[HN Gopher] What we lose when curating follows the money
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What we lose when curating follows the money
Author : bryanrasmussen
Score : 23 points
Date : 2023-12-15 09:54 UTC (1 days ago)
(HTM) web link (hyperallergic.com)
(TXT) w3m dump (hyperallergic.com)
| lbotos wrote:
| In contrast, I just went to New Haven CT for the pizza, and
| stumbled into the Yale art gallery. I didn't expect much but 3rd
| floor, Modern and Contemporary Art and Design was expertly
| curated.
|
| https://artgallery.yale.edu/collections/objects/52939
|
| All of the pieces in the room where this piece were all played
| with light in fascinating ways and the layout sort of took you
| through a day.
|
| This piece linked was positioned at the end of the gallery into
| the next so as t o look like the light was spilling in from the
| next gallery itself.
|
| If you are in New Haven it's free and a great way to lose a few
| hours.
| yieldcrv wrote:
| I recently sold works from the belle epoque era to raise some
| cash through the bear market and, aside from usual haggling, the
| high end gallery curators were scared that there was no interest
| in this era anymore, that all the collectors were 80 years old
|
| I told them that millenials and gen Z _loooove_ art nouveau,
| theyre just not in your networks and dont have the money yet
|
| this was hard for them to understand, as they are also 70 and 80
| years old and this aspect of the art world, social media virality
| with no associated indexing on google, has only recently occurred
|
| I would definitely say following the money has some folly because
| it doesnt really tap into all sentiment. money is influenced by
| crowd sentiment and if you inspire the crowd, the moneyed
| interests FOMO
| boppo1 wrote:
| How/Where did you sell them? I am one of the millennials you
| mentioned and would love to know where I can keep an eye out
| for this stuff once I can afford it.
| ewuhic wrote:
| Dare telling how to build a network to sell art to?
| graphe wrote:
| >There are gains to be had from exhibiting private artwork in an
| internationally renowned institution; inclusion within a curated
| major exhibition lends it credibility and legitimacy, which can
| be added to an impressive provenance trail, making it attractive
| when put up for sale.
|
| We gain putting things that are "hidden gems" and telling people
| it's good, for prestige, and/or leading up to sales. Art
| collectors that care about money aren't usually art appreciators.
| It's just a slow version of bored apes.
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(page generated 2023-12-16 23:00 UTC)