[HN Gopher] Designing for Improvisation (2010)
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Designing for Improvisation (2010)
Author : brm
Score : 20 points
Date : 2022-08-25 15:20 UTC (1 days ago)
(HTM) web link (bobulate.com)
(TXT) w3m dump (bobulate.com)
| midenginedcoupe wrote:
| Jazz musician and programmer here.
|
| I wish people held off postulating about improvisation until they
| understood the first thing about it.
|
| First off, modal jazz wasn't invented by Miles on the Kind of
| Blue sessions. He'd even used it himself in earlier recordings.
| Also, modal jazz isn't inherently more simple than what had gone
| before. Is it _really_ more simple than the blues scale? Nah.
|
| And then this
|
| > Instead of the control coming from the composer (read: the
| designer), modal jazz promotes a sense of discovery.
|
| is just nonsense. Every other solo section on every other
| recording was constrained by the composer, by specifying the
| chord sequence. Whether that's a one-chord vamp or the later
| Giant Steps-style gymnastics. And what happened on this recording
| is the composer specified the chord sequence and then on top of
| that, told the soloists what notes to choose from when soloing.
| If anything, that's even _more_ control from the composer than
| what came before. And it being modal doesn't promote any more of
| a sense of discovery than any other framework for choosing notes
| from the time.
|
| I could go on, but I'd just get more cross. Worse, it reminded me
| of an old talk by Kent Beck on Jazz. IIRC about a tool he'd built
| on top of Eclipse? Either way, he horrendously massacared the
| concept of jazz and improvisation, too.
| [deleted]
| yeeyeeyee wrote:
| I am very frustrated by this article and I don't know why. I
| mean, they're right, improvisation, that's a good model for how
| you should design your social networking service. But just given
| how "realtime systems" (read: social media) evolved from
| 2010-2022, somehow I feel like this is not what Miles Davis
| _stood for_.
| amp108 wrote:
| I was really confused, and thought I'd missed out on a big chunk
| of music theory, when I read this. Glad to see it wasn't my
| understanding, but the author's.
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