[HN Gopher] Thirteen Ways of Looking at Art
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       Thirteen Ways of Looking at Art
        
       Author : prismatic
       Score  : 78 points
       Date   : 2024-02-06 00:10 UTC (1 days ago)
        
 (HTM) web link (salmagundi.skidmore.edu)
 (TXT) w3m dump (salmagundi.skidmore.edu)
        
       | saiya-jin wrote:
       | I come to art for a very different reason than modern art tries
       | to press on me and emotions they try to evoke in me. I simply
       | refuse to play that game, have herd mentality and just accept
       | opinions and emotions of others.
       | 
       | Maybe I was spoiled by art of folks like Rembrandt or Vermeer
       | viewed in museums, I like this form of art, I like seeing proper
       | multiyear effort of struggling artist recognized only long after
       | death and the resulting beauty, this sort of suffering always
       | brings the best artist forward.
       | 
       | Especially compared to folks who pump their ass full of some
       | color, spray that shit on canvas and sell it for millions. The
       | only emotion in this is insult, and you definitely don't need art
       | for that, daily news is enough. Literally everybody I ever asked
       | this, from various professions and intellect and so on has
       | roughly same opinion.
        
       | AnimalMuppet wrote:
       | Yeesh. That style of writing just grates on me.
       | 
       | Is it supposed to be art? If so, no thanks. If not, learn to
       | write.
        
         | 082349872349872 wrote:
         | He does manage (via a cornucopia of namechecks) to implicitly
         | --in addition to the thirteen explicit ways-- provide a
         | fourteenth way: by comparing and contrasting each work to its
         | memetic neighbours.
         | 
         | (somewhat like albums and radio DJs used to do, but they,
         | unlike Deresiewicz, usually limit themselves to not only a
         | single medium, but even a single genre)
        
         | xbar wrote:
         | That style of writing requires a significant commitment for me
         | to work through.
         | 
         | Seldom do I find it worth it.
         | 
         | This time, I definitely did.
        
           | AnimalMuppet wrote:
           | Well, I read it closely on your recommendation. It definitely
           | had some worthwhile points. Still don't like the style very
           | much. Still think he should learn to write, or at least learn
           | how to write for regular people. (But maybe regular people
           | weren't really his audience?)
        
         | shartshooter wrote:
         | I found the piece difficult to read as well. That said, the
         | author wasn't writing it with you or me in mind.
         | 
         | To me, the author was writing in a way that made sense to them,
         | with no regard to how it would be perceived. People will either
         | get it, or they won't.
         | 
         | That's what makes it art(in my opinion)
        
       | lqet wrote:
       | I find this a concise definition of good art:
       | 
       | > The true work of art leads us from that which exists only once
       | and never again, i.e. the individual, to that which exists
       | perpetually and time and time again in innumerable
       | manifestations, the pure form (or Idea).
       | 
       | Schopenhauer, On the Suffering of the World
        
         | xbar wrote:
         | Worthy of contemplation and a fuller read.
         | 
         | My 13 year old daughter came home last night and wanted to tell
         | me some things about Schopenhauer. It was a good day.
        
         | pontsprit wrote:
         | great quote - and the dialectic is that it is only through the
         | most "individuated" individuals that such work can be brought
         | forth (the Frankfurt school would say during Modernity, such
         | individuals are not so much distinct, but the most alienated)
        
         | progmetaldev wrote:
         | I think this individuation and uniqueness is probably what
         | makes art truly "beautiful." I tend to be drawn to art that is
         | often darker and would be described as depressing by most
         | people, while finding positivity in the themes.
        
       | gniv wrote:
       | If you're wondering why 13, I assume this is the reference:
       | https://www.poetryfoundation.org/poems/45236/thirteen-ways-o...
        
         | eyeundersand wrote:
         | Wonderful poem. Thanks!
        
       | jensgk wrote:
       | Art is for seeing the world from different perspectives.
        
         | foofie wrote:
         | And also money laundering.
        
           | philprx wrote:
           | Excellent composite quote:
           | 
           | "Art is for seeing the world from different perspectives. And
           | also money laundering and tax avoidance."
           | 
           | ;-)
        
       | vmoore wrote:
       | Banksy -- 'Art should comfort the disturbed and disturb the
       | comfortable'
        
         | wittierusername wrote:
         | Banksy's art is definitely closer to teenager #deepthoughts
         | Instagram pages than contemporary art imo.
         | 
         | He reminds me of YouTubers that got famous making like reaction
         | clips, pranks and the odd sketch that then think they can write
         | (or even act in) a feature film
        
         | jevoten wrote:
         | As long as you don't think more than 60 seconds on what might
         | comfort someone truly disturbed, this is a great definition.
        
         | prewett wrote:
         | I'm really tired of "art" needing to have an edgy message. All
         | this messagey art doesn't have the one quality I want in art:
         | beauty. Why can't art celebrate the good and beautiful in the
         | world? What value does focusing on all the ugly stuff in the
         | world have? It's easy to find dirt in the ground, but rare to
         | find gold; why not focus on the gold?
        
           | progmetaldev wrote:
           | The issue is that everyone has a different definition of what
           | is beauty. Sometimes focusing on the ugly helps to confront
           | it in a way that isn't possible outside of art, for example,
           | death. I'm not saying you're wrong, but I think it's very
           | subjective, so you may find some things edgy and ugly while I
           | find beauty and a way to connect to a difficult concept.
        
           | freejazz wrote:
           | Art doesn't have to have a "message" to be "edgy" and to say
           | that art doesn't celebrate the beautiful in the world makes
           | me think you don't engage with much contemporary art. What it
           | makes me think is that you engage with art by reading about
           | other people's reactions to the type of art you are decrying,
           | and then jumping to the conclusion that is what makes up
           | contemporary art.
        
       | 65 wrote:
       | The purpose of art is to figure out what the purpose of art is.
        
         | Towaway69 wrote:
         | That's philosophy. Replace the word 'art' with 'philosophy' and
         | it makes more sense.
        
       | oldstrangers wrote:
       | The easiest way to understand art is that it allows you the
       | freedom of abstraction. I'm a designer / artist, I come from an
       | art family. As a designer my work has to be agreeable, coherent,
       | and functional. As an artist, I have no such restraints. And by
       | nature, my wildest thoughts can only have a home as "art",
       | because even trying to articulate those thoughts might not be
       | reasonable.
       | 
       | Art is a form of expression for the parts of us that are hardest
       | to express.
        
         | progmetaldev wrote:
         | Your last sentence rings true for me, when it comes to the
         | style of art I enjoy. Often darker themes that other people may
         | be disgusted or disturbed by, I find peace in, such as death
         | and alienation.
        
       | swayvil wrote:
       | Art is for getting high.
       | 
       | The process of making art gets the artist high.
       | 
       | The consumer of the "art product" gets high too, but in a
       | somewhat different and lesser degree.
        
       | madmountaingoat wrote:
       | I prefer to think of art as anything made by man. Using this
       | definition I can cherish a poorly crafted thing made by a friend,
       | a child's scribble, a well crafted gear or an antique bronze from
       | thousands of years ago as art. And that means we all are artists.
       | All artistic categories are just groupings around an idea.
       | Imagine a taxonomy tree where each branch has proponents
       | screaming 'here is where art starts'
        
       | 23B1 wrote:
       | A useful reminder to the AI crowd: it is an inherently human
       | experience. You can gin up all the picassos you want on your LLM,
       | but it'll never achieve the impact or emotion of Guernica.
        
         | pwython wrote:
         | Your example of Guernica: If someone with no knowledge of the
         | meaning behind it, and saw it for the first time... would they
         | really be emotionally blown away? Should a painting have to be
         | explained?
         | 
         | I dunno, I prefer art that is breathtaking at first sight and
         | self explanatory (eg. Starry Night), versus a piece that
         | requires an explanation, like Andy Warhol's soup cans or some
         | abstract modern art that consists of random splashes of paint
         | that somehow makes sense of it all.
        
           | everybodyknows wrote:
           | To anyone familiar with the history of the Spanish Civil War,
           | _Guernica_ requires no explanation.
        
           | eszed wrote:
           | My taste is in agreement with yours, but I'm not sure
           | _Guernica_ fits the other examples you gave.
           | 
           | In person it's overwhelming, because it's _huge_ - much too
           | big to hold in your head at once - and every corner of it has
           | something happening in it. Something horrible, or a horrified
           | / horrorific reaction to something horrible. The abstractions
           | and symbolism also create this kind of dreamlike,
           | inarticulable sense of "we'll never get to the bottom of
           | this" - with _this_ being the painting itself, and by
           | extension the experience it depicts.
           | 
           | My guess is that an inhabitant of a future utopian
           | civilization, which had eliminated violence for generations,
           | would have no frame of reference, and no (or an inadequate)
           | emotional response. I don't, however, think it would take any
           | specific knowledge ("in 1937 the Germans..." blah blah blah)
           | to recognize and respond to the painting as depicting
           | experiences and responses common to violence and destruction
           | and war anywhere and any time those happen.
        
           | 23B1 wrote:
           | Why would a painting need to be self-explanatory?
           | 
           | Your own personal tastes don't apply universally to anything,
           | especially art... so I guess don't understand the point
           | you're trying to make here.
        
       | smokel wrote:
       | One productive way to think about the question what art is, is to
       | consider the concept of "Family resemblance" [1].
       | 
       | The fun thing with art is that people started making anti-art
       | [2], which is now, of course, also considered art. Possibly the
       | only thing _not_ being art is mediocre art. I am perfectly
       | willing to devote some time to making that into proper art as
       | well.
       | 
       | Give a contrarian artist a definition of art, and they will
       | destroy it.
       | 
       | [1] https://en.wikipedia.org/wiki/Family_resemblance
       | 
       | [2] https://en.wikipedia.org/wiki/Anti-art
        
         | everybodyknows wrote:
         | Maybe not quite what you mean by "mediocre", but there have
         | been claims that deliberately pushing kitsch to the extreme
         | elevates it to Art:
         | 
         | https://news.artnet.com/art-world/koonss-monument-to-the-unk...
        
       | Jun8 wrote:
       | Excellent piece that touches on a diverse variety of thoughts!
       | Each of the thirteen would make for a good conversation in cafe
       | with one or two friends while drinking good coffee and sharing
       | lemon and poppyseed muffins.
       | 
       | The question posed in the first definition is perhaps the most
       | interesting, i.e. why are flowers beautiful? Flowers appeared
       | ~130 mya while mammals appeared ~225 mya, so this cannot be coded
       | in our "reptilian brain."
       | 
       | I like the answer posed "natural selection went too far", the
       | only answer we currently have. To push the analogy, these traits
       | that we take to define our humanity are probably our brains
       | "hallucinating," trying to optimize some unnecessary group of
       | functions. Why are flowers beautiful? Why do we believe in God?
       | These are probably unintended consequences of our evolutionary
       | brain. Yet these "bugs" define us and are the source of all that
       | we find great about us.
        
         | saint_fiasco wrote:
         | They can also be unintended consequences in the evolution of
         | the flowers. As I understand it, they are beautiful because
         | they are trying to attract the attention of their pollinators.
         | 
         | Some flowers are plain-looking because they are beautiful in
         | infrared or ultraviolet, for example. That is, they are
         | beautiful to their intended non-human audience. The fact that
         | other flowers are beautiful also in the human visible spectrum
         | is either a fortunate accident for us (if it is a wild flower)
         | or a deliberate choice by their pollinators (if it is a
         | domesticated flower that people plant on purpose).
        
           | Jun8 wrote:
           | Good point about coevolution. Of course all thoughts on this
           | subject are (currently) speculation.
           | 
           | Here's a quote by Georgia O'Keefe: "Whether the flower or the
           | color is the focus I do not know. I do know the flower is
           | painted large to convey my experience with the flower - and
           | what is my experience if it is not the color?" I don't think
           | color is the whole story: As I write this I have a vase of
           | yellow tulips in front of me. My wife and I are particularly
           | fond of this particular combination, any other flower of the
           | same yellow color won't do.
        
         | jrapdx3 wrote:
         | I imagine the answer to "why are flowers beautiful" is probably
         | linked to a different question: why do humans have superior
         | color vision vs. almost all other mammalian creatures?
         | 
         | A dominant theory is that natural selection favored individuals
         | with extended long wave (red) perception. Better color
         | perception enhanced locating high-quality food resources and
         | avoiding toxic plants. Human vision also resolves finer detail
         | than many mammals.
         | 
         | Flowers are worth noticing, after all, they're precursors to
         | fruit which may be edible when ripe. Appreciating the form and
         | color of flowers isn't a random phenomenon. In its present-day
         | form, like most things human, the "beauty of flowers" is a
         | complex phenomenon arising out of interacting biological,
         | social and environmental factors.
        
           | actionfromafar wrote:
           | Isn't the human liver also very good at breaking down toxins?
        
           | chickenWing wrote:
           | We should resist the temptation to create "evolutionary just-
           | so stories" to explain human behaviors.
        
           | progmetaldev wrote:
           | Specifically in regards to flowers, I believe the vast
           | majority of flowering plants are not fruiting, so there would
           | need to be some other case here. More likely not having to do
           | with humans, and more to do with attracting pollinators.
        
         | TheOtherHobbes wrote:
         | Flowers aren't beautiful. We experience flowers as triggering a
         | subjective sensation we label beauty. Which is not the same
         | thing.
         | 
         | I'm fascinated by how our brains get from "A beautiful woman"
         | (feel free to modify according to gender and sexuality) to "A
         | beautiful building."
         | 
         | Beautiful humans - whose attributes aren't necessarily physical
         | - are mostly just high quality potential mating partners.
         | 
         | A beautiful building will have proportion, texture, and rhythm.
         | But it's quite a reach to get from one to the other, even if
         | you start from "symmetrical faces are attractive."
         | 
         | Somehow the experience became abstracted. Or certain features
         | did.
         | 
         | And then you get music, which is even more abstract.
         | 
         | How does all of this work? I have no idea. It's fascinating,
         | but hugely under-researched.
        
           | mbivert wrote:
           | > Flowers aren't beautiful. We experience flowers as
           | triggering a subjective sensation we label beauty. Which is
           | not the same thing.
           | 
           | By that logic, isn't everything subjective? I mean,
           | everything we experience triggers a subjective sensation on
           | which we put labels.
           | 
           | The notion of beauty can be rationalized to some degree:
           | that's the goal of composition. Let me give you one notable
           | example: unity in diversity.
           | 
           | Clouds, flowers, trees (vegetation really), mountains, all
           | follow this rule, and are generally subjects considered
           | pleasant. The principle can be used to give a strong identity
           | to an artwork, while keeping it interesting.
           | 
           | I let you ponder about how this principle manifests itself in
           | music.
           | 
           | That's to say, I don't think it's under-researched. Instead,
           | I think that the "everything goes" mentality we've had for a
           | while now, especially in visual arts, has concealed the idea
           | of the existence of such principles from everyday people. But
           | they're still well-known, at least as soon as we demand
           | strong technical skills from artists.
        
         | breathen wrote:
         | > Flowers appeared ~130 mya while mammals appeared ~225 mya, so
         | this cannot be coded in our "reptilian brain."
         | 
         | Why not?
        
       | chefandy wrote:
       | Art(n.): An overloaded catch-all term for various creative things
       | which people can nearly define however they want in any given
       | context to lend unearned credence to their glib and/or self-
       | interested philosophical stances.
        
         | eszed wrote:
         | Cynicism is cheap. What's some "art" you like?
        
           | chefandy wrote:
           | I'm not actually cynical about art. My life is art: I went to
           | art school and am a professional commercial artist. I'm
           | cynical about the way people in the tech crowd use the word,
           | now: glib, hamfisted philosophical snippets to redefine art
           | to only legitimize fine art without monetary compensation so
           | they can totally ignore the human effects of spraying the
           | entire world with the vacant sheen of generative AI. Yes. I
           | am very cynical about the tech world's attempt to define art
           | right now.
        
       | codingdave wrote:
       | My undergraduate degree is in Fine Arts, and we did a Senior
       | Seminar which amounted to a month of talking for a few hours a
       | day on these kinds of topics. It was a ton of fun, and did force
       | us to really go deep down all the paths mentioned here, and many
       | others... and at the end of it all, there are no definitive
       | answers. Art is whatever the artist or the audiences make of it.
        
       | jj999 wrote:
       | This guy do love to namedrop.
        
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