[HN Gopher] Reading Soviet Sci-Fi at the End of the World
       ___________________________________________________________________
        
       Reading Soviet Sci-Fi at the End of the World
        
       Author : wawayanda
       Score  : 114 points
       Date   : 2022-09-26 11:38 UTC (11 hours ago)
        
 (HTM) web link (themillions.com)
 (TXT) w3m dump (themillions.com)
        
       | baybal2 wrote:
        
       | SirLJ wrote:
       | I had the privilege to read most of those books long time ago,
       | but the best and pretty much the only one I reread every few
       | years is "The Master and Margarita" by Mikhail Bulgakov...
       | 
       | Even now as an adult, sometimes I would dream that I can fly in
       | the same way as Margot flew on top of the streets in Moscow...
       | 
       | It is just one of the greatest books ever, but I am not sure it
       | can be fully understood and appreciated by people that did not
       | spent some time behind the iron curtain...
       | 
       | https://en.wikipedia.org/wiki/The_Master_and_Margarita
        
         | bootsup wrote:
         | It isn't scifi, but it's certainly one of the best fantasy
         | novels ever written.
        
       | metadaemon wrote:
       | I just picked up a recently translated Stanslaw Lem collection of
       | short stories, The Truth and Other Stories.
       | 
       | I love Soviet era Sci-Fi, a lot of it is actually written by
       | scientists of the time. I've also heard that We by Yevgeny
       | Zamyatin is good.
        
       | kwyjibo1230 wrote:
       | Whenever a reading list gets to the front page of HN, I always
       | find the most interesting books to add from the comments!
       | 
       | I did add Roadside Picnic from the link to my list, but thanks
       | commenters for helping me find:
       | 
       | - We (very excited about this one given the possible influence to
       | 1984 and Brave New World)
       | 
       | - Red Star
       | 
       | - Monday Starts on Saturday
        
         | ainar-g wrote:
         | You can add "The Doomed City" to the list as well. It's an
         | interesting take on the "aliens pull people from different
         | places and times to conduct a social experiment" trope.
         | 
         | https://en.wikipedia.org/wiki/The_Doomed_City
        
         | bootsup wrote:
         | My favorite Soviet/Eastern Bloc scifi novel is The Day Lasts
         | More Than A Hundred Years (1981) by Chingiz Aitmatov.
         | 
         | "Ethnic" writers were accorded more freedom of topic than white
         | Russians, confined to village prose in the Breznev era.
         | Aitmatov's book sweeps the vast steppes of Central Asia and
         | interstellar space, begins from the perspective of a fox,
         | considers traumas of the Great Patriotic War and Stalin's
         | resettlement, thousand-year-old traditions, the quest to give a
         | dead railroad switchman a proper Muslim burial, and an
         | international incident caused in space.
         | 
         | Aitmatov was ethnically Kyrgyz. The book's mostly set on Kazakh
         | steppes.
         | 
         | OP was looking for context on the meat-grinder in Ukraine. He
         | won't find it in the meat-grinder near the end of Roadsite
         | Picnic.
         | 
         | Sienkiewicz (1884), With Fire and Sword, set in 1640s-1650s
         | Khmelnytsky Uprising (Cossacks of Zaporozhian Sich vs Polish-
         | Lithuanian empire) is remarkably good, and geographically
         | contiguous with the current meat grinder in Ukraine. A pre-
         | Soviet book from outside what became USSR (Polish), not scifi,
         | but which clearly inspired Frank Herbert and possibly Tolkein.
         | Scifi and fantasy continued the adventure genre, after all. If
         | you read it, be prepared for Iliad or The Bridge on the Drina-
         | level violence at times.
         | 
         | For more non-scifi lit grounded in war in previous iterations
         | of Ukrainian statehood, see especially Bulgakov's (1925) The
         | White Guard. A love song to Kiev, loving and complex critique
         | of its bourgeoisie that could only have been written by a
         | physician.
         | 
         | Roadside Picnic's a fast-paced philosophical read. Solaris (yes
         | it's Polish, but Tarkovsky painted it in film) has the dreamy,
         | encyclopedic quality of something like Moby-Dick. (Post-Soviet)
         | Metro 2033 is lower quality, more pulpy, feels like it was
         | written to be turned into a series, video game, etc. (it was),
         | but it's an interesting page-turner.
        
         | kej wrote:
         | >Whenever a reading list gets to the front page of HN, I always
         | find the most interesting books to add from the comments!
         | 
         | Do you maintain this list publicly anywhere? "Books that have
         | been recommended in HN comments" would be an interesting list
         | to see.
        
       | yaky wrote:
       | I originally read Roadside Picnic as a teen, which, at the time,
       | impressed me as an exciting sci-fi adventure. When I re-read it
       | as a young adult, i saw it as a rather depressing tale asking the
       | questions of sacrifice and duty.
       | 
       | My other favorite by Strugatskys is A Billion Years Before The
       | End Of The World (translated as Definitely Maybe), which you can
       | read as a somewhat humorous story involving paranormal events, or
       | as a critique of the state suppressing unwanted research. (As far
       | as I know, one of the brothers was involved with a dissident and
       | questioned before writing it)
        
         | thriftwy wrote:
         | A Billion Years Before The End Of The World is neither humorous
         | nor it can be dumbed down and framed as "a critique of the
         | state suppressing unwanted research". It's one of their later
         | and more complex works.
         | 
         | A critique of the state messing with research is "the tale of
         | Troika", and it's also a weird, weak-ish book (it also comes in
         | a pair, not unlike Janus Poluektovich).
        
         | przefur wrote:
         | I've had similar thoughts regarding the roadside picnic, the
         | older I am, the more depressing it feels. I would highly
         | recommend another Strugatskys book - 'Monday starts on
         | Saturday', it is pure humor, as opposed to other works of
         | theirs. It's about a soviet scientist that joins government's
         | study on magic. Bureaucracy never been funnier, of course
         | outside of 'The Twelve Tasks of Asterix', 1976.
        
           | rurban wrote:
           | Indeed, Monday starts on Saturday is better. Only Hungarian
           | or Czech authors are similarily funny
        
           | golergka wrote:
           | > It's about a soviet scientist
           | 
           | It's actually about a soviet software engineer, and A LOT of
           | the things in this book is still very relevant to our trade
           | today.
        
             | monista wrote:
             | Rather programmer than software engineer, I think that that
             | time, his work was mainly just calculate something, not to
             | write software products and such.
             | 
             | Incidentally, the spirit of the book fits both communistic,
             | and hacker's views: work overtime, because you like it, not
             | for an extra reward.
        
         | metadaemon wrote:
         | You've got to love Roadside Picnic as it can be seen as the
         | predecessor to other stories and games, like S.T.A.L.K.E.R. and
         | Escape from Tarkov. It's core trope is unique enough to have
         | spawned an entire generation of content.
         | 
         | I'd say the same about Blindsight, but it hasn't spawned much.
         | Although, it's core trope is arguably the most unique I've ever
         | read before.
        
           | yamtaddle wrote:
           | > I'd say the same about Blindsight, but it hasn't spawned
           | much. Although, it's core trope is arguably the most unique
           | I've ever read before.
           | 
           | I don't want to go into too much for fear of spoilers, but
           | the video game Prey is at least playing in the same ballpark
           | as Blindsight.
        
             | thesz wrote:
             | I think you are talking about second Prey game, not the
             | first. First Prey game was unusual first person shooter,
             | very interesting one. I haven't played second game.
        
               | yamtaddle wrote:
               | Right, the basically entirely-unrelated game under the
               | exact same name, from 2017, not the one from 2006.
               | 
               | https://en.wikipedia.org/wiki/Prey_(2017_video_game)
               | 
               | (tons of spoilers there, I'm sure)
               | 
               | [EDIT] It'd also have been pretty weird if the '06 Prey
               | had seemed like it had some Blindsight DNA, since that
               | novel was released a few months after the '06 Prey. And I
               | don't want to overstate the connection, but it's enough
               | that I'm _reasonably sure_ that _someone_ involved in
               | writing  '17 Prey had read Blindsight.
               | 
               | [EDIT AGAIN] In fact, I'd literally bet money someone
               | involved had also read a certain Watts short story in
               | addition to Blindsight, which story I hesitate to even
               | name for super-spoilery reasons.
        
           | thriftwy wrote:
           | I'm not sure how Blindsight is different in its essense from
           | Arthur Clarke's Rama I. Even the social commentary layer in
           | both books is very similar.
        
         | ThaDood wrote:
         | I agree. I enjoyed Roadside Picnic as its such a unique take on
         | the ET visitation genre but my god is it depressing.
         | 
         | I still think it could have the potential be a really
         | interesting TV show. Personally I think the slow nature of the
         | book lends itself towards the show format.
         | 
         | Further, IIRC I believe that soviet authors/translators were
         | able to skirt censorship for the LoTR books by wrapping them in
         | a Sci-Fi setting. Soviet writer for science fiction are some of
         | my favorites.
        
           | trobertson wrote:
           | > I still think it could have the potential be a really
           | interesting TV show.
           | 
           | It's already a movie.
           | https://en.wikipedia.org/wiki/Stalker_(1979_film)
        
           | wishfish wrote:
           | Roadside Picnic is probably my favorite version of alien
           | visitation. I'm partial to stories where the aliens are
           | largely incomprehensible. Especially the ones who can manage
           | the high tech requirements of FTL. Felt very realistic having
           | the aliens visit Earth as tourists and not invaders, ignore
           | the locals, and throw their trash around.
           | 
           | I am also a little surprised it hasn't been made into modern
           | show. It would perfectly fit the paradigm of the modern story
           | arc-based show that's centered around a big mystery. But,
           | there's some consolation when one can see the influence of
           | Roadside Picnic on other shows. Seems like it was a big
           | influence on Lost.
        
           | grufkork wrote:
           | Some of the RP editions have an afterword about publishing in
           | Soviet and evading censorship thorough Sci-fi, pretty
           | interesting. Soviet was a strange place.
           | 
           | Roadside Picnic is a lovely perspective on the genre, in that
           | it isn't at all about the zone or any supposed aliens. The
           | zone makes for a fascinating backdrop for the story, but in
           | the end it is about the people just trying to carve out a
           | life while exposed to an extraordinary, incomprehensible
           | situation grown mundane. The zone could be swapped out for a
           | disaster area or a hostile jungle or whatever, but by being
           | _the zone_ it becomes very alien to the reader as well. It
           | contributes to what I really like about the book, simply
           | being very atmospheric and immersive. It 's all show-
           | don't-tell, the reader experiences everything through what
           | the characters see or hear, and the reader's picture of the
           | world is as clouded and uncertain as those living in it. I
           | found a bit of the same feeling in Metro 2033, where anything
           | happening outside of a couple kilometers range is just
           | rumours. Nobody really knows anything for sure and neither
           | does the reader!
           | 
           | Also there was actually a RP TV-series in production with a
           | really cool trailer, but I think the pilot didn't take off so
           | it shut down.
        
             | flanbiscuit wrote:
             | Had no idea there was a TV-series in the works. Would love
             | to see that pilot.
             | 
             | Found this video about it:
             | https://www.youtube.com/watch?v=aoGkB5yvDDk
             | 
             | its imdb page:
             | https://www.imdb.com/title/tt5024734/?ref_=nv_sr_srsg_0
             | 
             | There was an NBC TV series in 2021 called Debris, canceled
             | after 1 season, that must have taken some inspiration from
             | Roadside Picnic (at least from what I see in this failed
             | series trailer). It's about 2 federal agents searching for
             | parts of an exploded alien spacecraft. It was your typical
             | "monster of the week" while building up an overarching
             | story. Each piece of the ship would have some unique and
             | crazy affect on the area and/or people around it.
             | 
             | https://en.wikipedia.org/wiki/Debris_(TV_series)
             | 
             | https://www.imdb.com/title/tt11640020/?ref_=nv_sr_srsg_0
             | 
             | edit:
             | 
             | ah, looks like I'm not the first to notice this connection:
             | https://www.reddit.com/r/Debris/comments/nz6pkl/debris_and_
             | r...
        
           | petre wrote:
           | It possibly reflects on daily life in the Soviet Union.
           | Beetle in the Anthill is even more depressing. Still, the
           | Strugatsky brothers are two of my favourite authors.
           | 
           | I re-read their books every ten years or so (along with some
           | of Philip K. Dick's) because I keep forgetting the plot and
           | the details. The Noon Universe books, along with Roadside
           | Picnic are quite cryptic.
           | 
           | Anyway, The Doomed City is considered one of their most
           | depressing of their novels, with a feeling of hopelessness
           | characteristic of the Brezhnev era. I've long posponed
           | reading it due to this and the fact that it's the last of
           | their books published in my language that I haven't read.
        
             | yaky wrote:
             | I read somewhere that Strugatskys were once asked whether
             | Inhabited Island was a satire of the Soviet Union, to which
             | they responded with something like "it was not supposed to
             | be the Soviet Union or any country specifically, but
             | because we lived there, that is what we inadvertently ended
             | up writing about"
        
         | monista wrote:
         | I agree about Definitely Maybe, or, rather, I disagree that it
         | can be read as humorous, but can't agree more that it's great,
         | considering its philosophical or psychological depth.
        
         | UncleOxidant wrote:
         | Haven't read Roadside Picnic, but I've seen Tarkovsky's Stalker
         | several times. How do they compare? Stalker on it's own is an
         | amazing piece of art. The Stalker in the monologue at the end
         | laments that no one believes anymore (this seems to be
         | Tarkovksy's critique of materialism and probably got him in
         | trouble with the Soviet censors) - it can also be seen as
         | depressing, but there's that bit at the very end when Stalker's
         | daughter does that telekinesis thing which can be seen as being
         | a bit hopeful for the future.
        
           | abruzzi wrote:
           | they are similar yet very different. Stalker focuses on a
           | single journey into the Zone, Rodaside picnic focuses on the
           | life and world surrounding the zone. I've always said that
           | Roadside Picnic is dark realist SciFi that dabbles in
           | Philosophy, while Stalker is Philosopy that dabbles in dark
           | realist SciFi.
        
         | SideburnsOfDoom wrote:
         | FYI, another of their works, _The Doomed City_ was finally
         | translated into English a few years ago. It is now my
         | favourite, among their works.
         | 
         | https://www.goodreads.com/book/show/35133627-the-doomed-city
         | 
         | https://www.chicagoreviewpress.com/doomed-city--the-products...
         | 
         | https://en.wikipedia.org/wiki/The_Doomed_City
        
         | protomolecule wrote:
         | Interesting, I read 'A Billion Years Before The End Of The
         | World' as a book about facing hard choices in life.
        
           | monista wrote:
           | That's what constitute a great book: many meanings can
           | coexist there, and one isn't not right reading it this or
           | that way.
        
       | omega3 wrote:
       | Lem wasn't Soviet, he was Polish. It's strange he also considers
       | Victor Pelevin to be a Soviet writer as all his novels were
       | released after 1991.
        
         | przefur wrote:
         | Yeah, it felt so wrong to see Lem up there. The fact that he
         | was renowned in Soviet Union does not make him any Soviet. From
         | what I've read of his works + his biography, he reminds me more
         | of early US science-fiction writers than any of soviet ones.
        
           | thriftwy wrote:
           | This is only if you discount his early works such as The
           | Magellanic Cloud, where he is a world communism adept wearing
           | rose-coloured glasses, through which many of his readers,
           | including ones in core Soviet Union, would perceive reality
           | and future prospects.
           | 
           | Eastern European writers did contribute a sizeable bookshelf
           | of writings about bright space communist future, until it
           | began to turn sour. One lesser-known one who I remember from
           | my childhood is Pavel Vezhinov's Death of Ajax.
           | 
           | UPD: Maybe we should use Eastern Bloc Science Fiction as a
           | term?
        
             | watwut wrote:
             | I think that Eastern European would be nuch better term
             | then Soviet. Or post-communist if you limit yourself to
             | after 1989.
        
             | omega3 wrote:
             | Even if he was a communist it still wouldn't make him
             | soviet.
        
         | BrainVirus wrote:
         | This is a great comment to illustrate how ideology (especially
         | various brands of nationalism) destroys genuine dialog. Instead
         | of talking about the writers and their works people are now
         | talking about which pigeonhole each writer belongs to. Not
         | because those pigeonholes improve anyone's understanding of the
         | books, mind you. It's a matter of taking credit for their works
         | and applying those credits to the current meta-narrative.
        
           | Tade0 wrote:
           | Tends to happen when you apply the eastern European
           | equivalent of an N-word to someone.
           | 
           | It's a touchy subject, and the recent Russian invasion
           | explains why.
        
           | unity1001 wrote:
           | > which pigeonhole each writer belongs to
           | 
           | That strongly influences, actually directly shapes, what
           | works does the writer or the artist produces.
        
             | pessimizer wrote:
             | > That strongly influences, actually directly shapes, what
             | works does the writer or the artist produces.
             | 
             | You're putting the cart before the horse.
        
               | unity1001 wrote:
               | Nope. We are all products of our culture. Our parents,
               | our upbringing, education in school. Our friends. Our
               | first experiences, and of course, the ideology that we
               | have obtained during the process. The ideology mostly
               | comes built into the society's culture, education and
               | work life. So there is no such thing as 'ideologically
               | neutral' or "I don't have an ideology". Its just that
               | people think that the ideology that they have is
               | 'normal', and they don't identify it as an ideology
               | unless it conflicts with the incumbent ideology in the
               | society.
        
               | bootsup wrote:
               | Yes, although sometimes people feel their country is not
               | normal. "In a normal country, this would not happen,"
               | many Russian people said, especially in the '90s between
               | Yeltsin's US-backed coup and the 1998 collapse.
        
           | watwut wrote:
           | Difference between Polish and Soviet is not tiny pidgeon hole
           | difference. It is giving proper attribution. Not everything
           | was done by Soviet. And for that matter, Soviet does not mean
           | Russian automatically either.
           | 
           | And specifically, Poland was occupied by Soviet long enough
           | to deserve not tonhave own art attributes to them.
           | 
           | Also, literature before revolutions and after them is much
           | different. Topics, style of writing, who could get published
           | or become famous are all much different. You can't attribute
           | to Soviet what was done after Soviet broke up.
        
         | chucksmash wrote:
         | Well, he did it on purpose at any rate:
         | 
         | > I am a citizen of the sentence first and foremost, and so
         | when I read Pelevin uncorking a massive, soaring line from
         | within Omon's young consciousness, I did not think: "does this
         | qualify as Soviet if it's about the Soviet space program but
         | it's published in 1991?"
        
           | omega3 wrote:
           | I think he's either intellectually lazy or dishonest vis a
           | vis my other comments. Even the publishing date in this case
           | is suspect, every single source I could find it lists it as
           | 1992 and not 1991. Either way I'd expect better from someone
           | who is an University teacher.
           | 
           | > PATRICK MCGINTY (...) teaches in the Department of
           | Languages, Literatures, Cultures, and Writing at Slippery
           | Rock University
        
         | defrost wrote:
         | Polish in birth and in spirit, a Soviet writer by location
         | duing his more productive years:
         | 
         | > Lem was born in 1921 in Lwow, interwar Poland (now Lviv,
         | Ukraine)
         | 
         | > In 1945, Lwow was annexed into the Soviet Ukraine, and the
         | family, along with many other Polish citizens, was resettled to
         | Krakow, where Lem, at his father's insistence, took up medical
         | studies at the Jagiellonian University.
         | 
         | > After the war, under the Polish People's Republic (officially
         | declared in 1952), the intellectual and academic community of
         | Krakow came under complete political control. The universities
         | were soon deprived of printing rights and autonomy.[79] The
         | Stalinist government of Poland ordered the construction of the
         | country's largest steel mill in the newly-created suburb of
         | Nowa Huta.[80] The creation of the giant Lenin Steelworks (now
         | Sendzimir Steelworks owned by Mittal) sealed Krakow's
         | transformation from a university city into an industrial
         | centre.
         | 
         | It's a stretch, but not by much, to consider Lem as someone who
         | spent time under the Soviet umbrella.
         | 
         | [1] https://en.wikipedia.org/wiki/Stanis%C5%82aw_Lem
         | 
         | [2] https://en.wikipedia.org/wiki/Krak%C3%B3w
        
           | omega3 wrote:
           | Poland was never part of Soviet union.
           | 
           | https://en.wikipedia.org/wiki/Soviet_Union
        
             | trasz wrote:
             | It was a part of Soviet Bloc though.
        
               | omega3 wrote:
               | By the same logic a writer from Turkey which was part of
               | Western Bloc should be called a western writer? What
               | about a writer from Japan?
        
           | ogurechny wrote:
           | All I can say is that if you could tell an average Soviet
           | citizen that Lem was a Soviet writer, you would see a _very_
           | surprised face.
        
           | watwut wrote:
           | That does not make his art not Polish or Soviet.
        
           | przefur wrote:
           | Implying that Lem was a Soviet writer feels just wrong.
        
           | saiya-jin wrote:
           | That's a mighty stretch you try to construct. Born in Poland,
           | lived in Poland, just had the bad luck for being there during
           | times when soviets cough cough russians were taking whatever
           | want, and terrorizing the rest.
           | 
           | For most Polish people this would be quite an insult even
           | disregarding current war waged by russia just next to them,
           | which is pretty much impossible to ignore if you live there.
        
             | myth_drannon wrote:
             | But wasn't Poland occupying the city from 1918-1939? It was
             | Austro-Hungarian city beforehand? Also I wouldn't
             | characterize Soviet occupation as bad luck and Polish as a
             | heaven on earth. Yes, he was born in 1921, 3 years after
             | Polish army invaded the city and terrorized it. I don't
             | know enough history about the period until 1939, but just
             | extrapolating 1918 events to the whole period of Polish
             | occupation.
        
               | omega3 wrote:
               | > I don't know enough history
               | 
               | Clearly.
        
               | z3c0 wrote:
               | Weird to see you accuse someone of intellectual
               | dishonesty, and then turn around and take a quote out of
               | context to throw a dig at somebody else, purely because
               | you don't agree. Very shameful behavior, honestly.
        
               | omega3 wrote:
               | I'm sorry if the response was blunt, nevertheless people
               | really have to take a responsibility for their education
               | and not make inflammatory comments about history of the
               | parts of the world they don't understand or are unwilling
               | to understand.
               | 
               | There is plenty of information regarding history of Lviv
               | and this region in general. It's long and sad, tragic and
               | sometimes beautiful but never simple.
               | 
               | Besides, I found that most people who feign ignorance
               | know history very well and use it for their own agenda.
               | If you know what to search in someone post history it
               | becomes more or less obvious.
        
               | p_l wrote:
               | Lwow was probably most Polish city in the region, and
               | generally what's now Western Ukraine had skewed towards
               | polish in cities and ukrainian in rural areas.
               | 
               | In reality, for as late as 1939 the main differences were
               | language and religion, and considerable chunk of rural
               | population considered themselves "locals" not linking
               | with nation-state idea.
               | 
               | This reflects on Commonwealth being rather multi-ethnic
               | and Austro-Hungarian occupation and repression changing
               | little on the areas they took.
        
               | bootsup wrote:
               | Eastern and Central European history has less stable
               | borders/states than Western/Northern Europeans and
               | Americans often assume. Nationalities existed under
               | various empires without much state-aspirational
               | nationalism until the 19th century. People practicing
               | various religions, speaking various languages lived under
               | changing lords or free in the wild fields, then fled en
               | masse in times of conflict and lived somewhere else.
               | Forced mass-conversions and massacres changed
               | demographics a number of times over the last thousand
               | years. Bureaucracies remained largely intact through
               | their posession by empires, soviets, then
               | nation(ish)-states.
               | 
               | Modern states in the region are real, but contingent, and
               | shouldn't falsely be projected backwards through history.
        
         | jeejay wrote:
         | Also Pelevin is a postmodernist rather than a sci-fi writer
        
           | monista wrote:
           | The genre he works in is often described as hyper-realism.
        
       | fractallyte wrote:
       | Macmillan publisher's Best of Soviet Science Fiction series was a
       | fantastic set of translations, which included novels and short
       | stories: https://isfdb.org/cgi-bin/pubseries.cgi?1107
       | 
       | Highly recommended!
        
       | EugeneOZ wrote:
       | Reading Pelevin without knowing the cultural context is
       | absolutely pointless. His books consist of references to movies,
       | books, historical events, anecdotes, fairy tales, folklore songs,
       | and many other elements of cultural heritage. I emphasize: his
       | books _consist_ of references, not just _have_ them. Stories are
       | based on intersections of meanings of different references.
       | 
       | Pelevin is not a sci-fi writer, and Pelevin is anything but a
       | "soviet" writer. Pelevin is a 100% anti-soviet writer.
        
       | thriftwy wrote:
       | The protestors in Russia (the small number which is still on the
       | streets) likely did not read any Soviet Sci-Fi at all. What they
       | read is Harry Potter.
       | 
       | The parable from Soviet Sci-Fi to the current events is quite
       | confusing. It's an attempt to create a narrative where there
       | isn't.
        
         | cf141q5325 wrote:
         | >What they read is Harry Potter.
         | 
         | Russia has some truly great fantasy series of their own. I
         | never tire of recommending Lukyanenkos Night Watch series.
         | Especially in contrast to trope heavy feel good stuff like
         | Harry Potter that falls back to the heroic fight against
         | ultimate villains. In contrast even the magic system of Night
         | Watch throws the difficulty of the shades of grey in your face.
         | Its especially nice that the whole thing starts as black and
         | white as you can get with the protagonist developing throughout
         | the whole series.
         | 
         | edit: Only read it in German, so not sure about the English
         | translation
        
           | thriftwy wrote:
           | I get it, but people calling themself Russian opposition
           | today are oblivious to any shades of grey. For them,
           | Lukyanenko is a _vatnik_ (a popular ethno-political slur not
           | unlike  "redneck") and nazi, case closed. Same with his
           | comrade SF writer Oleg Divov. There are no shades of grey in
           | political twitter. If Lukyanenko dies tomorrow, it would be a
           | loud celebration for Russian opposition, whatever is left of
           | it - another Putin's rag quacked. Like they celebrated the
           | death of Darya Dugina and posted ironic memes about that.
           | 
           | I could recommend them a Russian (or Ukrainian) writer or two
           | who are likely sharing their world views today, but they just
           | aren't the booky type in general. Why read more books when
           | you get the knowledge of the _current thing_ from Twitter.
           | And the general life framework from Harry Potter. I don 't
           | even think you have to read that one to the end. Most of the
           | memes like the magic hat are in the book one.
           | 
           | I would say that the low quality and race to the bottom in
           | Russian opposition is one of the pillars that lets Putin
           | remain in his chair uncontested. And they keep digging. They
           | reproduce by managing to recruit a new generation of even
           | worse youth.
        
         | FpUser wrote:
         | "The protestors in Russia (the small number which is still on
         | the streets) likely did not read any Soviet Sci-Fi at all. What
         | they read is Harry Potter."
         | 
         | Likely why? You got any real info?
        
           | thriftwy wrote:
           | That's Twitter crowd in Russia. Russian culture is not on
           | Twitter hence it never existed as far as they are concerned.
        
         | trhway wrote:
         | >The protestors in Russia (the small number which is still on
         | the streets) likely did not read any Soviet Sci-Fi at all.
         | 
         | They are living in it. Right now they moved from the chapters
         | in the "Inhabited Island/Prisoners of Power" describing
         | totalitarian state covered with propaganda broadcasting towers
         | and dissent suppression into the chapter where the main
         | characters are loaded into tanks and sent into [tactical] nukes
         | battlefield.
         | 
         | The power of Dostoyevsky/Strugatskis/Pelevin (to me they are
         | parts of the same axis, though it is hard to describe why in
         | short post) is whatever happens (or yet to happen) in Russia
         | you still feel like you're inside one of their novel.
        
           | thriftwy wrote:
           | This is an ample comparsion but may I remind you that
           | Inhabited Island's plot did not resolve by the means of
           | street protests, nor did it resolve at all even after the
           | regime fell?
        
             | trhway wrote:
             | That is the point. Post Putin Russia isn't going to
             | magically change and become a happy place. Society can't
             | change overnight and humans can't significantly, if any,
             | expand their mental horizon fast (even when it is
             | supposedly advanced humans and society of the the future
             | and when presented with tremendously wonderful new aspects
             | of reality) - that goes through several Strugatskis works
             | (Hard to be a God, Roadside Picnic, Anthill, The Waves
             | Extinguish the Wind)
        
               | thriftwy wrote:
               | I can't say that Putin's Russia is a particularly unhappy
               | place, especially taking into account the bad things one
               | carries inside and will surely transplant wherever they
               | land. And compared to the thing the world now wants to
               | build here, which is also described in post-soviet social
               | fiction.
               | 
               | In Inhabited Island, Maxim takes some time to ponder
               | whether the society he appeared in is actually unhappy
               | and needs any help, considering its level of develoment.
        
         | golergka wrote:
         | > The protestors in Russia (the small number which is still on
         | the streets) likely did not read any Soviet Sci-Fi at all
         | 
         | Yeah, that's completely false. As someone who has been on these
         | streets and it these political circles for a LONG time, I can
         | with confidence tell you that vast majority were familiar with
         | at least most (if not all) writers in that list.
        
       | hutzlibu wrote:
       | Soviet fiction I know:
       | 
       | Alexander Bogdanov, the Red Star
       | 
       | Interesting person and interesting book, considering it is from
       | 1905
       | 
       | https://en.m.wikipedia.org/wiki/Alexander_Bogdanov
        
         | Sin2x wrote:
         | Not exactly Soviet but "We" fits well here:
         | https://en.wikipedia.org/wiki/We_(novel)
        
           | pjc50 wrote:
           | "We" is remarkable in that it describes lots of failure modes
           | of the Bolshevik revolution _before_ they happened.
        
             | notahacker wrote:
             | And also remarkable in that Orwell described its plot as
             | "rather weak and episodic" before cheerfully ripping it off
             | in his most famous work...
        
               | Sin2x wrote:
               | That quote is _very much_ taken out of the context...
               | 
               | https://www.orwellfoundation.com/the-orwell-
               | foundation/orwel...
        
             | Sin2x wrote:
             | Well, it was actually written after the revolution and the
             | so-called "War communism" phase of the 1918-1921 Russia. To
             | me it's more of a study on how the collectivist "paradise"
             | would work after it works out its growing pains.
        
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