[HN Gopher] Literary Fight Club: On the Great Poets' Brawl of '68
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       Literary Fight Club: On the Great Poets' Brawl of '68
        
       Author : lermontov
       Score  : 22 points
       Date   : 2023-11-29 22:18 UTC (1 days ago)
        
 (HTM) web link (lithub.com)
 (TXT) w3m dump (lithub.com)
        
       | huytersd wrote:
       | How did so many people make a living as poets. Seems like an
       | absolute luxury.
        
         | HansardExpert wrote:
         | Why? It seems no different than actors or musicians. Maybe they
         | didn't make a living and 'just got by'.
         | 
         | While we're on HN I ask the same question about software
         | engineers. How did (do) so many people make a living producing
         | Twitter or Facebook? If that isn't luxury I don't know what is.
         | 
         | If I had to choose, I think I'd rather live in a world full of
         | poets than software engineers.
        
           | lainga wrote:
           | The simplest summary I can pull out of my head is... big
           | companies pay them big money to put big ads between the
           | content, at so great a margin that all the excess profit goes
           | towards searching for the next means of striking it rich. Now
           | you
        
             | AnimalMuppet wrote:
             | Big companies are missing a trick. They could pay for
             | product placement in poems.
             | 
             | I _hate_ the idea. But they could.
        
           | tetris11 wrote:
           | Because they deliver a product for advertisers to use, and
           | those pay top dollar.
           | 
           | Poets as a social gain I can see, but in terms of the
           | financial gain? Not so clear.
           | 
           | One could make the claim that they create artistic spaces
           | that turn crime-ridden areas into havens of expression, which
           | bankers then seem to value and then buy houses in (whereby
           | the cycle begins anew until the city is fully gentrified)
        
           | JohnFen wrote:
           | > It seems no different than actors or musicians
           | 
           | Most actors and musicians don't make a living doing those
           | things, either.
           | 
           | > If I had to choose, I think I'd rather live in a world full
           | of poets than software engineers.
           | 
           | Absolutely. It's not even close.
        
         | OfSanguineFire wrote:
         | You can look up most of the names mentioned and see that they
         | had day jobs in academia or jounalism.
        
         | cafard wrote:
         | Hardly anyone makes a living as a poet, unless you count a few
         | songwriters. American academia has employed a lot of poets.
         | Otherwise: T.S. Eliot spent much of his life working for a
         | publisher, Faber & Faber; William Carlos Williams was a
         | physician; Philip Larkin was a librarian at an English
         | university; St. John Perse was a diplomat; I think Walt Whitman
         | worked as a printer for a while.
        
           | lainga wrote:
           | And in music, the most famous example, Philip Glass the
           | dishwasher repairman
        
             | _a_a_a_ wrote:
             | Joke I assume? Unless there's a Philip Glass the adult-
             | films actor.
        
               | Uhhrrr wrote:
               | "While working, I suddenly heard a noise and looked up to
               | find Robert Hughes, the art critic of Time magazine,
               | staring at me in disbelief. 'But you're Philip Glass!
               | What are you doing here?' It was obvious that I was
               | installing his dishwasher and I told him I would soon be
               | finished. 'But you are an artist,' he protested. I
               | explained that I was an artist but that I was sometimes a
               | plumber as well and that he should go away and let me
               | finish."
               | 
               | https://improvisedlife.com/2014/06/11/phillip-glass-
               | world-re...
        
           | OfSanguineFire wrote:
           | Saint-John Perse famously wrote little poetry as a diplomat.
           | Except for his stint in China, his diplomatic career involved
           | an intentional turning away from poetry. What allowed him to
           | return to poetry, in exile in the USA, was a Library of
           | Congress consultant position created for him that was mostly
           | a sinecure. Indeed, few make a living from poetry, but a
           | sinecure has historically been the most that a poet could
           | hope for.
           | 
           | Also, Perse had rich and powerful friends and lovers in the
           | USA, which allowed him to enjoy countryside retreats and fine
           | dining beyond what that LoC position could have allowed him.
           | Easier to be a poet when one's needs are amply met and one
           | can work in peace.
        
             | everybodyknows wrote:
             | And yet Wallace Stevens wrote while serving as an executive
             | at an insurance company.
        
             | cafard wrote:
             | For some years before the US had a Poet Laureate, the
             | equivalent honor was Consultant in Poetry to the Library of
             | Congress. I know Randall Jarrell held the position for a
             | year (whence, I suppose "The Woman at the Washington Zoo"),
             | and I must have known of others.
             | 
             | I was not aware of the effect of his diplomatic career on
             | his output...
        
               | OfSanguineFire wrote:
               | Perse wasn't that consultant, but rather a special
               | position as a consultant in French literature was created
               | for him.
               | 
               | That Perse abandoned poetry after the publication of
               | _Anabase_ , because he felt it would conflict with his
               | career as a diplomat, is a cornerstone of any biography
               | of the poet.
        
           | edavison1 wrote:
           | Whitman was a full-time journalist for many years, both at
           | the Brooklyn Daily Eagle and elsewhere.
        
         | JohnFen wrote:
         | Very nearly no poets ever made a living as poets. Most artists
         | never made a living as artists, either.
         | 
         | As an artist friend of mine once said: nobody chooses to be an
         | artist. You become an artist because there's something inside
         | you that will drive you crazy if you don't get it out.
        
         | OkayPhysicist wrote:
         | Not everyone has to make a living. The arts are full of
         | recipients of multi-generational wealth that affords them a
         | lifestyle committed to their work. Mind you, this doesn't take
         | a massive fortune: an inheritance of a couple million could
         | last someone a very long time if they're living like a starving
         | artist. Most noteworthy artists have a backstory like this.
         | 
         | But in the off chance that an artist's work becomes noteworthy,
         | suddenly commissions, publishing deals, professorships, etc.
         | become viable vocations.
        
           | everybodyknows wrote:
           | "Most" might be an exaggeration. There is Emily Dickinson --
           | who else?
        
       | AlbertCory wrote:
       | Literary head-butting! Norman Mailer discusses head butting Gore
       | Vidal, at about 8:00 into this:
       | 
       | https://www.youtube.com/watch?v=uZQfA-XN2OU
        
         | cafard wrote:
         | Yes, and he bit Bruce Jay Friedman's shoulder, after Friedman
         | had knocked him down, in a fight that Mailer started.
        
           | AlbertCory wrote:
           | I didn't know about that one.
           | 
           | I think there's an episode of Cavett where he actually goes a
           | round with a real boxer (pulling punches, of course).
        
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