[HN Gopher] Intentional Camera Movement Photography Magazine
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Intentional Camera Movement Photography Magazine
Author : Kaibeezy
Score : 75 points
Date : 2023-02-19 15:23 UTC (7 hours ago)
(HTM) web link (www.icmphotomag.com)
(TXT) w3m dump (www.icmphotomag.com)
| adwi wrote:
| I was expecting tilt-shift photography from the title.
|
| https://en.m.wikipedia.org/wiki/Tilt-shift_photography
| FranklinMaillot wrote:
| If you like this kind of photography, checkout @sallymason100 on
| instagram. She has some beautiful ICM work.
|
| https://www.instagram.com/sallymason100/
| graderjs wrote:
| Slightly disappointed...I read this as
|
| _International Camel Movement Photography Magazine_
|
| Now _that_ would have been quirky and interesting...
|
| I'm sure this is good, but still.
|
| _edit: I checked this out, and this is GREAT! It 's beautiful.
| Especially the free sample issue^0 [pdf]_
|
| ^0 =
| https://indd.adobe.com/view/15c9a7d1-1653-4baa-80ac-9e4c1fe7...
| irthomasthomas wrote:
| Wow, I'm a huge fan of taking these types of photo but never knew
| what they called until now. Here's one I have mounted under 1
| inch acrylic and hanging on my wall: Night Time On The Estuary
| https://i.imgur.com/MLtm7dO.jpg
|
| Crossing The Bridge: https://i.imgur.com/403oHiv.jpg
|
| London Tour: https://i.imgur.com/2uwmseH.jpg
|
| https://i.imgur.com/x4C0GSE.jpg
|
| https://i.imgur.com/BmPd4bE.jpg
| 2h wrote:
| why does the submitted URL, which is essentially a static page,
| require running JavaScript from zenfolio.com to even display
| anything?
| hackama wrote:
| What I find hilarious is the About page doesn't even state what
| the acronym IS, let alone the definition. Absolutely bizarre.
| mannykannot wrote:
| At first, I thought the same thing too, but, to be fair, this
| is a site that clearly caters to people who are familiar with
| acronym and the associated activity. As such, it might not be a
| good candidate for posting here, and there is no reason why
| every site should be. In this case, the free sample issue of
| the magazine, linked to elsewhere in these comments by
| somethingsaid, would seem to be a better introduction.
| somethingsaid wrote:
| If anyone is confused by what this magazine is about, like I was,
| you can find a free issue here https://www.icmphotomag.com/free-
| sample-issue
|
| Looks like an interesting concept!
| wpietri wrote:
| I was definitely confused! Their Instagram was also helpful for
| me to understand what kinds of images they had in mind:
| https://www.instagram.com/icmphotomag/
| achow wrote:
| _In intentional camera movement (ICM), a camera is moved during
| the exposure for a creative or artistic effect. This causes the
| image points to move across the recording medium, producing an
| apparent streaking in the resulting image._
|
| https://en.wikipedia.org/wiki/Intentional_camera_movement
| jakzurr wrote:
| Fairly common, also.
|
| Consider panning, in sports photography, where you track a
| player in a field while the background blurs from side to
| side. Also in motor sports, some nature photography, or any
| time a photographer wants a motion effect, perhaps in street
| photography, or even snapshots at family events.
|
| Edit: similar effect in travel photos, where someone shoots
| from a moving vehicle - far background might look fairly
| stable, near background (cyclists & vehicles) blur, people in
| your vehicle might be stable, depending on shutter speed and
| how much bouncing on the road.
| davchana wrote:
| One pretty easy (I didn't know the name at that time)
| example is, a still person in front of a moving train (at
| station for example). E.g. https://www.instagram.com/p/BPpy
| rCMhwN_/?igshid=NmE0MzVhZDY=
| chongli wrote:
| Ahhh so this is different from camera movements [1] used in
| large format photography to manipulate the focal plane and
| achieve various effects. These movements take place only
| before the exposure, not during.
|
| [1] https://en.wikipedia.org/wiki/View_camera#Movements
| modeless wrote:
| This is neat. I accidentally took an image like this and used
| it as wallpaper for a while, but never considered trying to
| take more intentionally. Here's mine:
| https://photos.app.goo.gl/71Rdc5jKFd1FSS6A6
| daggersandscars wrote:
| The founder's personal site (https://stephjohnphoto.com) also
| has (many) examples of ICMP.
| thewebcount wrote:
| Yeah, I found that site much more interesting than the cover
| of the latest issue. My first thought was, "this looks
| terrible," but after seeing her site, I quite like it.
| locusofself wrote:
| I'm not saying this isn't a cool thing, maybe it is. But
| "Intentional Camera Movement" is an ambiguous phrase. It took me
| a bit to realize it's about moving cameras intentionally (ie,
| blurry photos). Not about being intentional with or about cameras
| as a social movement. hah
| antiterra wrote:
| FYI, f you look up camera toss photography you can see stuff
| that doesn't really look 'blurry' at all. There are other
| techniques that result in 'smearing' but still retain a feel of
| nominal sharpness.
| Eduard wrote:
| Maybe it's because English is not my first language, but I
| understood it as it's intended just by the name.
| andrewflnr wrote:
| Native speaker, I got it the first time. I don't think that
| has anything to do with it, it's just fully ambiguous and
| your bias will determine which meaning you land on first.
| formerly_proven wrote:
| Not to be confused with camera movements
| kebman wrote:
| I've used various techniques for slow sync flash throughout my
| photography career. Worked exceptionally well for stage
| photography, night-time events, electronica concerts, and the
| like. Slow sync flash is when you let ambient light expose the
| film or sensor for a while, before you freeze the scene by
| activating the flash late. It really takes "painting with light"
| to a new level, though it's of course not the only way to use
| intentional camera movement.
|
| Nearly all my photographs from such events use some kind of
| intentional camera movement together with a delayed or early
| flash sync. Slow sync flash is a delightful technique that you
| can be really, really creative with. Try it with double
| exposures, for instance, or with weirdly synced monoblocs.
|
| I've seen great photos taken of dancers and animals in movement
| done that way. Moreover, this technique (if you've got it buried
| in your camera settings somewhere), sets you free to really
| disregard some of the holy tenets of photography, which is to
| never, ever move the camera, ever. Nay, in fact it prompts you to
| be dynamic and jittery, to lounge forward into the music, and let
| the final image really SHOW how great that moment really was.
| stavros wrote:
| This is one of two ways to do this (as you know), called rear
| curtain sync (or the flash fires at the end of the exposure).
| You can also use front curtain sync, which fires at the start
| of the exposure, and get a slightly different effect.
|
| For example, with a stationary camera and a galloping horse,
| front curtain sync would show a ghost of the horse running
| forward from its image, whereas rear curtain sync would show
| the ghost run towards the image (ie the horse would have a
| ghost "tail").
| Wistar wrote:
| I've always preferred the results of first curtain flash as
| they seem to make more visual, and temporal, sense to me,
| IMAGE->trails, rather than trails->IMAGE.
| stavros wrote:
| I think it really depends on the subject and your own
| personal aesthetic. I prefer rear curtain, because it makes
| more sense to me that the moving object has a "tail", but
| it's too specific to the subject to really have a solid
| rule.
| Wistar wrote:
| You are absolutely correct and my comment is exactly
| backward from my intended meaning.
| anotheryou wrote:
| I scripted some very slow fades for a friend for works like that.
| Not quite video, not quite still image:
|
| https://peter-hoelscher.de/liquid-image-golden-fire_EN.php
| [deleted]
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