[HN Gopher] The Vowel Space [video]
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       The Vowel Space [video]
        
       Author : gus_massa
       Score  : 74 points
       Date   : 2023-04-25 14:38 UTC (8 hours ago)
        
 (HTM) web link (www.youtube.com)
 (TXT) w3m dump (www.youtube.com)
        
       | pohl wrote:
       | I have sometimes wondered if a poet or lyricist could use the
       | maps of how consonants and vowels are laid out to compose under
       | some constraints, so that the sounds danced around the mouth in
       | some deliberate way, and what that might sound like.
        
         | resters wrote:
         | GPT-4 could probably do a pretty decent job of this.
        
         | Jeff_Brown wrote:
         | Seems completely feasible.
         | 
         | Somewhat related: In the 30s Gilbert Adair wrote a novel in
         | French without using the letter e. It was translated under the
         | same constraint into English, in which it's called A Void.
         | 
         | He was part of a group of artists who reveled in putting
         | strange constraints on their work. They have a name but I can't
         | remember what.
        
           | ucarion wrote:
           | https://en.wikipedia.org/wiki/Oulipo
        
       | totetsu wrote:
       | This tool is a fun way to play with vowels sounds and mouth
       | position. https://dood.al/pinktrombone/
       | 
       | And here is a mechanical vocal tract robot.
       | https://m.youtube.com/watch?v=HmSYnOvEueo
        
       | acadapter wrote:
       | The "sbeech" video that Geoff Lindsey did is really interesting:
       | 
       | https://www.youtube.com/watch?v=U37hX8NPgjQ
        
         | meeuwer wrote:
         | Appreciated this video too.
         | 
         | It helps one understand that the lenis/fortis opposition is
         | broader and arguably more useful than the voiced/unvoiced one
         | even in English.
        
       | akavi wrote:
       | The revelation that I could generate a vowel that sounded awful
       | close to /y/ with unrounded lips by centralizing /u/ slightly is
       | blowing my mind...
        
         | jihadjihad wrote:
         | In French class I was taught that /y/ can be made simply by
         | doing /i/ while the lips are fully rounded.
        
           | meepmorp wrote:
           | /y/ is the rounded version /i/, so that makes sense
        
           | akavi wrote:
           | Right, that's the canonical way to produce the vowel.
           | 
           | But what the video explains is the fact that the _rounding_
           | is actually less fundamental than the length of the
           | resonating tract. It means that you can keep your lips
           | _unrounded_ and produce a vowel _very, very_ similar to the
           | canonical  /y/
           | 
           | Edit: I made a typo in my original comment, I meant to say
           | "by centralizing /i/ slightly" (not "/u/")
        
             | int_19h wrote:
             | This is why it's pretty hard to distinguish [y] from [u]
             | and [i] from [W]. Indeed, as I understand, in many cases
             | the distinction is strictly phonemic, not phonetic.
        
       | vinc wrote:
       | The video has a link to the following page where you can listen
       | to the sounds of the vowels on the chart at the bottom:
       | https://www.englishspeechservices.com/blog/the-vowel-space/
        
         | mcswell wrote:
         | And this is how Henry Higgins listened to vowel sounds a
         | century ago: https://www.youtube.com/watch?v=EN0wXFN0GO0
         | 
         | (Well, he would have, had he been real.)
        
       | totetsu wrote:
       | He talks about making a set of references values for vowels in
       | this video. This is something I had thought of too in the past,
       | but limited in scope of teaching English to Japanese native
       | speakers. It struck me that instead of teaching to target
       | prononciations of words using the whole vowel space of american
       | or British English, which has some differences that are hard to
       | understand for native Japanese speakers, a vowel space could be
       | made that was optimized listener understandability, but having
       | enough differentiation of sounds, and ease of articulation.
        
       | svat wrote:
       | I ran into some videos on this channel (Dr Geoff Lindsey) a few
       | weeks ago, and they are really good IMO. If you glance at the
       | video thumbnails they appear like low-quality clickbait, but the
       | content inside is solid linguistics and very informative.
       | 
       | Examples:
       | 
       | * https://www.youtube.com/watch?v=wt66Je3o0Qg ('"Schwa is never
       | stressed" - FALSE')
       | 
       | * https://www.youtube.com/watch?v=EaXYas58_kc (Weak forms)
       | 
       | * https://www.youtube.com/watch?v=qfCsiF80TX0 (Iambic pentameter
       | with the Pink Panther)
        
       | seanalltogether wrote:
       | The lack of unique letters to describe the wide array of vowels
       | seems like a failure of the Latin alphabet. Diacritics just
       | aren't as good as clear and unique letters. Maybe there just isnt
       | enough design space left to create more unique glyphs but it sure
       | would be nice.
        
       | dist-epoch wrote:
       | Related, a matrix with playable audio of all the vowels:
       | 
       | https://en.wikipedia.org/wiki/IPA_vowel_chart_with_audio
        
         | broof wrote:
         | His video was mainly about how that chart is inaccurate and
         | outdated. For example, 12:50 in the video. From what I
         | understood, one of the main downsides of the chart is it
         | focuses on tongue position, but not lip position. There are
         | different vowel sounds that have identical tongue positions but
         | different lip positions.
        
           | meepmorp wrote:
           | The IPA vowel chart does show lip rounding - the positions in
           | the chart have pairs of vowels, the first is unrounded (e.g.
           | /i/) and the second rounded (e.g., /y/). And, tbh, it's a
           | binary feature unlike tongue positioning.
        
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       (page generated 2023-04-25 23:01 UTC)