[HN Gopher] Tom Stoppard Finally Looks into His Shadow
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       Tom Stoppard Finally Looks into His Shadow
        
       Author : lermontov
       Score  : 38 points
       Date   : 2022-09-14 21:46 UTC (2 days ago)
        
 (HTM) web link (www.nytimes.com)
 (TXT) w3m dump (www.nytimes.com)
        
       | jclem wrote:
       | While "Arcadia" is likely of greatest interest to HN readers of
       | all of Tom Stoppard's plays, I also highly recommend "Jumpers"
       | and "The Hard Problem."
       | 
       | Also worth noting the many excellent films he wrote, like
       | "Brazil" and "Empire of the Sun."
        
         | ska wrote:
         | Not to mention _Rosencrantz and Guildenstern Are Dead_ , which
         | I guess is both play and film.
        
         | blipvert wrote:
         | Happy to be corrected, but screenwriter for EotS, surely, as JG
         | Ballard wrote the book?
        
           | [deleted]
        
       | AlbertCory wrote:
       | > louche glamour
       | 
       | One of those words I really want to use some time ("louche", not
       | "glamour").
       | 
       | > he still writes with a Caran d'Ache fountain pen with a six-
       | sided barrel
       | 
       | because of course he does.
        
       | patcon wrote:
       | https://archive.ph/HHFC2
        
       | VonGuard wrote:
       | Anyone wondering why this is here should read or go see a
       | performance of Arcadia.
       | https://en.wikipedia.org/wiki/Arcadia_(play)
       | 
       | Tom Stoppard is the greatest living American playwright. Some of
       | his earlier stuff can be a tad impenetrable, but Arcadia is why
       | this story is here on Hacker News. It's about a girl in the
       | 1800's who discovers the fractal equation for trees, and in
       | theory, reality itself.
       | 
       | It's marvelous.
        
         | himlion wrote:
         | Can second this, I'm not usually into plays but Arcadia is
         | brilliant.
        
           | onlyrealcuzzo wrote:
           | I also found Shakespeare in Love to be one of the wittiest
           | comedy movies of all time.
        
         | myxie_ wrote:
         | Stoppard is definitely excellent, but at the risk of being
         | pedantic, I feel the need to correct the fact that the man is
         | quite English!
        
           | harry8 wrote:
           | Well if we're being pedantic, definitely not English - there
           | is no such "nationality". Czech-British? Maybe just "British"
           | being the term used for citizens of the United Kingdom of
           | Great Britain and Norther Island?
        
             | Veen wrote:
             | England is not a nation state, but it is a nation. English
             | is a nationality, as is Welsh and Scottish.
        
             | cbfrench wrote:
             | Oh, come on. No one considers Seamus Heaney a "British
             | poet," even though he was born in Northern Ireland. He's
             | Irish. I don't think the Welsh or the Scots place much
             | emphasis on being "British," either. It's a perfectly
             | sensible designation to call Stoppard an English
             | playwright.
        
               | harry8 wrote:
               | It may be sensible in a given context on which I express
               | no view but it is not pedantically correct. The context
               | here is an expression of nationality while claiming
               | pedantry. If one were to refer to Seamsus Heaney's
               | nationality at birth, it sounds as though "Irish" would
               | be wrong. Whatever one thinks about what should have been
               | in that part of the world, or should be today or does
               | not. In a different context he may be culturally more
               | Irish than Irish for all I know as I'm not familiar with
               | him or his work.
        
               | cbfrench wrote:
               | But that's not how we designate authors in the field.
               | When you're discussing the various literatures in
               | English, nationality in the political sense is
               | effectively meaningless. Robert Burns was born in
               | Scotland after the Act of Union of 1707, but no one
               | refers to him as a "British poet." He's Scottish.
               | Likewise, Heaney is an Irish poet, David Jones is a Welsh
               | poet, and so forth. Those distinctions matter within the
               | field of literary study, so it's not really even a matter
               | of being "pedantically" correct. It's simply not how we
               | classify authors within the various literatures that
               | generally fall under the umbrella of "English
               | literature." To call Stoppard an English playwright
               | (rather than a Scottish or Welsh or American playwright)
               | has a significance in identifying the particular
               | tradition within which he works.
               | 
               | Moreover, England, Scotland, Wales, and Northern Ireland
               | are recognized as constituent countries of the United
               | Kingdom. (And is should be noted that "Great Britain"
               | only encompasses England, Scotland, and Wales--not N.
               | Ireland. So it's definitely incorrect to refer to a N.
               | Irelander as "British.") They aren't simply states in the
               | way Texas or Tennessee are. They are countries with
               | devolved governments, and are recognized as such by the
               | UK government. As such, it seems entirely fitting, even
               | from a political and pedantic standpoint, to refer to
               | someone as belonging to the particular country from which
               | he hails.
               | 
               | E: Probably also worth noting, since we're being
               | pedantic, that OC's comment that "the man is quite
               | English" need not refer to his nationality per se. It
               | could just as easily mean that Stoppard is culturally
               | "quite English" rather than indicating which national
               | gov't issues his passport.
        
               | frosted-flakes wrote:
               | Northen Ireland is still part of Britain, if not Great
               | Britain.
        
               | cl0ckt0wer wrote:
               | This thread is literally NoTrueScottsman
        
               | rtev wrote:
               | And the most HN thing ever!
        
               | ohruvdjv wrote:
        
               | Veen wrote:
               | > So it's definitely incorrect to refer to a N. Irelander
               | as "British."
               | 
               | That's a complex issue. Many Northern Irish people do
               | consider themselves to be British and others consider
               | themselves to be Irish. As you might expect, their
               | preferred identity is often related to whether they are
               | members of the Protestant/Unionist or
               | Catholic/Nationalist communities (this is a significant
               | oversimplification).
        
         | renewiltord wrote:
         | Wow, that sounds _fantastic_. I only know of his mainstream
         | play R &G are dead but it looks like I've got something really
         | exciting to read.
         | 
         | > _Thomasina starts asking why jam mixed in rice pudding can
         | never be unstirred, which leads her to the topic of determinism
         | and to a beginning theory about chaotic shapes in nature._
         | 
         | Well, I am looking forward to this!
         | 
         | And, I have to admit, I do enjoy igniting a little pedant-snipe
         | here so "English playwright" I'm afraid. Hopefully, everyone
         | decides to have a silly nationality war in my replies too!
        
           | benbreen wrote:
           | Arcadia really is extraordinary. My favorite modern play and
           | one of my favorite pieces of writing of any kind. +1 to the
           | recommendation above.
        
             | afthonos wrote:
             | Indeed. My favorite theatre memory is getting to play
             | Septimus, and having an audience member tell me the
             | lynchpin of my interpretation was something they had never
             | realized before. The tiny, infinite reward of having a role
             | in a masterpiece. :-)
        
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       (page generated 2022-09-16 23:01 UTC)