[HN Gopher] Classic fountain pens
       ___________________________________________________________________
        
       Classic fountain pens
        
       Author : axiomdata316
       Score  : 65 points
       Date   : 2023-05-01 22:00 UTC (1 days ago)
        
 (HTM) web link (www.wallpaper.com)
 (TXT) w3m dump (www.wallpaper.com)
        
       | bambax wrote:
       | I write everyday with a Waterman Expert. They're a little
       | expensive (usually less than EUR100) but nothing compared to
       | Montblanc, and very pleasant and resilient.
       | 
       | At some point I designed a blotter holder made of a plaque of
       | stainless steel and a sheet of plexiglass, and hand-made blotter
       | paper. I thought it was quite elegant [0] but I couldn't sell
       | more than a couple of them, and now the inventory lingers in my
       | garage ;-(
       | 
       | [0] The page still exists on https://drop.com/buy/medusis-rocker-
       | blotter, although you can't order them from there anymore.
        
       | pizlonator wrote:
       | They forgot about the Sailor 1911
        
         | Ancapistani wrote:
         | They missed a _lot_ of excellent pens, and included some
         | boutique makers - including a couple who, from the photos, use
         | very cheap nibs while charging a premium price.
        
       | jypepin wrote:
       | I'm surprised they don't mention Parker. At school in France in
       | the 90s, that was the true classic.
        
         | kps wrote:
         | Parker was purchased by Newell Rubbermaid, and -- as with so
         | many other old famous brands -- their current products are
         | junk.
        
       | alienreborn wrote:
       | Ten cheap yet great fountain pens from my experience:
       | 
       | - Platinum Preppy/Prefounte/Plasir ($3-$20)
       | 
       | - TWSBI ECO ($30-$50)
       | 
       | - Pilot Metro/Cavalier ($20-$50)
       | 
       | Cheap and OK pens (I found these better for drawing than
       | writing):
       | 
       | - Lamy Safari/Al-Star ($20-$50)
       | 
       | - Kaweco Sport Classic ($20 -- )
       | 
       | 'Affordable' Gold Nib pens (These aren't necessarily 'better' but
       | writing experience is different(softer feel) which some people
       | prefer)
       | 
       | - Pilot Elite 95S ($80-$100)
       | 
       | - Pilot Decimo/Capless ($115-$160)
       | 
       | All prices are from online stores available in US.
        
         | MezzoDelCammin wrote:
         | To this I'd add:
         | 
         | For the affordable gold nibs, "Lamy 2000" is generally the
         | biggest competitor to Pilot Capless / Vanishing point. Same
         | price, very similar nib quality, different esthetics / use
         | case.
         | 
         | For the cheap, the aliexpress classics "Jinhao x750" is another
         | gateway drug. It's under $10 and gives an almost infinite
         | ability for tinkering further down the line when the fountain
         | pen bug bites (#6 size nibs that are easy to find / replace and
         | standard cartridge / converter size for easy ink availability).
        
       | vr46 wrote:
       | This "article" is total "churnalism", just marketing bunk with
       | absolutely no content. Obviously I am aware what Wallpaper* is,
       | which is mainly a conduit to help people spend their money as
       | fast as possible like Brewster's Millions, but this article on HN
       | is surely misdirected.
        
         | slowmovintarget wrote:
         | Agreed. Most of those listings aren't even close to being
         | classics.
         | 
         | For example, The Monoc Nib is very new. It didn't exist a few
         | scant months ago. While I hope Ian Schon succeeds and it does
         | become considered a classic, a single-piece titanium nib unit
         | that encloses an Ultem feed is not a typical fountain pen
         | design. (Very cool, just not classic yet... give it 20 years).
         | 
         | The Montblanc, and maybe the Conway Stewart may be the only
         | classic brands there.
        
           | vr46 wrote:
           | The HN comment thread - once again - provides more
           | entertainment and enlightenment than the original post :)
           | 
           | There's some innovative features in the pens, but agreed, no
           | classics.
        
         | sn41 wrote:
         | Thank you for a delightful term - churnalism : I had never
         | heard that before!!
        
       | MezzoDelCammin wrote:
       | One thing that hasn't been mentioned so far. We've seen comments
       | that "race to the bottom" (Lamy Safari, Pilot Preppy, ...), or
       | that aim for "timeless classics" (basically any gold nib - Sailor
       | 1911, Pilot Falcon, ~$150+ pens).
       | 
       | There's a third way though. The "actual piece of history". In my
       | opinion, no pen is better for this than a Parker 51. This for me
       | is the embodiment (and a parent of) "the consumer fountain pen".
       | Seen and used everywhere from 1940s to about 1960s. The best part
       | - these can now be had for ~$100 and a good portion of them still
       | works beautifully to this day. With minimal maintenance
       | (cleaning, sometimes slight nib polishing to remove the flat
       | spots that come from long time use by their previous owners) one
       | can get a working Parker 51 for under $60.
       | 
       | The best part - these pens can go neck to neck with a lot of
       | modern $150+ pieces. All the while most of these pens are older
       | than majority of HN users. Heck, having a small collection
       | myself, most of my Parker 51s are older than my parents.
        
         | quantgenius wrote:
         | Totally agree. Properly restored vintage pens are absolutely
         | awesome. You don't have to go as high end as a vintage Parker
         | 51. Try an Esterbrook. They were the BIC of their day and are
         | amazing.
         | 
         | Very important warning regarding Parker 51s or any modern
         | Parker. Do not buy the modern Parker 51!! The brand Parker is
         | now owned by a company that is choosing to take advantage of
         | people who remember the Parker brand and foisting total garbage
         | on them.
        
           | nolan879 wrote:
           | I love my Esterbrooks, I was gifted a green model J many
           | years ago, and I use it frequently at home. I recently
           | purchased an SJ from an antiques market, and revived it with
           | a new ink sac ($20 all in), this pen now lives on my desk at
           | work. I prefer their lighter weight to the Pilot
           | Metropolitans.
        
         | cge wrote:
         | I'd agree. This article was not at all what I assumed it would
         | be about: it is primarily a listing of boutique manufacturer
         | pens that are entirely modern and not at all classic in
         | mentality. They fit the standard "limited edition, barrel-
         | design-focused, standard section and cartridge+converter,
         | generic nib" product design and business model that I think is
         | intrinsically linked to the move of fountain pens to being
         | marketed as mostly status items.
         | 
         | There are great, actually classic pens, and being from a time
         | when they were meant to be used, they can be far more
         | interesting. Parker 51s are ubiquitous and reliable, and vacuum
         | fillers in general seem significantly better than modern
         | cartridge and converter pens. For mid century technically-
         | interesting pens, I'm fond of Sheaffer snorkel fillers, where
         | the pen can be quickly refilled without the nib ever touching
         | ink and changing the line thickness or becoming messy. Even
         | earlier, Waterman and other pens with fine, flexible nibs offer
         | nib styles that range from very difficult to impossible to get
         | in modern pens.
        
         | germyj wrote:
         | Seconding the 51! Excellent pen for the price.
         | 
         | If one doesn't mind jumping through a hoop or two regarding
         | shipping, vintage Montblancs are just about as cheap from Japan
         | as the 51 is in the US, and sometimes cheaper. The
         | 12/14/32/220/etc are smaller than the flagship Meisterstucks,
         | but they're also about 1/10 the price and really quite nice
         | quality. Recently I've paid 30-50$ per pen to develop a little
         | collection; the 220 was most expensive at 70$.
         | 
         | Piston fillers that are still going strong after decades,
         | minimal maintenance, pleasant gold nibs.
        
       | bborud wrote:
       | I've been using fountain pens to write for about 35 years now,
       | and I have pens that range from about $30 to about $500. At any
       | given time I have about 2-3 pens either on my desk or in my
       | backpack.
       | 
       | The best value for money I've seen are the TWSBI pens. As writing
       | instruments they are often more reliable than most of the pens I
       | have that are more expensive. The production quality tends to be
       | surprisingly consistent for a low cost pen. I have about 6-7 of
       | these and I have only had one fail on me and that was because it
       | got banged up in my backpack. These are good workhorses for
       | people who take a lot of notes with generous size ink reservoirs.
       | 
       | The least reliable pens I own are usually in the $150-$200 range.
       | A lot of these pens either have problems with inconsistent
       | manufacturing or they are fragile or in some way. A lot of these
       | manufacturers have considerably more expensive versions, but the
       | uneven manufacturing quality means I would only consider buying
       | these in a store so I can have them serviced/adjusted/fixed or
       | return them if they can't justify the price tag.
       | 
       | I'm not really into expensive pens since I don't collect them to
       | collect: I use them. Pens that aren't good writing instruments
       | are of no use to me.
       | 
       | A surprise for me is a Mont Blanc pen I've had for 15 or so
       | years. I got it as a gift and I had never even considered buying
       | a Mont Blanc since it is a luxury brand. Mont Blanc fountain pens
       | _are_ overpriced, but at least the pen I has performed without a
       | hitch for 15 years.
       | 
       | The best pen I own is a nondescript black fountain pen with a nib
       | that has a really rough looking surface finish. It has no visible
       | brand, which has made it hard to figure out what it is. I _think_
       | it was made by a company that has since gone under. The nib works
       | well for me and it has performed perfectly for about a decade.
       | 
       | I tend to buy Leuchtturm 1917 A5 notebooks since these work well
       | with almost all of my pen/ink combinations plus they are a nice
       | size and have stiff covers. I tried Moleskine, but they're just
       | not very good notebooks. The paper is too flimsy for fountain
       | pens.
        
       | quantgenius wrote:
       | This list is certainly not classic fountain pens. They are mostly
       | machined pens made by small batch producers with generic nibs and
       | two with somewhat "different" nibs I wouldn't normally suggest
       | most people get. These are pretty good pens but not what I would
       | get as a first pen.
       | 
       | Here are the pens I would suggest you consider if you don't know
       | a lot about fountain pens. If you are a fountain pen collector,
       | I'm mostly ignoring a number of European brands who make great
       | pens but have nib quality control from hell which are fine if you
       | know fountain pens and how to adjust nibs etc but not if you are
       | a beginner.
       | 
       | Budget under 40 bucks:
       | 
       | 1) Lamy Safari: The grip section is triangular to support the
       | traditional writing grip. It's one of the choices middle
       | schoolers are require to use in certain European countries. If
       | you have a traditional grip and don't have huge hands you will
       | likely like it. If you don't, stay away. Lamy sometimes has
       | quality control issues on it's inexpensive nibs but not as many
       | as other European brands in my experience.
       | 
       | 2) Pilot Metropolitan: Pilot has a reputation of really good
       | quality control on what are very high quality nibs. The 20 dollar
       | Pilot Metropolitan is no exception. Amazing writing experience
       | for the money. Probably the best steel nibs you can buy.
       | Competitive with many pens that cost over 100 dollars.
       | 
       | 3) TWSBI Eco: Piston filler pen so you don't need a cartridge or
       | converter. The pen is a demonstrator so you can see how it works.
       | Comes in lots of cute colors. Uses Jowo nibs so the nibs are
       | pretty good. Not quite as good as Pilot nibs.
       | 
       | I suggest most people skip the next level up in price. You don't
       | get much more for the money and you are probably better off
       | saving for the next level up.
       | 
       | Next level up from that. You usually get gold nibs at this level.
       | 
       | 1) Lamy 2000: In permanent collection of the Museum of Modern
       | Art. Design hasn't changed since the 1960s and is timeless. It's
       | designed for people who know how to use fountain pens, the right
       | amount of pressure, the right grip and who don't rotate the pen,
       | the aforementioned kids in the European school who grew up on a
       | Lamy ABC and then the Safari and so on. It's absolutely awesome
       | but not recommended as your first fountain pen if you've never
       | used one before. It's different from other pens so if you get it,
       | I suggest you try it for a few weeks if you don't love it. I've
       | known more than one person go from "I hate it" to "It's my
       | favorite pen" as they learn how to use it. Absolutely beautiful
       | and very understated pen. Amazing nibs that have a feel unlike
       | any other. Slip cap so great for short notes.
       | 
       | 2) Pilot Vanishing Point: Clicks to expose and hide the nib. No
       | cap. So feels like a ball point. Nib is long and narrow so
       | slightly bouncy. Really nice writing experience. There is clip
       | near where your grip goes so some people won't like that. Very
       | comfortable if you hold it with a traditional grip. Right up
       | there with the Lamy 2000.
       | 
       | 3) Platinum 3776: Really nice nib. Designed to give you feedback
       | as you write so you have more control. It's very smooth but has
       | feedback. Having the extra control is really nice if you write a
       | lot of mathematical notation.
       | 
       | 4) Sailor Pro Gear Slim or Sailor 1911 (not 1911L which is more
       | expensive). Amazing nibs. The non slim versions are described
       | below. These pens and nibs are a bit smaller, stiffer and very
       | good but not as good as the large versions. Note that the Pro
       | Gear Slim and Sailor 1911 (not 1911L), may be too small if you
       | have large hands. Many of my female friends find these very
       | comfortable. If you are all about the nib, Sailor probably makes
       | the best nibs in the world today.
       | 
       | Another level up:
       | 
       | 1) Pilot Custom 823. Vacuum Filler. Amazing nib. Used by Neil
       | Gaiman and other famous authors who like writing the first draft
       | of their novels with a fountain pen. Used by other famous people
       | as a signature pen. These pens are wet, i.e. put out a lot of
       | ink. If you haven't graduated to fountain pen friendly paper, get
       | a fine nib or maybe skip it for one of the others.
       | 
       | 2) Platinum President. Like the Platinum 3776. More refined nib.
       | Slightly thicker grip. Often available very cheaply on Amazon.
       | Not very wet so very serviceable on cheap paper with cheap paper
       | friendly ink.
       | 
       | 3) Sailor 1911L or Sailor Pro Gear (not the slim version). Note:
       | The slim versions are also very good but not quite as good.
       | Sailor is thought to make the best nibs in the world. Absolutely
       | amazing writing experience. Writing with a Sailor nib feels sort
       | of like writing with a pencil. It's very smooth but not glass
       | like. There is just enough control. Probably my favorite nibs.
       | Not very wet so great for cheap paper.
       | 
       | If you don't write on high quality paper, and I mean genuinely
       | high quality paper, like Rhodia, Tomoe River, Clairefontaine etc.
       | as opposed to overpriced junk like Moleskine, get a fine nib in
       | anything but a Sailor or Platinum. You can get a medium nib
       | Sailor or Platinum since their nibs run narrower.
       | 
       | You should also limit yourself to a cheap paper compatible ink.
       | You could try Platinum dye-based Blue Black, Diamine Registrar's
       | Blue Black, Sailor Kiwa Giro, Sailor Seiboku or Sailor Souboku
       | etc. You could get also get Noodler's Black. However, Noodler's
       | hand mixes inks and the quality control is off a lot of the time.
       | Nathan Tardiff's (owner and sole employee of Noodler's) political
       | statements may not be compatible with a lot of the crowd on HN
       | either. If you go with Noodler's, get regular Noodler's Black, do
       | not get X-Feather.
       | 
       | (edited: formatting and minor changes for clarity)
        
         | axiomdata316 wrote:
         | This is a great list. Just to piggyback on the Pilot Vanishing
         | Point. I originally wasn't interested in getting one because I
         | was put off with the clip being on the "wrong" end of the pen.
         | I wound up purchasing the Mahjohn A1 which is basically a
         | Chinese replica of the Pilot Vanishing Point. (I guess the
         | patent expired after 50 years) It's my new favorite pen. Even
         | with a steel nib it writes very smoothly. Because it's almost
         | identical you can interchange the cartridges and pin nib
         | inserts.
         | 
         | I'm very tempted to buy the actual Pilot Vanishing Point insert
         | and swap it so I have a 18k nib.
         | 
         | Originally released in 1963 it really is a really cool piece of
         | engineering. Highly recommend the Pilot Vanishing Point or the
         | Chinese replica as a daily writer.
        
           | yeahboats wrote:
           | Forgot to post my comment this morning so I'll post under
           | here.
           | 
           | Another recommendation for the Mahjohn (or Moonman) A1. I
           | have always adored the Pilot Vanishing Point but couldn't
           | bring myself to spend 160 dollars on a pen, especially when
           | most of my time is spent typing on a computer. So I found out
           | about the Moonman A1 and I enjoyed writing with it so much
           | that I ordered another. Feels great with some iroshizuku ink
           | (I suppose this is my splurge) and Luechtterm 1917 notebook
           | paper, which I only mention since ink/paper seems to have an
           | impact on writing experience.
           | 
           | The pen also comes in a clipless version for those that want
           | to avoid the clip.
        
         | danShumway wrote:
         | +1 for the Twisbi Eco. I'm not a fountain pen expert but it's
         | always served me well, and I love the piston filler and general
         | maintainability. Great as a pen that gives a good writing
         | experience but isn't so expensive that you're scared to carry
         | it around with you or throw it in a bag. And the extra ink
         | capacity means I can take the pen on short trips without
         | bringing ink along with me.
        
         | blagie wrote:
         | <-- This post is accurate, but I'd phrase it more strongly. Not
         | all the listed pens in the original post are even "good." The
         | Montblanc is mostly jewellery. It doesn't write as well as pens
         | a fraction of the price, and you're mostly paying for the logo.
         | I dismissed the post seeing it in the list. The Pilot
         | Metropolitan this post mentions cost less than 1/10th the
         | price, and writes a lot better.
         | 
         | I'll mention: Another way to go are $1-$5 fountain pens from
         | China. You can get about a dozen for the cost of a single
         | Pilot, or about a hundred for the cost of the Montblanc. The
         | quality is mixed, but if you buy a few, you'll get a couple
         | really good ones, a couple typical ones, and maybe a broken
         | one. My better ones are every bit as good as the Pilot.
         | 
         | The nice thing is that at that price, if you lose one, it's not
         | a tragedy.
         | 
         | And at that price point, you can also get a bent nib, a flexy
         | nib, a wide nib, etc. just for fun.
         | 
         | If nothing else, it's a great way to start experimenting and
         | seeing what you like before you buy a more expensive pen to see
         | what you want.
        
         | onebike wrote:
         | I came here to write something similar, so thank you. I would
         | add a Pelikan M800 or M100 to the level-up list, though.
        
           | quantgenius wrote:
           | Love my Pelikans. But the M800 and M1000 retail for more than
           | double the most expensive pen on my list. They are awesome
           | but not necessarily a better writing experience than the pens
           | on the list.
           | 
           | Still, they mostly didn't make the list because while
           | Pelikans are awesome, their nib quality control isn't what
           | one would hope it was. In addition, you don't really know
           | what you are getting in terms of nib size. I've bought
           | Pelikan extra fines that make a wider line than Pelikan
           | mediums.
           | 
           | If you know how to tune nibs or you budget and extra 50
           | dollars for a nibmeister to get it the way you like, or you
           | buy from a retail store where you try the pen out first and
           | know what to look for great. I suspect most here will buy
           | online and won't necessarily know what makes for a
           | problematic nib and how they want it to work.
        
         | slowmovintarget wrote:
         | Regarding Noodler's Ink: Most of his popular inks are fairly
         | consistent. Noodler's Ink Black being by far the most popular.
         | For black inks I prefer Heart of Darkness. It is a deeper,
         | richer black, though it isn't as well-behaved on bad paper.
         | 
         | Noodler's Navy is also very good. (I have many bottles from
         | this brand.)
         | 
         | But if you want a safe-in-any-pen, just works, generally great
         | ink, I'd have to recommend Pilot Blue-Black in the 70ml bottle.
         | The bottle has built-in ink well, so it ensures you get a good
         | fill all the way through the life of the bottle. The ink is
         | middle of the road for wetness (Pilot Iroshizuku inks are wet,
         | this is in the middle, not dry like Robert Oster inks, for
         | example).
        
           | quantgenius wrote:
           | While I love many Noodler's inks and have many bottles from
           | him too, while this used to be the case, this hasn't been my
           | experience recently. In my experience the inconsistency has
           | if anything gotten worse recently. Worse, the bottle will
           | sometimes contain ink that is different from the label.
           | 
           | I recently bought a bottle of Noodler's Navy to replace a
           | bottle I actually emptied that was bought maybe 5-6 years
           | ago. The ink inside the bottle was almost certainly Noodler's
           | Aircorp Blue Black, which I also have.
           | 
           | In my experience, and based on anecdata from friends who also
           | use fountain pens, Noodler's inconsistency and quality
           | control issues have gotten MUCH worse in the past 2-3 years.
        
             | Alekhine wrote:
             | It may interest you to know that Noodler's, as far as I
             | know, is a one man operation. It's literally one guy making
             | ink in his shed.
        
         | yumraj wrote:
         | > Pilot Metropolitan
         | 
         | One thing I'd like to mention is the difference between
         | Japanese Fine and European Fine, with Japanese being much
         | finer.
         | 
         | I found Metropolitan Fine to be scratchy while love Lamy Safari
         | Fine. I'll recommend Metropolitan Medium to most people who are
         | starting with fountain pens, or a Lamy Safari Fine.
        
         | TimButterfield wrote:
         | The Pilot Custom 823 (amber demonstrator) is my favorite pen. I
         | love the way it writes, the quantity of ink it holds, and that
         | the screw down piston knob also blocks ink flow so it doesn't
         | dry out. I have the Sailor 1911 and Pro Gear also, but prefer
         | the Realo piston fill for the larger ink capacity. I enjoy the
         | Rhodia paper also.
        
         | mpalczewski wrote:
         | I would not reccomend TWSBI for beginners, I find that the nibs
         | are way to finicky. I needed to tune mine a bit before it wrote
         | well. Pilot and Lamy are great out of the box.
        
           | quantgenius wrote:
           | I haven't had this experience with TWSBI. They used to have
           | somewhat more finicky nibs before they switched to using Jowo
           | nibs. I've found the nibs on TWSBI pens to generally be
           | pretty well adjusted Jowo nibs. They aren't the same level of
           | quality control as Japanese brands but are probably better
           | than any European brand.
           | 
           | Plus they have a really good lifetime warranty. If your nib
           | has issues, call them. They will probably send you a
           | replacement.
        
           | bborud wrote:
           | Funny, I've had the opposite experience. That might be down
           | to things like hand size, how you hold the pen etc.
           | 
           | I've had 3-4 Lamy pens and they have all ended up wither
           | being given away or thrown in the bin because the nibs tend
           | to be either dry or scratchy for me. I think I have only one
           | regular Pilot pen and it works well for me. (I did try a flex
           | nib Namiki Falcon, and that just didn't work at all for me.
           | Namiki/Pilot are the same company, right?).
        
             | suzakus wrote:
             | I haven't been in the fountain pen world for a couple
             | years, but it was typical for everything except the
             | Japanese pens to have consistency issues. I wouldn't fault
             | this on the OP's usage habits with his regards to TWSBI
             | issues. I've heard they've gotten better, but again,
             | haven't been buying for years at this point.
             | 
             | Namiki is the same as Pilot yes. The flex falcon's are
             | notably scratchy, and it's a well known issue. The general
             | cheap pens (i.e. the metropolitan and co) are amazing, both
             | in consistency and performance. The Falcon nibs on their
             | #15 pens (most famously the 823) don't have the
             | scratchiness, but can have flow issues.
        
         | ubermonkey wrote:
         | Quality post right here. Absolutely no notes.
         | 
         | My daily driver for nearly 20 years was a Vanishing Point. They
         | write REALLY well, feel smooth, and the cartridge ink is
         | entirely acceptable -- which was important to me when I was
         | traveling often for work.
         | 
         | These days I alternate between a TWSBI, a couple VPs, a Safari,
         | and a nicer Aurora my sister gave me for Christmas.
        
         | selykg wrote:
         | I love my Custom 823. I have several Pilot pens, they're all
         | superb.
        
         | sn41 wrote:
         | I am a fan of fountain pens, but do not have a lot of cash to
         | splurge on experimentation. This detailed comment is a great
         | resource.
        
         | aarghh wrote:
         | Great list.
         | 
         | One addition on the really cheap end - Pilot Prera - which
         | comes with a wonderful calligraphy nib as well (CM). Also, the
         | Pilot Vanishing Point is available with a calligraphy nib (I
         | retrofitted mine of 20 years vintage with one, and it has been
         | a great joy).
         | 
         | Mnemosyne notebooks are what I use. Comb bound, so can lie
         | flat, and very good paper.
        
         | mcguire wrote:
         | I haven't been keeping up; does TWSBI still have quality
         | problems with their plastic? The last I heard, there were a lot
         | of reports of parts breaking. TWSBI was always good about
         | replacing the parts, but I heard too many stories about
         | someone's second or third replacement cap breaking.
        
           | quantgenius wrote:
           | I haven't had any trouble with TWSBI's bought in the last 2-3
           | years. Besides they have a crazy good lifetime warranty. I've
           | had a pen stepped on, emailed them and told them so and they
           | shipped a replacement barrel to me for shipping cost. Ditto a
           | replacement wrench that I lost.
        
       | nunuvit wrote:
       | For anyone with a budding or casual interest in fountain pens,
       | the Lamy Safari is the way to go. They're plentiful, inexpensive,
       | rugged, and have plenty of nibs, cartridges, and refillable
       | cartridges to experiment with. Just pick your color and start
       | using it to figure out what you value in a pen.
       | 
       | Don't let the grip shape scare you off, you might like it more
       | than you thought, but if not it won't ruin the value as an
       | experimentation platform. Note that unlike a ballpoint you'll
       | need to experiment to find the right combination of nibs, inks,
       | and papers.
       | 
       | Also check out the unrelated free Handwriting Repair pdf so you
       | don't feel ashamed and disappointed in yourself every time you
       | use the pen. Plus it'll turn the flat shape of the nib into an
       | advantage.
       | 
       | Edit: People seem to like the Pilots. I haven't tried them, but
       | they seem to also be inexpensive and have good nib and ink
       | options.
        
         | [deleted]
        
         | sbaiddn wrote:
         | The grip is the best part of the pen!
        
         | stefanka wrote:
         | I got their ,,studio" and it's pretty decent for its price
        
         | waynesonfire wrote:
         | Agreed, love the Lamy Safari. I got the Al Star to up-scale it
         | a bit. And, then a gold-nib later. But, honestly, like the
         | steel more!
         | 
         | I also tried the Pilot Metropolitan, for some reason this awful
         | pen is recommended as an alternative to the Lamy. Doesn't even
         | compare, got rid of it fairly quickly. The ridge along the grip
         | was very uncomfortable for me.
        
           | nunuvit wrote:
           | The Lamy grips are pretty controversial too. It looks like
           | there are a few other pens that use the same nib and feed as
           | the Metro. Do any of them lack that ridge?
        
         | falcolas wrote:
         | I'd go one step further and suggest a Pilot disposable fountain
         | pen. Their nibs are remarkably good, and you're only out around
         | $2 if you dislike them.
         | 
         | And if you like them, well then, have fun with your new hobby!
        
           | kps wrote:
           | I second the recommendation to try Pilot first, though I
           | haven't used any of their recent disposables. Pilot nibs are
           | just remarkably consistently good. As a starter I'd suggest
           | the Pilot Metropolitan with a medium nib (as Asian nibs tend
           | to be a little finer than European nibs with the same
           | designation) although my personal favourite 'cheap' pen (that
           | is, in the Lamy Safari price range) is the old-style Prera
           | (in the US, from JetPens).
        
             | haradion wrote:
             | I've got both a Metropolitan and a Prera, and I can second
             | (third?) this recommendation. Fantastic pens.
        
           | slowmovintarget wrote:
           | I was giving away Pilot Varsity pens (a.k.a. V-pens) to
           | people around the office that were interested. Amazon sells
           | them in boxes of 10, and yes they have a surprisingly good
           | nib for such an inexpensive pen. They also have decent
           | capacity, as the thing is basically a non-refillable ink tank
           | with a novel felt feed (similar to what markers use).
           | 
           | The next pen I recommend as a starter is usually the Pilot
           | Metropolitan, or the TWSBI Eco for those who want to dive
           | into bottled ink.
        
           | nunuvit wrote:
           | True, I actually did that myself when I impulse bought one at
           | an art supply store since it was at the checkout counter.
           | It's a great way to find out if you're interested in
           | experimenting with pens, or if you just want a no-fuss tool
           | and have a passing curiosity in fountain pens. Do this before
           | getting a non-disposable.
        
         | BeetleB wrote:
         | I preferred the Pilot Metropolitan, with a Medium Nib
         | (equivalent to Fine in Europe). It was my goto pen for a number
         | of years, despite getting more expensive ones.
        
         | rPlayer6554 wrote:
         | The lamy safari is fantastic and only about $35. You can find a
         | black one on Amazon for $20.
        
         | jimmyjazz14 wrote:
         | I have a number of fountain pens but the one I keep coming back
         | to is the Pilot Kakuno, they are super cheap but they just feel
         | so good in hand especially for sketching and drawing.
        
           | slowmovintarget wrote:
           | Pilot somehow pulls off miracles with their steel nibs. The
           | Kakuno has the same nib as the Metropolitan or the Explorer,
           | and they're great. Even better, the Kakuno can (just barely)
           | fit the CON-70 converter for a nice big ink reservoir instead
           | of the wee CON-40.
           | 
           | Granted, refilling cartridges with bottled ink and blunt
           | syringes works really well, too.
        
           | quantgenius wrote:
           | Kakunos are awesome. Really good nibs. Awesome value for
           | money.
        
         | taeric wrote:
         | I'm partial to the metropolitan pens. But, realistically, any
         | pen is a fine starter nowadays.
         | 
         | I am a huge fan of the larger nibs. I tried getting into
         | calligraphy, but haven't managed the eye for it, yet. Tons and
         | tons of fun, though.
        
         | Al-Khwarizmi wrote:
         | In my view, Lamy Safari is way overrated. Don't get me wrong,
         | it's far from bad, a pretty consistent pen for the price. But
         | the ink dries fast-ish if you don't use it, and especially, the
         | cartridges are proprietary so you're tied to the brand's
         | cartridges and ink colors (there's a piston converter, but
         | converters, meh).
         | 
         | A Pilot Metropolitan is approximately the same price and at
         | least in my view, it's better as it uses standard international
         | cartridges. A TWSBI Eco is more expensive, but not by that
         | much, and it's an absolute reliability monster.
        
           | hammyhavoc wrote:
           | Who downvoted you? It's a valid perspective.
        
           | nunuvit wrote:
           | Can you also use cartridges with the TWSBI Eco? A first pen
           | should give you the option.
           | 
           | I haven't tried the Pilots, but the standard cartridge could
           | change my recommendation to them.
        
             | Al-Khwarizmi wrote:
             | No, the Eco can only be filled with a piston mechanism, and
             | yes, you have a point. While I love piston fillers, it can
             | be off-putting for a complete beginner, so maybe better as
             | second pen than as first :) The Pilot Metropolitan is great
             | as first pen, IMO.
        
             | rbonvall wrote:
             | No, the TWSBI Eco can only be filled from a bottle.
             | 
             | The TWSBI Swipe supports both cartridges and converters.
        
               | nunuvit wrote:
               | Thanks for confirming. You really need to try both to
               | find what you like.
        
           | throwanem wrote:
           | > [the Pilot Metropolitan] uses standard international
           | cartridges
           | 
           | I'm afraid not; Pilot cartridges are sui generis, and not
           | compatible with either Lamy's own proprietary design or with
           | "International Standard" cartridges.
           | 
           | That said, there's nothing _wrong_ with proprietary
           | cartridges per se, given that fountain pen cartridges in
           | general are a pretty niche good. I like Pilot cartridges for
           | being refillable and resealable, especially since Pilot makes
           | a lot of really nice inks that only come in bottles, but
           | unless you 're anxious to do a lot of refilling that doesn't
           | really count for much.
        
             | quantgenius wrote:
             | The Pilot Metropolitans sold in Europe use standard
             | international cartridges. The ones used in the US use
             | proprietary Pilot cartridges.
        
               | throwanem wrote:
               | No kidding! I had no idea.
        
           | disqard wrote:
           | I will always lend my voice to a vote for the TWSBI Eco. I
           | have used it after leaving it in a drawer for months, and it
           | just starts up without issues.
        
         | Alifatisk wrote:
         | > Also check out the unrelated free Handwriting Repair pdf
         | 
         | Link?
        
           | WillAdams wrote:
           | I suspect it would be something by Kate Gladstone:
           | 
           | https://handwritingrepair.info
        
             | nunuvit wrote:
             | Nope
        
           | [deleted]
        
             | [deleted]
        
           | nordsieck wrote:
           | I assume your parent is referring to this:
           | 
           | https://penvibe.com/wp-
           | content/uploads/2021/07/Handwriting-R...
        
             | nunuvit wrote:
             | Yup, that's a copy of part of it.
        
         | e40 wrote:
         | I saw the recommendation for the Lamy Safari in a lot of
         | places. Just want to say I actually hated writing with it.
         | Maybe I got a bad one, but I doubt it.
        
           | gregors wrote:
           | I really love my Lamy Safari, but tbh my experience is
           | limited. What did you follow up with?
        
           | nunuvit wrote:
           | I assume you mean the nib wrote scratchy. Honestly,
           | troubleshooting that issue is something you have to be
           | prepared for if you have a fountain pen. I haven't used
           | enough of any nib to know if some of them have genuine design
           | or quality control problems, or if the volume of reports
           | online is due to people expecting a more plug-and-play
           | experience.
        
             | hammyhavoc wrote:
             | Where you source nibs from matters a great deal.
             | 
             | Amazon? IME, more commonly bad batches.
             | 
             | Small independent retailers who live and die by satisfying
             | their niche enthusiast customers? Yeah, they're fantastic,
             | and they're generally passionate about what they sell.
        
             | quantgenius wrote:
             | It's extremely rare to get a nib that isn't tuned pretty
             | much perfectly if you buy a brand new pen made by one of
             | the Japanese big 3, Pilot, Platinum and Sailor from an
             | actual fountain pen retailer (online or brick and mortar).
             | I've never gotten a remotely bad nib from any of those nor
             | have I heard of someone getting a remotely bad nib from one
             | of them.
             | 
             | If you buy from eBay or used elsewhere or for that matter
             | Amazon, you do sometimes get a bad nib because someone has
             | tried to tune one of these nibs and botched it and then
             | decided to try and sell the pen new.
        
               | dwringer wrote:
               | A lot of times, with Pilots especially, if they're sold
               | for the Japanese domestic market the tines are extremely
               | tight and the pens write _very_ dry, to the point of
               | needing adjustment for writing in roman-derived script. I
               | have a few nice Pilots and of the high end ones bought
               | from Japan, a little bit of skipping or dryness was
               | common out of the box.
        
               | nunuvit wrote:
               | Most nib complaints can probably be resolved with proper
               | adjustment and maintenance. If people were doing that,
               | I'd expect the complaints to be more focused on how the
               | nibs defy their efforts, as opposed to how the nibs write
               | poorly.
        
           | [deleted]
        
           | MisterBastahrd wrote:
           | I have two. The first one was purchased as part of a box kit
           | from Bespoke Post. That one is fantastic all-around. Then I
           | misplaced it and purchased a second one from Amazon,
           | apparently with a different nib. I prefer the Pilot
           | disposables to that one.
        
           | dwringer wrote:
           | I've had a few Safaris and they're easily among my favorites,
           | but personally it was common to get misaligned nibs with
           | them, or extreme variation between two different nibs of the
           | same grind (so I don't think the problem of "getting a bad
           | one" is as unlikely as portrayed). The alignment problem
           | occurs with all brands to one degree or another IME, and it's
           | worth learning to make adjustments using a loupe or macro
           | camera for anyone who's interested in the hobby.
           | 
           | There's also a widespread problem of counterfeit Lamy Safaris
           | out there, which usually come in subtly different packaging
           | and/or have subtly different markings on the pen body. These
           | are widely considered to be inferior, and fairly common if
           | ordering somewhere like Amazon.
        
             | etrautmann wrote:
             | This is fascinating to me, as someone naive to the hobby.
             | Can you describe what you're looking for and what
             | adjustments you'd make? Are there two halves of the nib
             | that need to be at the right spacing and alignment for
             | proper ink-wicking or something like that? Does that affect
             | the smoothness of the interaction with the paper too?
             | 
             | I routinely work under a high-magnification dissecting
             | scope to build experimental equipment for neuroscience, but
             | I never considered that people would be doing this to
             | optimized their writing instruments.
        
               | dwringer wrote:
               | Pretty much all of what you wrote is a consideration, but
               | everyone probably has their own preferences (and in some
               | part it's affected by writing angle and penmanship
               | habits). Certain nib styles are better suited to
               | different ways of holding a pen. And there's a lot more
               | to it, since different papers react in different ways to
               | different nibs, and inks are another wide-ranging
               | variable.
               | 
               | I think many people get drawn into the hobby for the
               | endless pursuit of matching pens, papers, and inks, or
               | trying to optimize for various characteristics across
               | different combinations of the above. Of course a lot of
               | people don't bother and just find one that works well
               | enough and leave it at that.
        
             | waynesonfire wrote:
             | I agree, I've had huge variation in the nibs as well. I did
             | some research on how to polish the nibs a bit and was able
             | to tune the ones that didn't perform as well.
             | 
             | Even the gold nib needed tuning. :(
             | 
             | You should be able to feel a _consistent_ feedback as you
             | write with a proper nib. Two of the three nibs that I
             | bought didn't perform out of the box. And a fine nib was
             | too dry. I bought some brass spacers to separate the tins a
             | bit.
        
         | dmpk2k wrote:
         | A big problem with Safaris is they dry out quickly. There are
         | many great pen varieties nowadays, none of which have this
         | common fountain-pen shortcoming.
         | 
         | Safaris are suitable for people who write daily; others should
         | look elsewhere.
        
           | throwaway2203 wrote:
           | Do you have a recommendation?
        
             | vgeek wrote:
             | Pilot Kakuno is cheap, relatively durable and pretty good
             | quality. I would take it over a Safari in the sub $25
             | category.
        
               | Kon-Peki wrote:
               | The Kakuno is a small pen, intended for the hands of
               | children. But it _is_ outstanding at that price point,
               | and it uses the same cartridges /converters as the
               | Metropolitan.
               | 
               | My kids have them and will use them until they outgrow
               | them.
        
             | dmpk2k wrote:
             | Three I know about are the TWSBI Eco and Diamond, and
             | Pilot's disposable Vpen. They've already been mentioned
             | elsewhere in this thread.
             | 
             | Beyond those, do research. Fountain pens drying out is a
             | major problem that catches newcomers off-guard. When you
             | can buy EnerGels for peanuts, fountain pen manufacturers
             | really need to up their game to stay remotely competitive
             | with other pen types. And many don't.
        
               | quantgenius wrote:
               | You do need to cap fountain pens because the inks are
               | water based.
               | 
               | If you need to take quick notes and drying out is a
               | problem because the pens are uncapped and capped a lot,
               | get a Lamy 2000, vintage (not new) Parker 51 or a Pilot
               | Vanishing Point. The first two have slip caps and hooded
               | nibs so cap and uncap really quickly and don't dry out
               | due to the hooded nib. The Vanishing Point also has a
               | hooded nib but you click it like a ballpoint pen to
               | expose and hide the nib. Also don't use quick drying
               | inks.
               | 
               | If drying out is a problem because you don't write
               | frequently enough, there are two solutions. Solution 1:
               | Buy a Platinum (Preppy for low end, or 3776 higher end).
               | It has a really good cap. Both will take a long time to
               | dry out. Or even better, write more frequently.
        
             | kps wrote:
             | _Old_ Parker 51. (Emphatically, do not touch any current
             | Parker.)
        
           | criddell wrote:
           | A few years ago I bought a Pilot Metropolitan fountain pen.
           | It's decent, but the ink evaporates really quickly.
           | 
           | Last year I bought an inexpensive Platinum Preppy and it
           | doesn't have this problem at all. No idea why the Pilot is so
           | bad or if I can fix it, but it basically makes the pen
           | useless to me because I do not write daily. Even if I did use
           | it daily, the disappearing ink means I'd have more
           | maintenance to deal with than I really want.
           | 
           | The other thing many people don't think about is paper
           | quality. Fountain pen ink really soaks through many types of
           | paper. It took me a while, but I finally found a yellow legal
           | pad brand that is great with a fountain pen. Mintra canary
           | premium legal pads are inexpensive and nice to write on.
        
             | dmpk2k wrote:
             | Indeed.
             | 
             | For newcomers: if you get a pen that seals properly (so it
             | won't dry out), consider getting a fast-drying ink; you
             | won't end up with streaks across the paper and on your
             | hands. I found Lamy T52 acceptable.
        
         | frereubu wrote:
         | The problem I have with the Safari is that I don't write much
         | and they dry out before I use them much. My Kaweco Sport lasts
         | for ages, and I think it's to do with the fit of the screw top
         | compared to the relatively loose clicking mechanism of the
         | Safari cap.
        
           | trilobyte wrote:
           | I use a refillable cartridge on my pens and have dialed in
           | about how much ink I should load at any given point in time
           | based on my writing habits. It might help to play around with
           | that.
        
       | spyrefused wrote:
       | For a article on classic pens I miss something from Kaweco or
       | Lamy as entry level, for example, or some of the classic pens
       | from japanese brands like Pilot or Sailor.
        
         | MezzoDelCammin wrote:
         | oh, IMO the answer to what this article is missing is
         | easy:"almost everything".
         | 
         | To me it looks like some sort of product placement marketing
         | fluff with "Montblanc" thrown in just to give it a measure of
         | plausible deniability.
        
       | nimbius wrote:
       | For those of us that arent raking in the FAANG dosh for a 3
       | figure pen, give TWSBI a try. theyre just as good.
       | 
       | https://www.twsbi.com/
        
         | [deleted]
        
         | now__what wrote:
         | Lamy Safari has been my go-to for years, but for anyone
         | starting out I recommend the TWSBI Eco. Only downside imo is
         | inability to easily swap out nibs in a TWSBI.
        
         | disqard wrote:
         | I'll second this recommendation!
         | 
         | The TWSBI Eco is a beautiful, robust, and dependable pen.
        
         | cik wrote:
         | I have a _lot_ of fountain pens, some very high end, some cheap
         | garbage. The TWSBI Echo is my favourite pen to write with. The
         | nib is dreamy. Pare that with J.Herbin ink and it 's the best
         | writing experience I've ever had.
        
         | eschneider wrote:
         | The TWSBI pens definitely hit a sweet spot for me as well.
        
         | ssnistfajen wrote:
         | TWSBI leans towards the thicker side for me personally, but
         | it's a great workhorse pen for anyone who uses fountain pens
         | daily on real writing tasks. TWSBI Eco's ink reservoir size and
         | ease-of-use is simply unrivalled among competitors in the same
         | price range.
        
         | [deleted]
        
       | liendolucas wrote:
       | I own a Pilot birdie which is extremely small but beautiful
       | fountain pen. It resembles a tiny stainless steel rod. It was
       | part of the "Birdie" collection which came also with a ball pen
       | and mechanical pencil. Unfortunately as all good things they
       | don't seem to manufacture them anymore. I started using it some
       | time ago because I'm tired to buy plastic pens, also the its
       | stroke is much better than anything else I've used so far.
       | Fountain pens are a world.
        
       | sbaiddn wrote:
       | For a beginner, its hard to improve on the "pilot penenship"
       | 
       | Its only flaw, in my opinion, is its lack of a clip
        
       | chad_strategic wrote:
       | I have a Cross fountain pen, not sure what the model is, I'm not
       | even sure how great it is or isn't.
       | 
       | However I have had it at least since high school and that is over
       | 30 years ago...
       | 
       | Only have changed the nib and it still writes great.
        
       | agambrahma wrote:
       | IMO posts like this contribute to the impression of _all_
       | fountain pens being "expensive, fancy things".
       | 
       | I have a Lamy Safari that has lasted 12 years (and counting) I
       | have a TWSBI Eco that has lasted 9 years (ditto)
       | 
       | You have a LOT of options with pens and ink that are high-quality
       | and long-lasting.
       | 
       | Of course, there are _better_ ones out there, but it's important
       | to share how easy it is to get started.
        
       | rg111 wrote:
       | As a fountain pen enthusiast who uses fountain pens exclusively,
       | this list surprises me.
       | 
       | What does this author want to cover? Good looking expensive
       | stuff?
       | 
       | Just buy a Pilot Metropolitan or a Lamy Safari. Or even a
       | Platinum Preppy. These pens are extremely cheap.
       | 
       | And beyond these pens, if you notice any improvement in
       | smoothness and comfort of writing, I would throw that in the
       | margin of error.
       | 
       | People have their reasons to buy more expensive pens. But if
       | smoothness, comfort are your goal, then you can buy what I said.
       | 
       | Metal-body Lamys and Pilots are also generational wealth. You can
       | hand over one to your daughter after you write 40 years with it.
       | 
       | My favorite fountain pen so far is: Pilot Custom 823. That's a
       | bit expensive.
       | 
       | But I used Metropolitan, Preppy, and Safari for close to a
       | decade. And I had only these pens. Nothing else.
        
       | Bud wrote:
       | I have a Montblanc I got in the 80s. Still a pleasure to use.
       | Great investment.
       | 
       | For those seeking something more affordable, the Kaweco Sport is
       | a great pen, great price, well worth the money, and a real
       | pleasure. Ink cartridges are cheap, too.
        
       | mydriasis wrote:
       | If you're a new or aspiring pen user, let me recommend you get a
       | screw-top -- they won't pop open accidentally as you learn where
       | you like to stash your pen. This was the cause of more than a few
       | ink incidents for me when I was getting used to carrying a pen!
        
       | ziml77 wrote:
       | I got into fountain pens for a while. One big problem with them
       | is that you really need paper that's designed for them. A lot of
       | common paper ends up wicking out the ink way too fast.
       | 
       | But they are still pretty cool writing implements. It's easy to
       | change the nibs in them so I would recommend trying out a few
       | different sizes and styles to find one that suits you. It's a fun
       | experience even if ballpoint pens are overall more practical.
        
         | dan-robertson wrote:
         | I always got on fine with laser printer paper. But it was never
         | really a hobby - my school required them at one point and at
         | another my parents thought it would help my handwriting. If you
         | have a bunch of school kids made to use fountain pens, they
         | aren't going to be fussing about paper quality; they'll just
         | use what they have and be fine with it. I think you don't
         | really _need_ certain types of paper. People just like throwing
         | money at the bits of their hobby that are easy to throw money
         | at.
        
           | waynesonfire wrote:
           | It's been a pleasure writing on the HP Printer Paper Premium
           | 32 lb paper.
        
           | BeetleB wrote:
           | In my experience, most laser printer papers feather heavily
           | with fountain pen ink. I buy the Target brand ones, and they
           | handle FP ink decently well.
           | 
           | But yes - you definitely need paper that handles the ink
           | well. Most notebooks sold in regular American stores do not.
           | If your city has a Kinokuniya[1] store, likely most
           | stationery sold there will handle it well as fountain pens
           | are still used a lot in Japan.
           | 
           | [1] https://usa.kinokuniya.com/
        
       | tristor wrote:
       | I collect fountain pens (and other types of pens) and
       | paper/stationary. I have been writing extensively by hand for
       | many many years. While it is not my overall favorite, I think
       | it's important for folks to know that from a writing quality and
       | feel perspective that modern low-cost pens are actually /very/
       | good, and are the way to go. The Platinum Preppy is every bit as
       | good as the majority of classic fountain pens, and better than
       | many, very few are better, and you can buy it for under $20
       | basically anywhere.
       | 
       | The most important thing for writing with a fountain pen and
       | having a good experience is actually the INK, not the pen,
       | because the ink determines the flow, forgiveness, and the time to
       | dry (which prevents smudging). Additionally, paper has a huge
       | influence. I'd recommend investing in good quality paper with
       | cotton in their mix. If you don't want to spend a lot but get
       | good quality mass-produced stationary, G. Lalo and Clairefontaine
       | are both good brands to buy.
        
         | bborud wrote:
         | I've found that with regard to ink, there is no one size fits
         | all solution. Some pens work with fast-flowing inks, other pens
         | don't work as well. So there is some amount of trial and error
         | that goes into pairing pen with ink.
        
           | tristor wrote:
           | This is very true, the pen, ink, and paper work together to
           | form a system. They all have some effect on all of the
           | variables such as flow, ease of movement, drying time, etc.
           | For the most part modern ink are better in every aspect
           | compared to classic inks.
        
             | bborud wrote:
             | I'm not sure I understand the difference between modern and
             | classic inks. Is there a definition somewhere?
             | 
             | (I have 20-25 ink bottles of ink and by trial and error
             | I've roughly figured out what ink works in what pen. I
             | probably should know more about inks given that I write a
             | lot, but I haven't made any systematic approach to figuring
             | this out :-))
        
               | noufalibrahim wrote:
               | One data point i can contribute is calligraphic inks.
               | Using normal fountain pen ink with a square nib dip pen
               | will produce writing that will spread even when dry. The
               | binding agent in the ink is designed for much smaller
               | strokes.
               | 
               | Calligraphic ink (i use Windsor Newton) is quite
               | different and forms something like a scale on the paper
               | when dry holding everything in place. You can feel the
               | texture of the writing when it's drym
        
               | tristor wrote:
               | > I'm not sure I understand the difference between modern
               | and classic inks. Is there a definition somewhere?
               | 
               | I'm not sure if there is an official definition. But what
               | I mean by this, is that classic inks (like iron gall)
               | were usually a combination of pigment and an acid as a
               | carrier. Modern inks are usually alcohol or water
               | carriers with nano-pigments or dyes, combined with
               | surfactants which helps ensure the ink flows well without
               | any issues across varied paper types.
               | 
               | Ink has moved forward rather significantly in modern
               | times, but I am not a chemist so I can't really get into
               | details. I've used (out of some desire for the archaic)
               | some correct reproductions of classic inks like iron gall
               | or other pigment inks and it is kind of nasty and clogs
               | the nib of the pen, but leaves a very permanent mark on
               | the paper that has a somewhat unique appearance. I know
               | some people prefer something both anachronistic, but I am
               | a fan of modern ink for sure.
        
         | noufalibrahim wrote:
         | Interesting. I don't collect but i do calligraphy and use a
         | fountain pen as my main instrument. I use a noodlers Ahab
         | primarily because of a flexible nib. I used a Waterman for a
         | long time till sometime I lent it to dropped it. I also have a
         | Lamy gifted to me it. It's good but i prefer a narrower nib.
         | 
         | I concur with your point about the ink. I used to use private
         | reserve but recently shifted to Waterman and I'm happy. I
         | prefer the colour of the later. Another important thing is the
         | paper. It needs a bit of a bite that produces a scratchy sound.
         | Also, older paper that's exposed to humid environments tend to
         | bleed the ink causing bad writing.
        
       | jurassicfoxy wrote:
       | Are fountain pens exclusively a right-handed pleasure? I've
       | tried, and the smudging has been an insurmountable obstacle.
       | 
       | I would love to hear from some fellow lefties. I love pens, ink,
       | and paper, but I feel cursed.
        
         | oriolid wrote:
         | I'm left-handed and the basic Platinum Preppy and the blue ink
         | that comes with it by default work great for me. My hand
         | brushes over the text but the ink dries so fast it's not a
         | problem. Some fancier pens with flexible nib that gives more
         | control over line width really need that you don't push against
         | the grain and are impossible to write with left hand.
        
         | fowtowmowcow wrote:
         | https://www.youtube.com/watch?v=eiZ9ifo4_4U
         | 
         | There seems to be a variety of suggestions and advice on using
         | pens left handed on youtube.
        
         | Symbiote wrote:
         | I think left-handed people rotate the paper slightly clockwise.
        
         | ben7799 wrote:
         | It mostly seems like they suck for us lefties and the articles
         | about how to use them are just attempts to sell more fountain
         | pens to lefties. The main point of superiority for fountain
         | pens is if you are the person selling fountain pens.
         | 
         | A lot of ballpoints absolutely suck for lefties too, but you
         | can get good ballpoints that work perfect for left handed
         | writing for 30x-100x less than the fountain pens in the
         | article. And not have to jump through hoops or go through any
         | hassle to get them to work.
        
       | kwhitefoot wrote:
       | How can one list classic fountain pens without including
       | Platignum? They are actually affordable as well.
       | 
       | https://www.hamiltonpens.com/collections/platignum/products/...
        
       | SlickStef11 wrote:
       | Man I love to see posts like this. I didn't know you nerds like
       | Fountain pens as well.
       | 
       | just bought a Visconti pen for the first time and Love it.
       | 
       | Pricy, but has a great history.
       | 
       | Mine is the emerald one.
        
       | Apreche wrote:
       | For most of my life I hated fountain pens. It turns out that was
       | because the ones I tried were cheap, bad, and/or broken.
       | 
       | I gave them one more shot. Again, a lot of them I did not like,
       | but the Platinum Preppy was excellent. I wanted to get another
       | one with a finer tip, but they were out of stock.
       | 
       | In the meantime I tried some others, and found the Lamy to be
       | just as good, if not better. Just for the sake of convenience I
       | went all in on Lamy and have no regrets. Wish I could have had
       | pens like these back in the day when I was writing more and
       | typing less.
        
         | Alifatisk wrote:
         | I have Platinum Preppy right know (it's my first fountain pen).
         | My goal is to write beautifully in calligraphy.
         | 
         | Which pen would you recommend?
        
           | dbtc wrote:
           | If possible, get to a store where you can try a bunch and see
           | for yourself.
        
       | earthboundkid wrote:
       | I'm the lone Kaweco fan. :-)
        
       | thisisauserid wrote:
       | I bought a Pilot Vanishing Point on a whim just assuming I'd love
       | it. (No wait, it was after some HN thread around five years ago,
       | I think.) Anyway, it's so amazing that I've never considered
       | another fountain pen.
       | 
       | What am I missing?
        
         | quantgenius wrote:
         | If you enjoy writing and love writing with a Vanishing Point,
         | this is a question that is very, very dangerous for your
         | pocketbook. :-)
        
         | suzakus wrote:
         | The vanishing point (I have many many of these, including
         | vintage ones!) has relatively low ink flow compared to some of
         | their other pens. Generally, the amount of ink laid out and
         | smoothness can vary quite a bit from pen to pen. The physical
         | writing experience varies a lot, but if you're happy with it
         | and don't want to spend more money on pens you're perfectly
         | fine staying on the vanishing point. The convenience is hard to
         | beat as well!
        
       | falcolas wrote:
       | Another option are dip pens. They do not offer the same writing
       | time as a regular fountain pen, but they are easier to clean and
       | so let you experiment with exotic inks (such as those with
       | particulate in them).
       | 
       | I'm particularly fond of glass dip pens, as they offer a steady
       | flow and you can get 2-3 lines of text out before you need to re-
       | dip. They're also absurdly easy to clean, as they don't have any
       | "pinch" points which can hide ink from you. On the flip side,
       | they basically have one "width", which is about a 0.8mm line for
       | mine. It's also glass, with everything that entails.
        
       | croisillon wrote:
       | ah, this week's axiomdata316's post about fountain pens
        
       | amelius wrote:
       | Has anyone here improved their handwriting later in life? How
       | much practice did it take?
        
         | rbonvall wrote:
         | You can improve just by learning the right technique (how to
         | hold the pen, how to write by moving the arm rather than the
         | wrist) and learning the proper letter shapes. That won't take
         | more than a couple of hours, and from then on you just get
         | practice by applying what you learnt whenever you have to write
         | something down.
        
         | Alifatisk wrote:
         | Yes, I bought a cheap fountain pen together with a book I could
         | improve my writing on.
        
         | wise0wl wrote:
         | I have improved my handwriting. It took a few months of
         | consistent journaling with a fountain pen to find the "font"
         | that worked for me. Now, I have different writing styles
         | depending on how much time I can take. I use a broad nib for
         | quick note taking because I don't have time to make it look
         | "good", and a fine flex nib for when I'm journaling which I use
         | to flourish things a bit.
        
         | disqard wrote:
         | Speaking only for myself, it took a few months of regular
         | writing.
         | 
         | Like (perhaps) others, I had been forced to use them in grade
         | school -- we were told that "it would improve our handwriting".
         | It laid a foundation for fluency in cursive, but my actual
         | handwriting was terrible.
         | 
         | However, when I came back to fountain pens (after a couple of
         | decades), it was relatively easy to improve my script to where
         | I'm happy with it. Having the "cursive" foundation probably
         | helped a ton.
        
       | foobarian wrote:
       | What advantages do fountain pens still have over modern gel
       | ballpoints? I like the whole experience of fountain pens, how
       | nice they look and the 'old-school' aspect, but sadly I don't
       | feel they are practical any more.
        
         | now__what wrote:
         | If you're not a writer or artist, you might not find much
         | practical advantage of a fountain pen over a gel pen; I might
         | even advise against them. However if you _do_ frequently write
         | and /or draw, you'll find the customization to be unmatched:
         | you can experiment until you find the exact writing feel you
         | prefer, adjusted by ink, nibs, paper types, etc.
         | 
         | Since I found my match in fountain pens, I've found it
         | impossible to go back to anything else. The small amount of
         | maintenance (refilling and occasionally cleaning) is thoroughly
         | outweighed by the tactile sensation of a writing/drawing
         | instrument perfectly tuned to my preference. But I'm an amateur
         | artist, so finding a well-matched tool is very important to me.
        
         | pizlonator wrote:
         | Hard to say if this is objective or not, but here goes...
         | 
         | I find that I write faster with a good, reliable fountain pen
         | (like a Sailor) than I do with a ballpoint, gel, rollerball, or
         | anything else I've tried. It's my go-to for fast note taking.
         | 
         | On the other hand, there are a lot of cool and fancy fountain
         | pens that are net slower to write with due to unreliability.
        
         | MezzoDelCammin wrote:
         | IMO the biggest advantage isn't really anything objectively
         | measurable. Yes, You can come up with things like smoothness,
         | lack of resistance (my personal first reason to switch),
         | sustainability, but ultimately IMO You end up with "it just
         | feels nice".
         | 
         | To me, the main motivation to use them these days is that it
         | simply feels good to use them. After spending some time
         | tinkering / cleaning / nib polishing, fountain pens give me the
         | same sort of pleasure that one gets from any other good tool -
         | a well sharpened knife that just fits into Your hand, a good
         | screw driver, a nicely worn in shoe, a well maintained / fitted
         | bike... The list goes on. It becomes a sort of a self-
         | sustaining feedback loop. The more You use one, the more You
         | "want" to use one.
        
         | quantgenius wrote:
         | Traditionally, you are supposed to write with less pressure and
         | even hold the pen with less pressure. Once you teach yourself
         | to do this, it is much less tiring than writing with a ball
         | point pen. I write a lot. It's how I think. I'm orders of
         | magnitude better at thinking when I use a pen and paper to jot
         | and doodle than when I do not.
         | 
         | I also find that writing to take notes is much better than
         | notes taken electronically. You can't write fast enough to
         | transcribe. So you are forced to pay attention, process the
         | information, compress it into nuggets (that may only make sense
         | to you) and write those down. The notes aren't the point. The
         | process means you retain more and understand better. If I
         | wanted a transcription (which is certainly easier with
         | electronic methods), I'd simply record.
         | 
         | I injured my wrist and hand a few years ago and simply would
         | not be able to write as much as I do if I had to use a ball
         | point pen.
         | 
         | Give fountain pens another try. A lot of the things that make
         | them "impractical" is only an issue with bottom of the barrel,
         | cheap pens.
        
         | waynesonfire wrote:
         | There is much more variety to the physical shape of fountain
         | pens, in just about every measurable dimension. Then, part of
         | the process is to develop a sense of how each pen feels and to
         | discover the one that feels best to _YOU_. It's very personal.
         | It sort of behaves as a tailored suit.
         | 
         | I should mention that the ink can also influence the feel of
         | the pen. There is also that to discover.
        
         | rbonvall wrote:
         | Objective advantages are: more ink capacity, more variety of
         | ink colors, reduced plastic waste (if you use bottled ink).
        
         | noarchy wrote:
         | >What advantages do fountain pens still have over modern gel
         | ballpoints?
         | 
         | Bragging points, perhaps: Aside from the hipster cred (see
         | also: straight razors and pricey shaving products) there is the
         | fact that you have the disposable income to drop hundreds of
         | dollars on this tech. Otherwise there are modern ways to write
         | that I think are superior, and the wide use of other tech
         | suggests that the vast majority have moved on.
        
         | cfiggers wrote:
         | The advantages are all minor--mostly it's an aesthetic
         | preference rather than a practical one. But there are a few
         | small things:
         | 
         | - The mechanism of a fountain pen relies on capillary action
         | and gravity rather than the mechanical rolling action of a
         | ballpoint. This means you don't have to press the point down
         | into the paper almost at all in order to write. This reduces
         | writing fatigue, and can even make writing possible for folks
         | with carpal tunnel or other sources of wrist pain (like healing
         | wrist fractures or other issues).
         | 
         | - Cursive was developed before ballpoints were common. This
         | means that there's a bunch of subtle ways that most western
         | cursive systems are optimized for the low-friction, gliding
         | style of writing with a fixed tip and liquid ink rather than
         | the constant pressure style of writing needed for ballpoints.
         | It's actually less work and strain with a ballpoint NOT to join
         | all your letters together. With a pen that uses liquid ink, it
         | suddenly makes sense why not picking the point up from the page
         | saves effort.
         | 
         | - Fountain pens (can) use less disposable plastic than
         | ballpoints, especially if you're a heavy journaler. A glass
         | bottle of liquid ink will last months or years and there's no
         | plastic inserts or disposable tips to be thrown away. So if you
         | care about that sort of thing, a little bit less waste is an
         | objective advantage.
         | 
         | - Bottles of ink are cheaper per page written than most
         | ballpoint refills. But, this is an invisible benefit to most
         | because depending on how far you get into the hobby you'll
         | inevitably end up spending much more on pens and paper than you
         | would've ever spent on ballpoint refills.
         | 
         | - The ink choices are way more diverse and interesting with
         | fountain pens than with ballpoints. There's many color options
         | available, and some inks have special properties, like drying
         | with fun reflective spots wherever the ink pools or containing
         | microscopic glitter particles to make your writing sparkly.
         | 
         | - Fountain pens, depending on the specific design, are better
         | suited for certain styles of calligraphy than most ballpoint
         | pens are.
         | 
         | But most people who get into fountain pens and ink do so
         | because of aesthetics, not anything objectively superior.
        
           | danShumway wrote:
           | Generally agreed on all points, they're pens that feel good
           | to write with and have little aesthetic joys to them that
           | make writing more enjoyable. I like unscrewing the top of a
           | pen. It's a little spark of joy. But it's mostly aesthetic
           | and is likely fairly subjective.
           | 
           | > It's actually less work and strain with a ballpoint NOT to
           | join all your letters together.
           | 
           | This to me is the biggest observable, practical difference
           | that comes out of the capillary system of the pen.
           | Anecdotally, my handwriting improved quite a bit when I
           | started using a fountain pen.
        
         | mfringel wrote:
         | The biggest advantage fountain pens have is physics.
         | 
         | Ink flow in a fountain pen is via capillary action (touch nib
         | to paper, ink flows), as opposed to a ballpoint pen where you
         | have to apply a small constant amount of downward force for the
         | ball to have enough friction against the paper for the ball to
         | roll. This might not seem like a big deal, but if you're
         | writing a lot, it means that your wrist & hand will get much
         | more fatigued with a ballpoint over time.
         | 
         | Put another way, ballpoints have absolute advantage over
         | fountain pens, _except_ for  "sitting down and writing a lot."
        
       | chema wrote:
       | I am glad to see Schon DSGN there. I got myself a brass "Pocket
       | Six" a few years ago and it is amazing. I use it daily. It is
       | small and write like a dream. The owner now makes his own nib,
       | which looks amazing. Highly recommended.
        
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