[HN Gopher] The Lost Script of Rapa Nui
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       The Lost Script of Rapa Nui
        
       Author : drdee
       Score  : 39 points
       Date   : 2023-08-18 03:25 UTC (1 days ago)
        
 (HTM) web link (www.historytoday.com)
 (TXT) w3m dump (www.historytoday.com)
        
       | MilStdJunkie wrote:
       | There was a long-held idea that rongorongo was an extreme outlier
       | of Indus Script, itself undeciphered, but a distant ancestor to
       | the Dravidian languages. That notion has been pretty thoroughly
       | trashed, and it's honestly pretty surprising that it's got any
       | life in it because if you even just casually look at the source
       | materials, the likenesses are extremely few and far between.
       | 
       | Steve Fisher - the "decoder" of the Phaistos Disc - also claimed
       | to decode the script, but, eh, well. Maybe? Fisher's whole
       | schtick is to break things into metaphorical levels that make the
       | notion of "coding" sort of nonsensical. He's a neat guy, and
       | maybe I'm just too much of a computationalist to see this form of
       | decoding as anything more rigorous than, say, folklore. And a lot
       | of the patterns Fisher said he found don't hold up.
       | 
       | For my two cents, I think these are related to polynesian
       | petroglyphs (see also the Waianae petroglyphs on Oahu) but
       | employed in a new manner, one that the rapanui were exposed to
       | either with mesoamerican admixture or with the arrival of the
       | Spanish. So they took these glyphs with ritual meaning, but they
       | saw this new way of employing glyphs adjacent in space to derive
       | new meanings, and then they combined their glyphs with this new
       | "writing" method. Doesn't much help with deciphering, I guess,
       | but it does explain where the symbology might come from. Also,
       | the notion of a Polynesian syllabary is just ridiculously
       | fascinating. Every civilization has, like, one thing they're just
       | amazing at, and the Polynesians knew how to _boat_.
        
         | selimthegrim wrote:
         | I'm pretty sure Witzel held the hypothesis at one point that it
         | (IVC language) was a para-Munda language
        
           | MilStdJunkie wrote:
           | That's super interesting. I need to really delve into that.
           | There's a lot of human _weltenwandel_ movements around the
           | Indian Ocean that almost beggar belief - Madagascar 's
           | colonization, the nutty early crossing to Australia,
           | _whatever_ the hell was going on between SE Asia and the
           | Americas. Makes me wish I was an academic instead of, well, a
           | milstdjunkie :)
        
       | jjtheblunt wrote:
       | > Although James Cook and Jean-Francois de Galaup both made a
       | careful study of the inhabitants and their homes, their accounts
       | said nothing about any written texts. It was not until December
       | 1864 that anyone seems to have noticed it; and by then, it seemed
       | to be everywhere.
       | 
       | Do they consider that it's possibly (keith haring style) art that
       | caught on and was widely imitated after the Rapa Nui people saw
       | the Europeans' written languages?
       | 
       | Might linguists be accidentally trying to decipher what's
       | possibly not written language at all?
        
         | [deleted]
        
       | err4nt wrote:
       | Do we know if it is actually a script encoding a language? I'm an
       | amateur but the first things that pop into my mind are: Can we
       | tell statistically if it looks like it's encoding a language? And
       | could each character represent as much as a complete word or even
       | more than one word (like a line in a song, or an event in a
       | narrative)
        
         | contingencies wrote:
         | Perhaps they're barking (sic) up the wrong tree.
         | 
         | The every-other-line-is-180 degrees thing could be explained by
         | two people (such as a parent and child, a couple, or two chiefs
         | or priests) sitting facing one another and working on the
         | workpiece together. It could therefore have ritual semantics
         | rather than merely literary. A test might be to look for
         | alternative micro-stylistic signatures on alternate lines which
         | could suggest dual authors.
         | 
         | The quote "According to oral tradition, knowledge of rongorongo
         | was restricted to a class of priests known as tangata
         | rongorongo" might support this thesis.
         | 
         | LibGen's latest paper on the subject dates from 2020 and
         | summarizes: "among the many published proposals, the only one
         | for which there is more than a modicum of scholarly agreement
         | is the 'Lunar Calendar' on tablet 'Mamari' (Barthel 1958; cf.
         | Guy 1990)."
        
           | bambax wrote:
           | When I read
           | 
           | > _These are arranged in horizontal lines, but every other
           | line is written upside-down, a style known as reverse
           | boustrophedon. This means that anyone reading the texts would
           | have had to turn them through 180 degrees at the end of each
           | line._
           | 
           | I thought that "turning 180deg at the end of each line" was
           | not the most likely explanation, but rather that it was meant
           | to be read by two people standing face to face, in a kind of
           | dialogue or maybe echo/repetition. If that's correct it would
           | be a stage script or used of some kind of ritual. (But it
           | doesn't need to have different authors or scriptors; the same
           | writer could carve each line one after the other.)
        
             | DonaldFisk wrote:
             | Quite a few known ancient scripts, including sometimes
             | Greek, were written and read boustrophedonically, i.e. the
             | following line starts below the end of the previous line.
             | This appears to be the case with Rongorongo and it's
             | reasonable to assume the same is true for it. Of course, we
             | can't be sure because, unlike Greek, we can't read it.
        
               | ithkuil wrote:
               | Yes ancient Greek was mirrored (boustrophedon). This is
               | rotated (reverse boustrophedon)
        
           | Evidlo wrote:
           | I'm sure linguists are smart enough to recognize handwriting
           | by two different people.
        
           | beardyw wrote:
           | To me it seems entirely natural. If you had a continuous line
           | of text on something pliable you could either loop it back
           | and forth, or chop it up and put the pieces in a pile. Whilst
           | we do the latter, to do the former is perfectly
           | understandable.
        
         | jheriko wrote:
         | frequency analysis is probably a natural first step here.
        
       | [deleted]
        
       | acheron wrote:
       | If you're interested in this kind of thing, I recommend the book
       | _Lost Languages_ by Andrew Robinson.
        
       | jheriko wrote:
       | this kind of stuff makes we wish we had well organised data,
       | grammars, categorised training sets for image classifiers, and
       | other software accessible data to work on these problems.
       | 
       | academia fails somewhat here, as does industry... and amateurs.
       | not sure who does well lol... but im sure we can do better :)
        
         | Cthulhu_ wrote:
         | All of the language is meticulously described on scholarly
         | pieces (see https://scholar.google.com/scholar?hl=en&as_sdt=0%2
         | C5&q=rong...), what is it exactly you seem to be looking for?
         | 
         | It's not a matter of data not being available, it's a matter of
         | people not putting the work in. A bit like open source.
        
       | michaelsbradley wrote:
       | https://en.wikipedia.org/wiki/Rongorongo#Glyphs
       | 
       | Many of the glyphs are remarkably similar to petroglyphs found
       | around the world. See Peratt's work:
       | 
       | part 1:
       | https://plasmauniverse.info/downloadsCosmo/PerattTPSv31-2003...
       | 
       | part 2:
       | https://plasmauniverse.info/downloadsCosmo/Peratt,et,al,TPSv...
       | 
       | more papers: https://plasmauniverse.info/NearEarth.html
       | 
       | Perhaps the ultimate origin of the script is another example
       | (assuming Peratt's hypothesis is correct) of humans witnessing a
       | dramatic light show in the sky and "recording" the evolving
       | shapes of the plasmoids using the resources available to them
       | (rocks, wood, etc).
       | 
       | Much later, when the light show was no longer in living memory,
       | the drawings were copied and perhaps reinterpreted by descendants
       | into a language/story:                  According to oral
       | tradition, knowledge of rongorongo was restricted to a class of
       | priests known as tangata rongorongo; and there is some indication
       | that, before Eyraud's visit, they had been kept in special
       | houses, where clans gathered to hear them read or recited.
        
         | maqqerone wrote:
         | Amazing, thanks for sharing
        
       | pseingatl wrote:
       | If we can't decode this, how do we think we can interpret alien
       | writing?
        
         | zamadatix wrote:
         | Interaction and a larger corpus would be invaluable differences
         | to help counter the balance, assuming they have any interest in
         | communicating with us in the first place.
        
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       (page generated 2023-08-19 23:00 UTC)