[HN Gopher] Black goo is the new oscilloscope: Love Hulten's fer...
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       Black goo is the new oscilloscope: Love Hulten's ferrofluid synths
        
       Author : glitcher
       Score  : 187 points
       Date   : 2023-11-13 15:01 UTC (7 hours ago)
        
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       | mr_sturd wrote:
       | Don't ferrofluids break down in to the surrounding liquid over
       | time? Or is that mitigated by treating the glass as was mentioned
       | in the bluetooth speaker video from the article?
        
         | opencl wrote:
         | Ferrofluid has been used in certain high end speakers for quite
         | a while, it can break down or dry out eventually but generally
         | lasts well over a decade in that application.
         | 
         | The glass treatment is just to prevent the ferrofluid from
         | sticking.
        
           | mr_sturd wrote:
           | Thank you. I remember seeing someone had made a clock face
           | using ferrofluids, and wanted to give something like that a
           | go myself, but was put off hearing the information I was
           | questioning.
        
             | zamalek wrote:
             | The smaller detail that really clinches it here is
             | suspending the ferrofluid in another fluid. I have seen at
             | least one of the clocks, and the ferrofluid doesn't behave
             | nearly as nicely in air.
        
       | _def wrote:
       | While I love Love Hultens creations I think the article (and
       | headline) does not emphasize enough the origin of these
       | ferrofluid visualizers: https://www.burnslap.me/26
        
         | permanent wrote:
         | We should also name the artist, DAKD JUNG. He also sells audio
         | visualizers based on this concept
        
           | Arrath wrote:
           | Well now I want one, thanks a lot.
        
         | jcims wrote:
         | This specific format maybe but it's been around for a while
         | hasn't it? https://www.youtube.com/watch?v=sBr5fcHILLM
        
         | peteforde wrote:
         | In fairness, the author does explicitly mention DAKD Jung as
         | the inspiration in the fourth paragraph - it's the third video
         | down.
         | 
         | It's clear to me that the reason this article exists is the
         | opinion that the sum of Love's craftmanship and ferrofluid
         | visualization is greater than its parts.
        
         | devin wrote:
         | Agreed. I am curious how good Hultens' visualizers are. IIRC
         | there was a good deal of engineering that went into Dakd Jung's
         | to make it stand the test of time and plenty of experiments on
         | audio response across genres. Specifically, I recall Dakd Jung
         | saying that they spent a lot of time on a glass coating for the
         | inside of the bottle because eventually the particles begin to
         | stick to the glass.
        
       | djleni wrote:
       | I would really love to make a ferrofluid visualizer but instead
       | of being part of the signal path, it's a desk knick-knack with a
       | microphone and wall power... Hmm
        
       | merelysounds wrote:
       | If you'd like to see more regular patterns, I've built a browser
       | app for creating and visualizing waveforms:
       | https://merely.xyz/waves
       | 
       | It lets you explore the relations between shapes and ratios, less
       | ferro and more Fourier.
        
         | flir wrote:
         | FYI, Forcepoint puts you in "Elevated Exposure: Sites that
         | camouflage their true nature or identity, or that include
         | elements suggesting latent malign intent."
         | 
         | I'm sure it's a false positive, just thought you'd like to
         | know. If you ever write a book, you've got a great cover quote
         | right there. "latent malign intent" - Forcepoint
        
           | merelysounds wrote:
           | Thanks for the info. Can you check some other website on the
           | .xyz domain, e.g. https://abc.xyz , or https://www.tusmo.xyz
           | ?
        
       | heystefan wrote:
       | That's amazing, went down a spiral of other projects too. Crazy
       | stuff.
       | 
       | Also reminded me of this ferrofluid clock my buddy built back in
       | the day: http://www.hellorhei.com
        
       | croes wrote:
       | Doesn't ferrofluid have a limited stability?
        
         | krisoft wrote:
         | "Ferrofluids synthesized about 30 years previously are still
         | stable."
         | 
         | Ferrofluids: Applications K. Raj, in Encyclopedia of Materials:
         | Science and Technology, 2001
        
         | kortex wrote:
         | I think like all things, it depends on the quality of the
         | product. There are definitely cheap ferrofluids with mediocre
         | surfactants that break down over time. But I also suspect
         | (never looked, just inferring from the myriad of surfactants
         | out there) that some formulations exist with way longer
         | lifespans.
        
       | citruscomputing wrote:
       | I absolutely cannot get into synths, it's such an an interesting
       | way to make music, but can get so expensive.
        
         | chabes wrote:
         | There's plenty of free synth software. If you really want to
         | get into it, but not be restricted by costs, check out
         | something like VCV Rack
        
           | chrisshroba wrote:
           | Or Vital synth (free) with GarageBand (free) or Reaper (long
           | free trial then $60)!
        
         | nerpderp82 wrote:
         | You can get a used midi keyboard for 20$ or an ok one for 100$
         | new. All the software is free. No better time than right now.
        
         | eweise wrote:
         | for hardware, check out Behringer. They have made cheap clones
         | of classic synths along with a couple of their own creations.
        
         | I_Am_Nous wrote:
         | It definitely can, depending on what you are looking at.
         | Something like a fully analog, polyphonic Jupiter-8 that still
         | works 40 years after launch? Easily $20k+. A simple monophonic
         | "learner" synth usually has one knob per function so it's
         | easier to learn how synthesis works at a fundamental level, so
         | a lot of people start there.
         | 
         | These are usually also priced for beginners, more or less,
         | where a used Arturia Microbrute is about $200 and a used Korg
         | Monologue is about $250. Then you can start getting into a lot
         | of different design philosophies for everything in the middle.
         | There are also a lot of digital hardware synths which tend to
         | use frequency modulation so they can make some pretty crazy
         | digital sounds.
         | 
         | If you go completely mad with the power, people love building
         | eurorack modular synths one module at a time. It can end up
         | being a really custom rig you can kind of "play" but of course,
         | this is on the expensive end as well.
        
       | rob74 wrote:
       | Cool! The "ferrofluid drum synth" video is actually more
       | impressive than the "ferrofluid synth" one, that one just seems
       | to produce the well-known "ferrofluid hedgehog" pattern
       | (https://qph.cf2.quoracdn.net/main-
       | qimg-e6aeab4f37492b0cfec44...), while the drum synth can produce
       | more interesting patterns - same as the Bluetooth speaker
       | (however I wonder how that would handle heavy metal :) ). Now I
       | want one of those!
        
       | leptons wrote:
       | It's kind of boring. It makes the same ring-of-fluid shape, or
       | just random little blobs. It's not as representative of the
       | sounds being played as it is just forming around magnetic lines
       | of flux that don't really display the sound. The device
       | construction is what is pretty neat here, but the ferrofluid
       | display is a bit lacking in coolness unless you've never seen
       | ferrofluids reacting to electromagnets before (and maybe I'm
       | jaded because I've seen it plenty of times, and it's practically
       | always the same effect).
        
       | xattt wrote:
       | Other than looking neat, is there any meaningful information that
       | can be gleaned from an FF display?
       | 
       | You can do the obvious with an oscilloscope, but ferrofluid
       | appears as random blobs floating in space. The artist seems to
       | have acknowledged that, as there is a smaller scope in the bottom
       | right of one of their machines.
        
         | I_Am_Nous wrote:
         | Without playing with one myself it would be hard to answer
         | objectively, but I can imagine this being on the end of my
         | MicroBrute+pedals chain to give me spatial feedback on how big
         | a sound is. I use the brute for all kinds of stuff but it would
         | be cool to see bass lines and how different knobs affect the
         | sound.
         | 
         | It could be a really cool Winamp visualizer for a track though
         | and if nothing else it's cool for that!
        
         | galaxyLogic wrote:
         | It adds to the mystic. The Synthesizer is the Beast from Planet
         | 9
        
       | 3x35r22m4u wrote:
       | I was truly expecting a reenactment of Gary vs David Synth Wars!
       | Bummer.
        
       | cassac wrote:
       | I think at Disney Worlds Animal Kingdom in the Avatar ride queue
       | they have some pretty cool examples of this. I always wondered
       | how they did it and now I know.
        
       | 3seashells wrote:
       | Now use it with a reflective surface additive and magnetic fields
       | as add hoc camera lense shaped by neural nets.
        
         | ganzuul wrote:
         | Glitter and coded aperture.
        
       | amelius wrote:
       | I guess you could simulate this on a regular screen, with the
       | advantage that you can show a lot of other things too.
        
         | peteforde wrote:
         | We've been using "regular" screens on instruments for a long
         | while. The whole point of Love's work is to combine elements
         | and create beauty.
         | 
         | To point out that you could save on your ferrofluid budget by
         | just simulating it in software is to realize that you could
         | save a lot of trouble by just eating potatoes.
        
           | amelius wrote:
           | > ... you could save a lot of trouble by just eating
           | potatoes.
           | 
           | You can simulate visual effects. You can't simulate
           | nutrition. So the analogy seems broken.
        
       | qwertox wrote:
       | The Winamp visualization we always wished we'd had.
        
       | nullc wrote:
       | How are they keeping the ferrofluid from sticking to the glass?
        
         | devin wrote:
         | They're using a coating on the inside of the glass. DAKD Jung
         | has posted about this. I'd be curious to know how similar
         | Hulten and DAKD Jung's formulations are. It was made to sound
         | rather involved when I read DAKD Jung's description of it.
        
       | krunck wrote:
       | It's the white gloves that really make that video shine.
        
       | Flatcircle wrote:
       | so sick
        
       | bsder wrote:
       | Why are these just blobs?
       | 
       | Ferrofluid should be able to visualize all kinds of field lines,
       | no? Why aren't these showing Lissajous-like patterns?
        
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       (page generated 2023-11-13 23:00 UTC)