[HN Gopher] The last crimes of Caravaggio
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       The last crimes of Caravaggio
        
       Author : prismatic
       Score  : 192 points
       Date   : 2024-03-27 14:04 UTC (1 days ago)
        
 (HTM) web link (www.newstatesman.com)
 (TXT) w3m dump (www.newstatesman.com)
        
       | pvg wrote:
       | https://archive.is/bDovV
        
         | neonate wrote:
         | http://web.archive.org/web/20240327160052/https://www.newsta...
        
       | huytersd wrote:
       | Caravaggio was my favorite artist with the chiaroscuro style when
       | I was naive about art and he still is now when I'm not.
        
         | david927 wrote:
         | great comment! I think Caravaggio is an artist's artist. Come
         | for the drama and tenebrism, stay for the unbridled genius.
        
       | ramijames wrote:
       | This was an excellent article!
       | 
       | He's one of my favorite painters. Such depth and emotion. It's so
       | fun to know more about how awful an actual person he was. Super
       | cool that all of this information is still accessible 400 years
       | later.
        
       | ilikeitdark wrote:
       | One of my favorite painter. Deserves a film or limited series.
       | Only if done well and with accuracy, which may be near
       | impossible.
        
         | ecocentrik wrote:
         | There is a decent film by Derik Jarman, Caravaggio (1986) with
         | Sean Bean and Tilda Swinton.
        
           | Daub wrote:
           | I think I was an extra on that movie. I say 'think' and Derik
           | never told me what movie he was shooting. Good times.
        
             | osullivj wrote:
             | Do tell, says this Caravaggio, el Greco and Beccafumi
             | obsessive...
        
               | Daub wrote:
               | So... Derek Jarman had a studio in one of the old
               | warehouses alongside the thames before it became the
               | yupified, soulless nonsence it is now. I was an artist
               | but also modelled frequently for other artists and art
               | schools (not unusual for a young artist).
               | 
               | DJ was in the process of producing Caravaggio, and I
               | heard through a freind that DJ was looking for models not
               | shy about being 'au naturel' in front of the camera. The
               | shoot required that I dance naked, together with many
               | other guys, at night around a large fire, located in an
               | empty lot next to his studio.
               | 
               | I know that his Caravagio movie was in production (or
               | development) and being openly discussed at the time and
               | this was part of my motivation behind accepting the
               | (unpaid) gig. However, from my single viewing of the
               | movie, I cannot recal seeing any such scene.
               | 
               | There are plenty of similar scenes in his movie
               | Sebastian, but the dates don't work out. It's concievable
               | that he was just shooting one of his off the cuf
               | experimental works... who knows.
               | 
               | The shoot itself was a bit chaotic. Most of the other
               | guys there were gay and up for a party..., Very frisky.
               | As a young straight lad, I was a bit freaked out, but
               | Derik himself was a complete gentleman, and also very
               | protective of me. Needless to say I did not return.
               | However, I maintain very fond memories of DJ. He had a
               | wiked sence if humour and was evidently a man a great
               | humanity.
               | 
               | I do recal towards the end of the evening seeing him cry.
               | Maybe it was because of the stress of the shoot, or maybe
               | because of health issues (he was diagnosed HIV+ around
               | that time but my memory of the dates is fuzzy).
               | 
               | He was part of a London that no longer exists... Punk,
               | alternative, pre-yuppy. Much missed.
        
               | rsynnott wrote:
               | A lot of stuff gets filmed and then cut, so it might just
               | be that. You might be on a director's cut DVD somewhere!
               | (Though way less likely for old stuff, where the removed
               | material may no longer even exist.)
        
       | bbkane wrote:
       | I recommend the Caravaggio episodes of
       | https://artholespodcast.com/ to everyone!
       | 
       | Michael Anthony does a REALLY good job contextualizing
       | Caravaggios crazy actions and giving a "window" into life in
       | Italy then.
        
         | SirLJ wrote:
         | This is great podcast! Frida Kahlo series was the best IMHO
        
         | jpfr wrote:
         | I agree! The ArtHoles podcast is superb.
         | 
         | There were some updates on his Instagram lately. Fingers
         | crossed for more episodes.
         | 
         | This is the first online-first content producer I'd consider
         | paying real money for...
        
       | jdmoreira wrote:
       | I recommend the episodes about his life on the History on Fire
       | podcast. This guy was WILD
        
       | lazide wrote:
       | Jesus Christ does that website have a shit ton of trackers. 321
       | 'partners with access to fine geolocation'?!?
        
         | somat wrote:
         | And the icing on the cake is how it starts with a modal dialog
         | headlined "We value your privacy"
        
         | pluc wrote:
         | Stop using Javascript on the Internet and you'll find yourself
         | back in 1998. Advertisers, marketers and front-end devs have
         | ruined it. Only selectively allow each JS source, fuck them.
        
       | anonnon wrote:
       | His erratic behavior may have been attributable to heavy metal
       | poisoning, especially lead, much of which came from his paints:
       | https://www.theguardian.com/artanddesign/2010/jun/16/caravag...
        
         | Daub wrote:
         | I have heard the same thing (wrongly) said of Van Gogh, whose
         | poor mental condition towards the end of his life was almost
         | certainly caused by syphilis.
         | 
         | This is not to underplay the impact of poisonous paints: the
         | entire cadmium range (cadmium red and yellow), Naples yellow (
         | lead antimonate), Flake white (lead again). For more horrors,
         | check out the book artist beware.
         | 
         | Looking at the article you linked, the evidence for
         | Caravaggio's death by lead poisoning does indeed seem
         | conclusive. However, IMO it almost certainly was not through
         | the use of paint itself, but from the careless manufacture of
         | paint. In those days, most painters made their own paint by
         | mixing powder pigment with oil. Powdered lead pigments is 100
         | times more dangerous than pigment locked into an oil emulsion.
         | 
         | A dear artist friend of mine died as a result of their art. God
         | bless you Jim where ever you are.
        
           | happytiger wrote:
           | Cheers to Jim!
        
       | languagehacker wrote:
       | My favorite painter! I highly recommend Caravaggio: A Life Sacred
       | and Profane by Andrew Graham-Dixon. That and the Derek Jarman
       | film (as referenced by others) provide valuable insight into his
       | grandiose and self-destructive behavior, along with the patronage
       | system that allowed him countless second chances until he managed
       | to burn every bridge available to him. Michelangelo Merisi
       | teaches us a great lesson on the precariousness of talent mixed
       | with recklessness.
        
       | m463 wrote:
       | I looked at his work here:
       | 
       | https://en.wikipedia.org/wiki/Caravaggio
       | 
       | his medusa kind of reminds me of joseph ducreaux:
       | 
       | https://www.openculture.com/2021/12/the-eccentric-self-portr...
       | 
       | (without the blood)
        
       | thecupisblue wrote:
       | I always heard about Caravaggio from books and Internet, finding
       | his paintings "ok, realistic, cool for the time, skilfully made".
       | 
       | Then I saw a few live. The chiaroscuro theatre of shadow and
       | light, the insane details, the dynamic of each painting, the
       | mastery it takes to reproduce such art pieces, it all humbled me
       | as an artist in a way I did not expect. This man had such an
       | insane talent, vision and skill to produce some of these
       | paintings, their harshness matching his lifestyle.
       | 
       | If you have a chance to see some of his works in person, go for
       | it, it will definitely pay off.
        
         | happytiger wrote:
         | Yes you are describing my experience exactly. This art is one
         | of those arts that looks nice in photos and is just impactful
         | (?) in person. Like, movingly painted somehow? It is
         | emotionally arresting. He has captured something of the human
         | spirit in some of his work.
         | 
         | Well said.
        
         | squeedles wrote:
         | Had to make an account just to reply that I had a similar
         | experience with Thomas Cole. Saw a showing of "Course of
         | Empire" and was astonished. Looking at a photo can't prepare
         | you for the impact of a wall-sized painting crammed with
         | magnifying glass-sized details.
        
           | wahnfrieden wrote:
           | monitors also do not reproduce much color spectrum that is
           | apparent in painting situated in a room
        
           | hodgesrm wrote:
           | This. I had the same feeling on seeing The Triumph of Death
           | by Pieter Bruegel the Elder in the Prado. [0] It's one thing
           | to see the painting in a book. It's another thing to turn the
           | corner into a room and see the full 20 square foot landscape
           | in front of you. (It's still one of my favorite paintings of
           | all time.)
           | 
           | [0] https://en.wikipedia.org/wiki/The_Triumph_of_Death
        
         | Anotheroneagain wrote:
         | _the insane details_
         | 
         | Really? I get the exact opposite impression - how little actual
         | detail there is. It seems it almost completely consists of few
         | thick brushstrokes, made with insane precision.
         | 
         | The Supper at Emmaus seems to be an exception. It makes me
         | think it actually isn't his painting.
        
       | Arkhaine_kupo wrote:
       | Oh the article misses one of the best bits about his lifestyle.
       | 
       | The man run what essentially was a beautiful scam on churches. He
       | was comissioned to paint saint and virgins. He would use local
       | prostitutes as models (it is mentioned in the article he was
       | condemed for the murder of a pimp). So when the paintings were
       | presented to the church, the locals (and sometimes even the
       | priests) would recognise the models and there would be some
       | uproar of using the likeness of a streetwalker to paint the
       | virgin mary. So the painting would get removed and most of the
       | time a private owner (sometimes higher ups in the church) would
       | buy them for their personal collection. Too scandalous for the
       | public, but perfect for my own palace.
       | 
       | There was a very famous incident of this where he painted Mary's
       | death. Usually this is a very holy moment in Christianity and
       | it's painted as such. Caravaggio did not. He painted it in a
       | dirty tent, in a very human way with her passing away. This was
       | Strike One. Secondly he modeled the death after a famous body
       | that was retrived from the river in Rome, a girl had drowned and
       | tons of people had seen her lifeless body be pulled out of the
       | water, and they could now see that same girl being virgin mary.
       | Strike Two. And the last strike was that the woman was not any
       | girl, but one of the most famous prostitutes of the city and one
       | seen very regularly with Caravaggio. Painting your ex gf
       | prostitute who died unceremonoiously drowned as the holyest
       | figure outside of christ was a big issue at the time.
       | 
       | The painting however is still gorgeous and would urge anyone
       | travelling to Paris (in the Louvre) to go see it. Not as "another
       | virgin" painting, which you will find infinite Madonna paintings
       | in Europe. But as one of the first paintings not sanctifying her
       | death and as a sad goodbye from Caravaggio to someone important
       | to him
        
         | plondon514 wrote:
         | According to Wikipedia the painting is part of the Louvres
         | permanent collection (Paris)
        
           | Arkhaine_kupo wrote:
           | it is, fixed. I heard about it while travelling on northern
           | Italy, thought it was still in Italy. Haven't seen it in
           | person, but something to look forward on my next trip to
           | Paris
        
         | pluc wrote:
         | Where in Rome can one find this painting?
        
           | Arkhaine_kupo wrote:
           | Its in Paris, the guy above corrected me. So if you are ever
           | in the Louvre go and give it a look
        
         | hypertexthero wrote:
         | Here it is:
         | https://en.wikipedia.org/wiki/Death_of_the_Virgin_(Caravaggi...
        
         | nerdponx wrote:
         | Wikipedia tells me that this is also the _last_ major depiction
         | of her death as death, rather than  "assumption", which I find
         | kind of interesting.
        
           | michaelsbradley wrote:
           | Dormition versus Assumption
           | 
           | https://en.wikipedia.org/wiki/Dormition_of_the_Mother_of_God.
           | ..
        
         | bigfatfrock wrote:
         | Amazing color to add to this great story, thank you.
         | 
         | Reading your relation, I realized that this intermixing of
         | "questionable" (at the time) art ended up in religious settings
         | including bible printings back then, resulting in even worse
         | results. My first recollection is of the scandalous chapter
         | opening characters used in some of the earliest KJV printings
         | that results in bankruptcy/ruination of the press owner/printer
         | due to royal/religious offense and subsequent punishment!
        
       | greenie_beans wrote:
       | watch derek jarman's 'caravaggio'
        
         | huytersd wrote:
         | Genuinely trying not to be an ass but is it significantly
         | "gayer" than Caravaggio's life actually was?
        
           | greenie_beans wrote:
           | dunno how gay caravaggio's life was, but yes, jarman's
           | depiction is gay.
        
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