[HN Gopher] "The most beautiful of all printed books," the Kelms...
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       "The most beautiful of all printed books," the Kelmscott Chaucer
        
       Author : geox
       Score  : 137 points
       Date   : 2023-08-05 01:35 UTC (21 hours ago)
        
 (HTM) web link (www.openculture.com)
 (TXT) w3m dump (www.openculture.com)
        
       | billfruit wrote:
       | I have one edition of Chauser illustrated by Rockwell Kent. But
       | considering his usual standards, it is rather subdued.
        
       | [deleted]
        
       | lukas099 wrote:
       | To me it looks like one of those adult coloring books.
       | 
       | edit: actually read words of the article, which says "But thanks
       | to Goodman, younger readers -- even much younger readers -- can
       | enjoy it in coloring-book form."
        
         | Pxtl wrote:
         | Yeah, I thought the same thing. edit: of course the coloring
         | book is a $40 CAD hardback. I mean $40 isn't a lot of money but
         | I have a hard time justifying that for a disposable gift for my
         | tweener kid.
        
           | mdp2021 wrote:
           | Well, the PDF is freely downloadable - you can just print the
           | drawings directly:
           | 
           | https://www.kelmscottchauceronline.org/colouring-book
        
       | [deleted]
        
       | [deleted]
        
       | jkingsman wrote:
       | Love that it's fully digitized! I was so hoping for a PDF or
       | equivalent I could peruse offline but alas maybe that's a project
       | for this weekend.
        
         | wolverine876 wrote:
         | Not fully:
         | 
         | > The only aspect they cannot investigate fully is the whole
         | text. The Kelmscott Chaucer is very much a book to be looked at
         | rather than read.
        
       | emmelaich wrote:
       | Lovely.
       | 
       | The Book of Kells is also a candidate. [edit: though it wasn't
       | printed as such]
       | 
       | https://www.google.com/search?q=book+of+kells&tbm=isch
        
         | DFHippie wrote:
         | The Book of Kells wasn't made in a printing press, though.
        
       | CSMastermind wrote:
       | Very cool, thank you for sharing.
       | 
       | I do feel the need to comment on one particular line of hyperbole
       | though:
       | 
       | > the likes of which we seldom, if ever, see in the printed books
       | of our own, infinitely higher-tech century.
       | 
       | Advances in technology have generally been used to increase the
       | availability of books and lower their cost.
       | 
       | Yesterday I purchased "The Hogwarts Library" for I think $40 and
       | it included 3 large books full of hundreds of pages of full color
       | images. That type of quality, especially at that price, would be
       | unheard of in the 1800s.
       | 
       | And if you want books with similar features (and more!) to those
       | this article describes you can get them:
       | 
       | Folio Society: https://www.foliosociety.com/usa
       | 
       | Easton Press: https://www.eastonpress.com/home
       | 
       | Amaranthine Books: https://amaranthinebooks.com/
       | 
       | Lyra's Books: https://www.lyrasbooks.com/
       | 
       | Suntup Editions: https://suntup.press/
       | 
       | (Also Arion Press, Centipede Press, Curious King, Subterranean
       | Press, and St. James Park Press)
       | 
       | Books with those features are far more common today than they
       | were when the Chaucer book was published.
       | 
       | And if you ever want to get into collecting rare, limited
       | edition, and antique books come join us! We're a fun community
       | (though like all things collectable bank accounts will suffer the
       | consequences).
        
         | Bluestrike2 wrote:
         | > And if you ever want to get into collecting rare, limited
         | edition, and antique books come join us! We're a fun community
         | (though like all things collectable bank accounts will suffer
         | the consequences).
         | 
         | Oh, god. Some of those links and names are new to me. I'm not
         | sure whether to thank you or curse you. I've bought Easton
         | Press and Folio Society books for years, and that was bad
         | enough.
         | 
         | Still...there's nothing quite like sitting down and reading a
         | really well-made book. It's a totally different experience.
        
         | iamacyborg wrote:
         | Did you see the new Curious King and Arete Edition roman
         | numeral editions that were teased this week?
        
           | CSMastermind wrote:
           | I had not but once I read your comment I went and looked!
           | They're beautiful, thank you for mentioning!
        
         | _1tan wrote:
         | Where does the community hang out online? Reddit or some
         | private forum?
        
           | iamacyborg wrote:
           | Mostly Facebook groups, from what I've seen.
        
           | CSMastermind wrote:
           | It's mostly Facebook groups.
           | 
           | Vintage, Rare, & Antique Books:
           | https://www.facebook.com/groups/657123184415628
           | 
           | Small Press Limited Book Collectors:
           | https://www.facebook.com/groups/193517360836341/
           | 
           | Fans Of The Folio Society:
           | https://www.facebook.com/groups/60943174501/
           | 
           | (^ Each press typically has their own following so you can
           | find groups for Fans of Amaranthine Books, etc.)
           | 
           | + dozens of more groups.
           | 
           | ---
           | 
           | Maurice is working on building out a more cross platform
           | community for collectors, still early days there:
           | 
           | https://www.collectiblebookvault.com/
           | 
           | ---
           | 
           | There is a Reddit: r/BookCollecting but I don't go there
           | often.
           | 
           | ---
           | 
           | Edit:
           | 
           | Oh and Youtube! Booktube is a real corner of the internet and
           | lots of discussion happens in the discords of individual
           | creators people enjoy.
        
         | fho wrote:
         | > That type of quality, especially at that price, would be
         | unheard of in the 1800s.
         | 
         | Just compare role playing rule books from 30-40 years ago with
         | those today. Back then they were mostly text with the
         | occasional b/w line art and 10-ish full color pages on the
         | middle.
         | 
         | Today every single page is full color and most of them feature
         | some sort of art piece.
        
         | mkoubaa wrote:
         | How do book rights work? I'm working on a novel and it's my
         | dream to have a beautifully illustrated hardcopy, but I thought
         | that publishers had the exclusive rights to make copies
        
           | CSMastermind wrote:
           | These prestige book makers will negotiate with the publishers
           | for the rights to do a printing. Almost always this is done
           | for a set fee to publish x number of books within a set
           | period of time (limited edition runs) or with a set fee per
           | book printed (I believe this is the arrangement Folio has for
           | the A Song of Ice and Fire books).
           | 
           | This is the main reason that these shops will always have
           | 'the classics' in rotation but their printings of more recent
           | books are typically one and done.
           | 
           | This is not my area of expertise but my understanding is that
           | publishers are generally happy to have these collectors
           | editions of books made, the limitation is typically with the
           | prestige makers themselves needing to sell 800 to 1,000
           | copies to make their economics work. Keep in mind they
           | typically commission illustrators to make art for the books
           | in addition to acquiring the rights and the actual production
           | costs.
           | 
           | One thing I will say is that if what you're after is a single
           | personal copy then there is an entire community of amateur
           | bookbinders, similar to woodworkers, some of whom make truly
           | beautiful works of art. If you're willing to pay an
           | illustrator, a designer, and commission one of these
           | bookbinders you can get yourself a bespoke copy that's
           | exceptional.
        
             | mkoubaa wrote:
             | Thanks for the information. I want many copies as personal
             | gifts to friends and family, but not on the order of 800.
             | So if my book is commercially successful and my publisher
             | is supportive enough it could happen. Thanks again
        
       | dekhn wrote:
       | Oh, some of these images will engrave nicely on my laser.
        
       | danielvaughn wrote:
       | If you're ever in NYC I'd recommend visiting a museum called The
       | Cloisters. It's way up at the tippity top of Manhattan, but it's
       | worth the visit. They have a lot of old religious artifacts,
       | which includes the most beautiful book I've ever seen in person.
       | It's called the Belles Heures of Jean de France. Here's a photo I
       | took of it:
       | 
       | https://www.instagram.com/p/BXRsj4rApGZ
        
       | causality0 wrote:
       | Am I crazy or is this book not remarkably beautiful? I mean, the
       | illustrations are nicely clean and consistent for a woodcut but
       | I've seen books that took my breath away and this ain't one of
       | 'em.
        
         | MichaelDickens wrote:
         | It's in this extremely busy style that used to be popular, it's
         | not exactly the same thing but it reminds me of Gothic
         | cathedrals where every square inch of the building has to be
         | covered by some sort of carving or design. I find it
         | distracting and hard to look at.
         | 
         | (It also reminds me of that quote from Rick McCallum, producer
         | of the Star Wars prequels, who praised the prequels by saying
         | "it's so dense, every single image has so many things going
         | on.")
         | 
         | But I do enjoy the book's physical size. I have a thing for
         | giant books.
        
         | madaxe_again wrote:
         | You're not crazy - particularly given that there were other
         | pre-Raphaelite artists producing other stunning volumes around
         | the time, like Dulac with the Arabian Nights and Millais and
         | company with the Moxon Tennyson.
         | 
         | It's just so called as Yeats said so.
        
       | p-e-w wrote:
       | Pity the digitization is from a facsimile, not an original print.
       | But the justification doesn't convince me:
       | 
       |  _> Given how few copies of the Kelmscott Chaucer were originally
       | produced, thirteen copies on vellum, and another 58 on pig's
       | skin, "any special collection's library who are lucky enough to
       | own an original copy are likely to be very reluctant to embark
       | upon any form of digitization due to the significant risk of
       | damage that the process could inflict upon the book."_
       | 
       | Huh? Damage from leafing through the book with gloves and
       | snapping a photo of each page? For a book printed on animal hide
       | (which can last millennia) in the late 19th century?
       | 
       | Meanwhile, papyrus scrolls, which are infamous for crumbling to
       | dust from a sharp look, are routinely digitized around the world.
       | 
       | That makes no sense at all.
        
         | wolverine876 wrote:
         | Do you have any evidence or expertise to support this take?
         | I've heard many times of other texts not digitized for the same
         | reasons; I trust the experts have a reason.
         | 
         | Also, as the author doesn't have access to an original copy,
         | what should they do?
        
         | jkingsman wrote:
         | I'm guessing that it's much more reasonable for him to do high
         | res scans of the version he has on hand than to go through the
         | process of getting access via a library and proving archivist
         | bona fides. Certainly not impossible, but I'm grateful for
         | seeing this incredible work in any form.
        
         | floil wrote:
         | > leafing through the book with gloves
         | 
         | Rare books are typically handled with bare hands rather than
         | gloves. Gloves increase the risk of damage.
         | 
         | https://www.nytimes.com/2023/03/09/arts/rare-books-white-glo...
        
         | diiaann wrote:
         | Wait, I thought an original was already digitized:
         | http://www.rarebookroom.org/Control/chkwks/index.html
        
           | [deleted]
        
       | mdp2021 wrote:
       | I would love to see an automated style replication from these
       | tables by Edward Burne-Jones.
       | 
       | I had seem some articles about replication from limited sets; the
       | 87 drawings in the PDF found at
       | https://www.kelmscottchauceronline.org/colouring-book should be
       | enough.
       | 
       | There is probably some model already available at
       | https://replicate.com/
       | 
       | --
       | 
       | Edit: I cannot find the article I was thinking of, nor online
       | implementations:
       | 
       | does anyone remember studies which spawned from the 2017 "Neural
       | Style Transfer" cone, but were based on giving a limited set of
       | source images to the engine to study the source style thoroughly?
        
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       (page generated 2023-08-05 23:00 UTC)