[HN Gopher] To Explain or to Predict? (2010) [pdf]
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To Explain or to Predict? (2010) [pdf]
Author : steppi
Score : 19 points
Date : 2023-01-15 17:19 UTC (5 hours ago)
(HTM) web link (www.stat.berkeley.edu)
(TXT) w3m dump (www.stat.berkeley.edu)
| steppi wrote:
| I think this paper really cuts to the heart of the distinction
| Leo Breiman was exploring in his classic _Statistical Modeling:
| The Two Cultures_ [0]. The idea here is that real distinction is
| not essentially in terms of assumptions or philosophy, but in
| terms of goals. The boundaries are more fuzzy when it comes to
| the methods themselves, and there are always tradeoffs between
| building a model to predict or building a model to try to
| understand the underlying phenomena.
|
| [0] https://projecteuclid.org/journals/statistical-
| science/volum...
| karmakaze wrote:
| I was thinking along these lines when considering if/how a
| person speaking their first language knows the grammar of it.
| It's well internalized and unless they study language later in
| life may never really be able to speak clearly about it
| although they can certainly apply it.
|
| I ran into this when I was trying to find out about the
| challenging grammatical structure of Japanese that I'd read
| about. It said that it's similar to Korean (which I can speak
| at approximately preschool level with my parents). It then
| occurred to me that I have no clue what the grammatical
| structure is, while comprehending and constructing valid
| (though informal/unrespectful) speech.
|
| I find a similar pattern with software development. I've done
| so much hobby/solo coding that much of what I know doesn't have
| names, or I discover what they're called much later. Now I'm
| consciously relearning what I internally know so that I can
| share it.
| steppi wrote:
| It's an interesting example. I experienced something similar
| learning to play guitar by ear from a young age and then
| going back to learn proper music theory as an adult. I'd
| learned to improvise over chords in any key just by feel,
| without really understanding what was going on. My playing
| actually became more wooden as a result of thinking things
| through more. It seems like a lot of human learning is based
| on statistical/associative pattern matching like this and
| real expertise requires our brains to master both prediction
| and explanation and combine them skillfully.
| karmakaze wrote:
| I wouldn't initially have expected being consciously aware
| to be necessary for mastery. I do find that being able to
| teach brings you to a new level, so there's something to
| that. I'm also able to cut my search space more concisely
| by being able to identify/name the problem or solution path
| than to find it by feel.
|
| That's an interesting point about a more 'wooden' result. I
| believe that has a name where being consciously aware of
| what you're doing lowers ability, or in this case
| creativity or subjective evaluation. I believe that
| dip/plateau can again be surpassed as if you'd learned
| consciously first then internalized to gain proficiency.
| Alternatively, you could 'get in the zone' by turning off
| analytical overthinking somehow.
| steppi wrote:
| I think I would have eventually pushed through the dip,
| but I ended up badly injuring the elbow on my fretting
| hand side. This was when I was around 20. It was maybe
| for the best. I ended up getting into math instead which
| has lead me down an interesting path.
|
| My impression is that real mastery requires periods of
| flow and periods of deliberate thought. When performing
| you want to flow, but practice should also incorporate
| the conscious and deliberate. Having the meta-cognition
| to reflect on where you are, where you want to be, and
| having the ability to plan how to get there are very
| important. I think this holds true beyond music.
| eternalban wrote:
| Cited "influential paper" in OP: _Studies in the Logic of
| Explanation_ , Hempel, Oppenheim, 1948
|
| https://www.sfu.ca/~jillmc/Hempel%20and%20Oppenheim.pdf
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