[HN Gopher] Pantographia: 1799 specimen book of all the known al...
       ___________________________________________________________________
        
       Pantographia: 1799 specimen book of all the known alphabets
        
       Author : prismatic
       Score  : 117 points
       Date   : 2023-10-11 03:17 UTC (12 hours ago)
        
 (HTM) web link (publicdomainreview.org)
 (TXT) w3m dump (publicdomainreview.org)
        
       | Daub wrote:
       | What an absolutely fabulous resource: an effort to 'anti Bable'
       | the languages of humanity. From the text...
       | 
       | ...and mysterious and magical alphabets, such as the twenty
       | variations of Chaldean, an occult writing system that has no
       | extant original sources. (Fry reports that it may have been
       | transmitted directly to Adam...
        
       | wirrbel wrote:
       | Car faulmans book is also worth a look
       | https://books.google.de/books?id=0thRAAAAcAAJ (in German but with
       | nice tables).
        
       | chupchap wrote:
       | So weird. Malabaric is Tamil in this book, which makes no sense.
       | Malayalam with Tamil tinge was more common in southern Kerala but
       | even there the Malayalam would be distinct from Tamil.
        
         | huytersd wrote:
         | Well it's the 1800s. He dismisses Africa languages as "savage
         | jargon" and then moves on.
        
       | bradrn wrote:
       | I do wonder where they got a lot of these alphabets from. To take
       | one example I'm familiar with, of the eleven alphabets labelled
       | 'Hebrew', only 7, 8 and 10 resemble anything I would call Hebrew;
       | 11 is a weird romanisation, while the rest look like nothing else
       | I'm aware of.
        
         | yorwba wrote:
         | The first five are from here:
         | https://archive.org/details/bub_gb_Zqd4CZH5wPAC/page/n177/mo...
         | where the sourcing is less clear.
         | 
         | Isn't it great when an old book on archive.org cites another
         | old book that turns out to _also_ be available on archive.org?
        
           | bradrn wrote:
           | Fascinating! But that just pushes the question back: where
           | did _they_ get them from?
        
         | jeltz wrote:
         | The book itself says for quite many of them so not sure I
         | understand your question.
        
       | kqr2 wrote:
       | I always find it fascinating that the alphabet was probably only
       | invented once in human history:
       | https://history.stackexchange.com/questions/60001/was-the-al...
        
         | wl wrote:
         | If you lump abjads and alphabets together, the Ugaritic
         | alphabet represents another invention of an alphabet. Instead
         | of being derived from Egyptian hieroglyphs, it's derived from
         | cuneiform. Old Persian cuneiform, another invention, is also
         | largely alphabetic, with only 9 of the 22 consonants being
         | routinely written in forms that also include a vowel.
        
         | dghughes wrote:
         | I love the origin a story of the alphabet. Ancient Egypt used
         | hieroglyphics to write ideas and concepts but eventually
         | created a more efficient script called demotic.
         | 
         | Traders or miners from Phoenicia visited Egyptian quarries and
         | saw this squiggles on walls. They decided to just use some of
         | the characters to represent sounds and not concepts as the
         | Egyptians were doing.
        
           | wl wrote:
           | Ancient Egyptian scripts before Coptic represented both
           | sounds and concepts. But mostly sounds. You'll see  used a
           | lot in hieroglyphic texts. It's not because the ancient
           | Egyptians loved to write about owls. It's mostly being used
           | for its phonetic value, "m", which is usually a preposition,
           | but can also be used to spell larger words.
           | 
           | The innovation of proto-Sinatic script, which was the
           | ancestor of Phoenician script, was less going purely phonetic
           | and more simplification. Ancient Egyptian scripts before
           | Coptic used symbols that could represent a series of
           | consonants. For example,  represents the consonants "hpr" and
           | represents the consonants "pr". There were symbols that
           | represented single consonants, so you could potentially write
           | just  instead of , although the Egyptians usually didn't do
           | so. But that's what happened with Proto-Sinatic. The result
           | was that instead of having to memorize hundreds of symbols,
           | you had to memorize twenty or so. Much easier to learn,
           | although you did jettison mechanisms to disambiguate
           | homonyms.
           | 
           | Also, proto-Sinatic (and thus Phoenician) is derived not from
           | Demotic, but from hieroglyphs. Compare hieroglyph  and proto-
           | Sinatic https://en.wikipedia.org/wiki/File:Proto-
           | semiticB-01.svg with Hieratic and Demotic.
           | https://imgur.com/gTr8UHF .
           | 
           | Hieroglyphs and Hieratic were the first forms of Egyptian
           | writing, apparently developed simultaneously. Hieroglyphs
           | were mostly used for monumental writing, but sometimes on
           | papyrus. Hieratic was a cursive form of hieroglyphs that
           | could be quickly written with a pen. Demotic is an evolution
           | of a form of Hieratic used in the north.
        
       | mikhailfranco wrote:
       | I recommend _The Languages of the World,_ by Kenneth Katzner:
       | 
       | https://www.amazon.com/Languages-World-Kenneth-Katzner/dp/04...
       | 
       | It has samples from ~200 languages (scripts) with English
       | translation, and background information or classification of 400
       | more.
        
       | rauhl wrote:
       | The modern version would be https://www.omniglot.com/, which has
       | tons of real and constructed writing systems. It's a reminder of
       | when the Web was a bunch of neat people sharing neat things.
       | 
       | No affiliation with it, just been happily reading and sharing it
       | for years.
        
         | mycall wrote:
         | Does this collection include temporal sequences of glyphs
         | between languages?
        
       | hoseja wrote:
       | Is that "subscribers" section at the beginning basically a
       | patreon shoutout?
       | 
       | Also the Bohemian looks quite badly transcribed from speech,
       | words are improperly split and some letters are missing. Which is
       | understandable because
       | https://en.wikipedia.org/wiki/Czech_National_Revival was only
       | just beginning at the time and grammar and orthography were in a
       | bad shape.
        
       | pilaf wrote:
       | Japanese is the only script I'm familiar with (other than Latin),
       | and it's very clear to me that the person who drew the hiragana
       | characters in this book wasn't familiar with them as they only
       | vaguely resemble the actual characters. I wonder if there was a
       | bit of a "game of telephone" effect going on too, as the book
       | cites a French encyclopedia as its source, which may also have
       | contained non-native renditions of those characters.
       | 
       | It's also interesting how they refer to the language as Japonese
       | instead of Japanese, which makes sense if they their source was a
       | French encyclopedia, but I wonder if Japan was being referred to
       | as Japon in English too back then.
        
         | samirillian wrote:
         | Imagine the tattoos
        
         | coopierez wrote:
         | This was written at a time when the borders were closed to most
         | of the outside world, so perhaps that is why.
        
         | lifthrasiir wrote:
         | Not just that, but also the last row is probably 180deg
         | rotated. The last 5 entries (labelled as "no nu n'a n'e n'i")
         | do read "na ne ni no nu" (naneninonu) after rotation. Remaining
         | 3 entries also seem to be similarly transformed, compared to
         | other letters that are at most missing some parts (e.g. "da"
         | ta).
        
         | tragomaskhalos wrote:
         | The vocabulary section is also very iffy, assuming some common
         | Japanese words haven't changed their vowels in the last two
         | centuries!
         | 
         | The whole section is a reminder of how much we take for granted
         | freely available and accurate information from the other side
         | of the world, something that was absolutely not the case when
         | this book was written, instead relying one presumes on sources
         | based entirely on "travellers' tales".
        
           | yorwba wrote:
           | The vocabulary clearly reflects Western Japanese, e.g.
           | "Laughable" _Okaski_ corresponds to modern Standard Japanese
           | _okasii_ while retaining the _k_ that 's also present in
           | modern inflected forms like _okasiku_ ; and "Quick" _Faijo_
           | corresponds to modern _hayai_ but has the _-o_ ending that 's
           | also present fossilized in _ohayou gozaimasu_. The choice of
           | _f_ instead of _h_ for the first consonant likely also
           | records a historical pronunciation of [F].
        
           | fhars wrote:
           | That is quite a big assumption, given that the standard way
           | to write Jin Ri  in hiragana was kehu until 1900.
        
         | mistrial9 wrote:
         | on page 38 you can see a list of reference works.. there is no
         | source for the Japanese.. "A Voyage Around the World" by
         | Perouse is the only alternate there?
        
       | at_a_remove wrote:
       | One thing I've never been able to figure out is if there is an
       | existing taxonomy of glyphs not based on from where they
       | originated, but purely based on the shape and appearance of the
       | glyph. Like topology for two dimensions: this glyph has one hole
       | in it, this glyph has two. Unfortunately, just listing holes is
       | about the extent of my imagination.
        
       | esafak wrote:
       | The press that printed this book must have had to make or order
       | the numerous sorts (metal type) you'd need to print it.
        
         | doctorhandshake wrote:
         | I came to wonder a similar thing - was this typeset or were
         | perhaps entire pages engraved or similar?
        
           | mcphage wrote:
           | I would guess they were made in 1 piece, like an image. (Or
           | at least, the parts that are the different alphabets).
        
       | codezero wrote:
       | The alphabet they used for Etruscan is totally unrecognizable to
       | me and not aligned with the current understanding of the actual
       | alphabet. I wonder if it was totally made up or if anyone
       | recognizes where he might have had some contemporary source for
       | the letters he used.
       | 
       | Edit: his source is apparently Encyc. Franc, pi, VIII, which
       | doesn't appear to be around at least in the digital age.
        
       | hilbert42 wrote:
       | What a wonderful publication _Pantographia_ is.
       | 
       | I'd not seen it before but I've seen others printed around this
       | time. What is amazing to see is how much care and effort went
       | into top publications of the _Enlightenment_ era, others come to
       | mind such as the famous _Encyclopedie_ by Diderot, d 'Alembert
       | _et al._ These people were truly proud of their work and the
       | technology that went into reproducing it (this fact also came up
       | today on another HN story about I.K. Brunel).
       | 
       | What is interesting to note is that Edmund Fry acknowledges the
       | _Patronage and Encouragement_ of Sir Joseph Banks, etc, of the
       | Royal Society. This is significant as Banks was a perfectionist
       | and he would have known the state of the art in printing at the
       | time having essentially set the standard himself with his famous
       | _Florilegium_ engravings, and although I 've no evidence I've
       | little doubt that Fry would have been aware of Banks' extensive
       | knowledge of same. Whilst Banks' _Florilegium_ wasn 't published
       | in his lifetime, its preparation--study by Banks and Solander and
       | drawings by Parkinson of the natural world originally gathered
       | and prepared during their tour with James Cook on _HMS Endeavour_
       | --would have made him expert in the field.
       | 
       | Incidentally, _Banks ' Florilegium_ is recognized as one of the
       | great publishing efforts of all time. Despite the _Florilegium_
       | copperplate engravings being done by engravers from Banks ' time
       | and being well over 200 years old, the drawings/prints are some
       | of the best of kind ever produced (little wonder Fry attempts to
       | match Banks' standard):
       | 
       | https://en.m.wikipedia.org/wiki/Banks%27_Florilegium
       | 
       | https://www.alecto-historical-editions.com/collections/all-f...
        
       ___________________________________________________________________
       (page generated 2023-10-11 16:01 UTC)