shoulder seem to be leaning forward, but is
       | hidden in the camera by his head and neck. It's possible
       | Thompson's left shoulder is ahead of Lyles' right shoulder, but
       | the image doesn't seem sufficient evidence to conclude on that.
       | 
       | What do other think?
        
         | wanderingstan wrote:
         | According to this Reddit thread, the camera actually _is_ the
         | finish line:
         | 
         | > According to UCI regulations, the camera is the finish line.
         | 
         | > The painted line on the road or track is placed there as a
         | visual reference for riders and spectators, and obviously
         | organizers try to align the painted line with the photo finish
         | camera as best as possible. But that's all it is - a visual
         | reference. The finish line is officially defined as the plane
         | of the photo finish camera, not the painted finish line.
         | 
         | https://www.reddit.com/r/bicycling/comments/1emivk1/dont_if_...
        
           | johndhi wrote:
           | Woah! Helpful. I guess Thompson should learn to dive forward
           | with his right shoulder next time!
        
             | swasheck wrote:
             | commentators tangentially referenced this when they
             | mentioned that lyles had "learned" how to make a good
             | finishing lunge, but it was also heavily implied that they
             | were talking about the timing of the lunge and not the
             | mechanics.
        
               | deanCommie wrote:
               | Yeah, keep in mind at athletics competition, a "false
               | start" is deemed to be anything within 100m of the actual
               | firing gun - because that is deemed to be below the level
               | of human perception, and therefore someone "bet" or
               | "guessed".
               | 
               | So I can't imagine a human can take a conscious step to
               | get a FIVE millisecond advantage over another.
        
               | f5ve wrote:
               | Your comment just made me realize something. The 5
               | milliseconds which Lyles won by is shorter than the time
               | it takes sound to travel between his lane and Thompson's.
               | If the starting gun were on the outside of the track
               | (it's not), then Thompson would have actually run the
               | race faster, if measured from the time he perceived the
               | sound.
               | 
               | In reality the gun is usually on the inside of the track,
               | so it would be Lyles overcoming this (negligible)
               | advantage.
        
               | yuliyp wrote:
               | There's a speaker behind each runner in the starting
               | blocks to avoid that being a factor.
        
               | smallpipe wrote:
               | Of course you can. A good drummer will not deviate from
               | beat by that much.
        
           | amluto wrote:
           | This doesn't really answer the question. The camera can only
           | see the non-occluded portions of the plane. Since Thompson's
           | left shoulder is not visible in the image, we know that his
           | shoulder crossed the image plane at a time at which it was
           | occluded by his head. But without extrapolation, it's not
           | clear to me that we know when his shoulder crossed the line.
        
             | johndhi wrote:
             | Good point. I guess if you're occluded to the camera, I was
             | assuming the presumption is you haven't crossed the line.
             | But it could still be arguable that he did cross the
             | camera's finish line, it was just occluded.
        
             | gamblor956 wrote:
             | It doesn't matter when Thompson's shoulder crossed the
             | finish line, since the shoulder is not part of the torso.
             | 
             | The torso was chosen as the body part for determining when
             | a runner crosses the finish line precisely because torsos
             | were easy to identify/distinguish and there is no ambiguity
             | as to a runner's torso.
        
               | johndhi wrote:
               | you don't think shoulder is part of torso?
        
               | adolph wrote:
               | _The exact location of the border line between the upper
               | arm / shoulder and the "torso" would vary depending on
               | the development of the upper body of an individual
               | athlete and would not therefore be totally consistent.
               | Based on anatomy, we can say that the endpoint of the
               | torso is the outer end / articulation of the collarbone
               | (clavicle)._
               | 
               |  _Although the pelvic area is anatomically part of the
               | torso, for consistency in photo finish judging, it is
               | more practical to define the lower end of the torso as
               | the horizontal cross section of the body through the hip
               | line . . ._
               | 
               | IAAF Photo Finish Guidelines (June 2015): https://worldat
               | hletics.org/download/download?filename=4423f7...
        
           | 1-more wrote:
           | >> UCI regulations, the camera is the finish line
           | 
           | UCI is Union Cycliste Internationale, i.e. the biggest
           | international governing body of cycling events. Not athletics
           | (i.e. track and field). I checked out the C1.1 & C2.1
           | rulebook from the IAAF and I'm not seeing an equivalent rule.
           | Just a lot of rules for how to place the camera and mark the
           | lane lines and finish line in 19.13
           | 
           | index of all IAAF rulebooks https://worldathletics.org/about-
           | iaaf/documents/book-of-rule...
           | 
           | direct PDF link to the English version of the 17 JAN 2024
           | C1.1 & C2.1 - Competition Rules & Technical Rules rules (2.5
           | MB PDF) https://worldathletics.org/download/download?filename
           | =675a00...
        
         | adolph wrote:
         | I think it might be more fair if the camera was above the
         | participants.
        
           | amluto wrote:
           | That sounds fine for the Olympics but rather awkward for a
           | lower profile race at which someone just wants to roll a
           | camera out to the track.
           | 
           | The same problem could also be addressed by having two
           | cameras, one on each side of the track, synchronized and
           | recording the same plane.
           | 
           | One could align the cameras into the same plane by putting a
           | vertical array of distinctive marks (e.g. rapidly blinking
           | LEDs) on each camera, above and below the optics and in line
           | with it, such that each camera would see the other's marks
           | when correctly aligned.
        
             | Denvercoder9 wrote:
             | > a vertical array of distinctive marks (e.g. rapidly
             | blinking LEDs)
             | 
             | This doesn't work, as light beams diverge. Even taking a
             | high-quality laser beam with a divergence of 0.1
             | milliradian (for comparison, a typical laser pointer is
             | about 1-2 mrad), after crossing the 11 meters width of a
             | 9-lane athletics track, you end up with a beam diameter of
             | 2.2 millimeters. At the 10 m/s speed of the athletes and a
             | 40000 fps framerate, they travel 250 micrometers between
             | each frame.
        
               | amluto wrote:
               | I'm not sure what the issue you're describing is. If I
               | have two devices, each with a camera and a line of marks,
               | if they can each see each other's marks, then they are
               | aligned to within the horizontal spread of the camera
               | pixels. There are no lasers involved -- the marks can be
               | paint, stickers, blinking wide-angle LEDs, etc. -- my
               | suggestion to use blinking LEDs is just so that's it's
               | more obvious when one is in the field of view of the
               | camera.
        
               | Denvercoder9 wrote:
               | You don't just need the cameras to see each other, you
               | need them to be perfectly parallel to each other as well,
               | as otherwise they're photographing along a different
               | plane, which may give conflicting results.
        
               | amluto wrote:
               | Suppose camera A has line L_A on the camera. A's optics
               | and marks are both on L_A, so A's image plane contains
               | L_A and camera B's image plane _also_ contains L_A (you
               | know the latter because you've aligned the cameras so
               | camera B sees L_A). And vice versa: camera A sees L_B. In
               | 3D Euclidean space, two distinct lines define a plane,
               | and both camera's are photographing planes that contain
               | L_A and L_B, so both cameras are photographing the same
               | plane.
               | 
               | More concretely, if the cameras are photographing along
               | different but parallel planes, then they won't see each
               | other.
        
               | Denvercoder9 wrote:
               | Your solution works in a geometric world, where light
               | propagates in a perfect straight line of infinitesimally
               | small width. That's not true in reality, where light
               | propagates in an ever-expanding cone.
               | 
               | More concretely, you can have two cameras photographing
               | along different but parallel planes that do see each
               | other.
        
         | fragmede wrote:
         | it's a line scan camera so there is no angle. that picture is a
         | composite.
        
         | dist-epoch wrote:
         | I'm pretty sure the arbiters at the most important race at the
         | most important sport event know what they are doing :)
         | 
         | Not to mention there was no controversy afterwards.
        
         | JoblessWonder wrote:
         | My knee-jerk internet reaction was "YOU ARE CRAZY" but then I
         | took a breath and looked at the photo and I can see your
         | argument. There is no point in a runner learning with their
         | left shoulder forward since it will be difficult to place the
         | exact spot behind their heads.
        
           | johndhi wrote:
           | Thanks! Usually nutty conspiracy theorists online don't
           | preface their statements with "call me crazy" but I was
           | worried about that, ha.
        
         | jhayward wrote:
         | In Olympic track and field at least two cameras, mounted on
         | opposite sides of the finish line, are required to be used. So
         | the judges had available for their use both perspectives.
        
       | ck2 wrote:
       | Even elite marathons now are almost always ending in sprint
       | finishes which is a bit dumb but an obvious problem. The women's
       | olympic marathon was won by less than 3 second after more than 26
       | miles?
       | 
       | Photos no matter how fast still require human objectivity in
       | evaluation.
       | 
       | Instead there should be some digital signal or laser reflection
       | that is precise?
       | 
       | I don't like the rule where it's any part of the athlete's body
       | first to cross the line, it should be the first athlete to
       | ENTIRELY cross the line, no part of them still remains before the
       | line, not even their trailing foot.
        
         | semitones wrote:
         | > I don't like the rule where it's any part of the athlete's
         | body first to cross the line, it should be the first athlete to
         | ENTIRELY cross the line, no part of them still remains before
         | the line, not even their trailing foot.
         | 
         | What's the difference?
        
         | iainmerrick wrote:
         | _it should be the first athlete to ENTIRELY cross the line_
         | 
         | a) Why entirely across, and not just the first to touch the
         | line?
         | 
         | b) I get that basing it on the whole body feels a bit more
         | objective, but it would probably also lead to people diving
         | over the line to gain a few milliseconds. As well as looking a
         | bit silly it could be dangerous. The lean through a (now
         | virtual) tape at chest height is traditional.
        
           | grogenaut wrote:
           | I could see bigger people at a disadvantage so is it fair?
           | Please show your work in the form of a myth busters episode,
           | and figure out how to work some form of explosion in.
        
         | p1mrx wrote:
         | > any part of the athlete's body
         | 
         | I think it's any part of the athlete's _torso_ , which
         | corresponds to the red lines on the image.
         | 
         | Though I wonder if a runner could gain an advantage using very
         | long breast implants?
        
         | croes wrote:
         | Digital signals and lasers aren't any better. There are lots of
         | errors that can be made that change the measurements.
         | 
         | Photo finish is one of the best methods.
         | 
         | Where is the difference between first body part crosses the
         | line vs the whole person?
         | 
         | It's still hard to know who has won in a photo finish.
        
         | crazygringo wrote:
         | > _it should be the first athlete to ENTIRELY cross the line_
         | 
         | No, because then you'd be changing the distance of the race.
         | 
         | Runners start _behind_ the starting line. So for consistency,
         | they finish when the first part of their torso passes the
         | finish line.
         | 
         | Your suggestion would only make sense if they started with e.g.
         | their trailing foot touching the starting line and the rest of
         | their body in front of it. But that's not how they start.
         | 
         | Also, if you based it on foot position rather than torso
         | position you'd be introducing a rather random element, since it
         | would change based on what part of their stride they were in.
         | Torso position is much more continuous, and therefore is a far
         | more accurate assessment of athletic ability.
        
         | GuB-42 wrote:
         | > Instead there should be some digital signal or laser
         | reflection that is precise?
         | 
         | These photo finishes are really precise. 40k FPS, that's 25
         | microseconds, or about a quarter of a millimeter in distance
         | (at 10m/s running speed). If you look at it, with the lines
         | drawn, it is very obvious who's won.
         | 
         | The organizers took some time to double check everything since
         | it wasn't obvious from the naked eye, but with the photo finish
         | there is absolutely no ambiguity. In fact, the photo finish is
         | 400x more precise than what is required here.
         | 
         | > I don't like the rule where it's any part of the athlete's
         | body first to cross the line.
         | 
         | It is not the case, the article says the torso matters, not
         | "any part". Also, the athletes stand completely behind the
         | starting line, it makes sense that the race ends just as soon
         | as they touch the finish line, otherwise it wouldn't be 100m
         | but 100m + one body length.
        
       | laweijfmvo wrote:
       | would have liked to have seen a better explanation of the red
       | lines in the image. it sounds like those are added by humans to
       | outline the runners' chests; how do they ensure the lines are
       | drawn on the frame exactly at the finish line?
        
         | grogenaut wrote:
         | If you read the other comments and the article the camera is
         | one pixel wide, each vertical column in the image IS a frame.
         | It's ensured with physics. It's a bit subtle but makes sense
         | once you grok that. So each pixel left is 1/40,000 later
        
         | iainmerrick wrote:
         | Does it matter if they're off by +-1 pixel? It's pretty easy to
         | eyeball the rightmost part of each athlete's torso and the
         | frame rate is high enough that there's plenty of space between
         | them.
         | 
         | It looks plenty reliable as long as the camera was positioned
         | and calibrated correctly (which I assume was carefully tested
         | beforehand).
        
         | dist-epoch wrote:
         | There could be two sets of line, one line assigned exactly when
         | each runner crosses to get his time, and another set assigned
         | when the first runner crosses, and this picture is distributed.
        
         | jhayward wrote:
         | > how do they ensure the lines are drawn on the frame exactly
         | at the finish line?
         | 
         | They don't.
         | 
         | The horizontal axis is time. The red lines mark the _time_ each
         | runner 's torso was counted as crossing the finish line.
        
       | syspec wrote:
       | In the top image, where exactly is the "finish" line?
        
         | stavros wrote:
         | Nowhere, the camera takes an image of a single line in time
         | (and what the camera sees _is_ the canonical finish line). The
         | visual finish line isn 't where that camera is looking, so it's
         | never captured. The left and right of that camera isn't space,
         | it's time (right is earlier, left is later).
        
         | jarboot wrote:
         | The entire photo is the finish line. Look at the color of the
         | ground -- it's cream, the color of the lines on the track,
         | while the track is blue. Each vertical line of the photo is
         | taken in the same position on that finish line.
         | 
         | The first "line photo" is the right-most column of pixels on
         | that photo. The next photo is the second-to-the-right column,
         | etc. This way the winner can be determined as the line first
         | photo that has the contestant's torso in it.
        
           | vitaflo wrote:
           | Also every runner in this photo is showing them at the finish
           | line even tho they appear in the photo to be at different
           | places. It's why all the runners are leaning forward because
           | they are all crossing the finish line.
        
           | kzrdude wrote:
           | And to add, every placement can be decided from this one
           | "photo", right?
        
       | system2 wrote:
       | Why is it so difficult for these articles to insert the photo or
       | place the correct link for it?
       | 
       | Here is the image of the camera:
       | 
       | https://www.swatchgroup.com/sites/default/files/inline-image...
        
       | setgree wrote:
       | There was controversy in 2012 at the U.S. Olympic Trials when
       | Allyson Felix & Jeneba Tarmoh finished neck and neck -- basically
       | the cameras at the time couldn't make out the difference [0]. I
       | think that was pretty hard on the athletes, so I'm glad to see
       | we've made some progress.
       | 
       | [0] https://www.theguardian.com/sport/2012/jul/02/jeneba-
       | tarmoh-...
        
       | nunorbatista wrote:
       | As someone who worked closely to the Omega / Swisstiming
       | operations at the Olympics, this is super cool stuff.
       | Congratulations to all involved in being able to deliver when it
       | mattered.
       | 
       | The team also makes really interesting stuff on other sports,
       | such as Beach Volley. Worth checking how it's done.
        
         | oulipo wrote:
         | I think it's totally ridiculous that we give gold, silver,
         | bronze (and we totally "forget" about the other athletes) when
         | they basically have THE EXACT SAME SPEED
         | 
         | If it takes 30s for judges to determine who wins with a 40k FPS
         | camera... it means the athletes have the EXACT SAME SKILL
         | 
         | We should celebrate their common performance, rather than
         | trying to "order" and "hierarchize" them...
         | 
         | Capitalism truly fucked up the humanity
        
       | tqi wrote:
       | Is there a 1-pixel wide display at the finish line that is
       | showing the Omega / Olympic Rings banners?
        
         | michaelt wrote:
         | It's more like an inch wide, but yes:
         | https://www.youtube.com/watch?v=7Xnr805bm4E&t=590s
         | 
         | There have been times in the past when photo finish cameras
         | have been installed crooked relative to the finish line painted
         | on the ground [1] and while I have no great love for yet-more-
         | advertising, this does serve to confirm that the camera was
         | pointed in the right direction :)
         | 
         | [1] https://news.ycombinator.com/item?id=26970854
        
       | urda wrote:
       | I used to be a big time operator of FinishLynx equipment
       | stateside, which is the same idea here used by the Omega, it's a
       | finish line camera.
        
       | munchler wrote:
       | Since this camera scans 1D lines, rather than 2D frames, I don't
       | think FPS is the right unit of measure. Perhaps 40,000 lines per
       | second is correct?
        
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