[HN Gopher] Analog Devices AD1139
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       Analog Devices AD1139
        
       Author : picture
       Score  : 96 points
       Date   : 2021-11-20 07:03 UTC (15 hours ago)
        
 (HTM) web link (www.richis-lab.de)
 (TXT) w3m dump (www.richis-lab.de)
        
       | sneeeeeed wrote:
       | Great tear down but I'm more of a TDA1541 man myself.
        
       | th0ma5 wrote:
       | Really nice tear down. These digital synthesizers have been
       | really great for breathing new life into amateur radio and
       | digital single generation.
        
       | londons_explore wrote:
       | Are the traces gold plated?
        
         | jjoonathan wrote:
         | Yep. This hybrid was probably manufactured in open air, so they
         | would want gold plating to prevent it from oxidizing while
         | heated during wirebonding / die attach.
        
       | desdiv wrote:
       | Some context:
       | 
       | >The AD1139 is the first DAC offering 18-bit resolution (1 part
       | in 262,1441) and true 18-bit accuracy in a component size hybrid
       | package. A proprietary bit switching technique provides high
       | accuracy, speed and stability without compromising small size or
       | low cost.[0]
       | 
       | Just curious, I looked up the price:
       | 
       | Digikey, 1 unit: $2,449.80 USD [1]
       | 
       | Analog Devices, 100-499 units: $1706.58 USD
       | 
       | Analog Devices, 1000+ units: $1706.58 USD
       | 
       | [0]: https://www.analog.com/en/products/ad1139.html
       | 
       | [1]: https://www.digikey.com/en/products/detail/analog-devices-
       | in...
        
         | metafex wrote:
         | that's interesting, ADI doesn't even list it anymore on their
         | website but it's marked as still active. i guess it's still
         | used in some test&measurement equipment.
        
         | the__alchemist wrote:
         | There seems to be no price cap on AD components! Solid stuff at
         | a range of prices. It's sometimes tough to tell what makes the
         | super-expensive ones different. Might be a little extra
         | precision (etc) that's justified in niche cases.
        
           | MisterTea wrote:
           | I'd say volume. These are highly specialized devices which
           | require a lot of careful development. The volume might be a
           | few thousand a year if even. So seeing super high
           | speed/precision ADC's costing 1000+USD isn't so surprising.
        
           | jeffbee wrote:
           | Isn't is just market segmentation? The only people who need
           | this thing are building test equipment that costs big money
           | regardless.
        
             | coretx wrote:
             | I'd love to have one in my radio
        
               | GeorgeTirebiter wrote:
               | How could one use an 18-bit D/A in a radio? (an 18-bit
               | A/D is a different story).
        
               | madengr wrote:
               | I suppose if you were doing some PA linearization
               | techniques (e.g. digital predistortion), one could use
               | that dynamic range.
        
         | jareklupinski wrote:
         | this feels like something to throw into a satellite for
         | processing/digitizing the output from a custom image sensor?
         | 
         | or maybe some incredibly edge software-defined radio
         | application...
        
       | Pixelbrick wrote:
       | Great write up - thanks OP, I'd not seen a hybrid torn down like
       | that before.
        
       | aix1 wrote:
       | Beautiful pics. I wonder why, in a few places, there are _pairs_
       | of bonding wires connecting the same pads.
        
         | magicalhippo wrote:
         | > Beautiful pics.
         | 
         | He uses[1] Helicon Focus[2] for focus stacking.
         | 
         | A lot of these die shots are pieces of art, and also quite
         | interesting. I especially like the LTZ1000 voltage reference[3]
         | or the Thyracont Inclinos[4] which is an accelerometer without
         | moving parts. A lot of the MEMS dies are also very interesting,
         | because of their moving parts, like this[5] ADXL213.
         | 
         | [1]: https://www.eevblog.com/forum/projects/transistors-die-
         | pictu...
         | 
         | [2]: https://www.heliconsoft.com/heliconsoft-products/helicon-
         | foc...
         | 
         | [3]: https://www.richis-lab.de/REF03.htm
         | 
         | [4]: https://www.richis-lab.de/MEMS_04.htm
         | 
         | [5]: https://www.richis-lab.de/ADXL213.htm
        
         | FPGAhacker wrote:
         | I'm speculating but when I've seen it in the past it was for
         | handling higher current.
         | 
         | In this case I'm wondering if it's used to maintain better
         | control of the voltage gradient on a pad.
        
           | ejiblabahaba wrote:
           | Sometimes it's to handle higher currents, other times it's to
           | reduce the bond wire inductance and improve the high-
           | frequency response. For power pins it can be both. Especially
           | for a multi-chip module with some digital circuitry, there's
           | potential for high-frequency digital transients that need
           | nearby decoupling capacitors through low-inductance loops, or
           | the transistor switching noise can pollute other copackaged
           | circuit supplies; amplifiers also benefit from lower
           | inductance on the supply lines since it stabilizes the
           | frequency response at higher offsets beyond the loop
           | bandwidth of any integrated supply regulation, current
           | sources, bandgap references etc. So you're essentially
           | correct, it's about voltage gradients, but probably at higher
           | frequency.
        
       | loxias wrote:
       | Really stupid question: I thought I've used a 24bit DAC, on some
       | high end sound equipment. Why is this special/noteworthy?
        
         | jeffbee wrote:
         | I doubt anyone ever shipped this DAC for digital audio
         | applications. You're right that on sheer width there have been
         | 18-bit or better DACs on the market since the 1980s. First one
         | that comes to mind is the Burr-Brown (now Texas Instruments)
         | PCM58. ADI themselves have been marketing 18-bit or better
         | audio DACs for ages, since at least the AD1860. Compare the
         | datasheet of the AD1860 to this one to see the difference
         | between a precision DC instrument and a dynamic audio DAC. This
         | one has .01% gain error while an audio DAC is rated for 2% gain
         | error (because nobody cares).
        
           | intricatedetail wrote:
           | These industrial DACs are actually brilliant for audio - They
           | retain low-end and transients much better, but it also means
           | need to be calibrated properly so that DC don't destroy
           | speakers. It's easier and cheaper to just add HPF though, but
           | sounds "worse".
        
         | makomk wrote:
         | Most "24 bit" audio DACs have a lot less than 24 bits of real
         | usable data due to the noise floor effectively burying the
         | lowest bits in garbage, and I think the noise increases at less
         | perceptually noticable frequencies too. 24 bits is used for
         | audio mainly because it's just convenient to standardise on
         | that. I think they also have a lot more non-ideal behaviour in
         | general than this, and they certainly don't have a 0.1%
         | precision voltage reference because the precise output voltage
         | range doesn't really matter for audio.
        
         | VLM wrote:
         | You can specify 144 dB of dynamic range but in practice:
         | 
         | 1) Loudness war means pro sound engineers will mix everything
         | to be full scale all the time so music has 0 dB of dynamic
         | range ideally
         | 
         | 2) Almost no one owns equipment capable of rendering 144 dB of
         | dynamic range even if they have a bit stream specifying it. So
         | if a quiet near silent room is 30 dBA where you hear your own
         | heartbeat and OSHA permissible exposure limit is 90 dBA its
         | only 60 dB of dynamic range between "too quiet to hear" and "so
         | loud you legally need earplugs" so you'll be throwing out about
         | 84 dB of theoretical dynamic range anyway even if you owned
         | gear capable of rendering it. Note that its very hard to buy
         | audio amplifiers capable of more than 90 dB or so SNR even if
         | just hooked up to test equipment, nothing on the market capable
         | of 144 dB, so either the bottom end will be lost in the hiss or
         | the high end will be distorted into unrecognizability.
         | 
         | 3) Then you get into topics like power supply rejection ratio.
         | A "bad" amp would pass noise from the power supply thru. A
         | "better" amp rejects more noise from the power supply. A good
         | way to look at it is the hummmmm and crackle and stuff that you
         | hear on a bad old tube amp could be modeled as a very large
         | value attenuator directly connecting the power supply to the
         | output. With 1970s tech and capacitors, 80 dB was considered
         | pretty good PSRR. The very top end newest class D amps can just
         | barely exceed 100 dB PSRR under idealized testing conditions.
         | So at full blast (which would just blow your eardrums out
         | anyway) everything more than 100 dB down from peak will merely
         | be power supply noise passed thru the system.
         | 
         | Its kind of like I can spec a piece of wood to 1.5875mm thick.
         | And then convert it to imperial inch measurements. If the best
         | measurement tool I have to measure wood, is a carpenters tape
         | measure ruled to eighths of inches, the best measurement I can
         | do to render those five digits of precision is "about half a
         | division" on that tape measure. The five digits of precision in
         | the mm figure imply I should be using a calibrated micrometer
         | to measure that thickness, but if you assume technology hasn't
         | invented them yet, then there's little point in spec a digital
         | calculated measurement to five digits of mm precision. Likewise
         | I can make a string of binary 1 and 0 that theoretically can be
         | understood or mathematically proven to imply 144 dB of sound
         | precision, but even in 2021 electronics hardware doesn't exist
         | to reliably repeatedly and provably render those 1 and 0 into
         | sound, at least not at audio rates.
         | 
         | Note that 2 to the power of 24 is a eight digit number,
         | implying you're operating at tens of ppb. NIST has really nice
         | new Josephson junction standards capable of reliably operating
         | at tenths of ppb. So you're very optimistically trying to field
         | gear operating at only a hundred times less accurate than the
         | best lab in the entire world can currently measure. Good luck
         | with that. That's why nobody sells voltmeters with more than 8
         | or so digits of precision, if the world standard calibration
         | system only has ten digits on its best days, no point building
         | voltmeter hardware displaying 12 or 15 digits LOL. We don't
         | really have the technology to do 24 bit accurate voltages out
         | in the field right now. So if we can't build or calibrate
         | testing gear significantly better than 24 bits, like to 32 or
         | so bits perhaps, there's no way to actually measure and tell if
         | 24 bit gear is accurately precisely repeatedly working to 24
         | actual bits of precision. Maybe your audio gear is distorting
         | in a subtle fashion and only operating to 22 noise free bit and
         | the last two bits are essentially a RNG or stuck on/off or
         | otherwise no relationship with reality; very few electronics
         | labs in the entire world have the gear to prove that claim true
         | or false.
        
         | magicalhippo wrote:
         | Not all DACs are equal.
         | 
         | Even average soundcards sport a 24bit DAC. However they're
         | designed for a dynamic output so tend to have quite crap DC
         | precision. What matters to a soundcard is producing a precise
         | waveform, not a precise DC voltage.
         | 
         | This part is designed for DC level setting, ie a programmable
         | reference voltage. Typically it won't change that often
         | (compared to a soundcard), but it needs to be precise.
         | 
         | For example, compare the AD5791[1], a 20-bit DAC with 1LSB DC
         | accuracy costing $40 in 1000 qty, to a 24bit audio DAC like the
         | AD1955[2] costing about $7. The datasheet for the audio DAC
         | doesn't even specify the DC precision, only a 6% gain error
         | from the output buffer.
         | 
         | [1]: https://www.analog.com/en/products/ad5791.html
         | 
         | [2]: https://www.analog.com/en/products/ad1955.html
        
           | mastax wrote:
           | On the other hand if all you care about is DC precision you
           | can use a very simple, though not necessarily easy, circuit.
           | You need a stable voltage derived from a stable voltage
           | reference, and a stable clock to PWM that stable voltage.
           | Then you "just" low-pass filter the heck out of the PWM to
           | get an adjustable DC value, and calibrate out any offsets.
           | I've seen this used in adjustable voltage standards (forget
           | which) and the venerable Fluke 5700A Multifunction
           | Calibrator[0].
           | 
           | [0]: https://www.youtube.com/watch?v=qhr6h7wuqo0
        
         | LeoPanthera wrote:
         | I believe this chip was first available in 1989. It's old
         | technology.
        
           | loxias wrote:
           | Ahh, so this is a "remember this?" post. Got it. Thanks :)
        
             | sitkack wrote:
             | old technology is not bad technology.
        
       | londons_explore wrote:
       | When was this released?
        
         | Renaud wrote:
         | Looks like it's as least as old as the 90s. Found a picture of
         | one sporting a 9943 date code. The one in the article is from
         | 2002.
         | 
         | Analog still lists them in production!
        
           | tpmx wrote:
           | The datasheet PDF doesn't contain an obvious date, but it's
           | is clearly scanned and it also contains a sample circuit for
           | connecting it to an IBM PC via the ISA bus. So somewhere
           | between 1981 and 1995, perhaps.
           | 
           | There's a document id on the last page that may indicate it's
           | from 89.
           | 
           | https://www.analog.com/media/en/technical-
           | documentation/data...
        
       | sydthrowaway wrote:
       | AD make some good chips. Along with Realtek they kickstarted the
       | SDR revolution. No hype or trite SaaS products here, just good
       | old school engineering.
       | 
       | If only they paid like they sold ads.
        
         | analog31 wrote:
         | I work in mostly "hardware" development. Long ago I made peace
         | with the fact that there would always professions that pay more
         | than mine, for doing things that I can't comprehend.
        
           | madengr wrote:
           | Ha ha, and you are doing things for less that they can't
           | comprehend. Oh well, RF EE myself.
        
         | artemonster wrote:
         | it annoys me to an unbelievable levels that all that CRUD SaaS
         | crap is called "tech" nowadays.
        
           | anthomtb wrote:
           | It's annoying for sure. But, in fairness to those SAAS apps,
           | "tech", as recognized by the mass audience, is short for
           | information technology. Meaning conveying knowledge to
           | another person as efficiently as possible. So that lame-
           | sounding SAAS app might really be a small leap forward in
           | transfer of knowledge. Even if the underlying implementation
           | is something a high school student could figure out.
        
           | auxym wrote:
           | We're veering pretty far off-topic, but, as a mechanical
           | engineer working in research, yes.
           | 
           | Develop a new ceramic material for advanced turbofan engines?
           | Not tech.
           | 
           | Web front end? Oh yeah, tech.
        
             | omneity wrote:
             | Isn't that just called engineering?
        
               | jhgb wrote:
               | No, technology is the application of science and other
               | knowledge to achieve practical goals. It started with
               | agriculture, metallurgy, etc. thousands of years ago.
        
           | loxias wrote:
           | But think of the epic problems they needed to solve to get
           | the protocol implemented using websockets in javascript so it
           | can run in the iframe on the mobile browsers! Such
           | engineering prowess! </sarcastic>
        
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       (page generated 2021-11-20 23:02 UTC)