[HN Gopher] Grammar of Ornament
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       Grammar of Ornament
        
       Author : lioeters
       Score  : 65 points
       Date   : 2024-01-04 12:48 UTC (1 days ago)
        
 (HTM) web link (www.nms.ac.uk)
 (TXT) w3m dump (www.nms.ac.uk)
        
       | gilleain wrote:
       | Another take on this book from the V&A:
       | 
       | https://www.vam.ac.uk/articles/owen-jones-and-the-grammar-of...
       | 
       | Including some details such as:
       | 
       | > Henry Cole, another key figure in design reform, had helped
       | Jones publish The Grammar of Ornament, and in his capacity as
       | first director of the South Kensington Museum, asked Jones to
       | design a series of galleries known as the 'Oriental Courts'. The
       | Oriental Courts comprised of two galleries: an Indian Court and a
       | Chinese and Japanese Court, which showcased the museum's growing
       | collection of objects from these countries.
       | 
       | > The Oriental Courts had closed to the public by the end of the
       | 19th century and unfortunately Jones's designs were later painted
       | over.
       | 
       | Then "The rooms were used as the kitchens for the V&A restaurant
       | for many years. "!
        
       | swayvil wrote:
       | I had this book. It was published tiny. Like 5x6. Not good. If
       | you buy it you need a big one. Like 12". Great book tho. A feast,
       | truly.
        
         | masfuerte wrote:
         | The Princeton University Press edition looks nice but one of
         | the Amazon reviews slates the printing quality. That said,
         | reviews are often attached to the wrong edition so it might be
         | fine. Can anyone recommend a good edition?
        
           | omsimun wrote:
           | If you're just curious, you might not need a glossy physical
           | copy.
           | 
           | The Met recommends (https://www.metmuseum.org/blogs/in-
           | circulation/2018/grammar-...) this scanned version of the
           | 1856 edition at the Internet Archive:
           | 
           | https://archive.org/details/grammarornament00Jone/
           | 
           | As someone with a training in architecture and architectural
           | history, I'd think twice before paying money for an edition
           | of this. Any plate from the book is very recognizable. It's
           | marginally useful as a sourcebook, but you won't learn much
           | from it, and its limitations start to grate pretty quickly.
        
             | mistrial9 wrote:
             | .. as others have mentioned, current practices rival Soviet
             | design .. we are at an all time low in some ways. Anyone
             | who is interested ought to be encouraged IMHO
             | 
             | ref: 1900 architecture texts from Columbia University --
             | Greek revival at the time
        
       | efields wrote:
       | I used to have a copy of this book. I hope I still do. Thanks for
       | posting.
       | 
       | Amazing how these cultures developed such intricate and beautiful
       | ornament systems -- which is functionally a design system -- and
       | the best we get now is all white and plywood.
       | 
       | I know, I know.
        
         | mistrial9 wrote:
         | "we"
        
           | efields wrote:
           | I know, I know.
        
         | schrijver wrote:
         | Today I binged the Youtube of House & Garden, an upmarket
         | English interior design magazine... now I was aware that in the
         | mainstream minimalism has peaked, but I learned that all along
         | there's been this whole subculture of posh English people
         | designing rooms with ornamental wallpapers, fabrics, moulding,
         | antiques, trinkets--without it looking stuffy. My own house is
         | going to look nothing like this but I found it inspiring
         | regardless.
        
           | efields wrote:
           | It's been happening for a couple years. Part of it is we
           | really did pare designed spaces down to the bone in terms of
           | style and functionality, so there's nowhere left to go but
           | the opposite direction, and the pendulum had a lot of
           | potential energy built up. Maximalism with modern sensibility
           | is in.
        
       | mintplant wrote:
       | If you enjoyed this, you simply _must_ play Goragoa [0]. It 's a
       | beautiful, intricate puzzle game centered around interlocking
       | logics of ornamentation, crafted over seven years by the creator
       | [1].
       | 
       | [0] https://gorogoa.com
       | 
       | [1] https://kotaku.com/the-puzzle-of-a-lifetime-1821235999
        
         | froh wrote:
         | "this app isn't compatible with your device because it was made
         | for an older version of android"
         | 
         | sigh
        
       | somewhereoutth wrote:
       | Pre-modernism: "Let's decorate everything!"
       | 
       | Modernism: "Let's think about form and function, and try to use
       | space, structure, and material to convey emotion and express
       | intent without resorting to overt decoration"
       | 
       | Post-modernism: "Let's decorate everything!"
       | 
       | ---
       | 
       | See also Robert Venturi and Denise Scott Brown: "duck" vs
       | "decorated shed".
        
         | mcphage wrote:
         | > and try to use space, structure, and material to convey
         | emotion and express intent without resorting to overt
         | decoration
         | 
         | They may have tried this, but I think they failed pretty badly.
        
       | bondarchuk wrote:
       | Some nice patterns can also be found in Hittorff, L'Architecture
       | Polychrome chez les Grecs (1846)
        
         | mcphage wrote:
         | Are you aware of a digital copy online? This sort of book often
         | has a copy at the Internet Archive, but I didn't find it there.
        
       | twic wrote:
       | > The Grammar's purpose was thus not to encourage others to copy
       | or revive these older decorative arts, but to help young
       | designers make use of the rich underlying design principles - the
       | grammar - in their own work.
       | 
       | So what was this grammar?
       | 
       | This article, and the V&A one someone posted in a comment, do
       | this infuriating thing that seems to be standard practice for
       | museum curators, where they tell you all about the biography of
       | some figure, and show you their work (with titles, dates,
       | materials, all the metadata), but make absolutely no attempt to
       | actually explain it. As if you could somehow stare at a sequence
       | of these drawings and exactly reproduce Jones's thinking
       | yourself! Or stare at Kandinsky's shapes and colours and
       | understand what he was trying to do, etc.
        
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