[HN Gopher] GPT-4 Can't Replace Striking TV Writers, but Studios...
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       GPT-4 Can't Replace Striking TV Writers, but Studios Are Going to
       Try
        
       Author : shscs911
       Score  : 32 points
       Date   : 2023-05-03 19:14 UTC (3 hours ago)
        
 (HTM) web link (www.vice.com)
 (TXT) w3m dump (www.vice.com)
        
       | CSDude wrote:
       | I asked it to mix Turkey elections in the form of a 24 episode
       | and it was great. Cliff hangers, unexpected events, political
       | dilemmas. As good as any episode. Of course the actual writing of
       | dialogs and settings would be important as well, but the plot was
       | great. I can't post the output because...
        
         | lemmiwinks wrote:
         | ...the first rule of Fight Club / Usenet is you do not talk
         | about Fight Club / Usenet?
        
         | InCityDreams wrote:
         | ...if it's not on Strava...
        
       | AndrewKemendo wrote:
       | Looks like we're going to have a lot of accidental "pepperoni hug
       | spot" coming to screens near you
        
       | asdff wrote:
       | A lot of early cuts of movies and other media are really hot
       | junk, plot doesn't make sense, forgettable events or characters,
       | lots of cruft and junk scenes, confusing dialogue, imagery
       | doesn't make sense, etc. You would be surprised at how a seasoned
       | producer can turn a pile of disconnected footage and have the
       | actors rerecord some dialog after the fact and then turn it into
       | an entirely different, much better film.
       | 
       | I bet GPT-4 and others can easily make an early cut movie.
       | Nothing great, but just a collection of scenes that someone who
       | actually has some taste can piece together into a completed work.
       | That sort of work is obviously scary for the industry where you
       | have writers rooms developing this sort of stuff. Imagine it
       | going from all the animators and writers required to write the
       | Simpsons every week into just an automatic script where Matt
       | Groening does some quick editing before it goes out. That would
       | mean a huge reduction of jobs especially at the early career
       | level. On top of that, how would you even become another Matt
       | Groening caliber producer in that environment? The entire context
       | of how the senior talent got their talent has been made obsolete,
       | so once they are gone there's no one to fill the shoes quite the
       | same way.
        
         | hammyhavoc wrote:
         | A lot of what gets released as a final product is your
         | description of an early cut. Most studios aren't making cinema
         | anymore, they're making content for the sake of having
         | something new to offer.
        
       | not_enoch_wise wrote:
       | Finally, the day when we can get dogshit blockbuster movies for
       | 1/10th the cost has arrived!
        
         | shric wrote:
         | I know you were joking but "As of Apr 8, 2023, the average
         | annual pay for a TV Writer in the United States is $62,837 a
         | year." -- somehow eliminating writers isn't going to make much
         | difference to the cost of a typical TV series.
        
       | faeriechangling wrote:
       | >The WGA proposed to regulate the use of artificial intelligence
       | on union projects, saying that AI can't write or rewrite literary
       | material,
       | 
       | First, the literal wording of this is also means Grammarly and
       | translation applications cannot be used.
       | 
       | Second, the enforcement of this is very unclear. What happens if
       | a film is halfway through production, and then _gasp_ it turns
       | out a writer rewrote the screenplay using AI? You can 't use AI
       | as source material, so arguably any use of that script or any
       | work based off that script is "using AI as source material". Does
       | the production just have to be cancelled? There's a problem here
       | not only with proving that a writer DID use an AI, but proving
       | that they DIDN'T and thus a production doesn't need to be burned
       | to the ground.
       | 
       | Third, how far do you take this? AI even before ChatGPT and LLM's
       | is already broadly prevalent in writing, so what exactly
       | establishes the pedigree of something as clean from the influence
       | of vile AI?
       | 
       | >It's very easy to imagine a situation in which a studio uses AI
       | to generate ideas or drafts, claims those ideas are 'source
       | material,' and hires a writer to polish it up for a lower rate.
       | 
       | It's even easier to imagine a studio will simply continue hiring
       | writers and buying drafts from writers using AIs. How can you
       | possibly prove an idea came from an AI and not a person in the
       | first place?
       | 
       | >can't be used as source material or to train AI.
       | 
       | How many studios are actually going to train their own AIs? What
       | stops a studio or contractor from using an AI trained on such
       | source material? Wouldn't it be more prudent to ban the use of
       | AIs which were trained on WGA materials?
       | 
       | This entire proposal seems to be based on the populist sentiment
       | about creatives being the victims of both studios and AIs, so
       | obviously we need to stop the studios from using AIs by banning
       | AI usage in film productions. The problem is that the writers are
       | the users of AIs and they're the only ones who know and can prove
       | they used an AI in practice.
       | 
       | I'm sure it's good politics because it leads to headlines like
       | "GPT-4 Can't Replace Striking TV Writers, but Studios Are Going
       | to Try".
        
         | patapong wrote:
         | I think you misunderstand. As I understand it, the WGA is very
         | open to _writers_ using AI to help them in their work. The risk
         | that the WGA is protecting their members against here is
         | specifically a situation where a _studio_ uses an AI system to
         | screw a writer out of certain rights with regards to a movie.
         | 
         | There is a big difference in terms of pay and credits when a
         | writer adapts source material (such as a book) compared to when
         | they write a screenplay from scratch. The fear here is that the
         | studio could circumvent the purpose of this difference by
         | writing material using AI, and then hiring a writer to "adapt"
         | this material as a screenplay. Or the studios could write a
         | full AI-generated screenplay and hire a writer to "fix" it.
         | 
         | In my opinion this is a relevant worry, and if I was a writer I
         | would be happy that the WGA took this stance.
         | 
         | More info here: https://variety.com/2023/biz/news/writers-
         | guild-artificial-i... "Instead, the proposal would allow a
         | writer to use ChatGPT to help write a script without having to
         | share writing credit or divide residuals."
        
           | [deleted]
        
           | faeriechangling wrote:
           | >As I understand it, the WGA is very open to _writers_ using
           | AI to help them in their work
           | 
           | I can't actually find a direct quotation of them actually
           | saying they're open to this. Whereas I can find a direct
           | quote of them saying "AI can't be used as source material, to
           | create MBA-covered writing or rewrite MBA-covered work, and
           | AI-generated text cannot be considered in determining writing
           | credits."
           | 
           | I also fail to see how a random studio executive who writes
           | up a draft using an AI and hands it off to a professional
           | writer to cleanup, isn't themselves a writer.
           | 
           | It's also already possible to just hire some random person
           | off the street, have them draft up a screenplay based on what
           | an executive says, have them give up their copyright, and
           | send it off to a writer for "Adaption". The only truly novel
           | thing about AI is that it's cheaper and it's possible to
           | produce creative works which are not copyrightable in the
           | first place using AI, and if the contractual implications of
           | this are the specific concern, the WGA should be far more
           | narrow with their proclamations.
           | 
           | Also what they say on twitter:
           | 
           | "[AIs] output is not eligible for copyright protection, nor
           | can an AI software program sign a certificate of authorship."
           | Is literally wrong."
           | 
           | Is not literally true, it's possible to produce both
           | uncopyrightable or copyrightable work with an AI: https://www
           | .federalregister.gov/documents/2023/03/16/2023-05...
        
             | patapong wrote:
             | > It's also already possible to just hire some random
             | person off the street, have them draft up a screenplay
             | based on what an executive says, have them give up their
             | copyright, and send it off to a writer for "Adaption".
             | 
             | I don't think this is true. Any studio that has signed on
             | to the WGA collective bargaining agreement can only hire
             | WGA members to write. I am sure studios would love to do
             | that otherwise and pay the writer less. Here the WGA has
             | identified a new potential way of this occurring and is
             | protecting against it.
             | 
             | https://www.romanolaw.com/2022/11/11/what-to-know-when-
             | hirin...
        
         | [deleted]
        
       | more_corn wrote:
       | Too bad AI generated content cannot be copyrighted.
       | 
       | We'll need to remember to sue first time they try.
        
         | dragonwriter wrote:
         | > Too bad AI generated content cannot be copyrighted.
         | 
         | The Copyright Office opinion on that only states that is the
         | case when there is _no_ human involvement beyond prompting, and
         | in any case, with the Supreme Court likely to strike down
         | _Chevron_ deference in _Loper Bright Enterprises_ v. _Raimondo_
         | , that opinion may quite soon have very little weight.
        
           | adhesive_wombat wrote:
           | There's definitely a tension in my mind between the idea that
           | prompts, which on their own could attract some level of
           | copyright[1], _do not_ produce copyrightable elements in the
           | output and the plaintiffs ' claims in the copyright lawsuits
           | against LLM companies that training inputs _do_.
           | 
           | I'm not sure which side I even agree with more, let alone
           | which side has the stronger legal case (and the balance point
           | will certainly be different in different jurisdictions).
           | 
           | [1]: tweets are copyrightable (subject to the usual creative
           | input, originally, etc requirements) and a detailed AI prompt
           | can certainly be as involved as a tweet.
        
           | dllthomas wrote:
           | I don't have a well thought through opinion on what the
           | resolution should be, but it seems hugely inconsistent that
           | pointing my camera at whatever in my environment, with little
           | thought or care or creativity, produces something copyright
           | covers while carefully picking a prompt to get the sort of
           | image I want out of a different sort of machine does not.
        
         | mensetmanusman wrote:
         | Sure it can, no one can tell what is human or not.
        
       | coppsilgold wrote:
       | The skill set to guide an LLM to the output you want is different
       | from the skill set required to write from scratch. The current
       | interfaces don't make it as seamless as it could be.
       | 
       | Imagine writing a stream of bullet-points with no care taken for
       | proper sentence structure and have the LLM convert them to
       | properly written paragraphs of what you were trying to convey.
       | And be able to determine if you have conflicts between bullet-
       | points for you to fix.
       | 
       | You may also be able to provide bullet-points on different
       | scales/modes. Such as the overall setting of a story, specific
       | dialogue between characters, character personalities, character
       | views of each other, plot progression.
       | 
       | Suddenly anyone who can have coherent thoughts (which is not a
       | low bar) and some imagination will be able to synthesize what is
       | in their mind onto paper in well written form.
        
       | olddustytrail wrote:
       | This isn't surprising I suppose. There's always been a conflict
       | between the studios and the writers, but they needed writers. The
       | first chance to get rid of them must be very appealing. No more
       | arguments about artistic integrity, or adult references sneaked
       | into a script, or anything edgy or controversial. No arguments
       | when they want something rewritten 20 times.
       | 
       | It must be like a dream come true!
        
       | Der_Einzige wrote:
       | Yes they can and yes it will work, if they use the right
       | technology.
        
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       (page generated 2023-05-03 23:02 UTC)