[HN Gopher] The Secret History: A murder mystery that thrills 30...
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       The Secret History: A murder mystery that thrills 30 years on
        
       Author : benbreen
       Score  : 41 points
       Date   : 2022-12-19 22:00 UTC (1 days ago)
        
 (HTM) web link (www.bbc.com)
 (TXT) w3m dump (www.bbc.com)
        
       | stryan wrote:
       | The Secret History is a fantastic book and one of my favourites.
       | Reading it doesn't even feel like reading a murder mystery; the
       | article talks about the first line saying Bunny's dead, but
       | really you're introduced to the whole murder almost immediately.
       | You already know who kills him, so the book ends up being a
       | character study about the people who did it and why.
       | 
       | I'm a bit disappointed that the article didn't talk about the
       | Dark Academia aesthetic/subculture more. It's been floating
       | around the internet well before TikTok (I remember seeing it back
       | on Tumblr a decade ago, and I was actually first introduced to
       | the book through a piece of fan fiction) and, like cottagecore, I
       | suspect has far more influence on pop culture then people are
       | aware of
        
         | bccdee wrote:
         | The prologue, which famously begins with "The snow in the
         | mountains was melting and Bunny had been dead for several weeks
         | before we came to understand the gravity of our situation,"
         | gets a lot of love. For me, though, I realized I was reading
         | something special in the opening paragraphs of the first
         | chapter:
         | 
         | > Does such a thing as "the fatal flaw," that showy dark crack
         | running down the middle of a life, exist outside literature? I
         | used to think it didn't. Now I think it does. And I think that
         | mine is this: a morbid longing for the picturesque at all
         | costs.
         | 
         | > _A moi. L'histoire d'une de mes folies._
         | 
         | > My name is Richard Papen. I am twenty-eight years old and I
         | had never seen New England or Hampden College until I was
         | nineteen. I am a Californian by birth and also, I have recently
         | discovered, by nature. The last is something I admit only now,
         | after the fact. Not that it matters.
         | 
         | > I grew up in Plano, a small silicon village in the north. No
         | sisters, no brothers. My father ran a gas station and my mother
         | stayed at home until I got older and times got tighter and she
         | went to work, answering phones in the office of one of the big
         | chip factories outside San Jose.
         | 
         | > Plano. The word conjures up drive-ins, tract homes, waves of
         | heat rising from the blacktop. My years there created for me an
         | expendable past, disposable as a plastic cup. Which I suppose
         | was a very great gift, in a way. On leaving home I was able to
         | fabricate a new and far more satisfying history, full of
         | striking, simplistic environmental influences; a colorful past,
         | easily accessible to strangers.
         | 
         | > The dazzle of this fictive childhood--full of swimming pools
         | and orange groves and dissolute, charming show-biz parents--has
         | all but eclipsed the drab original. In fact, when I think about
         | my real childhood I am unable to recall much about it at all
         | except a sad jumble of objects: the sneakers I wore year-round;
         | coloring books and comics from the supermarket and the squashed
         | old football I contributed to neighborhood games; little of
         | interest, less of beauty. I was quiet, tall for my age, prone
         | to freckles. I didn't have many friends but whether this was
         | due to choice or circumstance I do not now know. I did well in
         | school, it seems, but not exceptionally well; I liked to read--
         | Tom Swift, the Tolkien books--but also to watch television,
         | which I did plenty of, lying on the carpet of our empty living
         | room in the long dull afternoons after school.
         | 
         |  _Profoundly_ evocative prose. I really love this book.
        
           | stryan wrote:
           | Indeed, "a morbid longing for the picturesque at all costs"
           | is a line that's burned into my mind.
        
       | booleandilemma wrote:
       | I read it for the first time earlier this year and it's probably
       | the best novel I read in 2022. It's one of those books I wish I'd
       | discovered years ago.
       | 
       | If anyone else can recommend something like it please let me
       | know.
        
         | SL61 wrote:
         | Depending on what you liked about The Secret History, you might
         | enjoy The Goldfinch from the same author.
         | 
         | It has the same basic concept of wealthy, pretentious young
         | adults making bad choices, but it's set in NYC and Las Vegas
         | instead of a rural liberal arts college. It's written 20 years
         | after TSH and it's quite a bit more polished, for better or
         | worse.
        
           | yamtaddle wrote:
           | > It has the same basic concept of wealthy, pretentious young
           | adults making bad choices, but it's set in NYC and Las Vegas
           | instead of a rural liberal arts college.
           | 
           | This (the original, not the Vegas-and-NYC thing) complete
           | with the liberal arts college (or New England prep school)
           | setting, is practically a little sub-genre all its own. Some
           | kind of consequence of a high percentage of people who go on
           | to write novels going through the prep-school-to-liberal-
           | arts-college path (as Graeber notes in _Bullshit Jobs_ , it's
           | a whole lot easier to succeed in most sorts of literary
           | careers when you can afford to go years on end with little or
           | no pay, early in adulthood) plus write-what-you-know. There
           | are tons and tons of books like that, some of them famous and
           | others not.
        
         | ubermonkey wrote:
         | I have been mildly disappointed by Tartt's follow-up works, but
         | even more disappointed by her pace. Since TSH was published in
         | 1992, she's written only two other novels:
         | 
         | * _The Little Friend_ , in 2002, which is set in her native
         | Mississippi; and
         | 
         | * _The Goldfinch_ , in 2013, which won big prizes (including a
         | Pulitzer), but is to my tastes inferior to the other two.
         | 
         | Her once-a-decade pattern suggests another book should be
         | coming along any year now, but who can tell?
         | 
         | I mentioned uptopic that mystery writer Tana French included an
         | homage to _The Secret History_ in the second book of her
         | "Dublin Murder Squad" series. It's worth reading, but I'm not
         | sure how "like" Tartt it really is.
         | 
         | What makes French's series interesting is the shifting points
         | of view within the same (fictional) Dublin bureau -- the first
         | book is from the POV of a given character, and then the second
         | shifts to someone who was a supporting character in the first
         | book, and so forth.
        
       | hairofadog wrote:
       | I've loved this book since it was released. Weirdly, until _The
       | Goldfinch_ came out, it was a book that was at once globally
       | popular but somehow locally unknown; very few of my acquaintances
       | had read it, so I could never talk to anyone about it.
       | 
       | There's a podcast named _Once Upon a Time at Bennington College_
       | that I hesitate to recommend because it has a sort of tabloid,
       | gossipy vibe to it, but it 's about Bennington College in the
       | 80's, where Tartt, Jonathan Lethem, and Bret Easton Ellis were
       | contemporaries. I skipped through it, but I found it interesting
       | the extent to which the backdrop of _The Secret History_ came
       | from Bennington.
       | 
       | https://cadence13.com/once-upon-a-time-at-bennington-college...
       | 
       | I'd also recommend the Tartt-narrated version of the audiobook.
       | (I believe there's another version narrated by Robert Sean
       | Leonard.)
        
       | irrational wrote:
       | > It became the kind of book people read dozens of times and
       | excitedly press into the hands of others. Since its publication,
       | it has sold more than 2.3 million print copies in English alone
       | and been published in 40 languages. Thirty years on, it's still
       | in the cultural conversation
       | 
       | It is so strange to me that I, a voracious reader in my 50s, have
       | never heard of this book.
        
         | nervousvarun wrote:
         | The first time I read the book I was stunned that a debut
         | novelist could write such incredibly detailed characters. They
         | just jump off the page.
         | 
         | By the second time I had researched Tartt's life (as the
         | article says...she's almost Pynchon-esque in that she doesn't
         | reveal much in public) and knew that it was based on actual
         | people she had known in college (with Tartt herself as the
         | gender-swapped protagonist).
         | 
         | By the third time I didn't care anymore and just read it
         | because it's such a unique experience. As someone else said
         | upstream it's not a murder mystery...it's a character study
         | that happens to have murders.
         | 
         | The absolute best time to read this would be around 16-24 or
         | so...but it would be interesting to hear the perspective of a
         | first time reader at your age.
        
           | cgh wrote:
           | Exactly, I read it right around when I was finishing
           | university. Because of a large theatre studies department,
           | mysterious black-clad, chain-smoking girls stamped from the
           | Donna Tartt mould were constantly wafting around the place.
           | So this book came along at the right time.
           | 
           | Like a lot of things I enjoyed at that age, I've been
           | hesitant to revisit it because I'm afraid it's actually a
           | pretentious and self-absorbed product of its time, not unlike
           | those theatre students. I have no idea what it would be like
           | to experience a book like that as an actual adult.
        
             | quesera wrote:
             | > I'm afraid it's actually a pretentious and self-absorbed
             | product of its time
             | 
             | This is closer to where I landed, FWIW.
             | 
             | I read John Irving in those critical early 20's years, when
             | elite cold-weather academic settings and the quirky
             | complicated people that inhabit them was my vida loca. I
             | enjoyed his books.
             | 
             | I read _The Secret History_ a decade later, and it felt
             | like a very well-written soap opera.
             | 
             | She wrote the book while she was in college, so it would be
             | unkind to judge harshly! But it was neither interesting
             | enough (OMG these people again?), nor entertaining enough
             | (she takes her story pretty seriously), to leave a lasting
             | impression on me.
             | 
             | John Irving left me with an indelible memory of a stuffed
             | armadillo. And a lesson of what _not_ to do while sitting
             | in a car parked in a driveway.
             | 
             | ...
             | 
             | Related recommendations ...
             | 
             | If you enjoy well-written coming-of-age stories set in
             | elite cold-weather academia, I think Susan Choi's _My
             | Education_ stands up to reading in actual adulthood.
             | 
             | If you like John Irving but have no special affinity for
             | the ECWA milieu, Tom Robbins is great fun.
        
               | randomcarbloke wrote:
               | Hard disagree, it may be pretentious but Tartt's writing
               | is immaculate, one of few first rate contemporary
               | authors.
               | 
               | The unflinching and unreliable insight into shared
               | delusion and how being caught up in an imagined Greek
               | tale distorts reality and perception of humanity.
               | 
               | It truly is a tragedy.
               | 
               | Compare it to the contemporaries it has
               | spawned/influenced - all trite genre lit evoking those
               | dire theatre kids from college (losers, not pretentious
               | in my experience).
        
         | ubermonkey wrote:
         | Indeed!
         | 
         | I read it new, but I was in an English department at the time.
         | 
         | (Like a lot of technical-career people my age (52), I have a
         | liberal arts degree.)
        
         | yamtaddle wrote:
         | Yeah, same, I'm surprised to see all this praise for and
         | recognition of it on here--it's pretty rare for me to encounter
         | any remotely-literary work on a site as popular and (when it
         | comes to literature) mainstream as HN, that I've never even
         | heard of. Off on some more book-focused site, sure, wouldn't be
         | that weird, but not somewhere like this.
         | 
         | Cool.
        
       | ubermonkey wrote:
       | Just a fantastic novel, and a staggering debut.
       | 
       | Fun fact: excellent mystery author Tana French is also a fan, to
       | the point that her novel _The Likeness_ includes an extended and
       | overt homage to Tartt 's book.
        
         | hairofadog wrote:
         | I like French's other work a lot, but I couldn't get past the
         | similarities to _The Secret History_ in the _Likeness_. It
         | really feels like fan fiction. (There 's nothing wrong with Fan
         | Fiction! But I found it distracting.)
        
       | neonate wrote:
       | https://archive.ph/2bRjP
       | 
       | http://web.archive.org/web/20221220145037/https://www.bbc.co...
        
       | nervousvarun wrote:
       | It is referenced in detail by the article, but want to emphasize
       | further if you like this book...I highly recommend the "Once Apon
       | A Time At Bennington College" podcast by Lili Anolik.
       | 
       | It really is a deep dive into Donna Tartt and her college
       | friends/experience which was the basis for the book. Anolik has
       | interviews with former classmates, teachers, etc. Fantastic
       | listen.
        
       | hwestiii wrote:
       | Awful, awful book. I've finished a lot of bad books, but that one
       | was too much.
        
         | ubermonkey wrote:
         | Yours is a very unusual opinion, to be sure.
         | 
         | But there's always someone.
        
           | hwestiii wrote:
           | I think it is the favorite book of a lot of people who don't
           | read a lot. It's a transparent soap opera that flirts with
           | incest and skullduggery and a lot of dreck. I don't
           | intentionally not finish many books, but that's in the list.
        
       | flenserboy wrote:
       | A fantastic book, the sort that lingers with the reader.
        
       | TigeriusKirk wrote:
       | One of my favorite books. I have the first edition hardback, a
       | paperback, and an ebook version. I just keep buying it for some
       | reason.
       | 
       | Made me wish I'd gone to a small liberal arts college just for
       | the intensity of the cliques.
       | 
       | And someday I'll actually learn Ancient Greek. Someday.
        
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