[HN Gopher] The Nineteenth-Century Banjo
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       The Nineteenth-Century Banjo
        
       Author : bookofjoe
       Score  : 28 points
       Date   : 2023-12-01 00:30 UTC (22 hours ago)
        
 (HTM) web link (daily.jstor.org)
 (TXT) w3m dump (daily.jstor.org)
        
       | westurner wrote:
       | "Tales from the Acoustic Planet, Vol. 3: Africa Sessions" (2009)
       | [2] is the Soundtrack for The Bela Fleck "Throw Down Your Heart"
       | (2009) [1] rockumentary
       | 
       | [1] https://g.co/kgs/zJyVM2
       | 
       | [2]
       | https://en.wikipedia.org/wiki/Tales_from_the_Acoustic_Planet...
       | 
       | Banjo: https://en.wikipedia.org/wiki/Banjo
       | 
       | Bluegrass; traditional and progressive feature the banjo:
       | https://en.wikipedia.org/wiki/Bluegrass_music :
       | 
       | > _These divisions center on the longstanding debate about what
       | constitutes "Bluegrass Music". A few traditional bluegrass
       | musicians do not consider progressive bluegrass to truly be
       | "bluegrass", some going so far as to suggest bluegrass must be_
       | [...]
        
         | 082349872349872 wrote:
         | Having enjoyed "electro blues", for some years I had been
         | searching on YT for "electro bluegrass" without success but
         | today it seems the genre is finally populated. (although from
         | what I have found there's still plenty of opportunity to
         | discover the proper cross between high lonesome and EDM)
        
       | hyperific wrote:
       | Rhiannon Giddens is a world class musician who specializes in
       | banjo. If you ever played Red Dead Redemption 2 you'll have heard
       | her song Mountain Hymn. She's at the forefront of the movement to
       | reclaim the banjo as an African instrument.
       | 
       | https://variety.com/2023/music/news/rhiannon-giddens-banjo-w...
        
         | sys32768 wrote:
         | Your comment reminded me of this scene from the fantastic Alan
         | Lomax documentary The Land Where the Blues Began:
         | 
         | https://www.youtube.com/watch?v=3eMe54XsJUE&t=243s
        
         | nemo44x wrote:
         | What does reclaiming the banjo as an African instrument mean? I
         | read the interview you linked and it's really weird, bordering
         | on neurotic. Like this:
         | 
         | "For bad, you look at how you take something that was rooted in
         | Black culture, and that became a collaborative instrument, and
         | then the narrative becomes: No, it's actually a white
         | instrument. Black people have nothing to do with it."
         | 
         | Huh? What is a "white" instrument? They're inanimate objects.
         | The banjo in its modern form is well understood to be an
         | _American instrument_ and it's well understood that its roots
         | were in an instrument Africans brought over. That's American -
         | a netting lot of things.
        
           | anamexis wrote:
           | > Huh? What is a "white" instrument? They're inanimate
           | objects.
           | 
           | And inanimate objects can have common associations with
           | racial identities.
           | 
           | > The banjo in its modern form is well understood to be an
           | American instrument and it's well understood that its roots
           | were in an instrument Africans brought over. That's American
           | - a netting lot of things.
           | 
           | Giddens says as much immediately after the part you quoted.
        
           | coldpie wrote:
           | Those are good questions! FWIW I think your comment comes off
           | as quite combative ("the interview is weird, neurotic"; "[
           | _my position is_ ] well understood"). That can set up a
           | discussion to go down a less useful route. I think if you
           | phrased your comments in a more open manner, you may get more
           | interesting responses exploring perspectives other than your
           | own. Just my two cents.
        
         | ZeroGravitas wrote:
         | Vox has a video with more on this topic featuring Jake Blount
         | who is mentioned in the Variety piece:
         | 
         | https://www.vox.com/videos/2022/10/21/23416843/banjo-black-a...
        
       | talkingtab wrote:
       | Drone strings are significant. The bagpipe has a drone (pipe?),
       | andit seems that when many Scots migrated to the US and
       | Appalachia, they tried to find another way to play music using
       | drones. One of the big ones was the dulcimer which was & perhaps
       | is a particularly Appalachian instrument. (Although check out
       | Mimi & Richard Farina highly recommended). If you hear Amazing
       | Grace on a bagpipe you will get the idea.
        
       | tiahura wrote:
       | Nothing about adopting tuning?
        
       | gnat wrote:
       | Banjo players of HN, represent! I'm the banjo player for "You,
       | Me, Everybody" < https://youmeeverybody.bandcamp.com/album/you-
       | me-everybody >. Our song "Stranger" was featured in S02E04 of
       | Netflix's "Sweet Tooth", and that's us (in make up!) playing it
       | at the start of the episode.
       | 
       | My dubious claim to fame is that I believe I was the first person
       | to put banjo tablature on the web, possibly the net as a whole. I
       | used EMACS (eight megabytes and continuously swapping, indeed) in
       | 92 or 93 to make ASCII art of tab:
       | +------0----------         +-----------------         +-0
       | ----------0--         +-----------------
       | +----------0------
       | 
       | We're living in a real golden age of banjo today. There are
       | technical virtuosos in all areas, prominent banjo players who
       | don't use it for yuks, and it's a sound people recognise but
       | don't pull back from.
       | 
       | The article author alludes to the terrible times after
       | "Deliverance" was released. For 20 years that movie dominated
       | perceptions of banjo and banjo players. Every banjo player today
       | still gets asked for Duelling Banjos but, in my experience at
       | least, no more "squeal like a pig" comments or associations with
       | inbreeding. Mumford and Sons, "O Brother Where Art Thou", and
       | Taylor Swift have all done their part to normalise the sound of
       | the banjo.
       | 
       | I love it. It's hard to be sad when you're playing the banjo.
       | (Insert obligatory comment about how it's easier to be sad when
       | someone else is playing the banjo. And yes, I've heard all the
       | banjo jokes. And seen the Gary Larson cartoon. And the
       | Thunderstruck video. And the one with the band walking down the
       | train tracks. Every banjo player gets those sent to them on a
       | regular basis, it's part of the job)
        
         | britches11 wrote:
         | Fun bit of trivia for you: members of my family claim my great
         | grandmother taught Earl Scruggs the finger roll technique he
         | made famous. He was boyhood friends with my grandmother's
         | brother and they would hang out and pick on the porch.
         | 
         | His wikipedia page suggests the technique was common in the
         | area, so while she probably didn't teach it to him, there's
         | probably a kernel of truth in there somewhere.
        
           | gnat wrote:
           | It was definitely in the air with players like Snuffy
           | Jenkins. That particular part of North Carolina was full of
           | banjo players and the three finger sound was "in the air" in
           | many different ways at the time. It didn't serve the Earl Is
           | God hero worship of the time so it didn't get talked about
           | much in the 50s and 60s but it's clear he didn't pick up a
           | banjo and invent everything he did. He perfected it yes, but
           | did not invented it de novo.
           | 
           | That's a great story about your great grandmother! What was
           | her name? I'd love to help perpetuate the story.
        
           | Velofellow wrote:
           | Reminded me of a fun bit of my own trivia! My Highschool
           | guidance counselor, also an acoustic bass player in the folk
           | idiom, babysat Bela Fleck as a youngster! She was
           | instrumental (ha) in fostering my drive to set my sights on
           | Music School, which I did.
           | 
           | She also helped introduced FIRST robotics to our small rural
           | highs school. She was an awesome woman.
        
         | redmattred wrote:
         | Getting sent songs with a "really good banjo part you have to
         | hear" with a guitar player flat picking on a banjo are my
         | personal favorite
        
           | gnat wrote:
           | Ah, the gitjo. I can appreciate it, but like you it's not the
           | sound that quickens my pulse.
           | 
           | I hope it functions as a halfway house, getting people used
           | to the sound of the banjo even if it's not THE sound of the
           | banjo.
        
         | nickzelei wrote:
         | I am a recent banjo player (about 2 months). I've played the
         | guitar for years and suddenly got the urge to pick up the
         | banjo. Needless to say, I got a few weird looks. Some tech guy
         | in SF playing the banjo, what?
         | 
         | Anyways, there are a lot of folks players that live in my
         | neighborhood and play at the local bar, maybe that had some
         | influence on it. The banjo is a beautiful instrument and it's
         | just so fun to play! I've been learning clawhammer and I find
         | it a complete joy.
        
           | gnat wrote:
           | Clawhammer is a ton of fun! Because you're already a musician
           | maybe you know this already but my standard advice to new
           | players is to play with tolerant others as soon as you are
           | able to keep time through chords. It helps you keep solid
           | time, feel the groove, let go of mistakes, and it fuels the
           | drive to improve. Maybe you'll be one of the folks playing at
           | your neighbourhood bar inspiring the next banjo player!
        
           | fipar wrote:
           | > Some tech guy in SF playing the banjo, what?
           | 
           | Hey, Fiddleford McGucket started like that!
        
             | chrisdhoover wrote:
             | San Francisco has always had diverse music. Hell Jerry
             | Garcia played banjo.
             | 
             | If you ever feel sorrow and your down in San Antone, just
             | beg borrow or steal two nickels and dime and call me on the
             | phone. I'll meet you at Alamo mission.
        
       | Finnucane wrote:
       | In the latter part of the 19th century manufacturers like SS
       | Stewart and JB Schall began promoting the banjo as an instrument
       | for music hall beyond the minstrel stage. They catered to the
       | women's market with smaller instruments like Stewart's "American
       | Princess" banjo. (Note that women figured out they could play
       | regular-sized banjos and the smaller banjos mostly disappeared
       | from the market.)
        
       | queuebert wrote:
       | Banjo is a great instrument for relaxing alone or livening up a
       | party. My favorite banjo content is Clifton Hicks' YouTube
       | channel:
       | 
       | https://www.youtube.com/@CliftonHicksbanjo
       | 
       | He's trying to preserve old banjo music and teaches how to play
       | the old standards in two finger and clawhammer style, often with
       | nylon/nylgut strings on vintage instruments, trying to replicate
       | the original sounds.
        
       | rotten wrote:
       | I'm another long time hackernews reader and banjo player. Back in
       | the days when we used to work in data centers, I was pulling a
       | long late night for some server maintenance with my banjo and I
       | heard the night security guard come in on his routine patrol. I
       | played a bit of dueling banjos (from behind a rack). He spun on
       | his heels and got out of there. He didn't come back through again
       | that night.
        
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       (page generated 2023-12-01 23:01 UTC)