[HN Gopher] An artist's perplexing tribute to the Pythagorean Th...
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       An artist's perplexing tribute to the Pythagorean Theorem (2009)
        
       Author : nyc111
       Score  : 78 points
       Date   : 2024-04-12 08:44 UTC (2 days ago)
        
 (HTM) web link (mathtourist.blogspot.com)
 (TXT) w3m dump (mathtourist.blogspot.com)
        
       | caturopath wrote:
       | The 2-3-4 right triangle. What's the problem?
        
         | scoot wrote:
         | 13 != 16
        
         | dudeinjapan wrote:
         | The triangle is not right, its wrong.
        
           | lupire wrote:
           | The triangle is right. It's the nuts are nuts.
        
         | ploxiln wrote:
         | (possible sarcasm detected ;)
         | 
         | (A 2-3-4 triangle is _not_ a right triangle, no angle is 90o)
        
         | Izkata wrote:
         | 3-4-5 is a right triangle, not 2-3-4.
         | 
         | The intent was apparently to use nuts to represent edges, but
         | he put them on points instead.
         | 
         | The artist's realization isn't even correct.
        
           | baruz wrote:
           | I believe you are responding to a joke.
        
             | Izkata wrote:
             | I figured they remembered it was three consecutive numbers,
             | but misremembered which three.
        
               | BlueTemplar wrote:
               | 4-5-6 of course.
        
           | jb1991 wrote:
           | I still don't get it. The image is a 3-4-5 right triangle,
           | which is mathematically fine. What do you mean by "nuts" and
           | "points"?
        
             | Izkata wrote:
             | The image in the article is of hazelnuts (I originally
             | wrote "stones" then quickly edited it), and it's not a
             | 3-4-5 triangle.
             | 
             | 3-4-5 describes the length of each side - if you count the
             | lengths of the triangle drawn in the image (the lines of
             | chalk visible between the nuts on each side), it's only
             | 2-3-4. To get 3-4-5 you're counting the number of nuts on
             | each side, but those aren't lengths - those are the number
             | of points marking the start/end of each unit length.
        
               | jb1991 wrote:
               | I see, I think you are referring to the unequal spacing
               | of the nuts on each side, i.e. the side with 5 nuts has
               | them closer together than the other sides.
               | 
               | I thought there was some point being made about the use
               | of nuts vs. some other arbitrary item. Why does it matter
               | they are hazelnuts and not something else?
        
               | Izkata wrote:
               | It doesn't. The entirety of my comment is that they're
               | representing the wrong thing.
        
               | partdavid wrote:
               | No!                   X--X--X         0  1  2
               | 
               | That diagram represents a length of 2, not a length of 3,
               | see? Here's three:                   X--X--X--X         0
               | 1  2  3
               | 
               | It's not that the hazelnuts are somehow imperfectly laid
               | out or are an imperfect representation. It's wrong in
               | principle, not practice (I mean it's wrong in practice
               | too but every representation is).
        
               | jb1991 wrote:
               | Thank you for literally explaining it to me like I was
               | five, which apparently I am, I can't believe I missed
               | that.
        
               | lupire wrote:
               | You didn't miss it. You were focusing on the lattice
               | edges, and PP was focusing on the lattice points. You're
               | both right (except for PP's "No!" which should be
               | "Yes!").
        
           | layer8 wrote:
           | The artist meditated, he didn't realize.
        
         | gerdesj wrote:
         | The piccie has nuts at unit lengths and the first line of the
         | article after the very short intro is:
         | 
         | "The artwork references the idea of relating the lengths of the
         | sides of a 3-4-5 right triangle ..."
         | 
         | How on earth did you get 2-3-4 for a right angled triangle! I
         | blame booze, drugs, a late night or perhaps a standard issue:
         | "off by one" (this is HN after all) ...
        
           | gerdesj wrote:
           | Whoops: "we see a 2-3-4 triangle" in the article
        
           | alephknoll wrote:
           | You can have a 2-3-4 right triangle if you can find the right
           | axioms for it.
        
         | layer8 wrote:
         | The triangle is right, but three nuts are left.
        
       | topherclay wrote:
       | Nice example of a fencepost error.
        
         | lanna wrote:
         | It would have worked if the nuts represented squares instead of
         | points
        
       | baerrie wrote:
       | The rub is the thinking a length of 4 maps to four points when in
       | reality, the points are 4,3,2,1,0, totaling 5. I feel like this
       | could all be helped if in casual counting we started at zero,
       | then our entire concept of where the measurements start would be
       | more in line with math. I think often about these fundamental
       | conflicts in how we casually think about numbers and how they are
       | actually modeled in math
        
         | aaplok wrote:
         | To count the length of the segment, we count the number of unit
         | segments that compose it. Start with 1 (the first segment) and
         | count up to 4 (the fourth segment), yielding a length of 4.
         | We're consistent with the units: we are adding up lengths to
         | get a length (metres, yards, or whatever).
         | 
         | Counting (ie, adding up) points gives a number of points, which
         | isn't a unit for lengths. Starting the enumeration from zero is
         | a hack to recover the previous process of adding up unit
         | lengths.
         | 
         | This hack only works in this specific context of conversion. If
         | you want to count points (say, the number of corners in the
         | triangle) you'd need to start from 1.
        
         | sparky_z wrote:
         | I'm sorry, but your suggestion doesn't make any sense to me.
         | Saying "I have zero coconuts" would mean that you have a
         | coconut? Would you have to say you had "negative 1" coconuts if
         | you didn't have any? At a sandwich shop you would have to order
         | a "no feet long" sub? And this is your plan to prevent
         | confusion?
         | 
         | All that would really do swap the meaning of a bunch of words
         | around so that "zero" means "one", "one" means "two", etc. Then
         | we'd have to call it a "Two three four" right triangle but
         | remember to make it with "three" (four), "four" (five), and
         | "five" (six) stones and we're right back where we started.
         | 
         | The problem here is confusion about what quantity is actually
         | being counted: the "fence posts" or the "fence lengths"? That's
         | always going to depend on context - the speaker and listener
         | have to be on the same page. There's no way to fix that by
         | changing the number we count from.
        
           | baerrie wrote:
           | Where do I say anything about zero becoming 1? What I am
           | talking about is that counting arbitrary periods in a given
           | quantity always starts with zero whether you count it or not.
           | If you ground all of those coconuts up and decided to count
           | how many cups of coconut you have in that mass, well you
           | would be starting with an empty cup measure, which is zero.
           | It's not just fence posts
        
             | lupire wrote:
             | Lok up "ordinal" and "offset". They are two different
             | concepts that cannot be merged.
             | 
             | Always using offsets will just cause confusing elsewhere.
        
               | YeGoblynQueenne wrote:
               | It's "ordinal" and "cardinal" really. If you wanna be all
               | mathsy and stuff.
        
               | YeGoblynQueenne wrote:
               | Sorry about the above comment. I'm being way too snarky
               | in this thread. I hope the following makes up for the
               | snark in my other comments.
               | 
               | What I meant above is that, in set theory, there are
               | ordinal numbers and cardinal numbers, both of which are
               | natural numbers. The easiest way to understand them is in
               | terms of arrays: the number of elements in an array is a
               | cardinal whereas an index into the array is an ordinal.
               | 
               | Ordinals start at 0, because that's the first natural
               | number, and that's prooobably? why array indexing
               | traditionally begins at 0 (I'm totally guessing).
               | Cardinals also start at 0. So, 0 is the "cardinality" of
               | the empty set, {}, which has no elements and so no
               | ordinal. In the set {+}, 0 is the ordinal that
               | corresponds to the position of the single element of the
               | set, in the set {+,+} 1 is the ordinal for the last
               | element in the set etc.
               | 
               | How this is relevant to the article above is that the
               | artist very clearly intended the number of nuts in the
               | "squares" at the sides of the triangle to be understood
               | as cardinals: the squares represent sets and the
               | cardinality of each set corresponds to the surface of
               | that square. Sets are not ordered so the artist is free
               | to place their elements in any arrangement, including a
               | square, and placing a set in the form of a square on the
               | side of an edge of the triangle clearly signals that its
               | cardinality corresponds to the square of that edge. So
               | arranged, the three squares necessarily overlap, so the
               | nut at each of the three points in the triangle must be
               | counted twice, once for each square it participates in.
               | Seen that way, the image is a visual representation of
               | Pythagora's theorem for a triangle with sides 3, 4 and 5,
               | with squares 9, 16 and 25, where 9 + 16 = 25 (so the
               | bottom edge is the hypotenuse).
               | 
               | On the other hand, the person who commented on the blog
               | interpreted the number of nuts as ordinals, denoting the
               | position of vertices in three lattices, represented by
               | the "squares". The same person therefore interpreted e.g.
               | the three nuts on the left edge of the triangle as
               | standing for vertices indexed by ordinals 0, 1 and 2, and
               | so representing a square lattice of side "2"; and so on
               | for the other "squares". Seen that way, the image is a
               | visual representation of a triangle with sides 2, 3 and
               | 4, where the squares of the sides are 4, 9 and 16, where
               | 4 + 9 [?] 16 and so the triangle is obtuse rather than
               | right (so the lower side is no longer the hypotenuse,
               | since its square is no longer the sum of the squares of
               | the other two sides) and the image is not a correct
               | visual representation of Pythagoras' theorem.
               | 
               | I want to say that even having written down the latter
               | interpretation it still sounds deliberately obtuse to me,
               | but the real lesson I think is that there are always
               | multiple interpretations of the same statement, or
               | formula, etc, and it's useful to be able to see as many
               | of them as possible. At the same time, there is usually
               | one _intended_ interpretation and that 's the one that
               | should be preferred. All that is formalised in First
               | Order Logic, in the concept of an interpretation, that is
               | an assignment of truth values (true or false) to all the
               | atoms of a predicate. A FOL interpretation is uniquely
               | identified by the set of atoms to which it assigns the
               | value true, therefore the number of possible
               | interpretations is equal to the cardinality of the
               | powerset of the set of atoms of a predicate. That's a lot
               | of a interpretations! That's why you need an intended
               | interpretation (also a concept in FOL).
               | 
               | On the other hand, I might be wrong. Maybe it _is_
               | deliberately obtuse to count the surface of a square by
               | ordinals, rather than cardinals. Well I don 't know.
               | 
               | Bottom line is that in art, like in maths, one must
               | always look for more than one way to see things and not
               | assume that they know all the answers before they have
               | asked all the questions.
        
               | xanderlewis wrote:
               | > that's prooobably? why array indexing traditionally
               | begins at 0 (I'm totally guessing).
               | 
               | More than just tradition, it's because (at least in C) if
               | a is an array, it's effectively just a pointer and so
               | a[i] = *(a + i) (which means the i'th element of a is
               | just the contents of memory address a + i). In
               | particular, we have a[0] = *a.
               | 
               | The first element of the array lives at zero offset from
               | the address pointed to by a, so is considered the
               | 'zeroth' element.
        
               | kergonath wrote:
               | Yeah. It has nothing with intuition or mathematical
               | sense, quite the contrary. It's just a quirk of a
               | language that got transformed as "the natural way" after
               | decades of reinforcement. There were other languages
               | before C where array indices started at 1.
        
               | YeGoblynQueenne wrote:
               | That's right. Before, and after too. R for example has
               | indices starting in 1. But I was thinking about the
               | specific 0-based convention. I guess I was wrong about it
               | though.
        
               | YeGoblynQueenne wrote:
               | Ah thanks. I got the wrong model for that. It's been
               | years since I coded in C :)
        
               | denton-scratch wrote:
               | It's not a problem with confusing ordinals and cardinals;
               | the artist's problem is, as others have said, a fencepost
               | error.
               | 
               | I suspect that what has annoyed people is that if all the
               | hazelnuts are evenly-spaced, then the triangle the artist
               | created is not a 3-4-5 triangle, it's a 2-3-4 triangle,
               | which isn't a right triangle. To make it look like a
               | right triangle, he's had to arrange the nuts with unequal
               | spacing. He must have noticed that, and it should have
               | annoyed him too.
               | 
               | I suppose there's some geometry in which a 2-3-4 triangle
               | is a right triangle; but I doubt the artist was exploring
               | non-euclidian geometries.
               | 
               | FWIW, I didn't notice the error immediately - but I did
               | notice the uneven spacings.
        
               | YeGoblynQueenne wrote:
               | >> It's not a problem with confusing ordinals and
               | cardinals; the artist's problem is, as others have said,
               | a fencepost error.
               | 
               | Yeah, my argument is that it's a fencepost error only if
               | the numbers of nuts are interpreted as ordinals indexing
               | the vertices of a lattice on the Cartesian plane, rather
               | than cardinals counting the elements of a set, while the
               | artist intended them to stand for cardinals. That is what
               | the anonymous contributor to the 360 blog, mentioned in
               | the article above, seems to have seen:
               | 
               |  _" To my eye," the commenter continued, "the hazelnut
               | grids look exactly like pins on a Geoboard, or lattice
               | points in the plane. And given that perspective on this
               | image, we see a 2-3-4 triangle, an obtuse triangle, and
               | squares of area 4, 9, and 16."_
               | 
               | But this is clearly only one way to see things and
               | there's nothing to make it more valid than the other,
               | except of course that this one leads to an error which
               | strongly implies it's not the right view.
               | 
               | >> I suspect that what has annoyed people is that if all
               | the hazelnuts are evenly-spaced, then the triangle the
               | artist created is not a 3-4-5 triangle, it's a 2-3-4
               | triangle, which isn't a right triangle. To make it look
               | like a right triangle, he's had to arrange the nuts with
               | unequal spacing. He must have noticed that, and it should
               | have annoyed him too.
               | 
               | Some other comments say something similar, but I don't
               | understand it. What is the issue with spacing? As you
               | point out it would be difficult to get a perfectly
               | mathematically correct spacing with irregularly shaped
               | solids, like hazelnuts. Which suggests that spacing was
               | not part of the intended interpretation. Can you explain?
        
           | dimask wrote:
           | No, but if you wanted to count how many coconuts you had, you
           | would start with 0 (pointing at nothing) and then you would
           | continue by 1,2 etc pointing to each other coconut. This
           | would allow you to use the same counting process to count
           | something, even if there was nothing to count.
        
             | YeGoblynQueenne wrote:
             | OK, so I start counting on my fingers:
             | 
             | thumb -> zero
             | 
             | index -> one
             | 
             | middle -> two
             | 
             | ring -> three
             | 
             | pinkie -> four
             | 
             | See what you gone did. Now I have four fingers, like a
             | Looney Tune.
        
       | scoot wrote:
       | _But when he created his pattern, he found that he had three
       | stones left over. Finally, it dawned upon him that the surplus
       | came from counting the corners of the triangle twice.
       | 
       | [...]
       | 
       | Bochner welcomed the rediscovery of this "discrepancy" so many
       | years after he had created the artwork. Yet he also wondered
       | "about the unwillingness to assume that I already knew what they
       | had just discovered (do mathematicians still think all artists
       | are dumb?)._
       | 
       | Apparently so, because he failed to understand that what was
       | being commented on was not the absence of three stones (or
       | wallnuts), but rather of significantly more.
        
         | ElevenLathe wrote:
         | "counting the corners of the triangle twice" is just another
         | way of saying he got the math wrong. It's just a fencepost
         | error. Or am I missing something?
        
           | dullcrisp wrote:
           | The squares overlap on the corners so he only needed to use
           | 47 stones to form the diagram. That's a separate issue from
           | the stones not being evenly spaced and seeming to show that 4
           | + 9 = 16.
        
           | lupire wrote:
           | You're not missing anything. The artist didn't understand the
           | difference between fenceposts and fence, boundary and
           | interior.
           | 
           | When presented with beautiful evidence of his mistake, he
           | failed to see what it was showing him.
           | 
           | The art is good in that it's a puzzle to interpret the
           | mistake and resolve the paradox, even if (especially if!) the
           | artist doesn't understand what they created.
        
             | brookst wrote:
             | The artist claims it was intentional. Do you know
             | otherwise?
        
       | spacecadet wrote:
       | As an artist who explores mathematics through multi-dimensional
       | art and works with mathematicians, can confirm, they find us all
       | dumb. But! I have genuinely intrigued a few too.
        
         | gerdesj wrote:
         | If the maths kiddies get too much, paint/draw/whatevs a
         | spherical cow - do it in the style of Mr G Larson (don't forget
         | the light frown). If they don't get it then find another
         | mathematician - they are quite common and herds of them are
         | reasonably easy to find.
         | 
         | If you need to encourage one to eat from your hand, try a
         | fourth order differential equation with e and i in it as a
         | tempter and work on from there. Be very careful of straying
         | into physics - if something useful comes up they are known to
         | scatter. Very skittish, your wild mathematician.
         | 
         | You are not dumb - no-one is dumb. You have a voice and are
         | demonstrably not dumb and the dumb have hands and are hence not
         | dumb. If the dumb don't have hands then it gets complicated but
         | it is possible that they might not be dumb. Dumb as a synonym
         | for stupid is dumb. Please don't be dumb and use the term dumb.
         | 
         | Examples of your work please!
        
           | spacecadet wrote:
           | hahaha, thanks-
        
         | edanm wrote:
         | Can you give some examples of your work? This sounds very
         | interesting.
         | 
         | (Especially the multi-dimensional aspect, as I sometimes hang
         | out with people who solve higher-dimensional Rubik's cubes and
         | other similar puzzles!)
        
           | spacecadet wrote:
           | Funny you mention Rubiks cube, here is a project I worked
           | with 2 fellow computational artists on. We generated the form
           | using open cas.cade, then machined it all on a 5 axis VMC,
           | then assembled with magnets and a steel ball barring that I
           | pulled from a ship engine. Carrol and Ruza if yout out there,
           | I miss you :(
           | 
           | https://vimeo.com/322284709
           | 
           | I dont put my work online anymore, there is no point, I do it
           | for me, and it just attacts corporate thieves :)
        
       | crubier wrote:
       | There are only two hard problems in computer science: Cache
       | invalidation, naming things, and off-by-one errors.
        
       | karmakaze wrote:
       | This is taking _artistic license_ too far. It 's different than
       | an explosion making a sound in space in a movie. It's missing the
       | core point of the thing, which could easily been illustrated. Bad
       | math _and_ bad art.
        
         | D13Fd wrote:
         | I honestly don't see the problem. 5^2 = 3^2 + 4^2. Where is the
         | error?
        
           | dullcrisp wrote:
           | The problem is that the marks seem to imply that a 2-3-4
           | triangle is a right triangle, when in fact they're just
           | unevenly spaced.
           | 
           | To illustrate the theorem, each stone would need to account
           | for the same amount of area, which the ones on the edges
           | don't do.
        
           | jb1991 wrote:
           | The error is that, for example, the side with five nuts means
           | that it is four segments long, not five, because of where the
           | nuts are placed (nuts at the endpoint of the lines). The
           | triangle is a 2-3-4 in this image, which is impossible
           | because that is not a right triangle.
        
           | YeGoblynQueenne wrote:
           | The problem is that there is an obvious interpretation (count
           | the nuts) and a less obvious interpretation (count the spaces
           | between the nuts) and if you don't see the less obvious
           | interpretation immediately the people who see it will claim
           | it's the obvious interpretation and you're a mathematical
           | ignoramous for not noticing it immediately, as they did.
           | 
           | In truth that's probably coming from people who didn't
           | immediately notice the obvious interpretation and had to
           | squeeze their noggin hard to get it, and then got upset that
           | they found it that hard and squeezed their nogging even more
           | to find a less obvious interpretation to hold up and say
           | "see, that's why I was confused, you're all wrong".
           | 
           | I'm being very mean in this thread. It's because it's all a
           | big example of the Ludic (sic) fallacy, that I just learned
           | about today and can't stop laughing.
           | 
           | https://en.wikipedia.org/wiki/Ludic_fallacy
        
             | Asooka wrote:
             | I would not claim it's more obvious, but this is an
             | illustration on the cover of a mathematics journal. It
             | should show mathematics, not an artistic misunderstanding.
             | If people have to stop and think through the math to
             | understand it, then it is doing its job properly. As it is,
             | it just gives a bad name to the artistically minded.
        
               | YeGoblynQueenne wrote:
               | You can think through the maths but you don't have to.
               | This is one of those cases were pattern recognition is
               | enough and no more thought is needed. That is to say, a
               | mathematician should (and has no excuse not to) have seen
               | Euclid's illustration of Pythagora's theorem which the
               | journal cover is a very obvious representation of, so
               | there should be no confusion.
        
       | chubot wrote:
       | That's certainly a way to get a rise out of nerds lol
        
       | lupire wrote:
       | The most annoying kind of art is art that does something wrong
       | and then mocks people explained the mistake.
       | 
       | The artist clearly failed to understand the difference between
       | boundary points and interior regions, and incorrectly puts the
       | blame on "hazelnuts are not abstract 0 dimensional points"
        
         | larodi wrote:
         | Nailed it. He should've counted the centroids if the squares if
         | he needs to do... counting in matter of something-squared,
         | while he counts the sides which are not yet squared in his
         | design. So the placement is off or rather he mixed metrics.
        
       | smitty1e wrote:
       | > Finally, it dawned upon him that the surplus came from counting
       | the corners of the triangle twice.
       | 
       | Stack the extra hazelnuts on the vertices. Problem solved.
        
         | Applejinx wrote:
         | Better yet, step them in to where they represent the center of
         | the intended squares, and then there's room for the extra
         | three.
        
       | 082349872349872 wrote:
       | mathematicians work up to isomorphism; artists work up to
       | plausiblemorphism.
       | 
       | (another example: logicians work in syllogisms; rhetoricians omit
       | the middle term and work in enthymemes; artists provide nothing
       | but a middle term)
        
       | globalnode wrote:
       | i dont see any problem with this 3-4-5 tri :)... i mean its
       | obvious isnt it? ofc the vertices share a point, so what?
        
         | gpvos wrote:
         | The lengths of the sides do not correspond to 3 : 4 : 5
         | proportions. 2 : 3 : 4 is not a Pythagorean triangle.
        
       | dimask wrote:
       | If the title was "meditation on math errors" it would have been a
       | perfect art piece.
        
       | Asooka wrote:
       | It is still wrong and could have been trivially fixed by putting
       | the stones in the centres of the 1x1 squares making the
       | rectangles rather than at the corners. The fact that the artist
       | had 3 stones left over should have clued him that what he did was
       | incorrect, yet his fix was to make the piece even more wrong. A
       | very powerful reminder that artists should never be allowed to
       | make any important policy decisions, as they are totally bereft
       | of logical thought.
        
         | Asooka wrote:
         | I see one artist has already downvoted me. If you feel the need
         | to do so, you're part of the problem plaguing modern society.
        
         | mondobe wrote:
         | Google "Leonardo da Vinci".
        
       | rhelz wrote:
       | Its hilarious watching a group of some of the smartest people on
       | the planet still not getting it, over and over. It just sails
       | right under their heads :-)
       | 
       | The nuts are discrete, point-like objects. But length is
       | continuous, and so is area. The _whole point_ of the artwork is
       | to point out that its possible to confuse discrete objects with
       | continuous objects, and confuse 1 dimensional objects like
       | lengths with 2-dimentional objects like area.....and have off-
       | by-1 errors, and double-counting errors...basically, you can make
       | every mistake that it is possible to make.....
       | 
       | ....AND STILL not realize you are wrong, because in this
       | particular test case, the numbers came out to be what you
       | expected them to be. Its saying don 't do that.
        
         | nvy wrote:
         | >Its hilarious watching a group of some of the smartest people
         | on the planet still not getting it, over and over. It just
         | sails right under their heads :-)
         | 
         | The hubris displayed in thinking that HN is "a group of some of
         | the smartest people on the planet" is revolting.
        
       | YeGoblynQueenne wrote:
       | To summarise the opinions expressed in this thread, all with
       | equal conviction:
       | 
       | a) It's a fencepost error (corner nuts are counted twice)
       | 
       | b) The nuts are unevenly spaced
       | 
       | c) The line segment counts are 2, 3 and 4
       | 
       | d) The artist is an artist so obviously wrong
       | 
       | An other commenter said something about "the smartest people on
       | the planet". I hear this stuff about HN very often and, oh boy.
       | Just look at this thread. Smartest people? Come on. We're just
       | good with computers and then only with the stuff that has to do
       | with computers that we've seen a hundred times before (e.g. off
       | by one error). We see a novel representation and lose our shit.
       | 
       | Sometimes I find myself defending human intelligence against the
       | wildest claims of some of the faithful of AGI on this site but in
       | cases like this I have to wonder: are humans _really_ that smart?
        
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