[HN Gopher] The Unlovable, Irresistible John Donne
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       The Unlovable, Irresistible John Donne
        
       Author : pepys
       Score  : 28 points
       Date   : 2022-08-22 03:17 UTC (2 days ago)
        
 (HTM) web link (www.theatlantic.com)
 (TXT) w3m dump (www.theatlantic.com)
        
       | lordleft wrote:
       | No man is an island entire of itself; every man
       | 
       | is a piece of the continent, a part of the main;
       | 
       | if a clod be washed away by the sea, Europe
       | 
       | is the less, as well as if a promontory were, as
       | 
       | well as any manner of thy friends or of thine
       | 
       | own were; any man's death diminishes me,
       | 
       | because I am involved in mankind.
       | 
       | And therefore never send to know for whom
       | 
       | the bell tolls; it tolls for thee.
        
         | wahern wrote:
         | I'd never read the whole excerpt.[1] It's much more
         | communitarian than the commonly recited phrase, "never send to
         | know for whom the bell tolls; it tolls for thee", which seems
         | self-centered in isolation, emphasizing one's own mortality
         | rather than what one loses when someone _else_ dies. Of course,
         | "No man is an island" is also commonly recited and can stand
         | alone, but I hadn't known it was from the same paragraph.
         | 
         | [1] I originally wrote poem but it's excerpted from a larger
         | work of prose, Devotions, chapter XVII:
         | https://www.gutenberg.org/files/23772/23772-h/23772-h.htm#Pa...
         | See also https://interestingliterature.com/2021/08/never-send-
         | for-who...
        
       | hprotagonist wrote:
       | "unlovable"? Hardly, he's high on my list of poets I adore.
       | 
       | I love the absolute cheek and breadth of scope of a poet that can
       | give us the somber meditation "No man is an Island"/"for whom the
       | bell tolls", the defiance of "death be not proud", the passionate
       | longing of "batter my heart" (perhaps the most dangerous prayer i
       | know), and also the charming, leering, nod-and-a-wink of "mark
       | but this flea...", which is a very impish seduction poem indeed.
       | In the persistence of his turns of phrase in our daily
       | vernacular, he's up there with Cranmer or Shakespeare.
       | 
       | In his range, he reminds me of Catullus, who gives us both "hail
       | brother and farewell" and "i will skullfuck you and sodomize
       | you".
       | 
       | In his life, a man who by all accounts went from rake to devoted
       | husband more or less on sight, among much else indeed.
       | 
       | https://www.poetryfoundation.org/poems/46467/the-flea
       | 
       | https://www.poetryfoundation.org/poems/44107/holy-sonnets-de...
       | 
       | https://www.poetryfoundation.org/poems/44106/holy-sonnets-ba...
       | 
       | https://web.cs.dal.ca/~johnston/poetry/island.html
        
         | jboggan wrote:
         | Absolutely, he deserves a lot of respect and study. I find him
         | to be one of the funniest poets ever. The unedited version of
         | "An Anagram" [0] is one of the greatest and silliest put-downs
         | recorded in English.
         | 
         | 0 - http://www.online-
         | literature.com/forums/showthread.php?18947... (two of the last
         | four lines are removed in many online versions)
        
       | duxup wrote:
       | I hate to get off the rails on just the article itself because I
       | find it annoying when that happens, and I'm a poor writer myself.
       | But as someone who didn't know John Donne I came away thinking
       | that article was hard to read, and there were just a bunch of
       | references to other things applied to John Donne... but I know
       | nothing more about John Donne.
        
         | kleiba wrote:
         | I don't know about that in particular, but I certainly find the
         | writing style annoying. There's nothing wrong with choosing a
         | light tone, but I find the comedic ambitions rather out of
         | place, and they add nothing to my wanting to read on.
        
         | wahern wrote:
         | I was unfamiliar with John Donne myself, but from the first
         | paragraph it was clear the author was writing in a deliberately
         | stylized manner; a manner which in retrospect seems perhaps
         | intended to evince or reflect Donne's conversational poetic
         | style. I enjoyed the article, but even if I hadn't, I would
         | still appreciate the effort; sort of like how I can appreciate
         | an otherwise inscrutable quine (program).
        
         | gjm11 wrote:
         | The article tells you plenty of things about John Donne.
         | 
         | It tells you a thing or two about his life: that he was born a
         | Catholic and some of his family were imprisoned on account of
         | their religion; that he went to sea with the Earl of Essex;
         | that he had a lot of sex in his youth and became a religious
         | minister later on, becoming the dean of St Paul's cathedral;
         | that as his death approached he wore what would be his winding-
         | sheet so that a sculptor could prepare to make a monument for
         | him.
         | 
         | It gives you some quotations, for a sense of the small-scale
         | sound of his language. "License my roving hands, and let them
         | go / Before, behind, between, above, below" (from a distinctly
         | naughty earlyish poem). "A man may be an adulterer in his
         | wife's bosom, though he seek not strange women" (from a
         | sermon). "Busy old fool, unruly sun [...] saucy pedantic
         | wretch, go chide / Late school boys" (from a poem whose speaker
         | is in bed with his lover and doesn't want to have to go). "For
         | God's sake hold your tongue, and let me love". "I run to death,
         | and death meets me as fast". Etc.
         | 
         | It tells you some things about (the author's opinion of) his
         | character and writing style. "He was a splenetic satirist, all-
         | observing, all-condemning, who was also a world-class
         | flatterer/ingratiator. He had a slicing, dicing, predatory mind
         | that he applied with equal force to sex, to politics, and
         | finally to a religious vocation." His writing is intricate and
         | difficult but with flashes of forceful clarity. (See the
         | paragraph beginning "As for his poetry".) "Donne's love poetry
         | is extreme: Bodies melt, souls commingle, genders elide, death
         | is an atom away.". "The almost Tantric lover, seeking an
         | essence beyond the body, was also the yearning-for-eternity
         | preacher.".
         | 
         | The article could have confined itself more strictly to quoting
         | Donne and commenting on his life and work, I suppose. But it
         | seems _perfectly OK_ to me. It 's not very long. It gives you
         | some idea of how he sounded. It gives you some information
         | about his life and its context. It tells you what sort of poems
         | he wrote. I'm not sure it's reasonable to demand much more.
        
       | googlryas wrote:
       | Off-topic, but I recall from 22 years ago my 11th grade English
       | teacher talking about a 16-17th century English poet/author who
       | basically sword-fought his way out of Paris to escape back to
       | England. I always thought it was John Donne, but I've never been
       | able to find any kind of reference to anything of the sort. Does
       | anyone know what I'm talking about?
        
       | flenserboy wrote:
       | Donne's work is extraordinary, and best read (as with most
       | poetry) out loud. His sermons share the same language, and move
       | from dry letters on the page into living, clear thoughts when
       | heard instead of read.
        
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