[HN Gopher] Steve Albini has died
       ___________________________________________________________________
        
       Steve Albini has died
        
       Author : coloneltcb
       Score  : 360 points
       Date   : 2024-05-08 16:33 UTC (6 hours ago)
        
 (HTM) web link (pitchfork.com)
 (TXT) w3m dump (pitchfork.com)
        
       | Kye wrote:
       | He was a guy who had absolutely mastered the art of the post.
       | Will be missed on and probably in multiple dimensions.
        
       | ilamont wrote:
       | Hard to overstate Albini's influence, both as a musician and
       | producer. Big Black? No one was doing stuff like that in the
       | mid-80s. His production on PJ Harvey's Rid of Me took her
       | compositions to a new level. He also produced a lot of very fine
       | albums in the 80s and 90s by the Pixies (Surfer Rosa), Nirvana
       | (In Utero) and various albums by The Jesus Lizard, Superchunk,
       | and others.
       | 
       | Yes, he was cantankerous. Marched to the beat of his own drum,
       | and didn't give a FF about what other people thought. Loved this
       | quote from Tape Op:
       | 
       |  _" It seemed like most of the music I liked was coming from San
       | Francisco. I don't remember one fucking thing coming out of L.A.
       | that I cared about. And skateboarding. What did that have to do
       | with punk music? What's next, yo-yo tricks?"_
       | 
       | https://tapeop.com/interviews/87/steve-albini-Nirvana-Pixies...
       | 
       | His essays and observations have been discussed here from time to
       | time. Here are a few:
       | 
       | https://news.ycombinator.com/item?id=30892081
       | 
       | https://news.ycombinator.com/item?id=37132320
       | 
       | https://news.ycombinator.com/item?id=38935526
        
         | darby_eight wrote:
         | Yo-yo tricks could be pretty punk I imagine
        
           | ompogUe wrote:
           | Had a yo-yo buff a couple of years ago showing me youtube
           | videos, and he literally said "the yo-yo scene takes it's
           | fashion cues from skateboard culture", so full circle?
        
         | consumer451 wrote:
         | Surfer Rosa was probably the most influential album on my
         | musical life.
         | 
         | Albini also has an excellent Nardwuar interview:
         | 
         | https://youtu.be/1Vjn8u7HP1o
        
         | boomskats wrote:
         | Another one for your list:
         | https://news.ycombinator.com/item?id=35410662
         | 
         | RIP Steve. What a legend.
        
         | odiroot wrote:
         | I can really recommend Songs About Fucking by Big Black.
         | Especially their dope version of Kraftwerk's Das Model.
        
         | rurban wrote:
         | He was a legend as musician, and as producer, despite
         | destroying PJ Harvey's Rid of Me. What a major fuckup!
         | 
         | Anyway, the way he talked and explained the music business was
         | always legendary.
        
         | vondur wrote:
         | He couldn't be more wrong with regards to Skate Punk.
        
       | toomuchtodo wrote:
       | https://en.wikipedia.org/wiki/Steve_Albini
        
       | quickthrowman wrote:
       | Oh man, that's terrible! I was waiting to hear when the next
       | Shellac tour was going to be taking place, as they've got an
       | album coming out next week.
       | 
       | I'm a huge, huge fan of Big Black, Rapeman, Shellac, and Steve
       | Albini's production (Nirvana's In Utero, Pixies' Surfer Rosa,
       | Jesus Lizard's discography, PJ Harvey's Rid of Me, Brainiac's
       | Hissing Prigs in Static Couture, Songs:Ohia's Magnolia Electric
       | Company, plus hundreds more)
       | 
       | He could be a bit of a dick but he was an insanely talented
       | musician and engineer/producer. I don't think any single person
       | has had as much of effect on the music I listen to as Steve did.
       | 
       | RIP Steve Albini, your impact on indie music will not be
       | forgotten, and neither will your belt guitar strap. You will be
       | dearly missed, there's very few people cut from the same cloth
       | you were.
       | 
       | A collection of Steve Albini band LPs
       | 
       | Big Black - Atomizer: https://youtu.be/03cDvRl3edo
       | 
       | Big Black - Songs About Fucking: https://youtu.be/s0xCAZLE7c8
       | 
       | Rapeman - Two Nuns and a Pack Mule: https://youtu.be/JI4keToT1jM
       | 
       | Shellac - At Action Park: https://youtu.be/AC7Pkwmllow
       | 
       | Shellac - Terraform: https://youtu.be/MueqsKUUlcE
       | 
       | Shellac - 1000 Hurts: https://youtu.be/7fXwbFxenC0
       | 
       | Shellac - Excellent Italian Greyhound:
       | https://youtu.be/jQ_Logfsfuw
       | 
       | Shellac - Dude, Incredible: https://youtu.be/Gh-SBGIx-2I
       | 
       | Shellac - To All Trains: (not on YouTube, this is set for
       | released next week, posthumously)
        
         | arp242 wrote:
         | Didn't know Shellac had a new album coming out; they release
         | stuff so infrequently I don't really keep up. Going to have
         | some mixed feelings listening to that one...
        
         | BoingBoomTschak wrote:
         | His very close-miked sound still containing a tasteful (i.e.
         | light) amount of reverb is such a recognizable signature...
         | 
         | A true legend, and big coincidence since I discovered yet
         | another of his production a week ago: Zeni Geva's last three
         | LPs. Almost as important as the ubiquitous Dan Swano in my
         | collection:                 $ find -L ~/Music -type f -name
         | album.json -exec jqmusic '.credits | has("Steve Albini")' {} \;
         | -print | awk -F/ '{print $5 " - " $6}'       Big Black - (1986)
         | Atomizer       Big Black - (1982) Lungs       Big Black -
         | (1983) Bulldozer       Big Black - (1987-1) Headache       Big
         | Black - (1987-2) Songs About Fucking       Nine Inch Nails -
         | (1999) The Fragile       Om - (2007) Pilgrimage       The
         | Breeders - (1990) Pod       Nirvana - (1993) In Utero       The
         | Jesus Lizard - (1990) Head       The Jesus Lizard - (1989) Pure
         | The Jesus Lizard - (1991) Goat       The Jesus Lizard - (1992)
         | Liar       The Jesus Lizard - (1994) Down       Pixies - (1988)
         | Surfer Rosa       PJ Harvey - (1993) Rid of Me       Shellac -
         | (1994) At Action Park       Rapeman - (1988) Two Nuns and a
         | Pack Mule       Zeni Geva - (1993) Desire For Agony       Zeni
         | Geva - (1995) Freedom Bondage       Zeni Geva - (2001) 10,000
         | Light Years
         | 
         | To actually hear "In Utero" in all its Albini-esque glory, you
         | must find the 2013 20th Anniversary Edition, it's on the 2nd
         | disc.
        
           | geoffeg wrote:
           | What are you using to generate album.json?
        
           | adolph wrote:
           | Also, what is this jqmusic executable with the jq style
           | query?
        
             | BoingBoomTschak wrote:
             | Just a jq wrapper that adds -e and includes some functions
             | $ cat ~/bin/jqmusic       #!/usr/bin/env bash
             | exec jq -e "${@:1:$(($#-2))}" "include \"music\"; ${@:
             | -2:1}" "${@: -1}" >/dev/null 2>&1       $ cat
             | ~/.jq/music.jq       def year: .released |
             | match("[0-9]{4}").string | tonumber;       def
             | has_genre(str): .genres.primary | any(. == str);       def
             | match_genre(regexp): .genres.primary | any(match(regexp));
             | 
             | Together with https://git.sr.ht/~q3cpma/rymscrap to get the
             | actual JSON.
        
           | hipnoizz wrote:
           | Zeni Geva is such a great band! Maybe you have already seen
           | it, but I've always loved this live cover of 'Model'
           | Kraftwerk by Zeni Geva & Albini -
           | https://www.youtube.com/watch?v=N8R7c7XYmI4.
        
           | quickthrowman wrote:
           | I will check out Zeni Geva, thanks for sharing!
        
           | SourPatch wrote:
           | Steve also played with Zeni Geva as Superunit:
           | https://www.discogs.com/release/876551-Zeni-Geva-Steve-
           | Albin...
        
           | singingfish wrote:
           | I'm going to put this here - The Crooked Fiddle Band - a
           | Sydney folk band with major inspiration from Big Black and
           | others had two albums produced by Albini - I couldn't think
           | of a better match:
           | 
           | https://crookedfiddleband.bandcamp.com/album/overgrown-tales
           | https://crookedfiddleband.bandcamp.com/album/moving-
           | pieces-o...
        
         | fnordlord wrote:
         | I've always counted Prayer to God up there in my "best songs
         | ever" list.
         | 
         | What a huge bummer and loss.
        
       | rightisleft wrote:
       | very sad... he had his hands on so much good noise that i
       | absolutely cherished. We'll be lucky if I don't bust out crying
        
         | rightisleft wrote:
         | https://youtu.be/c77oOkvCFjo
        
       | thought_alarm wrote:
       | This news hits like a ton of bricks.
       | 
       | I can't think of another single person more influential and
       | important to my own musical journey than Steve Albini. Guys like
       | him are supposed to live to a ripe old age telling stories. It's
       | just a horrible loss.
        
         | mistrial9 wrote:
         | that _is_ a ripe old age for rockers.. many souls did not make
         | it past 35
        
       | klasko wrote:
       | I randomly bumped into him in a bar last year and the guy had an
       | aura that distinguished him from everyone else in the place. Sad.
        
       | doublepg23 wrote:
       | Echoing the same sentiments in the thread, hard to overstate his
       | influence on the music I've enjoyed. Rest in peace.
        
       | spudlyo wrote:
       | Steve Albini has produced two of my favorite records, _Surfa
       | Rosa_ by The Pixies, and _Pod_ by The Breeders. I also quite
       | enjoy _Rich Man 's 8 Track_ which is a collection of some of the
       | best Big Black songs. Albini's band Big Black is not for
       | everyone, but if you're a fan of angry punk catharsis you owe it
       | to yourself to check them out.
        
       | zonovar wrote:
       | I feel very sad! Everything I loved about music had always ties
       | with him, his style and his type of production. I was so excited
       | about the upcoming Shellac album and tour. This hits so heavy...
       | :(
        
       | TheCleric wrote:
       | His recounting of the recording of "In Utero" on Conan O'Brien's
       | podcast (along with Dave Grohl and Krist Novoselic) is a
       | fantastic hour of storytelling and rock history. Can't recommend
       | it enough.
       | 
       | https://www.earwolf.com/episode/dave-grohl-krist-novoselic-a...
        
         | TheCleric wrote:
         | Also this being his last social media post is peak Albini:
         | 
         | https://bsky.app/profile/electricalwsop.bsky.social/post/3kr...
        
           | e40 wrote:
           | Never used bsky much since I couldn't find anyone
           | interesting. Had I known about him, I might have used it
           | more... rip.
        
       | rchaud wrote:
       | Only 61 years old! Stunning to think that he was mixing some of
       | alternative rock's most influential releases 30-35 years ago.
        
       | breput wrote:
       | "I would like to be paid like a plumber: I do the job and you pay
       | me what it's worth. The record company will expect me to ask for
       | a point or a point and a half. If we assume three million sales,
       | that works out to 400,000 dollars or so. There's no fucking way I
       | would ever take that much money. I wouldn't be able to sleep."
       | 
       | [0] https://news.lettersofnote.com/p/nirvana
        
         | beezlebroxxxxxx wrote:
         | It's fascinating how in certain genres producers have elevated
         | themselves, rightly in my opinion, to positions that are almost
         | equal to the artists they're recording. In pop and hip-hop,
         | people really care about who produced what, often because the
         | producer has an enormous role in the overall sound of the
         | music. Those producers would probably disagree with Albini
         | right away. It's less a thing when you're dealing with a band
         | or people who play an instrument, but I can also think of some
         | metal producers who have very distinct sounds and who usually
         | leave an "imprint" on the recording (Colin Marston and Kurt
         | Ballou for examples). Albini, though, seemed to really believe
         | that his role was to just be a kind of neutral technician,
         | manning the switches and ensuring the band and their music gets
         | on the record through a series of indifferent tubes with no
         | other input.
         | 
         | Outside of his position on royalties, he was one of the best
         | and harshest critics of the music industry:
         | 
         | https://thebaffler.com/salvos/the-problem-with-music
        
           | breput wrote:
           | He actually came around later in life on being the harshest
           | critic and also addressed the "producer role" in this[0]
           | article:
           | 
           | "As he kept working, making hundreds of records across many
           | more sessions, Albini became more comfortable stepping aside.
           | Experiences like the Plant and Page record reminded him he
           | was just a cog, there to enable someone else's expression.
           | These days, once Albini has agreed to record an artist, he
           | begins by asking them to state their expectations, what bands
           | they're into, how they'd like to sound, how they've been
           | disappointed in previous sessions. (The process is not unlike
           | starting with a new therapist.)"
           | 
           | [0] https://www.theguardian.com/music/2023/aug/15/the-
           | evolution-...
        
           | leetcrew wrote:
           | steve certainly didn't hold back his contempt for the concept
           | of a "producer", but I don't read him as disagreeing they
           | have significant influence over the finished product. if
           | anything, that's the core of his objection: someone other
           | than "the artist" diluting the work, and hence why he asked
           | to be credited as "recording engineer", if at all. the irony
           | is that, despite his insistent denial, everyone else seems to
           | think there _is_ a signature  "albini sound".
           | 
           | what has changed since he wrote that piece is that the
           | concept of "the artist" has been heavily blurred by
           | mainstream music that predominantly features synthesized
           | instruments. if I'm singing words written by one person to a
           | melody written by second over a track composed of thousands
           | of different samples sent through various filters by a third,
           | who is "the artist"?
        
         | mgkimsal wrote:
         | I'm trying to reconcile that 'plumber' against George Martin
         | with the Beatles. He was paid like a plumber for the first
         | couple years, and... EMI treated him with such disdain that he
         | ended up leaving. I'm sure the money was much better after he
         | left, but... had EMI just been slightly nicer to him, they'd
         | have owned him for many more years.
         | 
         | That said, I think his relationship with his bands opened up
         | areas for him to contribute to the core product more than
         | Albini perhaps did (Martin played piano on some tracks, scored
         | out any classical parts for other musicians, etc).
         | 
         | Martin may have been the middle ground between the 'producer-
         | as-top-billing' and 'paid like a plumber' spectrum Albini seems
         | to identify.
        
           | TylerE wrote:
           | Martin was so involved in the creative process he was closer
           | to a 5th bandmember, and was sometimes called such by the
           | Beatles. He had more involvement in the creative product than
           | most producers, including writing and arranging the strings,
           | brass, and winds parts that are all over later Beatles
           | records, and appeared as an instrumental performer on over 25
           | Beatles tracks.
        
             | gizajob wrote:
             | So much that EMI have been fixing his work for 60 years
             | now, in particular his decision to split the Beatles tracks
             | arbitrarily between the two speakers for all the stereo
             | mixes, despite the Beatles personal involvement in the
             | mixing process for the mono mix downs which sound
             | infinitely better.
        
               | mgkimsal wrote:
               | There just wasn't much focus on stereo until the late
               | 60s. Most acts back then have stereo mixes that are not
               | much more than an afterthought.
        
       | nwsm wrote:
       | RIP. I just bought Shellac's debut album recently, and they have
       | another set to release soon.
       | 
       | I recommend the Kreative Kontrol podcast episode with him and
       | Fred Armisen from last year where they talk about their
       | experiences in the Chicago music scene.
       | 
       | https://open.spotify.com/episode/1BeHekAjVm72b9Sc9FlCtu?si=6...
        
       | santoshalper wrote:
       | Whether he considered himself one or not, Steve Albini will
       | always stand out to me as the epitome of the Punk value system.
       | Here are two of my absolute favorites:
       | 
       | * "I would like to be paid like a plumber" -
       | https://news.lettersofnote.com/p/nirvana
       | 
       | * "The Problem with Music" - https://thebaffler.com/salvos/the-
       | problem-with-music
        
       | zzzbra wrote:
       | This is hugely surprising. 61 is not old man. Is it me or does
       | seem like the Gen Xers in the so-called counter culture are less
       | long lived than their Boomer counterparts?
        
         | agumonkey wrote:
         | yeah, unlike rock stars with wild lives, I did expect a guy
         | like him to live long
        
           | jprival wrote:
           | because of his sort of ascetic impulses in other domains one
           | doesn't imagine him as particularly hard-living, but this
           | 2002 ilxor thread (bumped for his death) suggests that he had
           | his first heart attack way back: https://www.ilxor.com/ILX/Th
           | readSelectedControllerServlet?bo...
           | 
           | edit: viral pericarditis, actually, before it was a hot topic
        
             | agumonkey wrote:
             | Oh, thanks for the link. I had no idea.
             | 
             | His story about the band cut on an album budget is mind
             | blowing too.
        
         | arp242 wrote:
         | That _some_ boomers like Ozzy Osbourne are still alive is just
         | a freak accident. There have been plenty of baby boomer people
         | who died comparatively young.
         | 
         | Longevity is part genetics, part lifestyle, and part just dumb
         | luck. Unfortunately Steve just got a bit unlucky, or bad
         | genetics, or both. Or maybe in spite of his alcohol- and drug-
         | free lifestyle he just had a really bad diet.
        
         | justinator wrote:
         | I think this line of thinking is a casual example of
         | survivorship bias.
        
         | thr0waway001 wrote:
         | I was talking about this with my g/f when watching Clerks 3.
         | 
         | It seems that no other generation seems to be facing their
         | mortality much sooner than Gen Xers.
         | 
         | Clerks 3 is a movie about two old Gen Xers coping with getting
         | old, having heart attacks, coping with grief, struggling with
         | loneliness, while the world passes them by.
        
       | gmarx wrote:
       | I'll second what everyone else said and add that the guy was
       | absolutely amazing at capturing drums. Everything I ever read
       | about the guy sounded positive to me even though the authors
       | might not have agreed
        
       | cmrdporcupine wrote:
       | Aw man, that's awful.
       | 
       | Time to spend an afternoon blasting Wedding Present's
       | "Seamonsters", among other masterpieces he had his fingers on
       | (esp Surfer Rosa as other people mention)
       | 
       | Huge loss.
        
       | sodapopcan wrote:
       | Oh wow, shit.
       | 
       | My one story: A band I was in at the time recorded drums at
       | Electrical Audio in 2010 (I think) and I was the drummer. Albini
       | was not involved in the project and though he was around, we
       | didn't see him much. I would wear this really bad t-shirt with
       | the sleeves cut off to keep cool while playing. As Albini passed
       | by me one time, he looked at me and _very_ sarcastically said,
       | "Don't worry, you look great" and kept walking. That was our only
       | interaction.
        
         | denvermullets wrote:
         | Hahah, that's amazing
        
         | relaxing wrote:
         | Steve wore a lot of shitty tshirts too, it may not have been
         | entirely sarcastic.
        
       | vr46 wrote:
       | Damn. Glad I got to see Shellac at Primavera a few years ago.
       | What a career. RIP.
        
       | geoffeg wrote:
       | I wonder if any other musician has had as big an impact on the
       | music I listen to as Steve Albini did. A huge and sudden loss.
        
       | Lammy wrote:
       | Awful news. I will spin Songs About Fucking while eating a fresh
       | roast beef sandwich today in his honor.
        
       | thr0waway001 wrote:
       | Crazy to think all the GenX icons are way up there in age.
        
       | BoingBoomTschak wrote:
       | Another quote from the music industry's Diogenes: "Pop music is
       | for children and idiots".
        
       | droptablemain wrote:
       | One of the most fascinating men that worked in music
       | production/recording. If you aren't familiar with him and his
       | various idiosyncrasies, I highly recommend giving this a
       | watch/listen:
       | 
       | https://www.youtube.com/watch?v=sKEzHie9tAI&ab_channel=SAEAu...
       | 
       | In my personal list of top 10 albums of all time, Albini recorded
       | six of them. I say "recorded" instead of "produced" because this
       | is more akin to his style: set up microphones and record the band
       | as they sound.
        
         | nemo44x wrote:
         | He famously would hit record and then just play games on his
         | phone until the track was done and ask if they wanted to go
         | again. Of course he did this because he felt after getting
         | things setup and sounding as desired (which he put a lot of
         | work and thought into) it was the artists that were responsible
         | for their art. He would offer his thoughts if asked though.
        
         | evjan wrote:
         | Oh wow, I'm only 5 minutes in and he's already said so much
         | cool stuff that resonates with me around neomania,
         | timelessness/the lindy effect etc (I've read too much Taleb
         | recently). Thanks for the link!
        
       | nemo44x wrote:
       | He had strong opinions regarding politics, art, and business and
       | you may strongly disagree with him (or not, or maybe on some
       | things) but he was never a hypocrite. He took his convictions to
       | the grave.
        
       | fallinditch wrote:
       | I became aware of Steve Albini via the PJ Harvey album Rid Of Me
       | - for me this is the most impressive result of his visceral
       | sound, that elevated the emotional rawness of the music
       | perfectly. Currently revisiting another fave he engineered:
       | Seamonsters by The Wedding Present.
        
         | droptablemain wrote:
         | Try Nina Nastasia's 2001 album Dogs.
         | 
         | You can feel yourself inside that big ol' room at Electric
         | Audio in Chicago.
        
       | neonate wrote:
       | https://web.archive.org/web/20240508163401/https://pitchfork...
       | 
       | https://archive.ph/q6jOl
        
       | jfb wrote:
       | Posted this on BlueSky. Just gutted.
       | 
       | https://bsky.app/profile/tft.io/post/3krylxcef4z2k
        
         | pimlottc wrote:
         | Can't read it, sign-in required.
        
       | slamonjam wrote:
       | Very sad news. I've been blasting "Rid of Me" the past few weeks,
       | one of these records that just makes me want to crank up the
       | volume.
        
       | runnr_az wrote:
       | We all agree that Jawbreaker's "24 Hour Revenge Therapy" was his
       | best production work, right?
        
         | pstuart wrote:
         | But I'm gonna be that guy that says "Dear You" is better. To
         | each their own, but it's a pity that album got slagged.
        
           | runnr_az wrote:
           | We were such dicks back then. I blame Steve Albini :)
        
       | alangibson wrote:
       | Sucks to hear.
       | 
       | It's worth noting that he didn't consider himself a producer. He
       | always said he was a recording engineer.
        
       | damnesian wrote:
       | That's way too fucking young.
        
       | danieldk wrote:
       | Oh man, something I didn't expect at all. They seemed to be doing
       | well with the new Shellac album and all. He is hugely influential
       | and his engineering is uniquely Albini, which is uniquely the
       | bands themselves in their rawest form. I am really happy to have
       | seen Shellac live in 2009.
       | 
       | If somebody is looking for deep cuts - there is a recording of
       | Fugazi's In on the Kill Taker by Albini (though it didn't make it
       | to disc): https://www.youtube.com/watch?v=YXN_EmhkQSM
        
       | SkipperCat wrote:
       | KEXP (kexp.org) radio is playing a lot of his catalog right now.
       | Listen in if you want to hear the impact of his work.
        
       | tialaramex wrote:
       | I knew (of) him first and best for the essay "Some of your
       | friends are probably already this fucked" (aka "The problem with
       | music") which I was introduced to at about the point in my life
       | where some friends are in bands and a few of them try to go
       | commercial, but fortunately these particular friends had all read
       | The Manual+ and this essay by Albini.
       | 
       | + https://www.amazon.co.uk/MANUAL-How-Have-Number-Easy/dp/1899...
        
       | nikcub wrote:
       | Interview with him just a few weeks ago:
       | 
       | https://www.youtube.com/watch?v=MOWP_laIXAs
       | 
       | (ps. that entire channel is brilliant)
        
       | joemi wrote:
       | A lot of the bigger name albums he engineered were ones I
       | listened to and loved before knowing that he was a common thread
       | between them (or even who he was in general), but one that I gave
       | a listen to specifically because he engineered it was an album
       | called Stella by a band named Uzeda. I had never heard of them
       | before, but it was wonderful! All the words that often describe
       | his sound (and also his music) apply here. In fact, I believe
       | Uzeda is often compared to Shellac, which seems apt. I highly
       | recommend it, if folks are looking for a good lesser-known album
       | he worked on.
        
         | hipnoizz wrote:
         | Approached Uzeda a few times (I'm much into noise-rock-and-all-
         | the-friendly-neighbourhood) but it didn't click. On the other
         | hand https://bellini.bandcamp.com/album/the-precious-prize-of-
         | gra... (which consist of 2/4th or 3/4th of Uzeda I think plus
         | Alexis Fleisig from GvsB) is great.
         | 
         | Anyway, I was kind of shattered by the news. All the stuff
         | Steve Albini created (both as the sound engineer and the bands
         | he played with) falls squarely into what moves me (for whatever
         | reasons). And I think he was a really genuine person
         | (outspoken, yes).
        
           | joemi wrote:
           | Thanks, I'll have to check them out.
        
       | relaxing wrote:
       | Alongside "paid like a plumber" and "already this fucked", I
       | would like to see added the following wisdom:
       | 
       |  _I think of music as something that I 'm willing to work 40
       | hours a week or more to support, like a wife and family, right?
       | Music to me is that important. It's so important that I don't
       | expect it to make a living for me. I expect that I will have to
       | work a normal, regular job like a regular person in order to have
       | the luxury of being able to play music._
       | 
       | He goes on to say this allows him to create without pressure or
       | resentment, only pure joy.
       | 
       | https://www.tumblr.com/machinery/44307870770/the-other-bands...
        
       | typeofhuman wrote:
       | Lots of sudden cardiac related deaths
        
       | snorkel wrote:
       | Way too soon! He recently did an interview with Dave and Krist
       | from Nirvana about the 30th anniversary of In Utero. They
       | described recording prank phone calls during the recording
       | sessions.
        
         | flyinghamster wrote:
         | I've never really paid all that much attention to producers,
         | but 61, it still hits too close to home. I'm not that far
         | behind. It kind of freaks me out that I'm hitting 60 soon.
        
       | GoofballJones wrote:
       | And we just saw him in the last few months in a bunch of podcasts
       | talking about the anniversary of In Utero. Sad news.
        
       | pimeys wrote:
       | Almost four hours long podcast with Steve Albini. I listened it
       | in two parts, super interesting stuff.
       | 
       | https://youtu.be/QKEtP3s1FLw
       | 
       | Also others from that podcast are interesting if music production
       | is somehow close to heart.
       | 
       | R.I.P.
        
       | EMCymatics wrote:
       | This is devastating. One of the best there ever was.
        
       | hank808 wrote:
       | Damn!!!
        
       | jaydestro wrote:
       | Shellac of North America - Wingwalker.
       | 
       | Time was, I could move my arms like a bird Fly!
       | 
       | She was a wingwalker Pitgirl of the sky
       | 
       | [Verse] And now I got an engine A big perverted engine It runs on
       | strength of will Who could deny me the right to fly? You know,
       | it's my art When I form my body in the shape of a plane...
       | 
       | [Chorus] I'm a plane! I'm a plane! I'm a plane! I'm a plane!
       | 
       | [Verse] Now I got an airframe A big perverted airframe You know,
       | It's my art When I disguise my body in the shape of a plane
       | [Chorus] I'm a plane! (I'm a plane!) I'm a plane! (I'm a plane!)
       | I'm a plane! (I'm a plane!) I'm a plane! (I'm a plane!)
       | 
       | [Outro]
       | 
       | (Look at me, look at me - I'm a plane! Look at me, I'm a plane!
       | Look at me!)
       | 
       | And the plane becomes a metaphor for my life And as I suffer for
       | it Like I'm insane, as it says... So she suffers under the weight
       | of my plane You know? It's my art! When I disguise my body in the
       | shape of a plane...
       | 
       | Plane! (Plane!)
       | 
       | RIP Steve.
        
       | nonrandomstring wrote:
       | In my mind, Albini holds a plain speaking American slot besides
       | Hunter S. Thompson, for the similarity of these remarks:
       | "I imagine a trench, about four feet wide and five feet deep,
       | maybe       sixty yards long, filled with runny, decaying shit."
       | - Steve Albini            "The music business is a cruel and
       | shallow money trench, a long        plastic hallway where thieves
       | and pimps run free, and good men die        like dogs. There's
       | also a negative side.". - Hunter S Thompson
       | 
       | When you're good, and you know it, not because people tell you or
       | shower you with praise, but because it comes from love, from the
       | heart, then you know there's nobody whose ass you have to kiss.
       | 
       | Steve Albini was an exceptionally competent and emotionally
       | generous person who spoke about the industry as the wide-eyed boy
       | saw the Emperor's "New Clothes". Not bitter or superior or
       | excoriating, just casually pointing out the truth; that it's a
       | stinking corrupt pile of shit that deserves to die. Wish there
       | were more Steve Albinis in the tech world, confident going their
       | own way and not sucking up to big-tech pedlars of digital dross.
       | 
       | Time for some Pixies...
       | 
       | Sad loss. RIP.
        
         | The_Blade wrote:
         | Henry Rollins
        
       | dredmorbius wrote:
       | Obit from the Quietus, via a subsequent HN submission:
       | 
       | <https://thequietus.com/articles/34129-steve-albini-dies>
        
       | amarcozzi wrote:
       | I paused at the name because there was a great scientist and
       | engineer named Frank Albini in the field of wildfire science. Lo
       | and behold Steve Albini was the son of said Frank Albini. I
       | haven't heard of Steve Albini before, and I'm not familiar with
       | his music, but he clearly had an enormous impact. I just thought
       | that it was interesting that both father and son could leave
       | behind such a large legacy in their respective endeavors.
        
         | fogbeak wrote:
         | If you're interested, Steve (Albini) goes into detail about his
         | father and his contributions to wildfire science during an
         | interview on the Marc Maron podcast. It's fascinating
         | listening.
        
       | soulofmischief wrote:
       | Rest in peace, a true legend and genius with unparalleled
       | sensibilities.
        
       | brnacl wrote:
       | In 2009 my band traveled from Nashville to Chicago for the honor
       | of recording with Steve at Electrical Audio. We loved his drum
       | tones and his use of analog tape in a live band setting.
       | 
       | He was quirky, brilliant, quiet, and kind of hilarious to work
       | with. He wore disheveled blue coveralls with a lowercase "e" on
       | the back for 5 straight days.
       | 
       | They fed us as many lattes we could stomach for all hours of the
       | day, and he didn't even care if we smoked cigarettes the entire
       | time. Slept on cots in his building, while he stayed in his
       | "personal" area.
       | 
       | Watching him cut 2 inch tape the old fashioned way was one of the
       | nerd highlights of my life. RIP Steve, and thank you.
        
         | ilamont wrote:
         | Besides working with analog tape, what else in his process was
         | either surprising or a revelation?
         | 
         | In the interview with Conan and Dave and Kris that someone
         | linked to earlier (https://www.earwolf.com/episode/dave-grohl-
         | krist-novoselic-a...), he really tries to disabuse Conan of the
         | notion that he is wielding "magic" ... he basically says it's
         | Dave setting up a regular set of drums in a room that has good
         | acoustics, he mics them, and presses "record" - he is just
         | trying to capture the band as a band making music together in a
         | room. He said it was similar to what Butch Vig did with
         | Nevermind before the suits forced them to use a different sound
         | and effects in post.
         | 
         | Although someone else in the interview did mention that he had
         | special German microphones ...
        
       | yterdy wrote:
       | Every time someone only tangentially-related to tech gets their
       | death notice posted to HN, I think about what happened with Kobe
       | Bryant's passing and how it was treated here.
       | 
       | Sorry for the loss for people who admired or knew this man. I had
       | literally never heard of him before today.
        
         | tonymet wrote:
         | context?
        
           | mycologos wrote:
           | People kept flagging threads announcing Kobe's death when it
           | happened back in January 2020, claiming they were irrelevant
           | to HN. In the end, I think they all got deleted.
           | 
           | In contrast, Terry Jones got his own black bar a few days
           | beforehand. For some reason, he was deemed extremely relevant
           | to HN.
           | 
           | I appreciate that keeping HN from devolving too far into
           | angry shitposting requires subjective moderation, but I
           | thought and think this was stupid and demonstrates how
           | narrow-minded the conception of "hacker" can be on here.
        
       | bjw4 wrote:
       | Sad to hear Steve has passed.
       | 
       | I met Steve, Bob and Todd at Camber Sands 2001 very briefly,
       | really nice people who didn't act like rockstars at all. Q&A
       | sessions, banter with hecklers, Todd talked about his dog (an
       | Italian Greyhound) a bit.
       | 
       | Friends band recorded at EA, only possible due to charging a low
       | flat fee and no royalties based on who they were - incredible
       | work ethic that has influenced me greatly.
       | 
       | Listening to "Terraform" tonight, and maybe Spiderland by Slint
       | after.
        
       | istultus wrote:
       | Just finished another boring run and asked myself "Why do I do
       | this again?" then saw the news - dead at 61 due to heart attack.
       | RIP. Scheduling my next boring run.
        
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