[HN Gopher] Why read Dostoevsky? A programmer's perspective
       ___________________________________________________________________
        
       Why read Dostoevsky? A programmer's perspective
        
       Author : fhur
       Score  : 194 points
       Date   : 2022-09-30 09:15 UTC (1 days ago)
        
 (HTM) web link (fhur.me)
 (TXT) w3m dump (fhur.me)
        
       | zigman1 wrote:
       | As someone coming from social sciences, I agree with author's
       | assessment that scientific method used in academia isn't suitable
       | in explaining human nature or behaviour. However, a lot of at
       | least sociologists are aware of that. I would suggest to author
       | to read Wallerstein's Herritage of Sociology [1]. Wallerstein
       | thinks that social sciences had to imitate the method of natural
       | sciences in order to survive (meaning to get the necessary
       | funding).
       | 
       | I'm out of time right now, but if I remember I'll write more
       | about it in the afternoon. Wallerstein and Braudel are one of the
       | few authors that influenced me the most during my studies and
       | changed the way I perceive both Sociology as a subject and
       | society around me. Couldn't recommend them more.
        
         | florg wrote:
         | I guess
         | 
         | [1]
         | https://journals.sagepub.com/doi/10.1177/0011392199047001002
         | 
         | with the option to download the PDF directly.
        
       | gregcoombe wrote:
       | Tolstoy also has a lot to share about programming. "Happy
       | families are all alike; every unhappy family is unhappy in its
       | own way" is a clear recommendation to use status codes as return
       | values instead of boolean success/fail.
        
       | holri wrote:
       | One can learn not only from books, but from all forms of great
       | art and minds. For example: "Music Is a Higher Revelation Than
       | All Wisdom and Philosophy", L.v. Beethoven
        
         | hprotagonist wrote:
         | "It's impossible for me to say one word about all that music
         | has meant to me in my life. How, then, can I hope to be
         | understood?"
         | 
         | wittgenstein
        
       | scop wrote:
       | I only read nonfiction until I was diagnosed with cancer.
       | 
       | After that diagnosis, I have almost exclusively read fiction.
        
       | pythko wrote:
       | I wish the author the best on their reading journey! I feel like
       | this article shares a valuable experience, and I would encourage
       | anyone who's on the fence or who views literature as a waste of
       | time to give it an earnest try.
       | 
       | Jumping straight into the classics can be hard due to the
       | differences in language, cultural assumptions, and even just the
       | fact that some of them are over-hyped, and it's tough to enjoy a
       | book on its own terms when it's presented as "one of the best
       | books ever."
       | 
       | Find some recommendations on the internet, go to the library, and
       | check out a couple. If they don't strike your fancy, don't worry
       | about it, and move on to the next recommendation until you find
       | something you connect with and you want to keep reading.
        
       | dvko wrote:
       | While I agree Dostoevsky is worth reading for most, some of the
       | author's statements made me cringe a bit. Like "reading fiction
       | is mostly a waste of time", "knowledge as a tool to gain an
       | advantage over others" and "Communist Russia's collapse due to
       | Marxism"... I presume the author is either somewhat young or a
       | programmer (due to his lack of nuance). Or both.
        
         | fithisux wrote:
         | young or a programmer or a capitalist, probably the last two.
        
         | rodolphoarruda wrote:
         | I began reading fiction, science fiction, this year at the age
         | 47. I started with the first book of Dune (out of 6) and now
         | after almost 2000 pages read, I can tell it has been a life
         | changing experience for me to the point I can't no longer watch
         | TV series or even Sci-Fi movies. It all feels boring compared
         | to what I get by reading sci-fi instead. I wish I had picked up
         | this habit earlier in my life.
         | 
         | For the records, I also read Dostoyevsky this year, his "Crime
         | and Punishment".
        
           | dvko wrote:
           | Hah - I just started on the Dune series myself too!
           | 
           | Am only a hundred pages in or so, but seeing the progress on
           | my e-reader at only 2% makes me quite stoked for what's to
           | come. Sadly I saw the movie (for pt. 1) first, but even so
           | the books add a lot to what the movie attempts to portray.
        
         | dakull wrote:
         | I had a similar reaction - the article gives vibes of
         | reductionism and/or as someone pointed out, naivety.
         | 
         | It should be self-evident after a certain point (age) that
         | approaching life through the lense of "what could give me an
         | advantage over others", whether that's maths or just knowledge
         | it won't get you very far or if it does, it will at a severe
         | cost on how you're perceived in society furthermore interhuman
         | connections will take a toll.
        
         | Bakary wrote:
         | This sort of ideology, down to the same details and views about
         | history and culture, is extremely common among young software
         | engineers and related professions
        
       | tehchromic wrote:
       | I binge read Doestoeski at the end of highschool and he remains a
       | major influence on me to this day.
       | 
       | The reason is that, encountering life's most challenging
       | experiences (which are always human in their origin), these
       | novels are like a preset pattern of meditation by which one can
       | find the ground.
        
       | osigurdson wrote:
       | I think Zen and the Art of Motorcycle Maintenance is particularly
       | relevant to programming (perhaps thought in general).
        
       | mongol wrote:
       | I remember Raskolnikov laying in his bed looking at the patterns
       | of the wallpaper while feeling moody. That may have been the most
       | connected I have felt with a literary character.
        
         | kajaktum wrote:
         | mine was No Longer Human when the protagonist sneaks at night
         | to write the gift that he actually wanted from his father (when
         | he said he wanted books earlier when asked, which was unusual).
         | IDK why but I just felt so connected to that character. Perhaps
         | I could see myself doing it.
        
       | ozim wrote:
       | OK article is touching on the issue that no book will learn you
       | how to live.
       | 
       | You have to live your life and make the mistakes on your own.
       | 
       | Reading books helps maybe only with getting "AHA" moment of
       | realization - after or just before you do something stupid ;)
        
       | np_tedious wrote:
       | The st ligature is interesting. Never seen that before
        
         | frankohn wrote:
         | I noticed this too but I found it distracting and not useful.
         | At first I thought it was a particle of dirty on my screen and
         | realized it was a ligature once I looked more carefully.
         | 
         | I guess a good ligature is one that a reader hardly notice at
         | all.
        
           | cvoss wrote:
           | Yeah, this ligature struck me as intentionally ironic.
           | 
           | Look at it's design: it's an entirely unnecessary loop that
           | goes way up out of the way of the bits that are supposed to
           | be connected and makes a sharp turn. Opposite to the actual
           | function of a ligature, which is to correct a visual quirk of
           | juxtaposing two letters, it goes out of its way to introduce
           | a visual quirk.
           | 
           | So, it's not so much a "bad" ligature as it is a caricature
           | of one.
        
       | throwaway74829 wrote:
       | Having read about 1 to 2/3rds through most of Dostoyevsky's
       | books: I really believe they're over-hyped.
       | 
       | Same with Pushkin, Tolstoy, Bulgakov, and so on -- with the only
       | exception of Solzhenitsyn.
       | 
       | I think the difference is I'm Slavic, speak a few of the
       | languages, and come from the cultures that succeeded those
       | authors; so they read mostly as sentimental, overly-emotional,
       | and superstitious, i.e. what I feel are the worst parts of the
       | mythologized "Russian soul." Their works don't feel new, novel,
       | and original: I've seen parts and pieces of it, reflections of
       | its essence, expressed all over the average Slavic person.
       | 
       | > Dostoevsky's genius lies in his deep understanding of human
       | nature and of spelling out truths about it in ways that inspire
       | reflection.
       | 
       | If you resonate with this statement, perhaps you should also
       | watch Tarkovsky's _The Mirror._
       | 
       | But for me, the only truth Dostoyevsky has shown me is that
       | people are very flawed, are the source of all of their own
       | problems, and that Fyodor was a deeply emotional person. But I am
       | not, and I find his expression of those emotions to be grating.
       | 
       | I resonate more with the quotes in the Wikipedia article for
       | _Idyot_ :
       | 
       | > However the chief criticism, among both reviewers and general
       | readers, was in the "fantasticality" of the characters. The
       | radical critic D.I. Minaev wrote: "People meet, fall in love,
       | slap each other's face--and all at the author's first whim,
       | without any artistic truth." V.P. Burenin, a liberal, described
       | the novel's presentation of the younger generation as "the purest
       | fruit of the writer's subjective fancy" and the novel as a whole
       | as "a belletristic compilation, concocted from a multitude of
       | absurd personages and events, without any concern for any kind of
       | artistic objectivity."
       | 
       | https://en.wikipedia.org/wiki/The_Idiot#Reception
        
         | Bakary wrote:
         | What I've noticed is that Russian authors are
         | disproportionately mentioned among anglos, and Dostoevsky is
         | himself disproportionately mentioned among those authors.
         | 
         | My hypothesis is that it's not just the orientalist appeal of
         | the "Russian soul" you mentioned but its combination with
         | Christian themes which means it is still familiar and easy to
         | understand for Westerners. A bit like the equivalent of a
         | rockstar: titillating but not deeply challenging.
        
           | Dracophoenix wrote:
           | > What I've noticed is that Russian authors are
           | disproportionately mentioned among anglos, and Dostoevsky is
           | himself disproportionately mentioned among those authors.
           | 
           | On the Internet perhaps, but 19th Russian literature had and
           | still has a literary impact in formerly Communist countries,
           | India, and Japan. Maybe a certain kind of American is prone
           | to over-stating Dostoyevsky's importance, but personally I
           | would argue Tolstoy is more disproportionately mentioned.
           | 
           | > My hypothesis is that it's not just the orientalist appeal
           | of the "Russian soul" you mentioned but its combination with
           | Christian themes which means it is still familiar and easy to
           | understand for Westerners. A bit like the equivalent of a
           | rockstar: titillating but not deeply challenging.
           | 
           | Oddly enough, what appealed to me was the discussion of
           | morality without the overt Christian proselytization. No
           | hackneyed metaphor for Jesus or salvation. Just man, his
           | actions in the real world, and how he and the audience must
           | examine them.
           | 
           | If there is any "orientalist" familiarity to these works that
           | I enjoy, it's how self-examination is presented as a
           | knight's/ _bogatyr_ 's quest rather than a self-pitying
           | confession of weakness and sin.
        
         | Dracophoenix wrote:
         | It's odd that you regard those 19th/early 20th century authors
         | as overly-emotional. In my experience, these works were much
         | more blunt in their self-examinations of the human condition
         | than the other European and American authors I've read. As for
         | questions:
         | 
         | What do you think of Russian-American writers like Ayn Rand and
         | Nabokov?
         | 
         | In your view, what philosophical fiction provides a "deeper"
         | and less antiquated understanding of today's "Russian soul"?
         | 
         | What American/European/foreign works do you or other Slavs
         | consider to be world-shaping?
        
           | killerstorm wrote:
           | If you're looking to understand today's "Russian soul" and
           | you're good at understanding metaphors, I'd recommend to just
           | read the lyrics of "The Russian Field of Experiments" by Egor
           | Letov, the most famous Russian punk poet:
           | 
           | https://lyricstranslate.com/en/russkoe-pole-eksperimentov-
           | ru... (translation #1 seems to be the most accurate although
           | not perfect)
           | 
           | Or you can read the lyrics while listening to the song:
           | https://www.youtube.com/watch?v=bCLuW7jDnM8
        
             | Dracophoenix wrote:
             | Thank you for the recommendation.
             | 
             | Perhaps I'm missing something, but my general understanding
             | of the song is that every pursuit of ideals in Russia has
             | brought about ruin and unless man butchers his own
             | aspirations, the cycle of pursuit, destruction, and loss is
             | only going to repeat itself.
             | 
             | If so, then that's a very nihilistic assessment on life
             | (albeit an eloquent one) but not a wholly original concept.
             | I guess I was hoping for something a little more novel or
             | profound with a more explicated psychological/epistemic
             | position behind it. Something beyond philosophical
             | pessimism.
        
               | killerstorm wrote:
               | Here's how I understand it.
               | 
               | First, there's a famous Tyutchev poem from 1866 which is
               | known by pretty much every Russian
               | Russia cannot be understood with the mind alone,
               | No ordinary yardstick can span her greatness:         She
               | stands alone, unique -         In Russia, one can only
               | believe.
               | 
               | (This is essentially word-by-word translation.)
               | 
               | So Tyutchev claims that Russia is so unique it cannot be
               | analyzed. I think "The Russian Field ..." represents an
               | analysis of Russia's uniqueness through enumeration of
               | paradoxical archetypes which Russian culture holds, which
               | makes Russian history/existence itself paradoxical, and
               | thus uniquely fucked up.
               | 
               | The song mentions elements of the following
               | archetypes/themes:
               | 
               | 1. greater aspirations - God, etc. 2. lust 3. brutality,
               | desire for destruction 4. desire for greatness/domination
               | 
               | Of course, they are present in every human culture.
               | However, song combines them in a paradoxical way. It's as
               | if different layers which are supposed to be distinct are
               | brutally mixed. And the resultant mix is not pretty.
               | 
               | How did it happen? The song does not answer directly, but
               | we can figure from the history: Russia's societal
               | development got delayed, particularly, in XIX century. It
               | was still an agrarian country with deeply religious
               | population, but at the same time it got aspirations to
               | play a global role.
               | 
               | So e.g. suppose you're a peasant. In Church you've heard
               | there's God, God set Tsar to rule Russia, you're supposed
               | to love your Tsar or you're a bad man. Then you're
               | recruited into an army and go to war and shoot at other
               | people. Why? I guess nobody would explain, but presumably
               | God wants and because you love Tsar you have to do it.
               | 
               | The song might reference this retarded societal
               | development in line "On the patriarchal landfill of
               | obsolete concepts", "patriarchal" referencing Orthodox
               | Christianity and Tsar-father as a head of everything.
               | 
               | Thus we have a mixture of 'greater aspirations' layer
               | with 'brutality of war', e.g. in song this paradoxical
               | mixture is referenced e.g. in "Laws of etiquette for
               | mortars" line. There the word for "etiquette" is actually
               | more vague term which can be found in Bible teachings, so
               | it hints of mixture of ethical teachings with howitzers.
               | 
               | But then Russia went from insanity of Orthodox monarchism
               | straight into the insanity of communism, famous for its
               | double-think, etc. So Russia's collective unconscious
               | never had a chance to clean up and unmix different
               | layers, but got even more confused.
               | 
               | As a result, greater aspirations did not become a
               | guidance, but merely a veneer hiding the brutality.
               | 
               | You can see this happening now - Putin talks about God,
               | unity, saving brothers, etc. But people are brutally
               | killed and raped. And for Russians it makes sense, it is
               | a part of an archetype - God. Greater good. Howitzers go
               | BOOM. They are used to this.
               | 
               | I asked my friend "So you want to save Russian-speaking
               | people in Mariupol from "nazis". Why are you bombing the
               | city?!" He replied: "Of course, it makes sense - that's
               | how liberate a city from nazis, you gotta bomb it, that's
               | how they did it in WWII". For him, it makes sense, he saw
               | that in movies.
               | 
               | So anyway, I don't think it's nihilism. Letov describes
               | some dark fucked-up archetypes under a veneer of Russian
               | culture, but he doesn't make predictions about the future
               | here (aside from a possibility of these archetypes
               | materializing - which we see, unfortunately).
        
         | killerstorm wrote:
         | Yeah. If Russian classics contained some great life lessons,
         | how do you explain Russia? Every kid reads these classics in
         | school, and it's a shit of a country.
        
           | Bakary wrote:
           | The truth is that you usually can't really act as much as
           | you'd like on those life lessons.
        
           | pas wrote:
           | do they really read it, or it's "in the curricula" but no one
           | really gives a shit, there are a few standard questions-and-
           | answers about them and that's it, no?
        
             | killerstorm wrote:
             | Well, they have to write essays based on these books to get
             | passing grades. And I would guess wise teachers (who read
             | all these books!) make sure that these essays cover main
             | life lessons, right?
             | 
             | FWIW I grew up in Russian culture (Donetsk). Personally, I
             | find XX and XXI century books WAY better, more relevant,
             | interesting, useful, etc.
        
         | ABraidotti wrote:
         | > what I feel are the worst parts of the mythologized "Russian
         | soul."
         | 
         | I think I understand. I like reading postcolonial literary
         | criticism because it asks us to consider any kind of national
         | literary identification with skepticism. So I gotta ask: when
         | you were growing up, what American literature did you encounter
         | and what did you think of it?
         | 
         | FWIW I think I like Gogol's and Maxim Gorky's short stories
         | most of all the Russian lit I've read.
        
         | novok wrote:
         | > Their works don't feel new, novel, and original: I've seen
         | parts and pieces of it, reflections of its essence, expressed
         | all over the average Slavic person.
         | 
         | The problem with the classics is they become so inspiring to
         | future artists and readers that the themes, parts and other
         | things disseminate into the culture to become stereotypical and
         | boring. It's a big chicken and egg problem often enough. What
         | was slavic art like before these people I wonder. Something
         | impossible to separate.
        
       | fedeb95 wrote:
       | There is also another great thing that can dispense knowledge,
       | the same that inspired both classics and mathematics: real life.
       | You mention Taleb, so you must be a bit familiar with Mandelbrot
       | work. Well he observed reality carefully, free of prejudices,
       | skeptically, and took it for what it is. Then built math on top
       | of it. Sometimes going outside of recombining ideas and taking
       | new ones from reality itself can be good. That said, I come from
       | the opposite experience, having read my share of classics and
       | recently discovering math (I was also taught it but always
       | approached as yet another thing to study, not as a tool to model
       | reality).
        
       | imran0 wrote:
       | Dostoevsky's mastery on human psychology aside, Crime and
       | Punishment is one of the best thrillers I have ever read.
        
       | user3939382 wrote:
       | I've had a hard time trying to read both Dostoevsky and Tolstoy
       | because of the names. I guess because I don't speak Russian, the
       | names are long and complicated and in most cases, compounding the
       | problem, there are too many characters. It makes it very
       | difficult to read "in my head" and keep track of what's going on.
        
         | emj wrote:
         | At least in Crime and punishment the names have a meaning. So
         | you can look them up and see if it fits the characters. I just
         | go by how the characters act, until have differentiated
         | themselves enough I do not learn the names, a bit like real
         | life.
        
         | np_tedious wrote:
         | Wonder if "translating" names could help?
        
           | ashika wrote:
           | the best translations will usually have a brief explanation
           | of the function various forms of patronymic & affectionate
           | name forms which carry meaning in russian. translating every
           | instance of an affectionate name to "hun" or "buster" or
           | whatever modern english uses would be a bit too much, i
           | think. some of the more formal honorific aliases may have no
           | real english equivalent but once explained its not hard to
           | follow along with the author's intent. "oh this weasel is
           | laying it on thick..." etc.
        
         | jmartrican wrote:
         | I had similar problem. The audio version helped. I never
         | remembered any of their names, but their voices stood out.
        
       | zazaulola wrote:
       | I read Crime and Punishment when I was in school. I was sixteen
       | years old. It's hard to appreciate classic works at that age. But
       | we were forced to read these books on a compulsory basis. I
       | didn't find anything revolutionary in this book.
       | 
       | Ten years later I experienced a similar enthusiasm as the author
       | of the post while reading the works of Abraham Maslow. I
       | recommend everyone to read at least the last book written by
       | Maslow. The book is non-fiction, but written in first person.
       | 
       | https://archive.org/details/fartherreachesof00masl/mode/2up
        
         | BeetleB wrote:
         | > I read Crime and Punishment when I was in school. I was
         | sixteen years old. It's hard to appreciate classic works at
         | that age. But we were forced to read these books on a
         | compulsory basis. I didn't find anything revolutionary in this
         | book.
         | 
         | I read it at 18. Borrowed it from a friend and found it so
         | boring I could read only a few pages at a time. Then I stopped
         | reading. Some months later, I realized I needed to return his
         | book. So I forced myself to read the rest of the book (over
         | half) all in one night. I didn't care if my brain tuned out as
         | I read the pages. I just wanted to be done with it.
         | 
         | I was glad to be rid of something so boring.
         | 
         | Not long after, I had a dream. I was hanging out with friends
         | outside at about 1am. Then one of my friends says "Hey, I just
         | heard on the radio they found another body - someone was
         | murdered tonight!"
         | 
         | I froze. I was that murderer. I'd killed a bunch of people
         | lately. How should I respond to this? Should I ignore it? Make
         | a joke about it? Talk about it seriously? How do I say it so
         | none of them suspect me?
         | 
         | We eventually walk back to where we had parked our motorbikes.
         | Mine was not there. Had the police found it while searching for
         | me? I woke up.
         | 
         | Years later, I talked to a few people who had read the book.
         | Some hated it. Some loved it. But they all said they really
         | felt like Raskalnikov - either while reading it or in some
         | dream they later had. I give credit to the book being so
         | powerful.
         | 
         | Years after that I read The Brothers Karamazov. A much bigger
         | book, and even more boring. Had no effect on me. I've forgotten
         | all of it.
        
       | frankohn wrote:
       | Pretty agree with the post but it is funny he discovered that
       | "truth" so late in his life.
       | 
       | I generally consider mathematics and physics as being the higher
       | achievements of human knowledge and it is normal to "worship"
       | them as the most important field of study so much that some
       | people dedicate their entire life to them with the same devotion
       | of true monks.
       | 
       | It is surprising that the author didn't include Physics in the
       | fields that provides valuable and durable knowledge worth to
       | acquire. Mathematics alone is sort of "sterile" when is not used
       | within physics knowledge. Without physics it is a sort of highly
       | abstract beauty that people pursuit only for the sake of it's
       | beauty.
       | 
       | On the other side we have to recognize that both mathematics and
       | physics capture nothing about the experience of life as a human
       | being. For this we need real life experience, knowing other
       | people and exchange with them, study history and read historical
       | and social essays in addition to literature classics.
       | 
       | One will not find in them the sharp accuracy and simple laws that
       | physics and mathematics provides but I guess there is no other
       | way to learn what life is and its partial, imperfect truths.
       | 
       | I also cannot resist to recommend, for those who love reading
       | Dostoevsky, to read also Bulgakov's master and Marguerite which
       | is a true masterpiece of beauty and gives a sharp and deep view
       | of what humanity is.
        
         | mbeex wrote:
         | > Mathematics alone is sort of "sterile" when is not used
         | within physics knowledge.
         | 
         | Oh no, mathematics is many things. For me - a mathematician -
         | it started with Galois' proof about the nonsolvability of
         | polynomial equations with degree >= 5. No physics is required
         | for this way of thinking about symmetries. Same with number
         | theory, primes and indefinitely more things. Many gained
         | applications to physical problems later, many not. The latter
         | is not a sign that something is missing.
        
         | acchow wrote:
         | > Mathematics alone is sort of "sterile" when is not used
         | within physics knowledge.
         | 
         | Surely you can't believe this anymore with the discovery of
         | computer science, AI, type theory , etc?
        
           | frankohn wrote:
           | > Surely you can't believe this anymore with the discovery of
           | computer science, AI, type theory , etc?
           | 
           | Well, I guess in some way we observe that now mathematics can
           | be coupled, in addition to physics, to some new fields like
           | AI, computer science and cryptography.
           | 
           | In any case I still think that mathematics becomes more
           | interesting and worthy to study when it is applied into
           | another field like the one we mentioned. In some sense its
           | applications give more sense and more depth to mathematics
           | itself.
           | 
           | Some people don't want to learn mathematics because they
           | don't see how it is useful and they don't see its beauty
           | neither. Yet sometime it happens that, later, they discover
           | some applications where mathematics is needed and at this
           | moment the understand how useful and deep mathematics is,
           | just because they see its applications and they understand
           | its meaning.
        
           | weberer wrote:
           | Or even accounting.
        
         | unhammer wrote:
         | > Bulgakov's master and Marguerite which is a true masterpiece
         | of beauty and gives a sharp and deep view of what humanity is
         | 
         | It's also a very fun book! (Apparantly not all the translations
         | are that good though, but O'Connor and Burgin's
         | https://www.panmacmillan.com/authors/mikhail-bulgakov/the-ma...
         | is.)
        
           | userlog4051 wrote:
           | I can also recommend the Pevear/Volokhonsky translation of
           | M&M, as well as their translation of The Brothers Karamazov.
        
             | starkd wrote:
             | P&V translations are beautifully done. The older Constance
             | Garnett translations are good, though a bit archaic
             | sounding now. I read a very bad translation of Master &
             | Margherita, but it was still worthwhile. Go for the P&V is
             | you can.
        
       | HellDunkel wrote:
       | The person has read 1 and a half Dostojewskis. Fair enough, it
       | takes a while and is quite a churn. Then wrote a blogpost about
       | it. As the person likes to extract use out of everything he/she
       | does, what use did he get? He found some deeper truth. Ok
       | perfect, but where is the news? This is the reason we read novels
       | and classics in the first place. We are not trying to extract how
       | to get back into shape or which stocks to bet on by reading
       | novels.
        
       | dotsam wrote:
       | > Some deep truths about human nature require instead the
       | reflection provoked by the classics.
       | 
       | Yes, read Dostoevsky and the classics. There is so much to learn
       | and to enjoy.
       | 
       | But remember that great authors didn't discover deep truths of
       | human nature from books alone, but from their attention to the
       | experiences of real life.
       | 
       | "When we read, another person thinks for us: we merely repeat his
       | mental process. In learning to write, the pupil goes over with
       | his pen what the teacher has outlined in pencil: so in reading;
       | the greater part of the work of thought is already done for us.
       | This is why it relieves us to take up a book after being occupied
       | with our own thoughts. And in reading, the mind is, in fact, only
       | the playground of another's thoughts. So it comes about that if
       | anyone spends almost the whole day in reading, and by way of
       | relaxation devotes the intervals to some thoughtless pastime, he
       | gradually loses the capacity for thinking; just as the man who
       | always rides, at last forgets how to walk. This is the case with
       | many learned persons: they have read themselves stupid." - Arthur
       | Schopenhauer
        
         | Silverback_VII wrote:
         | What if the deep truths about the human nature are in fact very
         | shallow?
         | 
         | I can imagine that all human deepness is, not unlike the very
         | sofisticated feathers of the peacock, just a tool to increase
         | status & SMV.
        
           | cowuser666 wrote:
           | And language is just a tool to hunt better and coordinate
           | distribution of berries. And human consciousness is just a
           | tool to model other minds to negotiate better. Nothing to see
           | here.
        
             | Kevcmk wrote:
             | Cynicism is both cheap and lazy. You two sound miserable
        
               | cowuser666 wrote:
               | Worldviews don't win points for being expensive and
               | industrious. But my point, had you seen past your mood
               | affiliation, was that explaining the origin of a
               | phenomenon doesn't tell you its value.
        
               | molly0 wrote:
               | Good point.
        
           | theonemind wrote:
           | How would you explain homosexuality with this model?
           | Historically, it has actually cost in terms of status,
           | certainly doesn't confer reproductive fitness on the
           | individual, and sorely restricts the individual's sexual
           | market.
           | 
           | It falls apart rather quickly without the tell-tale signs of
           | a tortured model, like modelling our solar system as the
           | motion of circles because you won't admit the ellipse. You
           | can do it, but you probably just need a better model.
           | 
           | For starters, the over-focus on the individual misses
           | competition at level above and below, genes and groups.
           | Secondly, it glosses over emergent phenomena too glibly. If
           | you try to model a presidential election in terms of quantum
           | physics and general relativity, you won't get very far. I can
           | even point out an emergent phenomenon that radically changes
           | this calculus, the human frontal lobes. Unlike most animals,
           | we can suppress our immediate reactions and get mental time
           | and distance from the world, to remap our motivations and act
           | in ways completely absurd from the point of status and sexual
           | market value, like suicide bombings. Status and sexual market
           | value drop to dead zero. You can try to tie it back to status
           | and sexual market value, passing through the activity of the
           | frontal lobes, which would only prove my point about emergent
           | phenomena and a tortured model.
           | 
           | "For every complex problem there is an answer that is clear,
           | simple, and wrong." - H. L. Mencken
        
           | polio wrote:
           | There are plenty of people who still lead complex lives after
           | they are effectively out of said market.
        
             | Silverback_VII wrote:
             | Some people certainly think that they are out of the market
             | but their organism may have a different opinion.
             | 
             | People who are truly out of the market like postmenopausal
             | women often feel a lack of motivation and their physical
             | activity measurably decreases.
        
         | svat wrote:
         | Similar thought from Albert Einstein (1930):
         | 
         | > "Much reading after a certain age diverts the mind from its
         | creative pursuits. Any man who reads too much and uses his own
         | brain too little falls into lazy habits of thinking, just as
         | the man who spends too much time in the theaters is apt to be
         | content with living vicariously instead of living his own
         | life."
        
           | tehchromic wrote:
           | I love this. I always wonder why I have almost no interest in
           | novels now although I spent my entire youth buried in them.
           | Occasionally I feel guilty. But I think life became the
           | novel?
        
             | enviclash wrote:
             | "life became the novel"... Sounds beautiful but idealistic.
             | Surely risk perception plays a role in the difference.
        
           | Silverback_VII wrote:
           | Whenever I read something about Einstein the following comes
           | to my mind:
           | 
           | "The people told me, however, that the big ear was not only a
           | man, but a great man, a genius. But I never believed in the
           | people when they spake of great men - and I hold to my belief
           | that it was a reversed cripple, who had too little of
           | everything, and too much of one thing."
        
             | fluoridation wrote:
             | "What a fool I am", said the fox. "Here I am wearing myself
             | out to get a bunch of sour grapes that are not worth gaping
             | for."
        
           | dotsam wrote:
           | Very strong echo of Schopenhauer here. Einstein was a big
           | fan, and even had Schopenhauer's portrait on his office wall.
           | 
           | https://en.m.wikipedia.org/wiki/Religious_and_philosophical_.
           | ..
        
         | montefischer wrote:
         | My favorite passage from that essay:
         | 
         | > From all this it may be concluded that thoughts put down on
         | paper are nothing more than footprints in the sand: one sees
         | the road the man has taken, but in order to know what he saw on
         | the way, one requires his eyes.
        
         | BolexNOLA wrote:
         | I feel like there's a lot to be gleaned here, but all I can
         | focus on is how this - especially the last line - could be
         | easily misrepresented to spread an anti-education message.
        
           | mmmpop wrote:
           | > an anti-education message
           | 
           | But since when is all reading "education"? I see a lot of
           | people reading a lot of trash and could be spending their
           | time reading Dostoevsky, or better yet plotting their own
           | murder + burglaries !
        
           | cowuser666 wrote:
           | This treats arguments like opaque tokens where we know in
           | advance which are good and bad, and need to make sure we have
           | lots of good and few bad. But actually arguments have content
           | and to know whether they are good or bad, we have to engage
           | with them.
        
             | BolexNOLA wrote:
             | I'm going to be perfectly honest, I have no idea what you
             | mean in this context/what you're saying to me once I get
             | past the first comma.
        
               | cowuser666 wrote:
               | I'm saying you're not engaging with the substance of his
               | point.
               | 
               | If I were to say, "America had a negative impact in
               | geopolitics when it invaded Iraq," it's like you
               | responded with "I'm sorry, but that just seems anti-
               | American."
        
               | BolexNOLA wrote:
               | I don't think that's a particularly fair or accurate
               | assessment of what I said.
        
               | 9dev wrote:
               | Just wanted to say that this was an excellent example to
               | illustrate your case.
        
           | jorvi wrote:
           | To me it reads like anti-consumerism.
           | 
           | If you only consume and don't create, your mind gradually
           | loses its capacity for creativity [and you will eventually
           | have to reacquire it, the same way a comatose patient needs
           | to relearn walking].
        
             | [deleted]
        
           | psychomugs wrote:
           | You could say similar of any technology, as they all extend
           | and amputate ourselves in some way. I read the Schopenhauer
           | line as a sentiment against technosolutionism; technology
           | like books are fine in moderation, but they are not
           | replacements for the reality of lived experience.
           | 
           | See Marshall McLuhan and Neil Postman for better arguments.
        
             | oldsklgdfth wrote:
             | Came here to mention those two.
             | 
             | It's a subtle message. Technology giveth and technology
             | taketh. Use of any technology is a trade off.
        
               | BolexNOLA wrote:
               | I definitely see that interpretation and it's how I would
               | take it personally, I'm just kind of musing.
        
           | newaccount2021 wrote:
        
         | its_bbq wrote:
         | A quote that's impossible to read without some irony
        
         | starkd wrote:
         | Neil Postman came to much the same conclusion about modern
         | entertainment.
         | 
         | https://www.amazon.com/Amusing-Ourselves-Death-Discourse-Bus...
        
           | diffxx wrote:
           | That's not what I took away from the book. He mentions his
           | own personal enjoyment of trashy television multiple times.
           | His concern was that he believed that democracy is
           | fundamentally incompatible with a media landscape dominated
           | by television (s/televison/social media in 2022).
        
             | montefischer wrote:
             | In fact, Postman went to great lengths to detail the ways
             | in which "print culture" (including books, newspapers, and
             | even public oration) with its great commitment to complex
             | argumentation shaped society in ways consonant with the
             | sustaining of a democratic republic, while warning that the
             | modern replacement of this older culture was perhaps not so
             | well suited to maintaining a self-governing people.
             | 
             | (edit) Social media / the internet more generally enables
             | 2-way communication in a way that was not possible in
             | either print nor TV culture. Conceptually it lowers
             | barriers to entry to near-zero for communicating one's
             | ideas & learning from others. Earlier forms depended much
             | more heavily on gatekeepers. Is a more nominally democratic
             | form of media culture than this even possible?
        
         | ardkor wrote:
        
       | Maursault wrote:
       | The Brothers Karamazov and Crime and Punishment effectively read
       | themselves. They can't be put down. Only with exceptional
       | discipline and great difficulty could one "take it slow," and
       | stop for note-taking. I don't know who reads novels like that.
       | Reading them, time stops, and you return to your life about a
       | week later. Notes From Underground isn't easy, but it is short.
       | The Idiot and The Possessed (Demons, The Devils), if even 100
       | pages can be completed, are impossible to finish. I am unaware of
       | anyone who has read Dostoyevski's first three novels, The Village
       | of Stepanchikovo, Humilated and Insulted, or The House of the
       | Dead, so the assumption is they are either illegible or
       | inscrutable, the result being they can't be read.
        
         | HellDunkel wrote:
         | Interesting. I tried "The Idiot" once but was put off by
         | Dostojewski until now. Nobody tells you these things.
        
           | Maursault wrote:
           | I recommend starting with Crime and Punishment, then reward
           | yourself for completing with Brothers Karamazov. Then see
           | Allen's Crimes and Misdemeanors, which is a clever retelling
           | of both at the same time for those that read the material.
        
             | HellDunkel wrote:
             | Will follow your advice.
        
       | [deleted]
        
       | amelius wrote:
       | > [Taleb] showed, through his life's work, that one can make
       | money by betting against people that believe too much in
       | mathematics and their applicability to the real world.
       | 
       | Does anyone know any good examples of this?
        
         | hedgehog0 wrote:
         | I do not know if this is relevant, but I think Newton and Kayes
         | (or some other econonmist) used math in the stock market and
         | lost heavily.
        
         | brnaftr361 wrote:
         | Taleb is associated with Universa,
         | 
         | "Universa's flagship "Black Swan Protection Protocol" fund
         | earned its near two dozen institutional investors a staggering
         | 3,612% in March, putting its 2020 gains at 4,144%."
         | 
         | https://www.bloomberg.com/news/articles/2020-04-08/taleb-adv...
         | 
         | https://www.forbes.com/sites/antoinegara/2020/04/13/how-a-go...
        
         | NateEag wrote:
         | I believe the author is referring to the money Taleb made
         | during the 2008 financial crash, rather literally betting
         | against people using mathematics to model complex systems
         | (which collapsed and failed rather badly, much as Taleb
         | predicts).
         | 
         | Wikipedia has some links to sources in the summary section:
         | 
         | https://en.m.wikipedia.org/wiki/Nassim_Nicholas_Taleb
        
           | pas wrote:
           | There's this big trope about how "models don't work", because
           | black swans, etc. (Let's not get into the fact that this
           | claim is itself a model, and his own investment strategy is,
           | of course, based on his model.)
           | 
           | But the question is, is this really true? Why isn't Taleb the
           | richest person? (I remember reading somewhere that his
           | strategy of betting against the mainstream underperformed,
           | but he might have made a biiig windfall due to COVID & the
           | war? But are those enough to offset the previous
           | underperformances?)
        
             | NateEag wrote:
             | I haven't read the books, but I believe his argument is not
             | "models don't work," but rather "all models are flawed, and
             | you can't reliably predict the critical flaws. So, don't
             | treat them with blind trust - adapt your strategies to the
             | fact that some of your models will fail without warning and
             | in ways you can't predict."
        
         | SnowHill9902 wrote:
         | Excellent. It's more general than mathematics, their problem is
         | with a Platonic worldview of idealized models. Those people
         | mistake the models for the real world and that's their demise.
        
       | ashika wrote:
       | this guy is going to love moby dick
        
         | scop wrote:
         | Moby Duck literally broke my brain and soul when I read it for
         | the first time last year. I still think about that book about
         | once a week, with some sense of foreboding excitement/dread.
        
       | mikrl wrote:
       | The classics are important because they are typically 'classic'
       | due to their applicability over space and time. The authors
       | managed to distil ever-recurring human drama and pathos (and the
       | happy stuff too) into something timeless, though of course in the
       | context of where and when they lived.
       | 
       | Every generation when it comes up will think they're the first
       | and best ones to experience anything, it's just normal and always
       | has been. Once the real world sets in or you hit your mid 20s
       | angst (whichever comes first) the classics are a comfort and will
       | connect you to a raw world of the past. You aren't alone, nor
       | especially abnormal nor special. Dostoevsky knew what you'd go
       | through. Tolstoy already got your bullcrap. Hell, even Ovid can
       | show you things and the Roman Empire is long dead.
       | 
       | Not everyone has to enjoy the same things and some haute things
       | are definitely overrated. However, if you want to know yourself,
       | your world and the other people in it in a way that transcends
       | the capricious day-to-day, and has a bit more fuzziness,
       | dimensionality (and spirit) than clinical psychology, the
       | classics are waiting for you. They've seen it all before.
        
         | oneoff786 wrote:
         | I find a lot of classics to be foreign in their understanding
         | of the human condition and generally just archaic, or deeply
         | specific to their time and place.
        
           | bckr wrote:
           | Can you give an example? I would love to read a blog post
           | about this perspective
        
             | oneoff786 wrote:
             | Well I don't write blogs. Or read much. Or write literary
             | reviews. But let's pick two.
             | 
             | The odyssey is a very old classic. The framework of the
             | adventure is still great. But Odysseus is a supremacist
             | dick. He's pretty similar to MCU Iron Man in terms of
             | narrative and depth. We get the sense that it's ok to kill
             | the people in his home at the end because he is mighty
             | Odysseus but I think that's pretty lame. I could go on but
             | it's been too long to cite examples from memory.
             | 
             | A tale of two cities was another one I enjoyed a lot as a
             | teen. The sloppy romanticism of the dude who devotes his
             | life to a love he will never have seemed really quaint, but
             | now seems just pathetic. I'm actually really annoyed when I
             | see behavior like this in fiction now. It's very frequent
             | in token gay characters because a lot of writers seem to
             | assume that gay people fall in love with straight people
             | and can never get over it.
             | 
             | Stuff that's resonated with me at a more thematic level
             | recently... let's say Parasite (Korean film), Mob Psycho
             | 100 (anime, season 1), Over the Garden Wall, Bojack
             | Horseman, and the midnight gospel. Not very universal, but
             | they felt more relevant and more profound. The last one
             | cheating a bit as it's literally philosophical interviews.
             | 
             | Good literature is entertaining and conveys some greater
             | meaning. Classics tend to do a pretty good job on this, but
             | entertainment and thematic relevance she over time quite a
             | bit.
             | 
             | The original SpongeBob SquarePants movie was a copy of the
             | odyssey's plot for entertainment but focused on a coming of
             | age theme of what it means to be an adult and whether it
             | was something to strive for. Dare I ask which of the
             | SpongeBob SquarePants Movie and the Odyssey is a better
             | piece of literature for a 21st century kid?
             | 
             | I think it's a harder question than many would give credit.
             | But I think regardless we should be more eager to discuss
             | thematic comprehension of art with children for the stuff
             | they watch. Because I spent a few years in school writing
             | essays about how every book contained the theme of "Caring"
             | and man that was fucking dumb.
        
           | pas wrote:
           | https://news.ycombinator.com/item?id=33046327 ?
        
       | SnowHill9902 wrote:
       | Dostoevsky has been a better psychologist to me than actual
       | licensed psychologists.
        
       | kuramitropolis wrote:
       | Do not, I repeat, DO NOT read Dostoevsky. It's full of harmful
       | memes which are very likely to impair your subsequent
       | functioning, and spread out into your surroundings, by way of
       | contaminating your intentional actions with paradox (not the fun
       | kind, either.)
       | 
       | I would generally suggest avoiding Russian literature entirely,
       | especially if you're a programmer. Unless you've somehow made
       | yourself basilisk-proof (and note that the reverse Algernon
       | method won't work, their whole deal's bootstrapped)
       | 
       | EDIT:
       | 
       | OP says:
       | 
       | > Try applying the scientific method to define the psychology of
       | the criminal. You will end up writing and sending a
       | questionnaire, then publishing a paper in Science of how 80% of
       | respondents (n=12) selected option A in the questionnaire. Try
       | even finding 12 criminals willing to reply honestly to your
       | questionnaire. Then ask yourself why social science papers don't
       | replicate.
       | 
       | Now imagine a society with institutions that have the knowledge
       | of how to _force_ their way through the above issue, and decide
       | for yourself whether you really wish to integrate any
       | intellectual outputs from that society in your decision making
       | process.
        
         | Bakary wrote:
         | Could you give some examples of these harmful memes you have
         | found in Dostoevsky's works? Although I suppose by definition
         | you might not be willing to do that...
        
           | kuramitropolis wrote:
           | >Although I suppose by definition you might not be willing to
           | do that...
           | 
           | That's not part of the definition. Would have much fewer of
           | the things kicking around if they precluded their own
           | distribution, no?
           | 
           | Thankfully the ones that do are a subset, otherwise basilisk
           | spotting would be a much more introspective activity.
        
           | EVa5I7bHFq9mnYK wrote:
           | I could totally imagine how out of 100000 programmers having
           | read Crime and Punishment, a few would take an axe to their
           | local pawn shop.
        
       | avgcorrection wrote:
       | Reading literature might cure scientism.
        
       | jmartrican wrote:
       | So he only read 1.5 books of Dostoevsky, and now he telling
       | everyone to read his books. I get it, I also had a religious
       | experience when I read Crime and Punishment, but one cannot
       | assume all his books will be that great without actually reading
       | more of them. Call me back when you get through a few more. Or
       | maybe change the title to "Why read Crime And Punishment".
        
         | starkd wrote:
         | There are many writers who have only one great book, and the
         | others are all flops. Dosteovsky had a few that were utter
         | flops in the literary sense. (The Idiot did not sell well,
         | although it has its merits). You could even say he only hit his
         | stride when he wrote Brothers.
         | 
         | John Kennedy Toole's "Confederacy of Dunces" was not only
         | brilliantly comedic, but also quit profound. His other works
         | were nothing special.
        
       | kieckerjan wrote:
       | I met a young and apparently highly intelligent AI researcher the
       | other week who confessed to me that he thought fiction (books but
       | also movies etc) was a waste of his time: there was nothing to be
       | gained there.
       | 
       | Being a lover of fiction myself, I huffed and puffed and he
       | challenged me to name him a book that would change his mind.
       | Usually when people ask me where to start in literature, I advise
       | them to start at the top (Chekhov, say) because life is short and
       | you might be dead tomorrow and then you missed out on the best.
       | With an antagonistic reader like this , I am not sure that is the
       | best choice though.
       | 
       | Any tips would be welcome!
        
         | pas wrote:
         | There are quite a few recommendations for the classics, but if
         | someone doesn't enjoy the slow burn of those deep books, maybe
         | they should start with something lot more dopaminergic: animes
         | and movies!
         | 
         | PsychoPass, Akira, Cowboy Bebop, Neon Genesis Evangelion,
         | Attack on Titan.
         | 
         | So, movies. I only saw _The Shawshank Redemption_ a few years
         | ago, and it 's really really good. Classic. Human. Touching.
         | I'm not even sure how to characterize it except yes, really go
         | see it, it's really at the top of the power distribution of
         | movies.
         | 
         |  _12 Angry Men_. At this point it 's the cliche of old but good
         | movies. At this point it's a satire of a socially interesting
         | movie due to its naivete, yet for someone who seems a bit close
         | minded it might be just the right thing. (Or not? :D)
         | 
         |  _The Pianist_. Again, simple. Brutal. Or the recent _Joker_.
         | 
         | . . .
         | 
         | But really when it comes to AI and fiction.
         | 
         |  _Blade Runner_. If that 's not fiction that's worth investing
         | time into, then what is? Even typing this I've got the chills
         | thinking about Roy Batty.
        
           | pyuser583 wrote:
           | The Blade Runner that in theaters was terrible.
           | 
           | There were tons of crappy voice overs explaining what was
           | going on. Theological content was removed - the "confession"
           | scene where the robot murdered his creator, the stigmata-
           | style wounds, the dove flying up to heaven. Even the famous
           | "I've seen things ..." speech was gone.
           | 
           | When home movies became a thing it was re-edited. It became a
           | classic in the "cuts."
           | 
           | I don't know if there's a lesson there. Maybe "don't worry
           | about re-editing stinkers."
        
           | filoleg wrote:
           | > PsychoPass, Akira, Cowboy Bebop, Neon Genesis Evangelion,
           | Attack on Titan.
           | 
           | I totally agree with everything on this list, except Akira
           | and NGE. And I am saying that as someone for whom NGE is the
           | all-time personal favorite piece of animated media (and I
           | like Akira a lot too, just not as much).
           | 
           | Akira and NGE are pretty much deconstructions of genres, and
           | are really heavy on at least some basic level of previous
           | exposure and understanding of the context. I am fairly
           | certain that if you make someone without much previous
           | exposure to the context watch Akira, you will get a very
           | resounding "what the fuck did you just make me watch".
           | Watched it in a movie theater myself around 5 years ago, and
           | it was definitely a wild ride. With NGE, I rewatched it many
           | times, partially because I almost always discovered something
           | new on subsequent rewatches.
           | 
           | The rest of the ones you've mentioned are great for easing-in
           | though, and are not shallow even in the slightest. I would
           | also add Ghost in the Shell: Stand-alone Complex series to
           | the list of recommendations.
        
         | bazoom42 wrote:
         | Perhaps the Harry Potter books? Don't throw Tolstoy at someone
         | who havent read fiction before.
        
           | noSyncCloud wrote:
           | Would you really recommend YA to an adult?
        
             | e12e wrote:
             | > Would you really recommend YA to an adult?
             | 
             | I certainly would, but probably not Harry Potter (personal
             | preference - I think "magic" has been done better, and I
             | think "boarding school" has been done better).
             | 
             | So maybe "Earthsea" by Ursula LeGuin, for example.
        
             | yamtaddle wrote:
             | I think the basic impulse is correct, actually. There's a
             | _very_ good chance that a person with this kind of attitude
             | is a poor reader--of literature, at least, if not in
             | general. If you drop them right into the heavy stuff, they
             | 'll probably bounce off really fast.
             | 
             | It's a skill you have to develop, like when you encounter a
             | new musical genre. Lots of people get stuck at the "this
             | sucks and is probably bad and overrated anyway" stage and
             | don't open their minds and challenge themselves to
             | understand _why_ people like it, when encountering
             | literature early on, similar to how many people get stuck
             | in that same place for any musical genres they didn 't
             | learn to appreciate by age 25.
             | 
             | At best, they end up reading very light fiction for the
             | rest of their lives--perhaps even YA, which is widely read
             | among adults, in fact. At worst they decide the whole
             | thing's a pretentious sham and they're smarter for not
             | having engaged, which seems to be closer to the case here.
             | 
             | Not sure I'd go with YA if you're trying to convince
             | someone of value in literature beyond entertainment,
             | though. But lighter high-school tier literature, maybe.
             | Salinger (but probably not Catcher in the Rye) or Vonnegut
             | are decent choices, being at about the lightest end that'll
             | still (if the reader's open to it) work those muscles.
             | Gotta start small to develop the skills & taste to
             | appreciate the sublime when it's expressed in written
             | words, and to find meaning, enjoyment, and new mental tools
             | that novice readers largely miss--which is why they often
             | think well-regarded literature is boring and stuffy.
        
             | pas wrote:
             | lot of people watch _a lot_ of YA anime as adults.
             | 
             | reading HP is fast and loose fun. the characters are okay,
             | the world is okay-ish, the story is the standard good vs
             | evil, there are some interesting dilemmas and the whole
             | setting makes it a lot more palatable than the classic
             | classics :)
             | 
             | (of course there are huuuuuuge plotholes and anyone with a
             | more than two bits of imagination/curiosity starts to pick
             | at the surface of the world it falls apart, like almost
             | anything with magic in it)
        
             | bazoom42 wrote:
             | To an adult who have never read fiction? Yes. You have to
             | start somewhere.
             | 
             | People are just suggesting their own favorite books, but
             | nobody _started_ reading fiction with Anna Karenina. But
             | many started with HP and went on to more challenging stuff.
        
             | pier25 wrote:
             | I'm 43 years old and I enjoy reading Harry Potter, at least
             | some of the books.
             | 
             | But I will concede I've tried other YA series and just
             | couldn't get on with it.
        
         | drlolz wrote:
         | A person with that attitude doesn't need a perfect list of
         | books, they need to live more of their life. Fiction will
         | likely find them when they're ready for it. Seems futile to try
         | to convince them otherwise, if they're presently writing off
         | fiction and film.
        
         | Antoniocl wrote:
         | It's likely highly dependent on the individual. There's a lot
         | of literature is beautiful, immersive, and speaks to deep
         | universal truths that are harder to capture in other mediums.
         | To steelman his argument, even given that all of this is true,
         | it's a harder sell that engaging with the works is useful to
         | him, on an individual level.
         | 
         | For me, Infinite Jest helped me be more empathetic, which was
         | an area I lacked a lot at the time, to the point that reading
         | it was just clearly useful to me.
         | 
         | But other than that? It's hard to say. I derive a lot of
         | pleasure from fiction, and find the experiences I get from them
         | to be highly meaningful and to sometimes stay with me for
         | years, not unlike memories of times with good friends. Whether
         | or not that's of value to you as an individual just depends on
         | your values.
        
         | cvoss wrote:
         | Is this person highly cynical about human relationships and
         | emotions and desires?
         | 
         | If so, that makes your job a whole lot harder, but you may be
         | able to challenge that by linking a moving work of fiction with
         | an actual closely held relationship or desire in this person's
         | life. But do not expect to be able to just hand him a book and
         | watch it happen. Speaking from personal experience, I
         | frequently require someone to discuss fiction with before it
         | will "hit home", and I'm not even antagonistic to fiction at
         | all. I'm just bad at it unless I can talk it through with
         | somebody who can be my guide.
        
         | alexashka wrote:
         | Right, a waste of _his_ time, today. Not yours or anyone else
         | 's.
         | 
         | Doesn't literature teach that it's different strokes for
         | different folks? :)
         | 
         | There is no need for anyone to convert others to their hobby of
         | choice - his challenge was a response to you huffing and
         | puffing, not a genuine request.
        
         | starkd wrote:
         | That's a common complaint about literature. I remmeber one
         | person who wouldn't read fiction because they said "it was just
         | all lies". Literature isn't just a recitation of facts, it
         | reflects the organizing principle of our values. It sparks
         | creativity.
         | 
         | If the classics feel to archaic or they are too inaccessible,
         | you also might try some contemporary authors. Michael Crichton
         | is very accessible. I think his works can be equally inspiring
         | and creative.
        
           | e12e wrote:
           | > I remmeber one person who wouldn't read fiction because
           | they said "it was just all lies".
           | 
           | "Artists use lies to tell the truth. Yes, I created a lie.
           | But because you believed it, you found something true about
           | yourself."
           | 
           | - Alan Moore, V for Vendetta
        
             | pyuser583 wrote:
             | Was that one person Plato?
        
         | richardjdare wrote:
         | I sometimes recommend Borges (Labyrinths) and Kafka (The Trial,
         | Short Stories) to tech people looking to get into literature.
        
           | berlinquin wrote:
           | And within labyrinths, the Library of Babel is a good place
           | to start. Circular Ruins and the Pierre Menard/Don Quixote
           | one are favorites.
        
         | dlee766 wrote:
         | The Little Prince maybe
        
         | jcalabro wrote:
         | Sounds like it might be a losing battle, but the first thing
         | that came to mind was Cat's Cradle by Kurt Vonnegut. Short,
         | approachable, funny, and confronts topics that probably are
         | interesting to an AI researcher.
        
         | bckr wrote:
         | This is from someone who is woefully under-read, and only
         | remembered my teenage love of sci-fi in the last couple of
         | years. I thought similarly for several years, that fiction was
         | a waste of time. But then I realized I was scrolling through
         | Twitter every day, and that felt like eating french fries as a
         | meal: lacking substance.
         | 
         | Reading long form prose increases your attention span and the
         | shape of your thoughts.
         | 
         | Reading fiction stimulates the imagination, which opens up the
         | space of ideas that the mind can generate.
         | 
         | Fiction is a compressed simulation of life. By reading good
         | fiction one lives more life.
         | 
         | Fiction is a cultural touchstone. New relationships open up
         | when there are shared understandings of stories.
         | 
         | Good, hard science fiction is a record of what some of the most
         | imaginative scientific thinkers (not necessarily scientists)
         | have pondered. Again, mind expanding.
         | 
         | Science fiction stimulates curiosity by asking "what if"?
         | 
         | We all have to engage in lower energy activities and "waste
         | time". Watching documentaries is a "waste of time" for someone
         | not engaged in professional research on the relevant subject.
         | Do you use Reddit? That's a waste of time. Having a science
         | fiction book next to the toilet will leave you feeling more
         | nourished after you've done your business (I look forward to
         | using the bathroom when I know there's a delicious book waiting
         | for me that I only read there).
         | 
         | Dead tree books are better for someone who has a hard time
         | reading. Studies show there's a big difference in retention
         | between words on a screen and words in print. Dead tree books
         | also benefit from being "things" that can be left in the
         | intended reading location, and give a sense of progress and of
         | conquering when completed.
         | 
         | The tactile nature of flipping pages and of breaking in a
         | paperback is lovely. The cover art attracts the eyes to the
         | book.
         | 
         | Reading a book is a different action than looking at your phone
         | or computer, and it has a different set of feelings, emotions,
         | thought patterns. There's the smell of a printed book.
         | 
         | I love Asimov. I, Robot is easy because it's a collection of
         | very short stories, but it risks being seen as shallow. The End
         | of Eternity is considered Asimov's best novel, and it's not too
         | long. I hear good things about The Last Question. Foundation is
         | lovely.
         | 
         | Be right back, going to buy more Asimov.
        
           | filoleg wrote:
           | > I love Asimov. I, Robot is easy because it's a collection
           | of very short stories, but it risks being seen as shallow.
           | 
           | Haha, funny you mention it, because now that I think about
           | it, it hits that attention-span-needed spot right in-between
           | blog/reddit posts and novels. Which, is a pretty nice and
           | gentle way to ease someone into reading novel-sized material.
           | 
           | It greatly helps that reading Asimov's short stories today
           | still feels very gripping and relevant, probably even moreso
           | than back when it was originally published. Though this is
           | more of a feeling, as I obviously cannot verify how it
           | actually felt to read it back then.
        
           | janee wrote:
           | Haha snap! Will def check out end of eternity. Happy reading
           | :)
        
         | janee wrote:
         | Haha sounds like me. I used to read as a teenager but stopped,
         | thinking it a waste of time.
         | 
         | Only recently rediscovered my love for sci-fi after randomly
         | picking up Isaac Asimov's foundation series on a whim while
         | waiting for a flight at a book store.
         | 
         | Not saying it's the best thing ever or necessarily what I'd
         | recommend. But maybe try and think what genere would be
         | interesting to them and then pick one from someone's top x
         | list.
         | 
         | I plan on doing that now using this list
         | https://youtu.be/pP0XnfC1jVM and am very keen to build a
         | bookshelf now haha
        
           | bckr wrote:
           | Hello from someone who wrote something very similar in this
           | thread!
        
         | grantcas wrote:
         | It's becoming clear that with all the brain and consciousness
         | theories out there, the proof will be in the pudding. By this I
         | mean, can any particular theory be used to create a human adult
         | level conscious machine. My bet is on the late Gerald Edelman's
         | Extended Theory of Neuronal Group Selection. The lead group in
         | robotics based on this theory is the Neurorobotics Lab at UC at
         | Irvine. Dr. Edelman distinguished between primary
         | consciousness, which came first in evolution, and that humans
         | share with other conscious animals, and higher order
         | consciousness, which came to only humans with the acquisition
         | of language. A machine with primary consciousness will probably
         | have to come first.
         | 
         | What I find special about the TNGS is the Darwin series of
         | automata created at the Neurosciences Institute by Dr. Edelman
         | and his colleagues in the 1990's and 2000's. These machines
         | perform in the real world, not in a restricted simulated world,
         | and display convincing physical behavior indicative of higher
         | psychological functions necessary for consciousness, such as
         | perceptual categorization, memory, and learning. They are based
         | on realistic models of the parts of the biological brain that
         | the theory claims subserve these functions. The extended TNGS
         | allows for the emergence of consciousness based only on further
         | evolutionary development of the brain areas responsible for
         | these functions, in a parsimonious way. No other research I've
         | encountered is anywhere near as convincing.
         | 
         | I post because on almost every video and article about the
         | brain and consciousness that I encounter, the attitude seems to
         | be that we still know next to nothing about how the brain and
         | consciousness work; that there's lots of data but no unifying
         | theory. I believe the extended TNGS is that theory. My
         | motivation is to keep that theory in front of the public. And
         | obviously, I consider it the route to a truly conscious
         | machine, primary and higher-order.
         | 
         | My advice to people who want to create a conscious machine is
         | to seriously ground themselves in the extended TNGS and the
         | Darwin automata first, and proceed from there, by applying to
         | Jeff Krichmar's lab at UC Irvine, possibly. Dr. Edelman's
         | roadmap to a conscious machine is at
         | https://arxiv.org/abs/2105.10461
        
         | sifar wrote:
         | It depends on what their interests are. For this person,
         | perhaps something in science fiction. I second Asimov,
         | especially the robot & foundation series. Or may be Dune.
        
         | michaelsbradley wrote:
         | _The Man Who Was Thursday_
         | 
         | https://www.gutenberg.org/files/1695/1695-h/1695-h.htm
        
         | novok wrote:
         | That person is just on a personal mission right now. Once he
         | has achieved his internal goal, the space for leisure will
         | start opening up to him. People who like video games, but are
         | on a mission about their new thing don't really feel like they
         | want to play video games, even though they played them a lot in
         | their past for example.
         | 
         | Also some people are just missing things neurologically that
         | make certain things compelling for most people. Some people
         | just don't care for music much because it doesn't do much for
         | them and concerts are kind of confusing enjoyment wise. Same
         | with many people in software for watching sports, they're just
         | not that into it.
         | 
         | For others, it moves them greatly. Maybe he doesn't create the
         | internal world required for fiction when he reads fiction.
         | 
         | So either he is on a mission (people who are noticeably good at
         | something tend to be) or they are just missing the thing that
         | would make it enjoyable for them.
        
         | writeinpencils wrote:
        
         | sneak wrote:
         | Stranger In A Strange Land is the chart-topper. The Moon Is A
         | Harsh Mistress is my personal favorite.
         | 
         | Casablanca is also up there.
        
         | trane_project wrote:
         | You aren't going to change his mind. What needs changing is his
         | heart.
        
         | emj wrote:
         | I've had the same experience; and I see no one recommendation
         | that will make someone appreciate literature. The argument I
         | heard from a younger AI researcher was that books/stories are
         | just a collection of tropes that get reused over and over. For
         | me it's easier to just recommend Dostojevsky, or perhaps a
         | couple of dystopian classics. Even then not everyone will
         | understand how literature is not just about information which
         | become a story.
         | 
         | For me Crime and Punishment was perhaps a bit painful for me as
         | a teenager I remember entering the same state of mind as the
         | main character Raskolnikov from reading it, but it was also a
         | good capstone to connect the feeling from books by Boje,
         | Strindberg and Chekhov.
        
         | e12e wrote:
         | Many good tips so far in this thread. If your friend reads a
         | lot of papers, they might be able to "leap" into classics
         | without being bogged down by the language and sometimes dense
         | prose - but I'd still err on the side of accessible for getting
         | someone into reading for pleasure.
         | 
         | I'd recommend for example (in no particular order - just some
         | great books imnho):
         | 
         | Earthsea quartet by LeGuin
         | 
         | Dune by Herbert
         | 
         | South of the Border by Murakami
         | 
         | Islands in the Net by Sterling
         | 
         | Foundation trilogy by Asimov
         | 
         | Speed of Dark, by Moon
         | 
         | Accelerando, by Stross
         | 
         | Murderbot diaries, by Wells
         | 
         | A Fire Upon the Deep, by Vinge (and Rainbow's End by same)
         | 
         | 2312, by Robinson
         | 
         | And many more, I'm sure :)
        
           | pyuser583 wrote:
           | Phillip Dicks short stories can be read again and again.
           | There are plenty of "minor" ones that haven't been made into
           | movies.
        
         | jmartrican wrote:
         | Crime And Punishment I would recommend, but only because I have
         | not yet read Don Quixote.
        
         | layer8 wrote:
         | As someone who finds most fiction to take much too long to get
         | to any interesting points, I'd like to recommend Greg Egan's
         | _Axiomatic_ , a collection of thought-provoking SF short
         | stories.
        
           | arrow7000 wrote:
           | I will always upvote a Greg Egan comment. An incredible
           | author. He's changed the way I see the world.
        
         | pythko wrote:
         | I'd recommend Stories of Your Life and Others by Ted Chiang
         | [0]. It's often billed as "speculative fiction", and I'd
         | describe it as a series of short stories that define worlds
         | slightly-to-extremely dissimilar to ours, and explores what
         | that means to the people who live in them. I recall the stories
         | being fun because there's some amount of guessing what will
         | come next in the worldbuilding, and imagining what makes sense
         | within the rules he's establishing, but he also drenches the
         | stories in humanity, and many of them are quite emotional.
         | 
         | If you're trying to get him to read a classic specifically,
         | maybe it would help to start with some non-fiction pieces.
         | David Foster Wallace has an essay on what makes Dostoevsky
         | great and worth reading [1]. And there are plenty of other
         | essays and books out there on "why read the classics." If you
         | think presenting your case through the lens of scientific rigor
         | would be helpful, there are numerous studies showing that
         | reading fiction increases empathy with others [2] (and if
         | that's not appealing to him, you're probably in for a very long
         | and uphill battle). For a classic recommendation, I think that
         | similar to the article, Crime and Punishment is a good choice.
         | It's pretty approachable language-wise, it's not crazy long,
         | and it hits all those points of universal themes, some humor,
         | and a deep empathy from the author to his main character.
         | 
         | ---
         | 
         | [0]
         | https://www.goodreads.com/book/show/223380.Stories_of_Your_L...
         | 
         | [1] https://www.villagevoice.com/2019/07/04/feodors-guide-
         | joseph...
         | 
         | [2] https://www.discovermagazine.com/mind/how-reading-fiction-
         | in...
        
           | pyuser583 wrote:
           | I thought you said "define words slightly-to-extremely-
           | dissimilar to ours."
           | 
           | That sounded interesting. But it was "worlds", not "words."
        
         | alfor wrote:
         | You need to dig deeper, only ask questions.
         | 
         | What is his current view of the world of humans, etc.
         | 
         | Once you have a grasp of that, there is probably a fiction that
         | can show him how his vision is incomplete.
         | 
         | We are after knowledge and to be useful and interesting the new
         | knowledge need to be just a bit farther than we are at the
         | moment. (zone of proximal development)
         | 
         | Not a book, but for AI I enjoyed watching Joshua Bach interview
         | (consciousness is a simulation)
         | 
         | I agree that most movies are a waste of time at the moment.
         | They mostly repeat the same propaganda.
        
           | layer8 wrote:
           | > We are after knowledge and to be useful and interesting the
           | new knowledge need to be just a bit farther than we are at
           | the moment. (zone of proximal development)
           | 
           | I feel like I've run out of new proximal ideas. I used to
           | devour (not only) science-fiction, but now I find it very
           | hard to find anything whose concepts I'm not already familiar
           | with. Or you have to read through 400 pages to get to just
           | one interesting idea or plot point, and you can't tell a
           | priori if that will even happen.
        
         | Bakary wrote:
         | The irony is that if all the highly intelligent and capable
         | researchers, capitalists, and knowledge workers read more
         | fiction the world would probably be slightly less dystopian
         | than it currently is
        
           | closedloop129 wrote:
           | The world could also improve if the readers of fiction would
           | increase their engagement in research, business and
           | knowledge.
        
           | pas wrote:
           | Meh, that's wishful thinking. Fiction is not a silver bullet.
           | Elon Musk loves fiction, did not make him a decent human
           | being.
        
             | badtension wrote:
             | Loves fiction as in Iron Man is his favorite avenger?
        
         | XorNot wrote:
         | He's an AI researcher, tell him to read _2001_ by Arthur C.
         | Clake. He doesn 't need to read "the classics" he needs to read
         | something proximal to his interests and then figure out which
         | strands he'd like to follow from there.
         | 
         | "The Classics" are at this point literary archeology: they've
         | influenced a lot, but unless you're actually inspired to follow
         | that chain back they're just going to wind up seeming "samey"
         | to things that came after because they were already heavily
         | referenced, extrapolated, deconstructed and their essential
         | ideas endlessly debated.
        
         | weberer wrote:
         | >he thought fiction (books but also movies etc) was a waste of
         | his time: there was nothing to be gained there
         | 
         | I agree with him for the most part. However, enjoying something
         | while wasting time is its own reward.
        
         | cehrlich wrote:
         | Great question. I always recommend Anna Karenina as the one
         | book everyone should read, but maybe it's actually a terrible
         | thing to recommend to someone who Doesn't Like Reading.
         | 
         | I don't have an answer for you, but you got me thinking :)
        
           | newaccount2021 wrote:
        
       | Sin2x wrote:
       | Is the crime of desperation really a crime?...
        
       | dvt wrote:
       | I used to like Taleb, but his cult is getting out of hand.
       | Really? You needed Taleb to explain why the _classics_ are good
       | reading? Why literature that has been treasured for the _entirety
       | of human history_ is valuable? Get a grip. Mix that faux-
       | intellectualism--slash--nouveau-englightenment with gross
       | oversimplifications and you have a Taleb cultist.
       | 
       | > From Communist Russia's collapse due to Marxism...
       | 
       | I'm no Russian sympathizer, but this is such an
       | oversimplification it borders on parody. The irony being that
       | this follows a spiel about the world being complex. Maybe this is
       | parody and I'm just too dense.
        
         | kcatskcolbdi wrote:
         | Taleb is another in a long line of people who have accomplished
         | very little outside of selling themselves as a person who
         | Really Understands The WorldTM.
         | 
         | His central thesis that models can't account for everything
         | is............................painfully obvious. He's Malcolm
         | Gladwell if Malcom Gladwell's selling point was that he
         | predicted that, during obvious market bubbles, those bubbles
         | would pop.
        
           | brnaftr361 wrote:
           | To me this is non-sequitur.
           | 
           | If it was so obvious, no institution would rely on the model,
           | nor would people rely on institutions that use the models.
           | 
           | Objectively there would be a perpetual hedge - and that is
           | how it is from the perspective of a scientist - but from the
           | perspective of practitioners of theory, the model presents an
           | accurate enough picture that it possesses a degree of truth
           | which is illusory. But even with some arbitrarily defined 99%
           | success, you can never predict when the 1% failure will
           | occur, and if we allow Mandelbrot's postulate
           | 
           | Now in things like celestial bodies and their trajectories -
           | it's relegated to some distant inanity that extraordinarily
           | curious people have derived, getting it wrong doesn't change
           | the way the planets revolve around the sun.
           | 
           | In the facets of civilization which they can affect, such as
           | economics, they become a _serious_ hazard, because they can
           | and _do_ affect the way the planet moves. It 's a pernicious
           | effect, that were it so known and obvious, would be forcibly
           | relegated to oblivion. When probability is measured in
           | infinitesimal fractions of continuous time a 1% fail rate
           | becomes _very_ substantial, and especially when it isn 't
           | accounted for in every dimension, to give an example:
           | 
           | "The "spreads" between brokers' bid and ask prices widened
           | sharply--as much as 19 percent above the industry's norms
           | (that translates into an instantaneous windfall to any broker
           | who called it right, and near-ruin to those who got it
           | wrong). The turmoil spread around the globe: The Hong Kong
           | index fell 14 percent, London 9 percent. In the final twenty-
           | four minutes before the New York market closed at 3:30,
           | prices plummeted at an average rate of 0.10 percent a minute,
           | or 6 percent an hour, the SEC calculated. Put that into
           | perspective: The value of American business was falling $100
           | million a second. The next morning, prices roared in the
           | opposite direction even faster. _But the fastest action of
           | all concentrated into three isolated minutes in the whole
           | twenty-four hours: between 3:12 and 3:14 p.m. New York time,
           | and between 3:24 and 3:25 p.m. This was no mere financial
           | storm. It was a hurricane._ "
           | 
           | -Mandelbrot, _The (mis)Behavior of Markets_
           | 
           | Your position is also highly reductionist, Taleb covers a lot
           | of broad ground, including his own models, which are duly
           | hedged from his perspective as a staunch empiricist.
        
         | jmartrican wrote:
         | I agree. Taleb's book have really opened up my eyes. But that's
         | just one of lives many lessons. Take the lesson and move on. No
         | need to make a cult of it.
        
         | ordu wrote:
         | _> You needed Taleb to explain why the classics are good
         | reading? Why literature that has been treasured for the
         | entirety of human history is valuable?_
         | 
         | Classics are good reading because every new generation of
         | readers can find there something valuable. Every new generation
         | of readers can find something new, or at least rediscover
         | something old. Everyone find in classics their own things.
         | 
         | If the author sees Dostoevsky through the lens of a modern
         | author (Taleb), the better for Dostoevsky. It means he is still
         | relevant.
        
           | libertine wrote:
           | I see it the other way around: classics boil things down
           | close to what makes us human, and that has no time boundary.
           | 
           | It will always be relevant and insightful, no matter the
           | state of some human constructs, or new society standards - in
           | the end human condition will always be with us.
        
           | dvt wrote:
           | > It means he is still relevant.
           | 
           | Yeah, that's kind of my point. Of _course_ he 's still
           | relevant, he's _Dostoevsky_. I 'm in the middle of Moby Dick.
           | Not because Taleb (or Jordan Peterson, or any other twitter
           | "intellectual") told me about this cool 19th century author
           | named Herman Melville, but because, you know, it's _Moby_
           | freakin ' _Dick_.
        
             | ordu wrote:
             | _> Of course he 's still relevant, he's Dostoevsky._
             | 
             | It is a theoretical prediction: Dostoevsky will be relevant
             | forever.
             | 
             | When someone reads Dostoevsky and sees Taleb's ideas there,
             | it is not an insult to Dostoevsky, it is an evidence
             | supporting the theory.
        
           | Bakary wrote:
           | You should be more worried about Taleb being remembered in 50
           | years than Dostoevsky
        
             | ordu wrote:
             | Why should I be worried about that? Taleb is remembered
             | now, it is relevant now, and it makes people think about
             | Taleb now. So why not to try to understand Taleb deeper by
             | reading Dostoevsky? If Taleb will fail to be relevant in 50
             | years, then no one would try to do it then. And what? Why
             | should it worry me?
        
               | Bakary wrote:
               | What I meant is that whether Taleb is a conduit to
               | Dostoevsky or not has no bearing on the latter's
               | continued relevance. Dostoevsky's relevance is not in any
               | doubt but Taleb's is (or any other similar author).
               | 
               | The GP was a bit hyperbolic but I am inclined to agree
               | with their viewpoint. The intellectual trend they are
               | highlighting (which goes way beyond Taleb) has real
               | consequences because it is so prevalent among tech
               | workers and capital owners who have enormous influence on
               | modern life.
        
         | c0mptonFP wrote:
         | > > From Communist Russia's collapse due to Marxism...
         | 
         | The delivery of this nonchalant line in particular made me
         | cringe hard.
        
           | devonallie wrote:
           | I think it reveals a deep naivete about the author that they
           | can simply boil things down to "Marxism bad". However, they
           | do seem to be learning that there is value in not being a
           | STEMLord.
        
             | pas wrote:
             | Proper STEMlord doctrine holds that Marxism is not even
             | wrong. Also, obviously, the views/ideas of Marx turned out
             | to be correct (well supported by empiricism) are just part
             | of economics and sociology.
        
       | [deleted]
        
       | narrator wrote:
       | One thing that's weird about Dostoevsky is that there are so many
       | characters and their relationships with each other are very
       | complex. "The Idiot" , ironically, was one of the more
       | complicated books, IMHO. It made me wonder if the average Russian
       | back in the 19th century had the ability to hold this chess like
       | complexity in their heads or Dostoevsky just made everyone in the
       | book unrealistically intelligent.
        
       | odd_noises wrote:
       | Appreciate the suggestion. I love human nature books but haven't
       | actually stopped to read one since I finished 48 Laws of Power
       | and Art of Seduction
        
       | ordu wrote:
       | _> Unlike scientific knowledge, Dostoevsky doesn 't propose a
       | model with a degree of accuracy and best practices on how to
       | apply the model._
       | 
       | Isn't a case study is a part of science?
       | 
       | Please correct me if I'm wrong. One can study one particular case
       | in depth and call themself a scientist. Dostoevsky is not a
       | scientist because he made up his stories instead of gathering
       | data on real cases, not because his stories cannot be replicated.
       | 
       | Experimental science is good, but it applicable only after a
       | researcher came up with a hypothesis and hypothesis can be
       | formulated if there is some theory. It is very restrictive, just
       | like the author of the blog post writes. But where theories and
       | hypotheses come from? From preliminary research, in particular
       | from case studies. These case studies are also scientific
       | knowledge, aren't they?
        
         | somenameforme wrote:
         | I would say that the most fundamental core of science is based
         | upon exactly two things:
         | 
         | - _Novel predictions_ : Predictions of things (the more the
         | better) that would not be expected to happen normally (and the
         | more unlikely the better), but would happen only (or as close
         | to "only" as possible) if your hypothesis is correct. The sun
         | rising again tomorrow is not a prediction, but the sun _not_
         | rising tomorrow most certainly would be!
         | 
         | - _Falsifiability_ : A hypothesis needs to be able to be
         | falsified, by which it can be safely assumed to be wrong. This
         | is most often simply a failure of the novel predictions to
         | emerge, but the more failure conditions for your hypothesis -
         | the "stronger" it becomes.
         | 
         | ---
         | 
         | The path to get there and anything beyond that is largely
         | inconsequential. For instance, much of Einstein's work for
         | instance was largely driven by simply 'thinking it up.' When
         | publishing his most fundamental works, he had absolutely no
         | access to any unique resources, knowledge, or ability to carry
         | out significant studies. He was working in a patent office as a
         | low level inspector!
         | 
         | Maybe if you squint hard enough, you might claim what he did
         | was a scientific case study. On the other hand, there are also
         | the more common contemporary "case studies" of the sort of
         | where you run a quick survey on Amazon Turk and then make
         | grand, largely unfalsifiable, claims based solely on that with
         | 0 meaningful predictive value. I would not call that science.
        
           | ordu wrote:
           | _> Maybe if you squint hard enough, you might claim what he
           | did was a scientific case study._
           | 
           | If Einstein gathered facts about reality then it might be a
           | case study. If he didn't then it was not a case study by the
           | definition of a case study.
        
         | pas wrote:
         | > Dostoevsky doesn't propose a model
         | 
         | ... but doesn't he? Isn't his model is that given this and this
         | circumstances people will do this and this (eg. commit crimes
         | and reflect/regret)?
        
       | armitron wrote:
       | Besides Dostoevsky, there is abundant wisdom and deep truths to
       | be found in the classics of Christianity. The apologetics of C.S.
       | Lewis (Screwtape Letters, The Problem with Pain, The Great
       | Divorce), Augustine's Confessions and City of God, Seven Storey
       | Mountain by Thomas Merton and G.K. Chesterton's Everlasting Man.
       | 
       | These are seldom read (or known) by young people today and I see
       | that as a tragedy. Western spirituality was demolished and
       | nothing substantial has emerged to fill the void left, besides a
       | coterie of self-help charlatans and intellectual tricksters, with
       | the predictable results that we see all around us today.
       | 
       | This is also something that Nassim Taleb (a voracious reader and
       | lifelong student of the Western classics but also an Orthodox
       | Christian) frequently outlines.
        
         | mattgreenrocks wrote:
         | I re-read Screwtape Letters some 10-12 years later at the age
         | of 40 and was floored by how accurately depicted the various
         | maladaptive behaviors (eg sins) within myself.
         | 
         | Sometimes, I'd have to put the book down and do something else
         | because it hit so close to home.
         | 
         | A beautiful, timeless work.
        
         | Bakary wrote:
         | I have delved into the very literature you describe, and it's
         | not simply an issue of 'kids these days'. What all these works
         | have in common is that they are replete with thoughtful
         | insights about human nature, but fail to convincingly present
         | Christianity as the solution. They tend to simply drop it on
         | the reader without explaining the logical leap or why similar
         | but competing belief systems couldn't also play the same role.
        
           | felix318 wrote:
           | I would say if the words of Christ are not enough to convince
           | someone, who else could possibly say it better?
           | 
           | I've read lots of Chesterton and CS Lewis, and they didn't
           | change my perception of Christianity a single bit. What they
           | did though was expose the enormous inconsistencies of the
           | materialistic worldview. It's not an argument for
           | Christianity as much as a critique of its critics.
        
             | quesera wrote:
             | > I would say if the words of Christ are not enough to
             | convince someone, who else could possibly say it better?
             | 
             | Christ didn't write anything.
             | 
             | The words attributed to him, a few hundred years later, are
             | inconsistent and unreliable.
             | 
             | I'd love to hear from the man. I'm pretty unimpressed by
             | those who claim to represent him.
        
       | scrubs wrote:
       | A _programmer_perspective_ on classic literature? This is why
       | English majors who don't like nerds. I agree.
        
         | [deleted]
        
         | ashika wrote:
         | i also reacted negatively to the title but found the article to
         | be redemptively unpretentious. i think any fan of dostoevsky
         | would agree with his conclusions and be happy that this robot
         | found a heart.
        
         | starkd wrote:
         | Except today many english majors don't read enough of the
         | classics.
        
       | carabiner wrote:
       | I tried to but C&P was a struggle. I've never gotten more than 50
       | pages in. In this age of tiny attention spans how do you guys do
       | it? I loved Anna Karenina and have read it cover to cover 4x, but
       | also could not do War & Peace.
        
       ___________________________________________________________________
       (page generated 2022-10-01 23:01 UTC)