[HN Gopher] What Is an Electronic Sackbut?
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What Is an Electronic Sackbut?
Author : headalgorithm
Score : 26 points
Date : 2024-02-01 19:08 UTC (3 hours ago)
(HTM) web link (spectrum.ieee.org)
(TXT) w3m dump (spectrum.ieee.org)
| seanhunter wrote:
| A sackbut is a Renaissance/Baroque predeccessor to the trombone,
| often accompanied by cornettos[1]. Here's an example of a
| Gabrieli canzon https://www.youtube.com/watch?v=nWqFfDnV5KI
|
| In that video the sackbuts are the three people at the back and
| there are 2 cornettos at the front.
|
| So this is an early synthesiser that sounded a bit like a sackbut
| presumably.
|
| [1] A virtuosic curved horn instrument with a trumpet-like
| mouthpiece but fingering like a recorder.
| puchatek wrote:
| I might have spent too much time on Reddit to have a sensible
| intuition for what a Sackbut might be.
| thelastparadise wrote:
| Can anyone explain what the little walmart power strip looking
| thing is on this Sackbutt?
| TylerE wrote:
| Looks like a power strip. Looks like there might be an
| amplifier built into the base. Most likely a much later
| addition, or even a temporary one, to make moving it
| around/displaying it/demoing it easier.
| jdietrich wrote:
| With all respect to the inventor, the Ondes Martenot was invented
| decades earlier and was a legitimately useful instrument.
|
| https://en.wikipedia.org/wiki/Ondes_Martenot
|
| https://www.youtube.com/watch?v=yidV0HeVyCg
|
| To my mind, the best of the early (pre-Buchla/Moog) electronic
| synthesisers was the Hammond Novachord. It's remarkable that a
| commercial record was released with a polyphonic synthesiser as
| the sole instrument in _1939_ , and even more remarkable that it
| was anything but a novelty - it sounds absolutely gorgeous.
|
| https://en.wikipedia.org/wiki/Novachord
|
| https://www.youtube.com/watch?v=h1xrofiEa4w
| gweinberg wrote:
| Doesn't seem complete without the nuclear bombs.
| nescioquid wrote:
| The interesting thing to me is that the timbre controls seem to
| have been intended to modify the instrument while it is sounding.
| An organist can do this by pulling stops, and is similar to
| setting patches on a Moog, but generally, you play the pitches
| with both hands and pause to change settings.
|
| I wonder if this was done simply to aid the prototyping, or if
| the intention was that the performer would be changing the timber
| during the performance, while the instrument is sounding. This
| seems to be the effect you hear with the klaxon sound changing
| into a grunty, nasal timbre at the beginning of the Sackbut
| Blues.
|
| My guess is that it was a prototyping convenience, but it would
| seem to have big implications for how the instrument is used in
| performance. A composer writing for it would have to think about
| mutable timbre not dissimilarly to planning pedal changes for a
| harp or even thinking about double-stops on string instruments --
| there are practical limitations of the performer and instrument
| that has to be considered.
|
| That actually makes the music a bit more interesting to me than
| an early 20th-century ideal of "liberating" music from the
| confines of catgut and sloppy wet wood and metal.
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