[HN Gopher] "The Onion" founder explains his strategy for sparki...
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       "The Onion" founder explains his strategy for sparking creativity
        
       Author : Brajeshwar
       Score  : 87 points
       Date   : 2023-08-02 15:06 UTC (7 hours ago)
        
 (HTM) web link (bigthink.com)
 (TXT) w3m dump (bigthink.com)
        
       | pier25 wrote:
       | > _One way around that is this beautiful exercise called "morning
       | pages." You set an alarm clock for 30 minutes, and you just type
       | or write. Don't stop to correct anything. Don't stop to make it
       | good. Just plow ahead. Write about anything while trying not to
       | repeat yourself. This primes the pump and gets the gunk out._
       | 
       | I've done this technique and it's really amazing to learn to tame
       | the inner critic.
       | 
       | AFAIK the origin is the book The Artist's Way by Julia Cameron.
        
         | cubefox wrote:
         | Reminds me of
         | https://www.lesswrong.com/posts/j4WmrPTYk57teTQ7C/a-method-o...
        
         | Fricken wrote:
         | I read that book in the late 90s, and the morning pages was the
         | one thing I took to heart from it.
         | 
         | The weird thing is when I go back and read what I wrote a week
         | or 2 later, it's all from outer space. I have no idea where
         | most of it is coming from, and usually have no recollection of
         | writing it. You transition seamlessly from dreaming to writing,
         | and like dreams, you forget it soon after you wake up.
        
       | notjoshjames wrote:
       | This year, I've been trying a variation of "morning pages" where
       | I'll take a 15-30m walk and speak with myself. I use a pair of
       | old Beats around my neck, which have surprisingly good noise
       | cancellation, and Otter for transcription (moving to a local
       | Whisper workflow soon).
       | 
       | I've A/B tested this against using a text editor, with the
       | control as doing nothing in the morning, and at least for me
       | personally, I find I'm practically itching to sit down and write
       | more or edit my spoken thoughts before I'm even finished with my
       | walk.
       | 
       | I'm generally more motivated and productive on days I begin with
       | this routine. I think it's all about getting momentum for your
       | brain; once there's a flow of output, it tends be much easier to
       | direct or filter that flow in whichever directions you choose.
       | 
       | I still work to reduce friction and lower the activation energy
       | when sparking output, but there is very much a discipline
       | component here. I know plenty of executives that use daily
       | standups or assistants in lieu of a mental morning routine... I
       | wonder if future personalized language models may help?
        
         | RedditKon wrote:
         | Out of curiosity - what are you actually doing on these walks?
         | You're talking outloud to yourself and then editing later or
         | what?
        
           | notjoshjames wrote:
           | Typically, I run through lists like to-dos for
           | companies/projects, the day's agenda, topics/ideas,
           | recollection of the previous day, reflection on mental and
           | emotional state.
           | 
           | Some days are more structured than others, and I don't try to
           | conform too tightly to any particular structure. The goal is
           | to get my brain outputting _something_ , and later in my
           | morning I'll transform or rewrite whatever I spit out. During
           | very busy or demanding periods this also ends up functioning
           | as my primary daily journal entry.
        
       | ilaksh wrote:
       | Is this the same Onion as The Onion News Network on YouTube?
        
         | khazhoux wrote:
         | Yes
        
       | unparagoned wrote:
       | I thought it was about the Tor onion network and found it really
       | confusing at first
        
       | staplung wrote:
       | Wait, you mean Friedrich Siegfried Zweibel isn't the real
       | founder?
       | 
       | https://www.theonion.com/taking-care-of-business-1819583590
        
       | __666__ wrote:
       | The Onion is not funny or creative anymore...it used to be...now
       | it is just a mockery for masses
        
         | sergent_moon wrote:
         | "It's the children who are wrong"
        
         | anononaut wrote:
         | The Babylon Bee easily nabbed the torch from The Onion in the
         | last few years. Surprisingly more edgy, too.
        
           | sjustinas wrote:
           | me reading 89th "attack helicopter" joke in a row: _WHEEZE_
        
         | jw1224 wrote:
         | I'm guessing you're referring to their YouTube channel, in
         | which case, I totally agree. But AFAIK the website is still
         | just as good as always.
         | 
         | They used to put out brilliant high-production value videos
         | like this one: https://youtu.be/Y2j3PsDW33E
         | 
         | Now it's nearly all low-effort YT Shorts like these...
         | https://youtu.be/-0CVJS1FTmY
         | 
         | Perhaps the satire has just gone over my head? But it's hard to
         | give them the benefit of the doubt when all their videos are
         | like this now...
        
           | kridsdale3 wrote:
           | They're merely adapting their product to the unforgiving
           | dramatic shifts in the market's consumption model. Those that
           | don't (like College Humor), die.
        
           | Jasper_ wrote:
           | They've been funded my whoever pay their bills. For ONN/Today
           | Now, that was paid for by IFC, a TV network. Their Onion
           | Digital years (Sex House, Onion Talks) were basically ads for
           | them as a creative agency (aka Onion Labs, which was shut
           | down in late 2015). Since then, they were sold to G/O Media,
           | and have been basically been gutted.
           | 
           | There's more than one series which was funded by a streaming
           | platform that has since shut down, and is basically lost
           | media at this point.
        
           | OfSanguineFire wrote:
           | I recall reading somewhere that the high-quality Onion videos
           | of a decade-plus ago (I loved _Today Now_ and _Sex House_ )
           | cost a lot of money but simply didn't make much money. Which
           | I guess is obvious if a for-profit company stopped making
           | them, but still, it is a shame quality wasn't rewarded.
        
         | yamazakiwi wrote:
         | Did they target some issue you're sensitive about?
         | 
         | They're the same as they have always been. I've been reading
         | the Onion for over 2 decades.
        
           | OfSanguineFire wrote:
           | My impression (as an American abroad with no longer any dog
           | in the partisan political fight) is that _The Onion_ has come
           | to feature a lot more (and a lot more acrid) political satire
           | than in the late 1990s or early 2000s. That would only be
           | expected, because even real newspapers have found that
           | increasing coverage of hot-button politics or other culture
           | wars can boost ad impressions.
        
             | yamazakiwi wrote:
             | They were doing the same thing in the 90's and 2000's. We
             | just have stronger mechanisms for advertising and social
             | media now.
        
       | redwall_hp wrote:
       | > We believe creative people are born geniuses or have their
       | brains wired differently or enjoy "ah-ha!" moments in which ideas
       | come fully formed as easily as switching on a light bulb. In
       | reality creativity is -- and always has been -- a process, one
       | that takes time and discipline to achieve. Anyone with the
       | impulse to be creative can do so, courtesy of our human heritage.
       | 
       | This is a common point of irritation for me. If you become good
       | at something (a form of art, software development, whatever)
       | people tend to basically reject the years of hard work and
       | cultivated skills you put in, ascribing it to a natural and
       | magical talent that they simply don't have. It basically turns a
       | compliment into a backhanded dismissal.
        
         | spondylosaurus wrote:
         | Paraphrasing here, but I know George Saunders has basically
         | said that he attributes his success as an author not to any
         | ability to crank out excellent drafts on the first try (and tbh
         | I mildly distrust anyone who claims they can do this), but to
         | having the stomach to sit with crummy first drafts and refine
         | them over and over until the final edited product is good. Even
         | for someone who's spent years cultivating a razor-sharp ear for
         | language (which is a skill in itself!), the act of creation
         | still involves the brute force of patience and persistence and
         | plain old time.
         | 
         | I find it pretty motivating, actually. "Natural and magical
         | talent" as a frame of reference is less accommodating to bad
         | days and false starts and crummy first drafts; a combination of
         | persistence and honed skills, on the other hand, gives you the
         | freedom to try things and fail and then gradually make them
         | better--without the shadow of that initial failure looming over
         | you and undermining your so-called "natural talent."
        
         | pitched wrote:
         | I read once an explanation of Brazilian soccer greatness as
         | being because they played a hacky sack game which was bouncing
         | a soccer ball across their knees kind of.
         | 
         | Talent is transferable skills. Getting good can't come without
         | practice but you don't have to be practicing the exact thing.
        
         | tiffanyg wrote:
         | On the one hand, I'm all for other people having stupid ideas
         | that interfere with their own lives. Since I know that these
         | ideas are substantially false*, and I'm not inclined towards
         | giving other people's _opinions_ "rent-free space" in my own
         | head, I largely ignore this sort of stupidity these days.
         | 
         | On the other hand, I'm not a fan of the disservice these types
         | of opinions do to people in general. In the young, it sets them
         | up for "failure"**, and also DOES diminish and disrespect the
         | work the people put into what they do. That's maybe, just,
         | "like their opinion, man", but, it's part of a whole range of
         | "lack of empathy / social cohesiveness" issues that are helping
         | push our species towards its "brink" far more quickly than
         | 'strictly necessary'.
         | 
         | * There are many papers on studies, including "twin studies",
         | examining genetic vs environmental influences on performance,
         | expertise, etc. There is an undeniable genetic component - the
         | simplest examples are typically in the realm of athletics.
         | There is no environment that turns me into a viable NBA
         | player***. However, just as people are incredibly "innumerate"
         | and just plain bad at "statistics" elsewhere, absurd numbers of
         | people apparently believe that there is some "talent jar"
         | (most, even worse, viewing it in terms of "born with / without"
         | vs. an at least more sensible "set up within the first 3 - 5
         | years of life, substantially") and either someone was given a
         | certain "talent" from the jar, or they weren't.
         | 
         | As a certain "muppet"**** once said:
         | https://youtu.be/VmXSfFY0CO0?t=4m36s
         | 
         | ** In the sense of "not reaching THEIR full potential" -
         | studies in psychology have clearly established that ideas like
         | "talent", rather than "work invested" are 'caustic' - they can
         | massively interfere with performance, learning potential, etc.
         | Simply search for terms like 'talent', 'work', 'practice',
         | 'belief', 'skill' etc. on PubMed or Google Scholar etc. (tight
         | on time, else I'd add some refs right here)
         | 
         | *** _Edit / important note: this concerns POTENTIAL, not
         | realization of such a goal which obviously takes just as much
         | hard work, generally, as reaching high levels in any other
         | area._
         | 
         | **** Who apparently COULD join the NBA, most likely, despite
         | height limitations...
        
         | jkaptur wrote:
         | A comic that puts this perfectly:
         | https://tapas.io/episode/923459
        
         | pier25 wrote:
         | Talent is really an excuse people make up to not do the work.
        
         | wccrawford wrote:
         | I 100% agree with you about that when someone has worked hard
         | to get where they are.
         | 
         | But there are people who legit just have a knack for something
         | and it's easy. For someone without the skill, both types of
         | people probably look the same.
         | 
         | Even though it's a backhanded compliment, take it anyhow. It
         | shows that you do it so well that they can only tell you're
         | really good at it, but nothing about how you go there. It'll
         | probably always sting, but there's no need to let the wound
         | fester.
         | 
         | Sorta related: I heard once that it's a lot better (for the
         | child) to tell a child that they worked hard than that they
         | were smart. Saying that it's an innate part of them makes them
         | more likely to slack off and rely on that innate talent, and
         | telling them that they did good work makes them more likely to
         | work hard to make it happen again. It seems such a little
         | thing, but I think it's the same kind of thing that leads to
         | your pet peeve.
         | 
         | We should all be complimenting people's accomplishments, rather
         | than their abilities.
        
           | saulpw wrote:
           | From my experience, that knack is "just" such a love of the
           | field that they are not only willing but compelled to lose
           | themselves in the process. When you can sit for hours trying
           | to figure out some damn bug or playing the same phrase over
           | and over and over or editing your writing to within an inch
           | of its life, you're going to become good at it. You probably
           | won't be the best in the world--there is certainly a gap
           | between Mozart and Salieri--but out of 100 people who have
           | demonstrated brilliant success in the world, 99 of them
           | aren't those preternatural geniuses. "Just" people for whom
           | 10 hours a day of practice is as natural as breathing.
           | 
           | And yeah, tell those children they have passion, not talent.
           | Praise their accomplishments as the outcome of exercising
           | their joy, instead of a passive outgrowth of their innate
           | ability.
        
         | thinkingtoilet wrote:
         | [flagged]
        
         | mtsr wrote:
         | Kind of like ascribing someone's talents to a handicap (blind
         | musicians, creative people with ADHD, supremely skilled people
         | with autism). If somebody is good at something, they probably
         | put in the hours.
        
         | [deleted]
        
         | tgv wrote:
         | I don't see it this way. Talent is real. It's very likely that
         | people have undeveloped talents, though. Perhaps not everyone
         | appreciates the work or requires to develop it, but many do.
        
         | illwrks wrote:
         | IMO natural talent, in an arts sense, is an ability to spot
         | something better than someone else can, that give you an edge
         | and makes it easier to learn quickly.
         | 
         | Whatever is spotted can be learned though, it just means you'll
         | need to put in some more work to tune into things and develop
         | that skill.
        
         | bregma wrote:
         | "It took me ten years of hard work to become an overnight
         | sensation."
        
         | mcmoor wrote:
         | Ability to will yourself to endure those hours is maybe the
         | talent itself though
        
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